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Summer/Fall 2012 Download PDF - The Studio Museum in Harlem

Summer/Fall 2012 Download PDF - The Studio Museum in Harlem

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<strong>Summer</strong>/<strong>Fall</strong> <strong>2012</strong> 20<strong>Harlem</strong>Postcards<strong>Summer</strong> <strong>2012</strong>Yasm<strong>in</strong>e BraithwaiteExpand<strong>in</strong>g the Walls participant, born 1996Aqu<strong>in</strong>as High School, Bronx, NYZoe CrosherBorn 1975, Santa Rosa, CALives and works <strong>in</strong> Los Angeles, CASize of the Third World, <strong>2012</strong>In Size of the Third World, I was drawn to the mix ofancient times and contemporary <strong>Harlem</strong>. This imagecaptures chess pieces I found <strong>in</strong> <strong>Harlem</strong> that resembleancient Egyptian forms. Someth<strong>in</strong>g about the hieroglyphicsemphasizes the idea of gratitude to me: I like how thisphotograph shows that art can come <strong>in</strong> different shapesand sizes, and can reference the past, present and futureall at once.Katy, Kori & Rashid and other backs (Crumpled),for the <strong>Studio</strong> <strong>Museum</strong>, <strong>2012</strong>For <strong>Harlem</strong> Postcards, I decided to concentrate on thephysicality of the exist<strong>in</strong>g postcard archive. Acknowledg<strong>in</strong>gthe artists who have participated before me,I photographed the crumpled up backs of postcardsto emphasize the ephemeral nature of pr<strong>in</strong>ted matter.As a Californian, I’ve learned about <strong>Harlem</strong> primarilythrough what I have seen, read and heard, rather thanexperienced. So I wanted to stay away from a moreconventional approach to document<strong>in</strong>g a place I knowonly as an imag<strong>in</strong>ary version of itself. Rephotograph<strong>in</strong>gthe backs of the previous postcards br<strong>in</strong>gs physicalattention to past efforts to capture a photographicsense of <strong>Harlem</strong>, and it is these <strong>in</strong>stances I want tobr<strong>in</strong>g to the forefront—documents of imag<strong>in</strong><strong>in</strong>gs of<strong>Harlem</strong> that have come before me.

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