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Gaston Bachelard 'The Poetics of Space' - WordPress.com

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15 the house. from cellar to garret. the significance <strong>of</strong> the huthigh step. The house's entire being would open up, faithfulto our own being. We would push the door that creakswith the same gesture, we would find our way in the darkto the distant attic. The feel <strong>of</strong> the tiniest latch has remainedin our hands.The successive houses in which we have lived have nodoubt made our gestures <strong>com</strong>monplace. But we are verysurprised, when we return to the old house, after an odyssey<strong>of</strong> many years, to find that the most delicate gestures, theearliest gestures suddenly <strong>com</strong>e alive, are still faultless. Inshort, the house we were born in has engraved within usthe hierarchy <strong>of</strong> the various functions <strong>of</strong> inhabiting. We arethe diagram <strong>of</strong> the functions <strong>of</strong> inhabiting that particularhouse, and all the other houses are but variations on afundamental theme. The word habit is too worn a wordto express this passionate liaison <strong>of</strong> our bodies, which donot forget, with an unforgettable house.But this area <strong>of</strong> detailed recollections that are easily retainedbecause <strong>of</strong> the names <strong>of</strong> things and people we knewin the first house, can be studied by means <strong>of</strong> general psychology.Memories <strong>of</strong> dreams, however, which only poeticmeditation can help us to recapture, are more confused,less clearly drawn. The great function <strong>of</strong> poetry is to giveus back the situations <strong>of</strong> our dreams. The house we wereborn in is more than an embodiment <strong>of</strong> home, it is also anembodiment <strong>of</strong> dreams. Each one <strong>of</strong> its nooks and cornerswas a resting-place for daydreaming. And <strong>of</strong>ten the restingplaceparticularized the daydream. Our habits <strong>of</strong> a particulardaydream were acquired there. The house, the bedroom,the garret in which we were alone, furnished the frameworkfor an interminable dream, one that poetry alone,through the creation <strong>of</strong> a poetic work, could succeed inachieving <strong>com</strong>pletely. If we give their function <strong>of</strong> shelterfor dreams to all <strong>of</strong> these places <strong>of</strong> retreat, we may say, asI pointed out in an earlier work,1 that there exists for eachone <strong>of</strong> us an oneiric house, a house <strong>of</strong> dream-memory, thatis lost in the shadow <strong>of</strong> a beyond <strong>of</strong> the real past. I calledthis oneiric house the crypt <strong>of</strong> the house that we were born1 La terre et les rveries du "epos, p. 98. Corti. Paris.

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