Art Life - University for the Creative Arts

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34‘I found thisproject mostenjoyable,incorporatingtechniquesand processesI’d learntthroughoutmy time atUCA. Havingour pieceshowcasedmeant weworkedexceptionallyhard toensure ourstandardswereexceeded.Tutors wereextremelysupportive ofour creativedecisions.’Katie Flisher currentlystudying in the first year of aBA Hons in Fine Art at UCACanterburyJess Avery ‘makes up’ for the photoshootThe students spent two days The work was exhibited atresearching in Margate and the Droit House in Margatetalked to Lucy Kirke, Audience and featured black and whiteDevelopment Assistant at prints of the final works,Turner Contemporary, about some of the original creationsthe town’s regeneration. Nick and work from the designDermott, Conservation Architect process.at Thanet District Council gave A set of postcards from thethe students a short talk about exhibition were produced,the architecture of Margate. and went on sale to theAs in the previous projects, public as well as providingstudents had to further develop the photography studentstheir communication skills with additional work for theirto support their professional portfolios. The exhibition waspractice. They also worked with so well received that a requestphotography students in the ND was made by Kent Countysecond year and Foundation Council to show the exhibitionDiploma on a photo shoot, to at County Hall, Maidstone incapture images for the exhibition. November of the same year.
Headwear by Anna Taylor, Charotte Turner and Steve WilkinsonPhoto: Luke Rumbelow‘For me, I wasinspired by theproject titleitself ‘Hats offto Margate’- maybe itshould havebeen ‘Hats Offto Turner’.I feel that it’swonderfulto restoreand updateMargate.My influencescame from themagic Margateonce had, so Ihope it can rediscoverthatmagic againthrough TurnerContemporary.’Steven Wilkinson currentlystudying in the first year fora BA Hons in DocumentaryPhotography at the University ofWales.35
Page 1 and 2: Life and ArtWork related learning i
Page 3 and 4: ChairsatMargateLife and ArtWork rel
Page 5 and 6: ContentsAbout the author 4Foreword
Page 7 and 8: ForewordBy Dr Felicity DunworthProj
Page 9 and 10: This is the story of a five-year co
Page 11 and 12: Headwear by Alice Macaulay, Dan Nic
Page 13 and 14: ChairsatMargate2-19 June 2005The fi
Page 15 and 16: A selection of the ‘chairs’ fro
Page 17 and 18: ‘The Turner project wasone of the
Page 19 and 20: PROFILEBen MiddlebrookNational Dipl
Page 21 and 22: Mitchell ScottMitchell has just com
Page 23: PROFILERosie HollidayNational Diplo
Page 27: Above: Students working the in stud
Page 30 and 31: 28The Margateproject in allfairness
Page 32 and 33: PROFILEJessica DempseyNational Dipl
Page 34 and 35: ‘It was amazing to havemy work as
Page 38 and 39: 36Top: Worksheets showed thearchite
Page 40 and 41: PROFILEAbi ClitheroeNational Diplom
Page 42 and 43: ‘Art school has definitely direct
Page 44 and 45: PROFILECarla NicolsonNational Diplo
Page 47: LettersfromMargate10-27 April 2008A
Page 50 and 51: PROFILERowan TippingNational Diplom
Page 52 and 53: PROFILEEmily HoughtonNational Diplo
Page 55 and 56: A PatternforMargate30 April - 1 May
Page 57 and 58: PROFILELorna DoyleNational Diploma
Page 59 and 60: PROFILEGeorgia CaseNational Diploma
Page 61 and 62: PROFILECharlotte LloydNational Dipl
Page 63 and 64: A section of work by Ginni Manning
Page 65 and 66: Artist’s impression of the new ga

Art Life - University for the Creative Arts

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