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Teach Yourself Adobe Photoshop CS2.pdf - Online Public Access ...

Teach Yourself Adobe Photoshop CS2.pdf - Online Public Access ...

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This document was created by an unregistered ChmMagic, please go to http://www.bisenter.com to register it. Thanks .the color section and take a look at the example provided.Every color on the wheel has an opposite. If you follow the line from one color through the center of the wheel, you reach its opposite. Cyanis opposite to red; green is opposite to magenta; and yellow is opposite to blue. When you use the Color Balance dialog box to adjustcolors in a picture, you're adding more of the color opposite to the one you want to reduce. Increasing the cyan reduces red. Increasing redreduces cyan, and so on, around the wheel.Figure 6.9 shows the Color Balance dialog box. Color Balance is intended to be used for general color correction rather than for correctingspecific parts of an image, although you can use it that way by selecting only the part to correct. It's especially helpful if you have ascanned image that is off-color, such as an old, yellowed photograph. It's very simple to apply the Color Balance tools to remove the yellowwithout altering the rest of the picture.Figure 6.9. Move the sliders in the direction of the color you want to add.In addition to Color Balance, you can use the sliders to adjust tone balance. As with the Variations dialog box described earlier, you canconcentrate your efforts on adjusting shadows, midtones, or highlights by clicking the appropriate button.Try it <strong>Yourself</strong>Apply Color BalanceColor balance can rescue pictures that have faded, and it can turn red roses blue or blue ducks red. It's fun to play with.1. Select the image or portion of the image to correct. Open the Color Balance dialog box by choosing ImageAdjustmentsColor Balance or pressing Command+B (Mac) or Control+B (Windows).2. Choose Shadows, Midtones, or Highlights. Generally it's advisable to start with midtones, if you are correcting thewhole picture, because the midtones comprise 90% of an image.

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