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Academic appraisal<strong>of</strong> Helpmann’s lifeFrom left: Christopher Pate, Jonathon Hardy <strong>and</strong> Sir Robert in Michael Pate's The Mango Tree.PHOTO: courtesy Dr BemroseAlthough Sir Robert Helpmannwas one <strong>of</strong> this country’s mostfamous international performers,his work in Australia has receivedlittle academic attention.This has changed thanks to UQPhD scholar Dr Anna Bemrose, whorecently completed her thesis AServant <strong>of</strong> Art: Robert Helpmann inAustralia.As well as researching private <strong>and</strong>public collections, Dr Bemrose interviewedmany <strong>of</strong> Helpmann’s pr<strong>of</strong>essionalcollaborators in Australia <strong>and</strong>overseas.These included Michael Paton,Garth Welch, Richard Bonynge, PeterSculthorpe, Dame Alicia Markova<strong>and</strong> the late Dame Ninette de Valois.Dr Bemrose said while there wasinformation on Sir Robert’s workduring his time overseas, little had beendone on his life before <strong>and</strong> after histriumphant return.“Most people seem to think that hewent to Engl<strong>and</strong> <strong>and</strong> that was whereDr Bemrosehe learnt his craft, but even before heleft Australia he had explored mostaspects <strong>of</strong> the arts,” she said.“He had been involved inexperimental theatre in Adelaide <strong>and</strong>had already choreographed his firstballet.“While Helpmann’s artisticversatility led him to explore manyareas <strong>of</strong> the arts, it was initially balletthat drew him back to Australia towork with the Australian Ballet,which he showcased to the world.”ADVERTISEMENT10 UQ NEWS, february 2004