Reason Ref - SampleKings

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185 Subtractor Synthesizer186 Introduction186 The Oscillator Section191 The Filter Section194 Envelopes - General195 LFO Section197 Play Parameters199 External Modulation200 Connections201 Thor Polysonic Synthesizer202 Introduction202 Thor elements203 The Controller panel204 Using the Programmer216 Modulation bus routing section221 Step Sequencer224 Connections225 Malström Synthesizer226 Introduction227 The Oscillator section229 The Modulator section230 The Filter section234 Routing236 The play controls238 Connections239 Routing external audio to the filters241 NN-19 Sampler242 Introduction242 General Sampling Principles243 About Audio File Formats244 About Key Zones and Samples247 Automap Samples248 NN-19 Synth Parameters251 Play Parameters253 Connections255 NN-XT Sampler256 Introduction256 Panel Overview257 Loading Complete Patches and REX Files258 Using the Main Panel259 Overview of the Remote Editor panel260 About Samples and Zones261 Selections and Edit Focus263 Adjusting Parameters264 Managing Zones and Samples266 Working with Grouping267 Working with Key Ranges270 Setting Root Notes and Tuning271 Using Automap272 Layered, Crossfaded and Velocity Switched Sounds274 Using Alternate275 Sample Parameters276 Group Parameters277 Synth parameters284 Connections285 Dr. Rex Loop Player286 Introduction286 About File Formats287 Adding a Loop288 Creating Sequencer Notes289 Slice Handling290 Dr.Rex Synth Parameters294 Connections295 Matrix Pattern Sequencer296 Introduction297 Programming Patterns303 Example Usage305 RPG-8 Arpeggiator306 Introduction306 Using the RPG-8309 RPG-8 Parameters313 CV connections314 Tips and tricks4TABLE OF CONTENTS
315 ReBirth Input Machine316 Introduction316 Preparations317 Routing319 BV512 Vocoder320 Introduction321 Setting up for basic vocoding323 Using the BV512 as an equalizer324 BV512 parameters325 Connections326 Automation326 Tips and tricks365 Menu and Dialog <strong>Ref</strong>erence366 <strong>Reason</strong> Menu (Mac OS X)366 File Menu370 Edit Menu386 Create Menu387 Options Menu389 Window Menu (Windows Version)389 Window Menu (Mac OS Version)390 Help/Contacts Menu391 Index333 The Effect Devices334 Common Device Features335 The MClass effects335 The MClass Equalizer336 The MClass Stereo Imager337 The MClass Compressor339 The MClass Maximizer339 Scream 4 Sound Destruction Unit344 RV7000 Advanced Reverb351 RV-7 Digital Reverb352 DDL-1 Digital Delay Line353 D-11 Foldback Distortion353 ECF-42 Envelope Controlled Filter356 CF-101 Chorus/Flanger357 PH-90 Phaser358 UN-16 Unison358 COMP-01 Auto Make-up Gain Compressor359 PEQ-2 Two Band Parametric EQ360 Spider Audio Merger & Splitter361 Spider CV Merger & SplitterTABLE OF CONTENTS5
Page 1 and 2: Operation Manual
Page 3 and 4: D Table of Contents
Page 5: 123 Using Reason as a ReWire Slave1
Page 9 and 10: 1D Common Operations and Concepts
Page 11 and 12: Multi Mode SelectorsSome parameters
Page 13 and 14: About Multiple UndosThe concept of
Page 15 and 16: D You can also click and drag with
Page 17 and 18: 2D Audio basics
Page 19 and 20: About Sample Rates and ResolutionsS
Page 21 and 22: What is acceptable?Normally, hardwa
Page 23 and 24: 3D Sounds, Devices and Patches
Page 25 and 26: Selecting devicesSome operations (e
Page 27 and 28: Naming devicesEach device has a “
Page 29 and 30: Routing an Insert Effect between th
Page 31 and 32: Hiding and Showing CablesYou can ch
Page 33 and 34: Saving device settings as patches o
Page 35 and 36: | File type | Extension | Descripti
Page 37 and 38: Show pop-up menuLocations listThis
Page 39 and 40: About hierarchic and flat listsIn c
Page 41 and 42: Create Instrument/Create EffectThis
Page 43 and 44: Using Favorites - a practical examp
Page 45 and 46: D For the files you have found (sta
Page 47 and 48: 4D Routing Audio and CV
Page 49 and 50: Color CodingCables are color coded
Page 51 and 52: Using pop-up menus1. Click (or righ
Page 53 and 54: 5D The Sequencer
Page 55 and 56: Track typesThere are three basic tr
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D To solo a track, click the corres
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Rack vs. Sequencer scroll focusReas
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Transport controls - overviewThe tr
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RecordingSetting up for recordingBe
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Basic note lane handlingAdding note
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Recording performance controller au
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D If the device that you wish to au
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Recording pattern changesIf your so
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To select multiple clips in Arrange
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Deleting clipsD To delete a clip, s
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D If you select a clip, two value f
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Inserting and Removing BarsWhen edi
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The Edit mode elementsIn Edit mode,
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Drawing NotesNotes are drawn and ed
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Editing velocityThe velocity values
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D You can also remove automation la
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Editing performance controller auto
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Tool window - Tools pagenote editin
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Legato AdjustmentsThis function can
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Redrum notesWhen you use this funct
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Automating time signature1. Set the
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6D The ReGroove Mixer
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Anchor PointNormally, all groove pa
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Groove AmountUse this fader to adju
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Velocity ImpactThis determines the
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7. Turn the Slide knob back to its
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The ReGroove patches in theFactory
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7D Remote - Playing and controlling
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6. An image of the selected control
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The “Control Surface Details” d
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Remote OverrideRemote Override allo
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Additional RemoteOverrides...D Patc
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Saving Remote SetupsThere’s no ne
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8D Advanced MIDI - the External Con
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9D Using Reason as a ReWire Slave
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Launching and QuittingWhen using Re
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Converting ReWireChannels to Audio
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10D Synchronization
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Slaving Reason to AnotherProgram on
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11D Song File Handling
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Song InformationSelecting the Song
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1. Select New from the File menu to
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12D Optimizing Performance
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General procedureThe basic procedur
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RedrumD Do not use the Tone feature
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13D Transport Panel
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Tempo and Time SignatureTo round of
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14D Reason Hardware Interface
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15D The Combinator
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Combinator elementsIn the picture b
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Adding devices to a CombiAbout the
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Deleting devices in a CombiThis wor
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1. Make sure the Combinator track h
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2. Click in the Target column for t
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16D The Mixer
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Channel Strip Controls:| Item | Des
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ConnectionsAuxiliary (AUX) ReturnsA
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17D The Line Mixer 6:2
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ConnectionsAll input and output con
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18D Redrum
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Using PatchesWhen you create a new
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D To select a pattern in the curren
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D Applying flam to several consecut
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D If the Vel knob is set to zero (m
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Using Redrum as a SoundModuleConnec
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19D Subtractor Synthesizer
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Here follows a brief description of
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Phase Offset ModulationA unique fea
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The Filter SectionD 12 dB Lowpass (
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Filter 1 FrequencyThe Filter Freque
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Filter Envelope AmountThis paramete
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Play ParametersThis section deals w
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About the Low Bandwidth buttonThis
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20D Thor Polysonic Synthesizer
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The Controller panelThe Controller
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D There are three open Oscillator s
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D The Arrow button in the top left
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Multi oscillatorNoise oscillatorThi
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Filter slotsD The “VEL” paramet
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D The ENV-VEL-KBD knobs affect the
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Global sectionThe Global section co
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The upper half of the menu contains
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Modulation Sources - GlobalThe foll
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| Parameter | DescriptionStep Seque
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Setting the number of stepsD You ca
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21D Malström Synthesizer
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The Oscillator sectionD To select a
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The Modulator sectionThe Malström
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D To activate/deactivate a filter,
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The ShaperD NoiseThis is actually n
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Both oscillators with one filter ea
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LegatoThe Velocity controlsBy click
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Sequencer ControlThe Sequencer Cont
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22D NN-19 Sampler
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About Audio File FormatsThe NN-19 c
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Creating Key ZonesA “key zone”
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Looping SamplesAutomap SamplesIf yo
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The Filter Section! Note that the F
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SyncBy clicking this button you act
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Voice SpreadThis parameter can be u
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23D NN-XT Sampler
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Loading Complete Patchesand REX Fil
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All of these knobs change the value
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Selections and Edit FocusAlmost all
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Adjusting ParametersAdjusting Synth
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Replacing a SampleTo replace the sa
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Working with Key RangesAbout Key Ra
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Moving Zones by Dragging the Zone B
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Tuning Samples ManuallyIn addition
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• Zones with any other velocity r
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Sample Parameters• The NN-XT then
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Legato and RetrigLegatoLegato works
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The Pitch sectionThe Filter Section
Page 283 and 284:
D SustainThe Sustain parameter dete
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Mode (LFO 1 only)This lets you set
Page 287 and 288:
24D Dr. Rex Loop Player
Page 289 and 290:
Adding a LoopTo add a loop into the
Page 291 and 292:
Slice HandlingEditing in the Wavefo
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Filter FrequencyThe Filter Frequenc
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Pitch Bend and Modulation WheelsSet
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25D Matrix Pattern Sequencer
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Programming PatternsPattern BasicsM
Page 301 and 302:
4. Click inside the upper grid sect
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Setting Pattern LengthPattern Shuff
Page 305 and 306:
Example UsageAs mentioned previousl
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26D RPG-8 Arpeggiator
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4. With MIDI input directed to the
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Rendering arpeggio notes to trackTh
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Single Note RepeatSingle Note repea
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CV connectionsOn the back of the RP
Page 317 and 318:
27D ReBirth Input Machine
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RoutingWhen the two programs are sy
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28D BV512 Vocoder
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Setting up for basicvocodingThis tu
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Using the BV512 as anequalizerThe B
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ConnectionsThe back panel of the BV
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D For a more distinct and precise s
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D Connect the gate outputs on a Red
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Creating a stereo reverbWhat you’
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29D The Effect Devices
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The MClass effectsThe MClass packag
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The MClass CompressorThis is a sing
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The MClass MaximizerScream 4 Sound
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FeedbackModulateWarpDigitalScreamTh
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Tips and tricksDon’t restrict you
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The main panelReverb algorithms and
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PlateA classic plate reverb, excell
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The EQ sectionThe Gate sectionThe e
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RV-7 Digital ReverbReverb adds ambi
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D-11 Foldback DistortionECF-42 Enve
Page 357 and 358:
Pattern Controlled Filter - An Exam
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PH-90 PhaserThe PH-90 Phaser is a c
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PEQ-2 Two Band ParametricEQCV Input
Page 363 and 364:
Spider CV Merger & SplitterFor inst
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Splitting CVTwo CV Split Inputs (A
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30D Menu and Dialog Reference
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Song Information...To add a splash
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D All controller data in the MIDI f
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D If you copy and paste several dev
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1. Select all samples that belong t
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Automap ZonesThis menu item is used
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Combine/UncombineD By selecting sev
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Crop Events to ClipsNotes or automa
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1. Select New from the File menu to
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Output Latency & Buffer SizeThe Out
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If your control surface model isn
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Options MenuInternal Sync/MIDI Cloc
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Window Menu (WindowsVersion)Window
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D Index
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CombinatorAdding devices 155Bypass
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KKey CommandsSyntax in Manual 8Tran
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Pre-Align (ReGroove Mixer) 101Pre-c
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SongsCreating Default 136Creating N
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