CV Fricke 2012 - UC Berkeley History of Art Department - University ...

Martin Büchsel, Berlin 2010, pp. 183-206Schatzgestalten. Diebesgut, Liebespfand und Fesselkünstler am Werk, in: Schatzkulturen imMittelalter. Diskurs, Praxis, Vorstellung, hg. von Lucas Burkart, Philippe Cordez, PierreAlain Mariaux, in: Micrologus library 17 (2009), pp. 265-282Schaumgeburten. Zur Topologie der creatio ex nihilo bei Albrecht Dürer und ihre Vorgeschichte, in:„Medio Mare. Zu einer Ikonologie des Meeres“, hg. von Hannah Baader und Gerhard Wolf,Zürich 2009, pp. 33-58„Visages démasqués – un nouveau type de reliquaire chez les Anjou“, in: „Le portraitindividuel. Réflexions autour d’une forme de représentation du XIII e au XV e siècle, E.H.E.S.S.Paris, hg. von Dominic Olariu, Bern 2009zusammen mit Tanja Klemm: „Conceptio – perceptio. Das Weimarer Blatt von Leonardo da Vinci“, in:Modernisierung des Sehens, hg. von Kai-Uwe Hemken und Matthias Bruhns, Weimar 2008,pp. 82-99Spiegelwelten. Verrat und Verschwörung in L'année dernière à Marienbad von Alain Resnais, in:Topologien der Bilder, hg. von Inge Hinterwaldner, Carsten Juwig, Tanja Klemm und RolandMeyer, Paderborn 2008, 323-348Iss von meinem Leib! Zur Geschichte des Vorwurfes der Anthropophagie im Christentum, in: perimaginem. Bildlichkeit und Souveränität, hg. Von Anne von der Heiden, Zürich: Diaphanes2006, pp. 59-78Entlarvende Gesichter – Gedanken zur Genese der Kopfreliquiare in Italien, in: Fragment undIntegrität, hg. von Jeanette Kohl und Rebecca Müller, Berlin: Deutscher Kunstverlag 2007,pp. 133-152Fallen idols and risen saints: Western Attitudes towards the Worship of Images and the ‘CulturaVeterum Deorum’, in: The Negated Image – Case studies of past iconoclasms, ed. by AnneMcClanan and Jeffrey Johnson, Ashgate 2005, pp. 67-59 (Chinese translation: Jiangsu FineArts Publishing House, PRC, 2009, pp. 93-136)(accepted for publication)Maleremail. Ursprung und Funkensprung zwischen syrischem Emailglas und Lasurmalerei, in:Interdependenzen. Künste und künstlerische Techniken 1430-1550, ed. by MagdalenaBushart and Henrike Haug, Berlin 2013Behemoth and double origins in Genesis, in: Synergies. Creating Art in Joined Cultures. GerhardWolf zum 60. Geburtstag, ed. by Manuela de Giorgi, Annette Hoffmann and Nicola5

2006-2007 Lecture series organized together with Stefan Neuner: “Das Volk, das fehlt?“,contributions by Susanne Lüdemann, Claudia Blümle, Eva Horn, OliverMarchart, Juliane Rebentisch, Albrecht Koschorke, Ralph Ubl, Gesa Ziemer,Markus Klammer, Stéphane Montavon, Catharina Kahane, Eva Kernbauer,Bernhard Siegert and Helmut Lethen2005/2006 Lecture series “Deutungshoheiten“ with contributions by Peter Geimer, Ursulavon Keitz, Valentin Groebner, Hans Belting, Hannah Baader, Anne von derHeiden and Max BergengruenMemberships(current)2012 – Berkeley Center for the Study of Religion2012 - Membership Committee, International Center for Medieval Art2010 - Science & Technology Studies Center, Berkeley2009 - Program in Medieval Studies, UC Berkeley(past)2011 - 2012 Academic Guest, Center for the History of Knowledge (ZGW), ETHZurich/University of Zurich, Switzerland2007-2009 Gewalt der Archive, DFG-Netzwerk unter der Leitung von Thomas Weitinund Burkhart Wolf2003-2007 Graduiertenkolleg „Bild – Körper – Medium. Eine anthropologischePerspektive“ unter der Leitung von Prof. Dr. Beat Wyss und Prof. Dr. HansBelting an der Hochschule für Gestaltung Karlsruhe10

Teaching Experience:2012 (spring) Modifying the Bible in Jewish, Christian and Islamic Art, seminar together withProf. Avinoam Shalem, Ludwig Maximilians Universität, Munich, Germany2010 (fall) HA 200 Proseminar, Methods and History of Art History, Graduate Seminar,Department of History of Art, University of California, Berkeley2010 (spring) Cult images, relics and reliquaries. An Introduction to Medieval Art, Upperdivision lecture course, Department of History of Art, University of California,BerkeleyProcreation, alchemy and the divine Artist, Graduate Seminar, Department ofHistory of Art, University of California, Berkeley2009 (fall) Beginnings in Medieval Art and Present Theory, Upperdivision seminar,Department of History of Art, University of California, Berkeley2009 Verrat im Garten, Proseminar, Department of Art History, University ofSwitzerlandStudy excursion to Istanbul, together with Prof. Claussen and Prof. Ursprung,Department of Art History, University of Zurich, Switzerland2007 – 2008 “Mosaics in Rome”, together with Prof. Claussen, Department of Art History,University of Zurich, Switzerland“Dreams and Visions. From Hildegard of Bingen up to Solaris”, together withProf. Claussen, Department of Art History, University of Zurich, Switzerland2007 “Introduction into the study of Art History”, Department of Art History,University of Zurich, Switzerland“Painting and book illumination in 15 th century: Jan van Eyck, Jean Fouquet,Barthelmy d’Eyck, together with Prof. Claussen, Department of Art History,University of Zurich, SwitzerlandArt of the Normans and Staufer at South Italy, together with Prof. Claussen,Department of Art History, University of Zurich, Switzerland2006 – 2007 “Introduction into the study of Art History”, Department of Art History,University of Zurich, Switzerland“Introduction into the iconography of medieval art: Apocalypse, Parousia andLast Judgement”, together with Prof. Claussen, Department of Art History,11

University of Zurich, Switzerland“Icon and portrait”, together with Prof. Claussen, Department of Art History,University of Zurich, Switzerland2006 “Allegory in Literature and Art” together with Prof. Claussen and Prof. Michel,Department of German Literature, University of Zurich, Switzerland“Holbein”, together with Prof. Claussen, Department of Art History,University of Zurich, Switzerland2005-2006 “Relics of Christ – The Body of Christ”, together with Dr. Burkart,Department of History, University of Basel, Switzerland“Manipulation and Authorship”Department of History, University of Lucerne, Switzerland2005 “Relic, reliquary and cult image. Modes of hiding and presenting in the MiddleAges”, Department of Art History, University of Zurich, Switzerland2004 – 2005 “Musterbücher” and Villard deHonnecourt, together with Cornelius Claussen,University of Zurich, Switzerland2004 “Early Christian and Byzantine Art”, John Cabot University, Rome, Italy2001 – 2002 “Dream and Vision in Medieval Art”Department of Art History, University of Trier, Germany1998 – 1999 “Death - From the Middle Ages until the Twentieth Century inEuropean History, Philosophy, Art and Literature”,Department of Philosophy, University of Karlsruhe12

Service2012 NEH Fellowship Committee2012 Committee Member for Qualifying Exams (5), chair of Qualifying exams (1)2010 - Member of the Editorial Board of Representations2010-11 German Exam2010 Graduate Advisor (fall)Second Reader of Honors thesisSecond and Third Reader for Qualifying PapersGraduate Students(completed)Karl Whittington, PhD UC Berkeley, 2008-2010Current:Andrew Sears, PhD-candidate UC Berkeley, Department of History of Art, (chair), 2012 –Alice Goff, PhD-candidate UC Berkeley, History Department, 2010 –Matthew Culler, PhD candidate UC Berkeley, Department of History of Art, 2010 –Andrew Griebeler, PhD candidate, UC Berkeley, Department of History of Art, (co-chair), 2010 –Erik Eschjede, PhD candidate, UC Berkeley, Department of Scandinavian Studies, 2010 –Sandra Sardjono, PhD candidate, UC Berkeley, Department of History of Art, 2010 –Yueni Zhong, PhD candidate, UC Berkeley, Department of History of Art, 2009 –Erin Zion, PhD candidate, Graduate Theological Union, Berkeley, 2010 –Heidi Thimann, PhD candidate, Graduate Theological Union, Berkeley, 2010 –13