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Seating is limited and on a first-come, first-served basis. - Taxi

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1:45pm – 3:15pm (c<strong>on</strong>tinued):<br />

Sunday, November 11 th c<strong>on</strong>tinued<br />

• The 5-Year Plan: A Film/TV Music Business Plan with TAXI Members: Matt Hirt, John Mazzei <str<strong>on</strong>g>and</str<strong>on</strong>g> Dave<br />

Walt<strong>on</strong> – Nati<strong>on</strong>al Room (Mezzanine Level / 2 nd floor) Th<str<strong>on</strong>g>is</str<strong>on</strong>g> class will focus <strong>on</strong> the producti<strong>on</strong> music library side of Film<br />

<str<strong>on</strong>g>and</str<strong>on</strong>g> TV as well as the Underscore/Indie film side. Meet three TAXI members who are all at different stages in the "5-year plan" or<br />

bey<strong>on</strong>d. There will be a brief overview of what producti<strong>on</strong> music libraries do, the various models that ex<str<strong>on</strong>g>is</str<strong>on</strong>g>t, where the m<strong>on</strong>ey<br />

<strong>come</strong>s from <str<strong>on</strong>g>and</str<strong>on</strong>g> when, <str<strong>on</strong>g>and</str<strong>on</strong>g> how much <str<strong>on</strong>g>is</str<strong>on</strong>g> real<str<strong>on</strong>g>is</str<strong>on</strong>g>tic. Some of the questi<strong>on</strong>s that will be answered are: What are the different markets<br />

that use library music? How to build your catalog <str<strong>on</strong>g>and</str<strong>on</strong>g> how big should it be? Should you specialize in <strong>on</strong>e style or do as many<br />

different things as possible? How do you "research" a library to know if they do a good job? Should you find <strong>on</strong>e library <str<strong>on</strong>g>and</str<strong>on</strong>g> sign<br />

all your tracks with them or put your eggs in many different baskets? D<strong>on</strong>’t m<str<strong>on</strong>g>is</str<strong>on</strong>g>s th<str<strong>on</strong>g>is</str<strong>on</strong>g> class to learn from your fellow members<br />

who have been there <str<strong>on</strong>g>and</str<strong>on</strong>g> d<strong>on</strong>e that!<br />

• You Can’t Un-Ring The Bell with David Trotter – O’Hare Room (Mezzanine Level / 2 nd Floor) When making<br />

public, <str<strong>on</strong>g>and</str<strong>on</strong>g> sometimes private statements <str<strong>on</strong>g>and</str<strong>on</strong>g> opini<strong>on</strong>s you may be sending a message to the very people you are hoping to do<br />

business with. Even though it may not be the message you intend.<br />

• S<strong>on</strong>gShop Live! with Jai Josefs – Midway Room (Mezzanine Level / 2 nd Floor) Jai’s renowned Northern California<br />

S<strong>on</strong>gShop has produced record deals, producti<strong>on</strong> deals, <str<strong>on</strong>g>and</str<strong>on</strong>g> dozens of film <str<strong>on</strong>g>and</str<strong>on</strong>g> TV placements for its members. Now for the <strong>first</strong><br />

time Jai brings the format of th<str<strong>on</strong>g>is</str<strong>on</strong>g> breakthrough group to the TAXI Road Rally. Jai will l<str<strong>on</strong>g>is</str<strong>on</strong>g>ten to s<strong>on</strong>gs from participants <str<strong>on</strong>g>and</str<strong>on</strong>g> use<br />

them as a springboard to share all aspects of h<str<strong>on</strong>g>is</str<strong>on</strong>g> knowledge of s<strong>on</strong>gwriting in the areas of melody, lyrics, chords, groove,<br />

structure, <str<strong>on</strong>g>and</str<strong>on</strong>g> marketing. Each participant will not <strong>on</strong>ly learn what he or she needs to improve the s<strong>on</strong>g they brought, but<br />

S<strong>on</strong>gShop members report they learn even more from what Jai says during h<str<strong>on</strong>g>is</str<strong>on</strong>g> feedback <strong>on</strong> others’ s<strong>on</strong>gs. To be eligible to have<br />

your s<strong>on</strong>g chosen, you must bring a double spaced lyric sheet with chord symbols written above the lyrics al<strong>on</strong>g with a CD (or<br />

live performance) of the s<strong>on</strong>g you want Jai to work with. D<strong>on</strong>’t m<str<strong>on</strong>g>is</str<strong>on</strong>g>s th<str<strong>on</strong>g>is</str<strong>on</strong>g> opportunity to get pers<strong>on</strong>al input <strong>on</strong> your music from<br />

<strong>on</strong>e of the top coaches in the business!<br />

• Using Structure to Help Your S<strong>on</strong>gwriting with Michael Anders<strong>on</strong> – Logan Room (Mezzanine Level / 2 nd floor)<br />

A look at using structure in your s<strong>on</strong>gwriting as a key to help develop your ideas <str<strong>on</strong>g>and</str<strong>on</strong>g> build a s<strong>on</strong>g that tells a compelling story.<br />

• Staying the Course <str<strong>on</strong>g>and</str<strong>on</strong>g> Enjoying the Journey with Chuck Schlacter – Kennedy Room (Mezzanine Level / 2 nd<br />

Floor) Creating a catalog of music takes many years of hard work. You are severely underpaid in the early years, with the hope<br />

of being well paid at a future date. Many people quit before they reach the "critical mass" of music in the marketplace to generate<br />

an in<strong>come</strong> stream. Chuck will d<str<strong>on</strong>g>is</str<strong>on</strong>g>cuss how he has stayed focused <str<strong>on</strong>g>and</str<strong>on</strong>g> <strong>on</strong> track to develop a catalog of 500+ music cues over a six<br />

year period of time. Setting goals, time c<strong>on</strong>trol, building trust relati<strong>on</strong>ships <str<strong>on</strong>g>and</str<strong>on</strong>g> dealing with rejecti<strong>on</strong>, in additi<strong>on</strong> to many other<br />

topics, will be d<str<strong>on</strong>g>is</str<strong>on</strong>g>cussed. If you are new to producti<strong>on</strong> music, or a l<strong>on</strong>gtime pro, you will find a renewed sense of directi<strong>on</strong> <str<strong>on</strong>g>and</str<strong>on</strong>g><br />

focus from the informati<strong>on</strong> Chuck will share in h<str<strong>on</strong>g>is</str<strong>on</strong>g> presentati<strong>on</strong>.<br />

• Live Feedback Master Class with Michael Lloyd – The Theatre (Mezzanine Level / 2 nd Floor) Legendary Producer<br />

Michael Lloyd has made more than 100 Gold <str<strong>on</strong>g>and</str<strong>on</strong>g> Platinum Records, produced countless hit singles, music superv<str<strong>on</strong>g>is</str<strong>on</strong>g>ed dozens of<br />

films, <str<strong>on</strong>g>and</str<strong>on</strong>g> has used s<strong>on</strong>gs from TAXI members numerous times over the last few years. Th<str<strong>on</strong>g>is</str<strong>on</strong>g> <str<strong>on</strong>g>is</str<strong>on</strong>g> the <strong>first</strong> time Michael <str<strong>on</strong>g>is</str<strong>on</strong>g> going to<br />

do a live feedback class at the Road Rally, <str<strong>on</strong>g>and</str<strong>on</strong>g> if you're lucky enough to get your CD drawn r<str<strong>on</strong>g>and</str<strong>on</strong>g>omly from the box during that<br />

sessi<strong>on</strong>, you're going to be learning from a true master of the craft. Michael also happens to be a partner in Curb Records. Blow<br />

him away, <str<strong>on</strong>g>and</str<strong>on</strong>g> you never know what could happen. Th<str<strong>on</strong>g>is</str<strong>on</strong>g> <str<strong>on</strong>g>is</str<strong>on</strong>g> class you do not want to m<str<strong>on</strong>g>is</str<strong>on</strong>g>s!<br />

• L<str<strong>on</strong>g>and</str<strong>on</strong>g>ing Sp<strong>on</strong>sorship <str<strong>on</strong>g>and</str<strong>on</strong>g> Endorsement Deals with Ravi – Orly Room (Mezzanine Level / 2 nd Floor)<br />

It's about how to "sell out" while keeping your integrity intact. The secret <str<strong>on</strong>g>is</str<strong>on</strong>g> to not sell out at all! Ravi teaches how to find the<br />

right match in sp<strong>on</strong>sors <str<strong>on</strong>g>and</str<strong>on</strong>g> secure desirable art<str<strong>on</strong>g>is</str<strong>on</strong>g>t endorsement deals. He outlines the structure of an effective marketing<br />

proposal, as well as the mutual expectati<strong>on</strong>s <str<strong>on</strong>g>and</str<strong>on</strong>g> resp<strong>on</strong>sibilities of both the art<str<strong>on</strong>g>is</str<strong>on</strong>g>t <str<strong>on</strong>g>and</str<strong>on</strong>g> product manufacturer. Learn how to create<br />

added value <str<strong>on</strong>g>and</str<strong>on</strong>g> market your career in a way that helps you garner the support you need.

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