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View publication (pdf file 6.5 mb) - Erik Thomsen

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25Kyokusai 旭 斎 (ac. 1910 – 40)Flower Basket 花 籠Shōwa Period (1926 – 89), dated 1937H 17" × L 9 ¼" × W 7"(43.3 cm × 23.5 cm × 18 cm)Ikebana flower basketSusudake ba<strong>mb</strong>oo and rattanIncised signature on the bottom:Kyokusai saku »Made by Kyokusai«Box inscription, inside: Hanakago »Flower Basket«and Kyokusai saku »Made by Kyokusai« with a rectangularred seal mark reading Kyokusai. DatedApril, 12th year of Shōwa (=1937).For a basket of similar shape and constructionusing light-colored ba<strong>mb</strong>oo, see Japanese Ba<strong>mb</strong>ooBaskets: Masterworks of Form & Texture from theCollection of Lloyd Cotsen (Los Angeles: CotsenOccasional Press, 1999), item nu<strong>mb</strong>er 210, entitledMagaki or »Fence.«Kyokusai is believed to have studied under SuzukiKyokushōsai 鈴 木 旭 松 斎 and to have worked inTokyo from the Taishō to early Shōwa periods.This elegant masterpiece follows the Sensuji gumior thousand-line construction, with parallel rows ofnarrow susudake ba<strong>mb</strong>oo strips held together bylines of rattan plaiting. Looking closely, one noticesthat Kyokusai cleverly arranged the ba<strong>mb</strong>oo stripsso that the nodes appear on the bottom only. Thisarrangement keeps the sides smooth withoutdistracting irregularities and reinforces the pure,minimalist design.88 89

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