'MARINO MARINI' - pdf catalogue - Adam Gallery

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28. Le Cheval au manègeLithograph in colours on Arches paperUnsigned artist’s proof aside from edition of 50 1953Image: 56 x 40cm, Sheet: 66 x 50.5cmGuastalla L44.Published by Gérald Cramer, Geneva.Printed by Mourlot, ParisProvenance: Eric Moulot, New York
29. Chevaux et Cavaliers (Chevaux et Cavaliers, Plate VII)Lithograph in colours on Arches paperSigned in pencil and inscribed E.A. 1/10 1972Image: 36.5 x 49.5cm, Sheet: 50 x 65cmGuastalla L110.Published by Société Internationale d’Art XX Siècle, Paris and Léon Amiel, New York.Printed by Mourlot, Paris
Page 3 and 4: a d a mg a l l e r yMARINO MARINI19
Page 5 and 6: Marini’s great subject was the ho
Page 8: 2. CavalloInk on boardSigned in ink
Page 12 and 13: 4. OrrizonteLithograph in colours o
Page 14 and 15: 6. Chevaux et Cavaliers (Chevaux et
Page 16 and 17: 8. Fondale (From Marino to Stravins
Page 18 and 19: 10. La CadutaEtching, dry-point and
Page 20 and 21: 12. Le Sacre du PrintempsLithograph
Page 22 and 23: 14. Cavalier sur fond ocreLithograp
Page 24 and 25: 16. Dancer IEtching and coloured aq
Page 26 and 27: 18. Danza Minima II (Personaggi, Pl
Page 28 and 29: 20. Chevaux et Cavaliers (Chevaux e
Page 30 and 31: 22. Il Grido (Selezione II, Plate I
Page 32 and 33: 24. Marino From GoetheEtching and c
Page 34 and 35: 26. Aciere BluLithograph in colours
Page 38: Selected Biography & Exhibitions190

'MARINO MARINI' - pdf catalogue - Adam Gallery

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