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Postcolonial Feminist Theory: An Overview - Igcollege.org

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Proceedings of National Seminar on Postmodern Literary <strong>Theory</strong> and Literature , Jan. 27-28, 2012, Nandedreciprocal abuse on the side of both thecharacters. In Mala’s eyes, Shanta isresponsible for her present status . It isbecause of Shanta’s silence Mala hastransformed into a prostitute–like-figure.“It’s the silence and the betrayal of thefamily that affects me the most. Like inthis case, the mother knew her daughterwas being sexually abused by her uncle,but still chose to keep quiet. It’s thissilence that makes the abused feelbetrayed.” 04 (Santhanam,2001) Her everyattempt towards doing some thing good isa counter movement making her tomemorize her past. For Mala rememberingpast experiences are like-It’s like taking off the bandages onYour face after a bloody car crashthat left your face all scarredbeyond recognition, as if youdid not have a face at all. To wakeup after many many years, as iffrom coma… <strong>An</strong>d to let thebandagesCome off…and suddenly discovera whole new face again. All of asudden you feel that you areentitled to life. (CP II p.no. 33)be present in either man or woman.Sometimes, we also see in society, womenexploit men. That is why, the concept‘playboy’ came into existence.Dattani has presented real pictureof society. He points out that such thingsare happening with men and women ineach class, but because of the socialprestige, no voice is rest against suchissues. Dattani objects this attitude.According to him we should come outwith such problems and try to find outsolution to them.References1. Dattani, Mahesh, Collected playsVol. II (New Delhi: PenguinBooks India), 2005.2. Ibid.3. Ibid.4. Santhanam, <strong>An</strong>itha. ‘ It’s theSilence that affects me most’.2001,http://www.maheshdattani.com5. Dattani, Mahesh. Collected playsVlo. II (New Delhi: PenguinBooks India) , 2005.The constant oppression andsuppression compels Mala to degradeherself, in terms of sexual relations withmany men, from a human being to abeastly creature. For Mala, each and everyactivity of uncle Vinay, such asconvincing Mala for marriage withDeepak, giving flat, these are weapons tokeep Shanta mum. Mala is going oncursing Shanta for her present condition.Suddenly, Shanta takes a piece of glassand injures her mouth. Here, we come toknow that Shanta is also the victim ofuncle Vinay.Finally, mother and daughtercome to terms with each other. UncleVinay embraces death. Mala is of opinionthat Vinay deserves death. In this way, theplay talks abut double exploitation of Malaand Shanta, but we can’t blame each manfor this. In the play itself, on one handVinay treats both women in devilishmanner, on the other hand, Deepak tries tosupport them. Actually, sexualgratification or lust is not confined to anygender, these are animal instincts and can339 PLTL-2012: ISBN 978-81-920120-0-1

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