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Research and Museums - Smithsonian Latino Center - Smithsonian ...

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The Interpretation<strong>and</strong> Representation of<strong>Latino</strong> Cultures:<strong>Research</strong> <strong>and</strong> <strong>Museums</strong>_____. “The President’s Statement.” The Rockefeller Foundation 1991 Annual Report.Yeingst, William <strong>and</strong> Lonnie G. Bunch. “Curating the recent Past: The Woolworth LunchCounter, Greensboro, North Carolina.” Exhibiting Dilemmas: Issues of Representation atthe <strong>Smithsonian</strong> edited by Adrienne L. Kaeppler, 143-154. Washington, DC: <strong>Smithsonian</strong>Institution Press, 1996.Zamora, Emilío. “Voluntary Organizations <strong>and</strong> the Ethnic Mutuality: Expressions of aMexicanist Political Culture.” In The World of the Mexican Worker in Texas, 86-109, 236-239. College Station: Texas A&M University Press, 1993.Zamudio-Taylor, Victor. “Amalia Mesa-Bains Private L<strong>and</strong>scapes <strong>and</strong> Public Territories: The re-Annexation project, 1848-1998.” In Distant Relations edited by Trisha Ziff, 73-77.NewYork: Smart Art Press._____. “Arte Chicano Emergente (Emerging Chicano Art).” ARCO 3/4 (1997): 41-46._____. “¿Dónde está el Corazón ensangrentado? ¿Dónde está el Cactus? Tendencias ArtícasContemporáneas De Dislocaciones “Chicanas” Y “Latinas”: Notas Sobre Los Trabajos EdAm<strong>and</strong>o Rascan, Jesse Amadok E Íñez Manglano Ovalle.” Atlantica (1996): 83-92, 167-172._____. “José Bedia: George Adams Gallery.” Art Nexus 22 (October/November 1996): 150-152._____. “Miguel Calderon e Iñigo Manglano: Andrea Rosen Gallery.” Art Nexus 22 (October/November 1996): 152-154.54 <strong>Smithsonian</strong> <strong>Center</strong> for <strong>Latino</strong> Initiatives

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