Reason Ref - SampleKings

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7 Common Operations and Concepts8 About this manual8 About this Chapter8 Conventions in the Manual8 Making Settings9 Tool Tips10 Context menus10 Undo11 Window Techniques15 Audio basics16 About this chapter16 How Reason communicates with your audio hardware18 General Information20 PC Specific Information20 Mac Specific Information21 Sounds, Devices and Patches22 Introduction22 Rack device procedures26 A Quick Note on Routing29 About patches32 About ReFills33 Using the Browser45 Routing Audio and CV46 About the various signals that can be routed46 About Cables47 Automatic Routing48 Manual Routing49 Using CV and Gate51 The Sequencer52 Introduction52 Sequencer basics61 Recording64 Recording automation69 About the toolbar70 About Snap70 Editing clips in Arrange mode78 The Edit mode89 Tool window - Tools page note editing functions92 Copying patterns to sequencer tracks94 Automating tempo and time signature96 Importing and Exporting MIDI Files97 The ReGroove Mixer98 Introduction98 The ReGroove Mixer102 Groove Settings104 Working with grooves106 Groovy tips & tricks107 The ReGroove patches in the Factory Sound Bank109 Remote - Playing and controlling Reason devices110 About the various MIDI inputs110 About Remote110 Setting up112 Remote basics113 Locking a surface to a device115 Remote Override117 Additional Remote Overrides...118 Keyboard Control119 Saving Remote Setups121 Advanced MIDI - the External Control Bus inputs122 About the External Control Bus inputs2TABLE OF CONTENTS
123 Using Reason as a ReWire Slave124 About this Chapter124 Why use Reason with ReWire?124 Introducing ReWire!125 Launching and Quitting125 Using the Transport and Tempo Controls125 Synchronization126 Routing Audio126 Routing MIDI via ReWire 2127 Converting ReWire Channels to Audio Tracks127 Details About Various ReWire Hosts129 Synchronization130 ReWire users – Read This!130 What is Synchronization and MIDI Clock?130 Slaving Reason to an External Device131 Slaving Reason to Another Program on the Same Computer131 Synchronization Considerations133 Song File Handling134 About Self-contained Songs135 Song Information136 Saving a Song136 Publishing a Song136 Opening a Song136 Closing a Song136 Creating a New Song136 Creating a Default Song137 Exporting as an Audio File139 Optimizing Performance140 Introduction140 Optimization and Output Latency141 Optimizing Your Computer System142 Optimizing Songs143 Songs and Memory Requirements145 Transport Panel146 Overview149 Reason Hardware Interface150 Introduction150 MIDI In Device150 Audio Out151 The Combinator152 Introduction152 Creating Combinator devices153 Combinator elements153 About internal and external connections155 Adding devices to a Combi156 Combi handling157 Sequencer tracks and playing Combis157 The Controller panel158 Using the Programmer163 The Mixer164 Introduction164 The Channel Strip166 The Mixer signal flow166 About the EQ modes166 The Auxiliary Return Section166 The Master Fader167 Connections168 Chaining Mixers169 The Line Mixer 6:2170 Introduction170 Channel parameters170 The Auxiliary Return Section170 Master level171 Connections173 Redrum174 Introduction174 About File Formats175 Using Patches176 Programming Patterns180 Redrum Parameters183 Using Redrum as a Sound Module183 ConnectionsTABLE OF CONTENTS3
Page 1 and 2: Operation Manual
Page 3: D Table of Contents
Page 7 and 8: 315 ReBirth Input Machine316 Introd
Page 9 and 10: 1D Common Operations and Concepts
Page 11 and 12: Multi Mode SelectorsSome parameters
Page 13 and 14: About Multiple UndosThe concept of
Page 15 and 16: D You can also click and drag with
Page 17 and 18: 2D Audio basics
Page 19 and 20: About Sample Rates and ResolutionsS
Page 21 and 22: What is acceptable?Normally, hardwa
Page 23 and 24: 3D Sounds, Devices and Patches
Page 25 and 26: Selecting devicesSome operations (e
Page 27 and 28: Naming devicesEach device has a “
Page 29 and 30: Routing an Insert Effect between th
Page 31 and 32: Hiding and Showing CablesYou can ch
Page 33 and 34: Saving device settings as patches o
Page 35 and 36: | File type | Extension | Descripti
Page 37 and 38: Show pop-up menuLocations listThis
Page 39 and 40: About hierarchic and flat listsIn c
Page 41 and 42: Create Instrument/Create EffectThis
Page 43 and 44: Using Favorites - a practical examp
Page 45 and 46: D For the files you have found (sta
Page 47 and 48: 4D Routing Audio and CV
Page 49 and 50: Color CodingCables are color coded
Page 51 and 52: Using pop-up menus1. Click (or righ
Page 53 and 54: 5D The Sequencer
Page 55 and 56:
Track typesThere are three basic tr
Page 57 and 58:
D To solo a track, click the corres
Page 59 and 60:
Rack vs. Sequencer scroll focusReas
Page 61 and 62:
Transport controls - overviewThe tr
Page 63 and 64:
RecordingSetting up for recordingBe
Page 65 and 66:
Basic note lane handlingAdding note
Page 67 and 68:
Recording performance controller au
Page 69 and 70:
D If the device that you wish to au
Page 71 and 72:
Recording pattern changesIf your so
Page 73 and 74:
To select multiple clips in Arrange
Page 75 and 76:
Deleting clipsD To delete a clip, s
Page 77 and 78:
D If you select a clip, two value f
Page 79 and 80:
Inserting and Removing BarsWhen edi
Page 81 and 82:
The Edit mode elementsIn Edit mode,
Page 83 and 84:
Drawing NotesNotes are drawn and ed
Page 85 and 86:
Editing velocityThe velocity values
Page 87 and 88:
D You can also remove automation la
Page 89 and 90:
Editing performance controller auto
Page 91 and 92:
Tool window - Tools pagenote editin
Page 93 and 94:
Legato AdjustmentsThis function can
Page 95 and 96:
Redrum notesWhen you use this funct
Page 97 and 98:
Automating time signature1. Set the
Page 99 and 100:
6D The ReGroove Mixer
Page 101 and 102:
Anchor PointNormally, all groove pa
Page 103 and 104:
Groove AmountUse this fader to adju
Page 105 and 106:
Velocity ImpactThis determines the
Page 107 and 108:
7. Turn the Slide knob back to its
Page 109 and 110:
The ReGroove patches in theFactory
Page 111 and 112:
7D Remote - Playing and controlling
Page 113 and 114:
6. An image of the selected control
Page 115 and 116:
The “Control Surface Details” d
Page 117 and 118:
Remote OverrideRemote Override allo
Page 119 and 120:
Additional RemoteOverrides...D Patc
Page 121 and 122:
Saving Remote SetupsThere’s no ne
Page 123 and 124:
8D Advanced MIDI - the External Con
Page 125 and 126:
9D Using Reason as a ReWire Slave
Page 127 and 128:
Launching and QuittingWhen using Re
Page 129 and 130:
Converting ReWireChannels to Audio
Page 131 and 132:
10D Synchronization
Page 133 and 134:
Slaving Reason to AnotherProgram on
Page 135 and 136:
11D Song File Handling
Page 137 and 138:
Song InformationSelecting the Song
Page 139 and 140:
1. Select New from the File menu to
Page 141 and 142:
12D Optimizing Performance
Page 143 and 144:
General procedureThe basic procedur
Page 145 and 146:
RedrumD Do not use the Tone feature
Page 147 and 148:
13D Transport Panel
Page 149 and 150:
Tempo and Time SignatureTo round of
Page 151 and 152:
14D Reason Hardware Interface
Page 153 and 154:
15D The Combinator
Page 155 and 156:
Combinator elementsIn the picture b
Page 157 and 158:
Adding devices to a CombiAbout the
Page 159 and 160:
Deleting devices in a CombiThis wor
Page 161 and 162:
1. Make sure the Combinator track h
Page 163 and 164:
2. Click in the Target column for t
Page 165 and 166:
16D The Mixer
Page 167 and 168:
Channel Strip Controls:| Item | Des
Page 169 and 170:
ConnectionsAuxiliary (AUX) ReturnsA
Page 171 and 172:
17D The Line Mixer 6:2
Page 173 and 174:
ConnectionsAll input and output con
Page 175 and 176:
18D Redrum
Page 177 and 178:
Using PatchesWhen you create a new
Page 179 and 180:
D To select a pattern in the curren
Page 181 and 182:
D Applying flam to several consecut
Page 183 and 184:
D If the Vel knob is set to zero (m
Page 185 and 186:
Using Redrum as a SoundModuleConnec
Page 187 and 188:
19D Subtractor Synthesizer
Page 189 and 190:
Here follows a brief description of
Page 191 and 192:
Phase Offset ModulationA unique fea
Page 193 and 194:
The Filter SectionD 12 dB Lowpass (
Page 195 and 196:
Filter 1 FrequencyThe Filter Freque
Page 197 and 198:
Filter Envelope AmountThis paramete
Page 199 and 200:
Play ParametersThis section deals w
Page 201 and 202:
About the Low Bandwidth buttonThis
Page 203 and 204:
20D Thor Polysonic Synthesizer
Page 205 and 206:
The Controller panelThe Controller
Page 207 and 208:
D There are three open Oscillator s
Page 209 and 210:
D The Arrow button in the top left
Page 211 and 212:
Multi oscillatorNoise oscillatorThi
Page 213 and 214:
Filter slotsD The “VEL” paramet
Page 215 and 216:
D The ENV-VEL-KBD knobs affect the
Page 217 and 218:
Global sectionThe Global section co
Page 219 and 220:
The upper half of the menu contains
Page 221 and 222:
Modulation Sources - GlobalThe foll
Page 223 and 224:
| Parameter | DescriptionStep Seque
Page 225 and 226:
Setting the number of stepsD You ca
Page 227 and 228:
21D Malström Synthesizer
Page 229 and 230:
The Oscillator sectionD To select a
Page 231 and 232:
The Modulator sectionThe Malström
Page 233 and 234:
D To activate/deactivate a filter,
Page 235 and 236:
The ShaperD NoiseThis is actually n
Page 237 and 238:
Both oscillators with one filter ea
Page 239 and 240:
LegatoThe Velocity controlsBy click
Page 241 and 242:
Sequencer ControlThe Sequencer Cont
Page 243 and 244:
22D NN-19 Sampler
Page 245 and 246:
About Audio File FormatsThe NN-19 c
Page 247 and 248:
Creating Key ZonesA “key zone”
Page 249 and 250:
Looping SamplesAutomap SamplesIf yo
Page 251 and 252:
The Filter Section! Note that the F
Page 253 and 254:
SyncBy clicking this button you act
Page 255 and 256:
Voice SpreadThis parameter can be u
Page 257 and 258:
23D NN-XT Sampler
Page 259 and 260:
Loading Complete Patchesand REX Fil
Page 261 and 262:
All of these knobs change the value
Page 263 and 264:
Selections and Edit FocusAlmost all
Page 265 and 266:
Adjusting ParametersAdjusting Synth
Page 267 and 268:
Replacing a SampleTo replace the sa
Page 269 and 270:
Working with Key RangesAbout Key Ra
Page 271 and 272:
Moving Zones by Dragging the Zone B
Page 273 and 274:
Tuning Samples ManuallyIn addition
Page 275 and 276:
• Zones with any other velocity r
Page 277 and 278:
Sample Parameters• The NN-XT then
Page 279 and 280:
Legato and RetrigLegatoLegato works
Page 281 and 282:
The Pitch sectionThe Filter Section
Page 283 and 284:
D SustainThe Sustain parameter dete
Page 285 and 286:
Mode (LFO 1 only)This lets you set
Page 287 and 288:
24D Dr. Rex Loop Player
Page 289 and 290:
Adding a LoopTo add a loop into the
Page 291 and 292:
Slice HandlingEditing in the Wavefo
Page 293 and 294:
Filter FrequencyThe Filter Frequenc
Page 295 and 296:
Pitch Bend and Modulation WheelsSet
Page 297 and 298:
25D Matrix Pattern Sequencer
Page 299 and 300:
Programming PatternsPattern BasicsM
Page 301 and 302:
4. Click inside the upper grid sect
Page 303 and 304:
Setting Pattern LengthPattern Shuff
Page 305 and 306:
Example UsageAs mentioned previousl
Page 307 and 308:
26D RPG-8 Arpeggiator
Page 309 and 310:
4. With MIDI input directed to the
Page 311 and 312:
Rendering arpeggio notes to trackTh
Page 313 and 314:
Single Note RepeatSingle Note repea
Page 315 and 316:
CV connectionsOn the back of the RP
Page 317 and 318:
27D ReBirth Input Machine
Page 319 and 320:
RoutingWhen the two programs are sy
Page 321 and 322:
28D BV512 Vocoder
Page 323 and 324:
Setting up for basicvocodingThis tu
Page 325 and 326:
Using the BV512 as anequalizerThe B
Page 327 and 328:
ConnectionsThe back panel of the BV
Page 329 and 330:
D For a more distinct and precise s
Page 331 and 332:
D Connect the gate outputs on a Red
Page 333 and 334:
Creating a stereo reverbWhat you’
Page 335 and 336:
29D The Effect Devices
Page 337 and 338:
The MClass effectsThe MClass packag
Page 339 and 340:
The MClass CompressorThis is a sing
Page 341 and 342:
The MClass MaximizerScream 4 Sound
Page 343 and 344:
FeedbackModulateWarpDigitalScreamTh
Page 345 and 346:
Tips and tricksDon’t restrict you
Page 347 and 348:
The main panelReverb algorithms and
Page 349 and 350:
PlateA classic plate reverb, excell
Page 351 and 352:
The EQ sectionThe Gate sectionThe e
Page 353 and 354:
RV-7 Digital ReverbReverb adds ambi
Page 355 and 356:
D-11 Foldback DistortionECF-42 Enve
Page 357 and 358:
Pattern Controlled Filter - An Exam
Page 359 and 360:
PH-90 PhaserThe PH-90 Phaser is a c
Page 361 and 362:
PEQ-2 Two Band ParametricEQCV Input
Page 363 and 364:
Spider CV Merger & SplitterFor inst
Page 365 and 366:
Splitting CVTwo CV Split Inputs (A
Page 367 and 368:
30D Menu and Dialog Reference
Page 369 and 370:
Song Information...To add a splash
Page 371 and 372:
D All controller data in the MIDI f
Page 373 and 374:
D If you copy and paste several dev
Page 375 and 376:
1. Select all samples that belong t
Page 377 and 378:
Automap ZonesThis menu item is used
Page 379 and 380:
Combine/UncombineD By selecting sev
Page 381 and 382:
Crop Events to ClipsNotes or automa
Page 383 and 384:
1. Select New from the File menu to
Page 385 and 386:
Output Latency & Buffer SizeThe Out
Page 387 and 388:
If your control surface model isn
Page 389 and 390:
Options MenuInternal Sync/MIDI Cloc
Page 391 and 392:
Window Menu (WindowsVersion)Window
Page 393 and 394:
D Index
Page 395 and 396:
CombinatorAdding devices 155Bypass
Page 397 and 398:
KKey CommandsSyntax in Manual 8Tran
Page 399 and 400:
Pre-Align (ReGroove Mixer) 101Pre-c
Page 401 and 402:
SongsCreating Default 136Creating N
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