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Wittgenstein and Cambridge Family Resemblances

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of a piece as an infinite longitudinal strip, but possible if a cross-section is seen as<br />

a piece/a complete, definitive piece. — But then we never come to an end with<br />

our task. Quite so, since there is no end to it.<br />

Der Philosoph ist nicht Bürger einer Denkgemeinde. Das ist, was ihn zum<br />

Philosophen macht.<br />

The philosopher is not a citizen of any community of ideas. That is what makes<br />

him a philosopher.<br />

In that same year, in a draft for a lecture, he explains to his students the significance of<br />

his philosophy for science: how to ask the right questions, that is the right way to look<br />

at philosophical problems, <strong>and</strong> how to dissolve the knots in our language <strong>and</strong> in our<br />

thinking:<br />

What I should like to get you to do is not to agree with me in particular opinions<br />

but to investigate the matter in the right way. To notice the interesting kind of<br />

things (i.e. the things which will serve as keys if you use them properly).<br />

What different people expect to get from religion is what they expect to<br />

get from philosophy.<br />

I don’t want to give you a Definition of Philosophy but I should like you<br />

to have a very lively idea as to the characters of philosophical problems. If you<br />

had, by the way, I could stop/start/ lecturing at once.<br />

To tackle the philosophical problem is difficult as we are caught in the<br />

meshes of language. „Has the universe an end/beginning/ in Time“ (Einstein)<br />

You would perhaps give up Philosophy if you knew what it is. You want<br />

explanations instead of wanting descriptions. And you are therefore looking for<br />

the wrong kind of thing. Philosophical questions, as soon as you boil them down<br />

to . . . . change their aspect entirely. What evaporates is what the intellect cannot<br />

tackle.<br />

<strong>Wittgenstein</strong> <strong>and</strong> science<br />

<strong>Wittgenstein</strong>’s critique of modern science becomes particularly clear after the dropping<br />

of the atom bombs on Hiroshima <strong>and</strong> Nagasaki on the 6 th <strong>and</strong> on the 9 th of August<br />

1945. In fact, it is quite similar to that of Bertolt Brecht.<br />

On the occasion of the second performance of his historical drama “The Life of<br />

Galileo“, on the 30 th of July 1947 in Beverly Hills, Brecht extends the moral argument of<br />

his didactic play by accusing Galileo of the betrayal of science: „G gab den eigentlichen<br />

Fortschritt preis, als er widerrief, er ließ das Volk im Stich, die Astronomie wurde<br />

wieder ein Fach, Domäne der Gelehrten, unpolitisch, isoliert.“ “G ab<strong>and</strong>oned real<br />

progress when he retracted, he ab<strong>and</strong>oned the people, astronomy became a discipline<br />

again, a domain of the academics – apolitical, isolated.“ That is, Galilei relegated science<br />

from a means for everyone to underst<strong>and</strong> the world better <strong>and</strong> – with it – themselves,<br />

back into a domain for specialists. And it is only in the context of specialization that a<br />

development such as that of the atom bomb was possible; the world <strong>and</strong> everything<br />

that exists on it does not need it. When Albert Einstein, whom Brecht deeply<br />

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