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philosophy 126 , <strong>and</strong> biographies created with<strong>in</strong> the <strong>re<strong>se</strong>arch</strong> project: Formation for the publicsphere (FFO). Eventually this archive also might be <strong>in</strong>clud<strong>in</strong>g the <strong>digital</strong> editions <strong>of</strong> AugustStr<strong>in</strong>dberg’s work prepared <strong>and</strong> encoded <strong>in</strong> SGML <strong>in</strong> 1996-1998. 127The subject to be addres<strong>se</strong>d here will foremost be focu<strong>se</strong>d on issues <strong>in</strong> the design <strong>and</strong>encod<strong>in</strong>g <strong>of</strong> the collective biography with the TEI DTD. The encod<strong>in</strong>g is done on newlyproduced <strong>and</strong> chang<strong>in</strong>g <strong>re<strong>se</strong>arch</strong> material, i.e. all the biographies compiled to a largecollective biography <strong>in</strong>stead <strong>of</strong> already exist<strong>in</strong>g text. The design <strong>of</strong> the textual databa<strong>se</strong> willalso be subject to an analysis <strong>and</strong> a comparison with other similar projects <strong>and</strong> <strong>in</strong>itiatives.This study is suppo<strong>se</strong>d to result <strong>in</strong> one or possibly two articles. At least on <strong>of</strong> the articleswill be written together with Donald Broady.Formation for the public sphere –<strong>explor<strong>in</strong>g</strong> a collective biographyOne study will be about the experimentation with <strong>and</strong> an exploration <strong>of</strong> a specific k<strong>in</strong>d <strong>of</strong><strong>digital</strong> archive: a collective biography <strong>in</strong> the project “Formation for the public sphere” weredetailed biographies on bourgeois women, around the turn <strong>of</strong> the century 1900 <strong>in</strong> Swedenare produced <strong>and</strong> compiled. 128 In this study I will focus on methodological issues dur<strong>in</strong>gdesign<strong>in</strong>g <strong>and</strong> encod<strong>in</strong>g <strong>of</strong> the collective biography <strong>and</strong> historical databa<strong>se</strong>. The materialconsists <strong>of</strong> data collected with a prosopographical method <strong>and</strong> the projects aim is to studythe history <strong>and</strong> structure <strong>of</strong> this field rather than the <strong>in</strong>dividual woman.The scholars <strong>in</strong> the project are work<strong>in</strong>g physically disper<strong>se</strong>d at different universities <strong>and</strong>departments. Therefore they need a stable web ba<strong>se</strong>d repository <strong>and</strong> work<strong>in</strong>g environment.The <strong>re<strong>se</strong>arch</strong> group has cho<strong>se</strong>n to u<strong>se</strong> the web ba<strong>se</strong>d platform (BSCW) for h<strong>and</strong>l<strong>in</strong>g all thedocuments produced. Therefore I will also to some extent study<strong>in</strong>g the work process us<strong>in</strong>gthis platform aimed for collaboration <strong>and</strong> shar<strong>in</strong>g <strong>of</strong> common documents. A key issue hereis possibilities for version<strong>in</strong>g h<strong>and</strong>l<strong>in</strong>g <strong>of</strong> the collectively produced documents. Besides, itprovides a private area for the collective s<strong>in</strong>ce the project participants do not want topublish work <strong>in</strong> progress on the web but nevertheless need to be able to reach thedocuments from any available computer.The period around the turn <strong>of</strong> the century 1900 was <strong>of</strong> crucial significance for the women’sway from the private to the public sphere. In the <strong>re<strong>se</strong>arch</strong> program “Formation for thepublic sphere” the aim is to study the impact <strong>and</strong> importance <strong>of</strong> meet<strong>in</strong>g places <strong>and</strong> socialnetworks for women <strong>in</strong> enter<strong>in</strong>g the public sphere <strong>in</strong> Sweden. The focus <strong>in</strong> the project is onthe women’s contributions <strong>in</strong> philanthropy, health-care, culture, <strong>and</strong> education dur<strong>in</strong>g theperiod <strong>of</strong> 1880 to 1920. The goal is to create a historical databa<strong>se</strong> ba<strong>se</strong>d on a collectivebiography <strong>of</strong> the bourgeois women, encoded accord<strong>in</strong>g to the TEIXLITE DTD fortransformation <strong>in</strong>to a databa<strong>se</strong> enabl<strong>in</strong>g further export to different s<strong>of</strong>tware u<strong>se</strong>d forstatistical analysis.A method called prosopography 129 , is u<strong>se</strong>d to collect detailed <strong>in</strong>formation on all women(about 100) aimed for analys<strong>in</strong>g the women’s careers, strategies <strong>and</strong> formations. The126 Andersson, J. (1998) Filos<strong>of</strong>isk tanke. 2:a upplagan.127 See Broady, 1996.128 Donald Broady, Uppsala University; Boel Englund, Uppsala Univeristy; Ingrid Heyman, UppsalaUniversity; Agneta L<strong>in</strong>né, Stockholm Institute <strong>of</strong> Education; Kerst<strong>in</strong> Skog-Östl<strong>in</strong>,University <strong>of</strong> Örebro; EvaTrotzig, Stockholm Univeristy Library; Annika Ullman, Stockholm Institute <strong>of</strong> Education“Formation for the Public Sphere. A Collective Biography <strong>of</strong> Stockholm Women 1880—1920”. A <strong>re<strong>se</strong>arch</strong>program, 2000 Available <strong>in</strong> Swedish: http://www.<strong>skeptron</strong>.ilu.<strong>uu</strong>.<strong>se</strong>/broady/<strong>se</strong>c/p-ffo-00.htm129 See Broady, 2002 for def<strong>in</strong>ition <strong>of</strong> prosopography. The study on the Parisian academic field is an example<strong>of</strong> prosopograhy. Pierre Bourdieu: Homo academicus. Paris: M<strong>in</strong>uit, 1984, English translation: Homoacademicus Cambridge: Polity Press, 1988.pm-030505.doc utkast avh.pm. Monica Langerth Zetterman 27(34)

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