1 Sounds, spellings andsymbols1.1 Phonetics and phonologyAlthough our species has the scientific name Homo sapiens, ‘thinkinghuman’, it has often been suggested that an even more appropriate namewould be Homo loquens, or ‘speaking human’. Many species have soundbasedsignalling systems, and can communicate with other members ofthe same species on various topics of mutual interest, like approachingdanger or where the next meal is coming from. Most humans (leavingaside for now native users of sign languages) also use sounds for linguisticsignalling; but the structure of the human vocal organs allows a particularlywide range of sounds to be used, and they are also put togetherin an extraordinarily sophisticated way.There are two subdisciplines in linguistics which deal with sound,namely phonetics and phonology, and to fulfil the aim of this book,which is to provide an outline of the sounds of various English accentsand how those sounds combine and pattern together, we will needaspects of both. Phonetics provides objective ways of describing andanalysing the range of sounds humans use in their languages. Morespecifically, articulatory phonetics identifies precisely which speechorgans and muscles are involved in producing the different sounds of theworld’s languages. Those sounds are then transmitted from the speakerto the hearer, and acoustic and auditory phonetics focus on the physicsof speech as it travels through the air in the form of sound waves, and theeffect those waves have on a hearer’s ears and brain. It follows thatphonetics has strong associations with anatomy, physiology, physics andneurology.However, although knowing what sounds we can in principle makeand use is part of understanding what makes us human, each persongrows up learning and speaking only a particular human language orlanguages, and each language only makes use of a subset of the full rangeof possible, producible and distinguishable sounds. When we turn to the1
2 AN INTRODUCTION TO ENGLISH PHONOLOGYcharacteristics of the English sound system that make it specificallyEnglish, and different from French or Welsh or Quechua, we move intothe domain of phonology, which is the language-specific selection andorganisation of sounds to signal meanings. Phonologists are interested inthe sound patterns of particular languages, and in what speakers andhearers need to know, and children need to learn, to be speakers of thoselanguages: in that sense, it is close to psychology.Our phonological knowledge is not something we can necessarilyaccess and talk about in detail: we often have intuitions about languagewithout knowing where they come from, or exactly how to express them.But the knowledge is certainly there. For instance, speakers of Englishwill tend to agree that the word snil is a possible but non-existent word,whereas *fnil is not possible (as the asterisk conventionally shows). In theusual linguistic terms, snil is an accidental gap in the vocabulary, while*fnil is a systematic gap, which results from the rules of the English soundsystem. However, English speakers are not consciously aware of thoserules, and are highly unlikely to tell a linguist asking about those wordsthat the absence of *fnil reflects the unacceptability of word-initialconsonant sequences, or clusters, with [fn-] in English: the more likelyanswer is that snil ‘sounds all right’ (and if you’re lucky, your informantwill produce similar words like sniff or snip to back up her argument), butthat *fnil ‘just sounds wrong’. It is the job of the phonologist to expressgeneralisations of this sort in precise terms: after all, just because knowledgeis not conscious, this does not mean it is unreal, unimportant or notworth understanding. When you run downstairs, you don’t consciouslythink ‘left gluteus maximus, left foot, right arm; right gluteus maximus,right foot, left arm’ on each pair of steps. In fact, you’re unlikely to makeany conscious decisions at all, below the level of wanting to go downstairsin the first place; and relatively few people will know the names ofthe muscles involved. In fact, becoming consciously aware of the individualactivities involved is quite likely to disrupt the overall process:think about what you’re doing, and you finish the descent nose-first. Allof this is very reminiscent of our everyday use of spoken language. Wedecide to speak, and what about, but the nuts and bolts of speech productionare beyond our conscious reach; and thinking deliberately aboutwhat we are saying, and how we are saying it, is likely to cause selfconsciousnessand hesitation, interrupting the flow of fluent speechrather than improving matters. Both language and mobility (crawling,walking, running downstairs) emerge in developing children by similarcombinations of mental and physical maturation, internal abilities, andinput from the outside world. As we go along, what we have learnedbecomes easy, fluent and automatic; we only become dimly aware of
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DEFINING DISTRIBUTIONS 513. Produce
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CRITERIA FOR CONTRAST 53consonant p
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CRITERIA FOR CONTRAST 55an obstruen
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CRITERIA FOR CONTRAST 57distributio
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CRITERIA FOR CONTRAST 59atically, i
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CRITERIA FOR CONTRAST 61three ways
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(6) ASPIRATION: Voiceless stops are
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CRITERIA FOR CONTRAST 65gradually m
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6 Describing vowels6.1 Vowels versu
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DESCRIBING VOWELS 69operate as diff
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DESCRIBING VOWELS 71Low vowels are
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DESCRIBING VOWELS 73This is not to
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One possible solution is to abandon
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DESCRIBING VOWELS 77be articulatori
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7 Vowel phonemes7.1 The same but di
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VOWEL PHONEMES 81by /r/. GA also la
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VOWEL PHONEMES 83r 9 NURSEi Ii 10
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VOWEL PHONEMES 85phones of those ph
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VOWEL PHONEMES 877.4 Phonetic simil
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isation of the KIT and DRESS vowels
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VOWEL PHONEMES 91which may be state
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VARIATION BETWEEN ACCENTS 93to that
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VARIATION BETWEEN ACCENTS 95vowels
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VARIATION BETWEEN ACCENTS 97Midland
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VARIATION BETWEEN ACCENTS 99bread -
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VARIATION BETWEEN ACCENTS 101in som
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VARIATION BETWEEN ACCENTS 103Recomm
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SYLLABLES 105the longest word in th
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SYLLABLES 1079.4.2 The Sonority Seq
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SYLLABLES 109(6)(a) l I t I little
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SYLLABLES 111Sequencing Generalisat
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SYLLABLES 113nations between sounds
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SYLLABLES 115first syllable of each
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10 The word and above10.1 Phonologi
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THE WORD AND ABOVE 119The interacti
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THE WORD AND ABOVE 121the onset of
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THE WORD AND ABOVE 123with the morp
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THE WORD AND ABOVE 125(6)ΣΣSΣWσ
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THE WORD AND ABOVE 127A: What are y
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THE WORD AND ABOVE 129stances, thes
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THE WORD AND ABOVE 131and phonetica
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Discussion of the exercisesChapter
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DISCUSSION OF THE EXERCISES 135writ
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ance of meaning, [ɹ] is in complem
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3. No specific answers can be given
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DISCUSSION OF THE EXERCISES 141Chap
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ReferencesAitchison, Jean (1983), T
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IndexNote: entries in bold give the
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INDEX 147larynx, 25, 26, 27lateral,