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fine ARTS 2009-2010 - The British School at Rome

fine ARTS 2009-2010 - The British School at Rome

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David O’KaneStills (Carol Anne), <strong>2010</strong>oil on canvas, 12 paintings from a series of 24, 50 x 40 cm each, & anim<strong>at</strong>ed HD videoStills (Carol Anne) is an install<strong>at</strong>ion of 24 paintings and an anim<strong>at</strong>ed high definition video composed of these 24 paintings as frameswithin one second. <strong>The</strong> install<strong>at</strong>ion portrays a complete rot<strong>at</strong>ion around the figure in two different media. <strong>The</strong> illusion of movementcre<strong>at</strong>ed by the anim<strong>at</strong>ion imbues the paintings with a sculptural quality th<strong>at</strong> gener<strong>at</strong>es a sp<strong>at</strong>ial depth. It is a space of perpetual motion th<strong>at</strong>vanishes when the movement stops. <strong>The</strong> difference between the anim<strong>at</strong>ed video and the install<strong>at</strong>ion of paintings is similar to the contrastbetween a fl<strong>at</strong> map of the world and a globe. Certain elements are lost in transl<strong>at</strong>ion so th<strong>at</strong> other aspects can be distinguished with gre<strong>at</strong>erclarity. <strong>The</strong> linear display of the paintings actually inverts the inward gaze, transposing the depicted reality into a panoramic frieze.<strong>The</strong> piece highlights the impossibility of an overall view. It is primarily concerned with distortions and failure inherent in the mechanicsof represent<strong>at</strong>ion and the <strong>at</strong>tempt to reconcile the discrepancies with a perceived reality. It encompasses painting, drawing, video,photography, sculpture and virtual reality either explicitly through an employment of these media or by associ<strong>at</strong>ion.<strong>The</strong> Academic of no Academy is an ongoing project composed of interviews, performances, anim<strong>at</strong>ion and still photographs. <strong>The</strong> projectexplores the various views of the enigma th<strong>at</strong> is Giordano Bruno through an organic reappraisal of history from shifting perspectives. I haveconducted several interviews with experts on Bruno such as Ingrid Rowland and Hilary G<strong>at</strong>ti. I have also filmed performances byChristopher Smith and Jacopo Benci. At present these elements take the form of a high definition video and they will be developed into alarger project in the future.36Fine Arts <strong>2009</strong>-<strong>2010</strong>

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