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234AcknowledgmentsSedgwick, William Ellery. “Moby Dick.” Herman Melville: The Tragedy of Mind.Cambridge, Mass.: Harvard UP, 1944. 82–136. Copyright 1944 renewed1972 by the President and Fellows of Harvard College. Reproduced bypermission.Van Ghent, Dorothy. “On A Portrait of the Artist as a Young Man.” The EnglishNovel: Form and Function. New York: Rinehart & Co., 1953. 263–76.Copyright by Meredith Publishing Company.
, Index .AAchilles. See under Iliad, TheAeneas. See under Aeneid, The“Aeneas” (Glover), 1–10Aeneid, The (Virgil), 1–10Aeneas in, 1–3, 55, 158beautifying of hero in, 4Destiny and, 6, 7Dido in, 4, 9divine will, hero and, 7fall of Troy and, 9Fate and, 5–6, 7new relation to heaven, 5Providence and, 6Roman view and, 7, 8Alasor: The Spirit of Solitude (Shelley), xiiiAlice’s Adventures in Wonderland (Carroll),11–24clearest goal, game universe, 16croquet games, 12, 13, 17–18, 19, 23dreams, play and, 23ending, interpretation of, 23game attitude and, 12–13heroism and, 11, 14language in, 12madness/sanity in, 15–16play, game theory and, 19practicality in games, 20rational games and, 20rebelliousness and, 22–23riddles and, 16self-assuredness and, 21self-love in, 19social games and, 12terms, rules and, 13, 18, 19, 20, 23transformation in, 21–22will/willfulness in, 14–15, 22, 23Amadis of Gaul, 54Ambassadors, The ( James), 171Anglo-Saxon poetry, elegiac mood in, 31Anna Karenina (Tolstoy), 132Antigone, 135, 136, 139Antony and Cleopatra (Shakespeare), 95archetypal hero, 123, 165, 213Aristotle, 2, 28epics and, 27paradox of, 3Poetics, 124Art of Poetry (Horace), 28Austen, Jane, 85–86, 183–193allusions of, 191juvenilia of, 189BBabb, Howard S., 185Baldwin, James, 75–84Battle of the Birds (story), 34Bell, Currer, 89Beowulf, 25–38, 64, 158, 163accessory matter and, 28–29, 33allusions to wars in, 29characters/types in, 31–32, 35–36, 37conclusion of, 37–38cramped narrative of, 30duality in, 27episodic dimensions of, 29, 37Finnesburh tale and, 29, 30, 31foil to, Hunferth as, 32French poets/poetry and, 28Grendel/Grendel’s mother in, 26, 28, 31,32, 33–34, 35–36, 37heroic lives/actions in, 30, 32, 33, 36Hrothgar in, 31, 34, 36monster slaying in, 31, 32, 33–34patchwork theory and, 26235
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Bloom's Literary ThemesfAlienationD
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Bloom’s Literary Themes: The Hero
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viContentsGo Tell It on the Mountai
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, Series Introduction by Harold Blo
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Series Introduction by Harold Bloom
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xivVolume Introduction by Harold Bl
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VirgilT.R. Glover argues that what
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VirgilBut perhaps the most incongru
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Virgilindividual may accept it with
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VirgilHorace. 23 Probably Virgil sh
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10Virgil(A. i. 488). It will hardly
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Alice's Adventures in Wonderland 13
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Beowulf,.“Beowulf ”by W. P. Ker
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Beowulf 27nothing beyond it, in tha
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Beowulf 29the practice of Beowulf i
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Beowulf 31important subject-matter;
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Beowulf 33that the main story is re
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Beowulf 35is matter of history that
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Beowulf 37The character and persona
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David Copperf ield(Charles Dickens)
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David Copperfield 41another version
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David Copperfield 43with abilities
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David Copperfield 45‘dearest girl
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David Copperfield 47She would marry
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David Copperfield 49‘domestic joy
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52Miguel de Cervantesromances of ch
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54Miguel de Cervantessaying, ‘it
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56Miguel de CervantesA wonderful th
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58Miguel de Cervantesdanger of bein
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60Miguel de Cervantesof those who c
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62Miguel de CervantesSome of them,
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64The Epic of Gilgameshtraditional
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66The Epic of Gilgameshuntil I kill
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68The Epic of GilgameshHumbaba. Rem
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70The Epic of Gilgamesh“Match”
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72The Epic of Gilgameshhis immortal
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74The Epic of GilgameshMason, Herbe
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76James BaldwinThe best of Baldwin
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78James Baldwingeneration, born rou
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80James BaldwinThe Negro child, rej
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82James Baldwincould only come from
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Jane Eyre(Charlotte Brontë),.“Ja
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Jane Eyre 87Jane Eyre is a Bildungs
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Jane Eyre 89narrow-minded in their
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Jane Eyre 91tant pattern that will
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Jane Eyre 93ends, they have been ma
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Julius Caesar(William Shakespeare),
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Julius Caesar 97a loyal Roman who d
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Julius Caesar 99Brutus now orders h
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Julius Caesar 101the relationship b
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Julius Caesar 103Like Sophocles’s
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Julius Caesar 105tion in purely aes
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108J.R.R. TolkienOne function of my
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110J.R.R. Tolkiena very uncomfortab
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112J.R.R. Tolkienits sheath, tighte
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114J.R.R. Tolkien“Thank goodness,
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116J.R.R. TolkienHowever, by the ti
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118J.R.R. Tolkienin which the defen
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120J.R.R. Tolkienelsewhere of “Go
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A Man for All Seasons(Robert Bolt),
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A Man for All Seasons 125and his co
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A Man for All Seasons 127he rises f
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A Man for All Seasons 129Like water
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Middlemarch(George Eliot),.“Middl
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Middlemarch 133imaginative concerns
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Middlemarch 135Ladislaw, he says:
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Middlemarch 137But what if Dorothea
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Middlemarch 139A new Theresa will h
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142Herman Melvilleentrust his deare
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144Herman Melvillecomes at last to
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146Herman Melvillehis defiance. “
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148Herman MelvilleI am cold myself
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150Herman Melvillesheer strength of
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152Herman Melville“If any of thos
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154Herman Melvillerestored. He is i
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The Odyssey(Homer),.“The Man of M
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The Odyssey 159Through all the “c
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The Odyssey 161sense men get exactl
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The Odyssey 163that Ithaca affords
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The Odyssey 165Ogygia is joyful for
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A Portrait of the Artistas a Young
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A Portrait of the Artist as a Young
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Page 198 and 199: 184Jane Austenthe novel, only to ju
Page 200 and 201: 186Jane AustenBut the beauties of C
Page 202 and 203: 188Jane AustenOn two occasions, I b
Page 204 and 205: 190Jane Austenas well as because of
Page 206 and 207: 192Jane Austenselves. This drama of
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Page 222 and 223: 208Harper Leeadding that society ne
Page 224 and 225: 210Harper Leebeing, and he will not
Page 226 and 227: 212Harper LeeThat Atticus clearly d
Page 229 and 230: The Woman Warrior: Memoirs of aGirl
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Page 240 and 241: 226Eudora Weltymotif: the protagoni
Page 242 and 243: 228Eudora Weltyher head) and househ
Page 244 and 245: 230Eudora Weltywill do nothing to i
Page 246 and 247: 232Eudora WeltyHeilbrun, Carolyn G.
Page 250 and 251: 236Indexplot of, 32stories of old t
Page 252 and 253: 238IndexHartsock, Mildred, 96, 104H
Page 254 and 255: 240IndexMoby-Dick (Melville), xiv,
Page 256: 242IndexTTempest, The (Shakespeare)
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