Four industry expertslend their insightsinto the contoursand complexitiesof the guitar market.posed to reading someone else’sopinion on some forum. Hell, weknow some of those are not evenreal!In addition to expanding theSchecter brand to amplifiers andour expanded U.S.A. Customshop, we are trying to do ourpart to help retailers by beingmore involved at the store level.We’re bringing our artists tostores for clinics and meet-andgreets,doing more advertisementson local levels and endorsingmore up-and-coming bands.I grew up in music stores, andI would really like to see themstick around.Webster: Yamaha is heavilyinvested in education and theexpansion of musicians globally,nationally, regionally and locally.Yamaha globally supports ourown music schools and musicprojects, such as Lee Ritenour’sSix-String Theory. Nationally,Yamaha supports many musicorganizations dedicated tospreading music to new players,such as GAMA, Little Kids Rockand <strong>Music</strong> for Alliance. Yamahaalso has a Yamaha Cares department,which donates gear tomany needy music charities.In addition, Yamaha is veryactive in the Soldiers for Angelsprogram.When we focus regionally, it ismainly in the education realm, aswe work with organizations andtop universities to keep musicprograms growing. Locally,Yamaha utilizes programs andopportunities to work closelywith our dealers and theirmusic educators in private lessonprograms and local schoolprograms.Penny Haas: <strong>Music</strong> educationis, of course, one of thekeys. We need to make sure kidsare exposed to music for a varietyof reasons, sales being theleast altruistic one. We alwaysdonate guitars for the silentauction at Muriel Anderson’s All-Star Guitar Night. The proceedsfrom that go to Little Kids Rock,a musical outreach program. Inthe last year, we have donatedinstruments to p:ear in Portland,a program that helps homelessteens develop all sorts of lifeskills and experiences. We’vealso worked with Rock to theFuture, an after-school musicprogram for at-risk teens in thePhiladelphia area.GUITAR SALES HIT A HIGH NOTE(continued from cover)stock markets would rise evenfurther by the end of the year.If you are an investor, it’s safeto assume you are happy withyour returns. But not everythingis rosy, economically speaking.The U.S. debt load continuesto remain at what some havedeemed dangerous levels. Unemploymentis still stubbornly elevatedand gas prices again havereached new highs. Also, the endof the payroll tax holiday meansthat consumers’ paychecks areslightly smaller than they werein 2012.Thankfully, numerous retailershave told The <strong>Music</strong> & <strong>Sound</strong><strong>Retailer</strong> that they “roll with thepunches” no matter what the governmenthurls at us, whether it’sthe fiscal cliff, sequestration orthe next potential financial calamity.Simply put, they only worryabout things they can control.Hence, what really matters iswhether consumers are purchasingmore products from yourstores. This story will specificallyexamine guitar sales, first lookingat 2012 sales data and then shiftinggears to January <strong>2013</strong>, drawingon the help of MI SalesTrak.Did 2012 guitar sales best 2011figures? Did acoustic sales againoutpace those for electrics, aswe’ve seen in the past two years?What colors of guitars are sellingbest?We will provide that data andalso take a look at guitar salesthrough the eyes of three MI retailers:Scott FM, Acoustic Managerat Corner <strong>Music</strong> in NashvilleTN; Donald Tegeler, Owner ofTegeler <strong>Music</strong> Enterprises inClinton IA; and Brian Reardon,Owner of Levittown NY-basedMonster <strong>Music</strong>.Rewinding back to last year,2012 was good overall for guitarsales. As MI SalesTrak dataJanuary, <strong>2013</strong> Guitar Dollar Sales by TypeJanuary <strong>2013</strong> Guitar Dollar Sales by TypeElec/Acous30.3%Acoustic22.7%Source: MI SalesTrak®For further information contact: info@misalestrak.comshows, sales of the instrumentrose by 1%, led by acoustic guitarsales, whose sales rocketed higherto the tune of a 3.1% increase.However, electric guitar salesdipped 1.2% last year. (The datarepresents dollar sales, ratherthan the number of instrumentssold.)As for January <strong>2013</strong> dollar salesby guitar type, 47% of guitars soldin the month were of the electricvariety, followed by electric/acoustic at 30.3% and acoustic atElectric47.0%22.7%, reported MI SalesTrak.And regarding January <strong>2013</strong>color trends in acoustic and electricguitar sales, Jim Hirschberg,President of MI SalesTrak, said,“The preference for a natural finishhas become even stronger inthe past year for acoustic guitars.For electrics, black remains themost popular color, although sunburst,the second most popularfinish, has been gaining.”For the most part, the retailersto whom we spoke agreed withthe MI SalesTrak data. “Our entirestore saw an increase in saleslast year, and guitar sales wereright in there helping to makethat happen,” said Tegeler. “Ofcourse, with an increase in guitarsales, we automatically saw anincrease in all the guitar-relatedaccessories, as well.”Adding that he was pleasedwith guitar sales last year, Tegelernoted, “Any time a departmenthas an increase, it is cause for celebration.Believe me; we are veryappreciative when that happens.We tried to focus on stockingmore of the lower- to mid-pricedguitars and not fall into the trapof stocking too many higher-endpieces that tend to hang on thewall forever and tie up your inventorydollars.”Specifically, the Owner ofTegeler <strong>Music</strong> signed deals with50 APRIL <strong>2013</strong>
4%3%2%1%0%-1%-2%Change in Retail Sales (Dollars) 2012 vs. 2011Acoustic Guitars +3.1%Source: MI SalesTrak®For further information contact: info@misalestrak.comElectric Guitars -1.2%Total Guitars +1.0%Ibanez and Ventura for the firsttime last year. “Ibanez has reallyhelped out our electric sales andVentura was the perfect choice tohelp increase sales with lowerpricedacoustics,” he stated. “Ican’t really pick any specificmodels that were hot sellers. Itwas more a matter of what guitarsoffered the best value and qualityfor the money. If the quality wasthere and the price was right, thename on the headstock wasn’t asimportant.”Overall, Monster <strong>Music</strong>’s BrianReardon was pleased with 2012guitar sales. But a natural disasterof epic proportions dramaticallyaffected register rings. “We wereup at least 20% year over yearfor every individual month fromJanuary through September, andthose same percentages held truefor guitar sales,” he said. “[But]for some reason, HurricaneSandy decided to pay us a visitand things changed on a dime.We were closed completely for afull week. Many of our customerslost homes and cars and/orwere without power for two tothree weeks. There was a nearlymonth-long shortage of gasoline.Suffice to say that people werenot lining up to buy guitars whenthey didn’t know where their nexttank of gas was coming from.Consequently, business in general,and guitar sales in particular,were very soft (down about 10%to 15%) straight through theholidays. It still proved to be anOK year on the whole, but with atruly disappointing finish.”As for acoustic versus electricsales, Corner <strong>Music</strong>’s Scott FMsaid acoustics sales were especiallystrong last year. “High-endGibsons were our top seller, butbasic and intermediate modelsdid well, too,” he said. “Overall,acoustic sales did better thanother departments [by a] two-toone[margin].”Reasons cited in the past forwhy acoustic sales have recentlyoutpaced those of electrics is acheaper price tag (acoustic playersdon’t need to buy an amp),a surplus of celebrities who playacoustic guitars and acousticsbeing easier to learn as a firstinstrument. Are those threeaspects still propelling sales?“It seems that whoever is inpopular music these days are eitherelectronic artists or acousticplayers,” noted Scott FM. “Thatcould be a factor. You also getinto acoustics more easily moneywisein these tough times.”Reardon saw acoustic guitarsales outpace those for electricsat his store, as well. Price was theone and only reason. “A customercan purchase a starter acousticfrom me for right around $100,whereas a basic starter electricpackage will run them twice that,”he said. “This ratio will hold truestraight up the ladder, as well.While this is, more than anythingelse, anecdotal, I just did a visualscan of the 250 or so guitars thatI have in stock. I would guessthe blended retail price point foran acoustic is $300, whereas theblended price point for an electricis north of $600. Obviously, thiswill vary based on the lines onecarries; but, at my shop, this pricedifferential has to factor in to theextent to which acoustics outpaceelectrics.”Tegeler had a slightly differenttake. “Acoustic sales still outpacedelectrics in 2012,” he said. “But,overall, electrics have done betterthan they have been in awhile. Asfar as why acoustics are still stronger,I think it has to do somewhatwith the overall cost factor. Butmostly because acoustic musicin general still seems to be verypopular in our area.”Nothing Like The PresentWill an improved economy in<strong>2013</strong> lead to better times at MIstores? At Monster <strong>Music</strong>, <strong>2013</strong>has been all about returning tonormal in the wake of HurricaneSandy. “While we are still dealingwith the aftermath of Sandy,I do finally feel we are back tonormal,” relayed Reardon. “Weare actually slightly ahead of lastFebruary, and February 2012was a very good month here. So,that’s an encouraging sign. AtMonster <strong>Music</strong>, we have focusedon developing relationships withguitar manufacturers and we’rereally trying to become known forrepresenting them.”For example, Monster <strong>Music</strong>steadily increased its supportfor Reverend Guitars. “They area small company, but are verywell respected among players,”Reardon stated. “We are their onlydealer on Long Island and hope tokeep it that way.”MUSIC & SOUND RETAILER 51