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A visual Journey into the Bible - Theartofpainting.be

A visual Journey into the Bible - Theartofpainting.be

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The Deuteronomy Page: 32 / 334The Sacrifice of ManoahManoah offers a Sacrifice to GodCarle Van Loo (1705-1765). Ecole Nationale Supérieure des Beaux-Arts – Paris.1721.The angel appeared a second time and also Manoah spoke to it this time. Manoah tooka kid and offered a burnt offering to God. The angel of Yahweh ascended in <strong>the</strong>flames <strong>be</strong>fore <strong>the</strong> eyes of Manoah and his wife and <strong>the</strong>y fell with <strong>the</strong>ir face to <strong>the</strong>ground.The woman gave birth to a son and called him Samson. The boy grew up to ahandsome and strong youth.This was <strong>the</strong> story that Carle Van Loo painted in ‘Manoah’s Sacrifice’. Carlo AndreaVan Loo was born in 1705 in a family of painters, of which he represented <strong>the</strong> thirdgeneration and that would span five. His fa<strong>the</strong>r was a famous painter as well but hedied in 172, when Carle was only seven years old. Carle’s bro<strong>the</strong>r Jean-Baptiste, <strong>the</strong>ntwenty-eight and already a known painter, took care of him and that meantrecognising Carle’s great and precocious talent and training <strong>the</strong> boy <strong>into</strong> <strong>be</strong>coming agreat artist. Of all <strong>the</strong> Van Loo painters, who covered two hundred years, Carle VanLoo was <strong>the</strong> most gifted.Carle Van Loo made <strong>the</strong> painting ‘Manoah offers a Sacrifice to God’ in 1721. He wasonly sixteen <strong>the</strong>n and with this piece he tried for a first price at <strong>the</strong> Parisian Academyof painting and Sculpture. The painting is still in <strong>the</strong> ‘Ecole Supérieure des Beaux-Arts’ today and an oil picture on canvas from <strong>the</strong> same year 1721, most probably astudy for his final work is in <strong>the</strong> Museum of <strong>the</strong> town of Tours in France. The paintingwe have chosen is probably <strong>the</strong> first finished and conserved major painting of VanLoo. It is marvellous what a child of sixteen could prodigiously present.The subject of Manoah’s sacrifice is not common in painting. It is also not a story thatis well known from <strong>the</strong> bible, Manoah <strong>be</strong>ing only <strong>the</strong> fa<strong>the</strong>r of Samson. How asixteen-year old boy could come up with such a <strong>the</strong>me, whe<strong>the</strong>r he read <strong>the</strong> <strong>Bible</strong> soattentively as to <strong>be</strong> struck particularly by it, whe<strong>the</strong>r his bro<strong>the</strong>r advised him or may<strong>be</strong>a priest, remains a mystery. Carle Van Loo came from a Dutch Protestant family buthis fa<strong>the</strong>r had left <strong>the</strong> Ne<strong>the</strong>rlands and had converted to Roman Catholicism in Lyon.<strong>Bible</strong> reading may have remained a custom in <strong>the</strong> Van Loo family so that Carle knew<strong>the</strong> smaller stories and <strong>the</strong>mes of <strong>the</strong> Old Testament.Manoah sacrifices an offering to Yahweh. An angel of God had visited himself andhis wife <strong>be</strong>fore, but nei<strong>the</strong>r Manoah nor his wife had recognised an angel in <strong>the</strong>visitor. Now, in <strong>the</strong> smoke of <strong>the</strong> burnt offering to Yahweh, <strong>the</strong> angel of God showsand Manoah recognises <strong>the</strong> messenger as an emanation of god. Van Loo paintedManoah in front of <strong>the</strong> altar. The angel appears in <strong>the</strong> smoke.Carle Van Loo’s painting is eminently Baroque, even though that period was comingto an end. Carle showed Manoah with a <strong>the</strong>atrical gesture of surprise and that feelingCopyright: René Dewil Date: Octo<strong>be</strong>r 2001

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