Fall/Winter 2012/2013 - Steidl
Fall/Winter 2012/2013 - Steidl
Fall/Winter 2012/2013 - Steidl
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
s<br />
<strong>Fall</strong>/<strong>Winter</strong> <strong>2012</strong>/<strong>2013</strong>
100 YEARS<br />
Photo by Eugene Pierce<br />
Digital is made to forget<br />
Analogue is made to remember<br />
Robert Polidori
4<br />
Index<br />
Artists<br />
Abbott, Berenice 144-147<br />
Abdsessemed, Adel 77<br />
Adams, Bryan 108-111<br />
Adams, Robert 36-39<br />
Ahtila, Eija-Liisa 81<br />
Bailey, David 40-43<br />
Bains Hartmann, Ruth 89<br />
Bourdin, Guy 119<br />
D’Agati, Mauro 87<br />
Daimler AG 149<br />
Davidson, Bruce 45<br />
Depardon, Raymond 61<br />
Dine, Jim 138-143<br />
Eggleston, William 32-35<br />
Elgort, Arthur 101<br />
Fougeron, Martine 123<br />
Frank, Robert 28-31<br />
Galinsky, Michael 127<br />
Goldblatt, David 24-27<br />
Grant, Alexandra 151<br />
Guirey, Kadir 129<br />
Gundlach, F.C. 97-99<br />
Gursky, Andreas 71<br />
Hartmann, Erich 89<br />
Lagerfeld, Karl 104-107<br />
Leutwyler, Henry 121<br />
Maisel, David 64-67<br />
Marchand, Yves 125<br />
Meffre, Romain 125<br />
Milella, Domingo 69<br />
Mofokeng, Santu 93<br />
Nádas, Péter 91<br />
Nixon, Nicholas 63<br />
Parks, Gordon 18-23<br />
Reeves, Keanu 151<br />
Roitfeld, Carine 107<br />
Rubins, Nancy 82-85<br />
Ruscha, Ed 137<br />
Schoen, Geza 15<br />
Sigal, Ivan 73<br />
Signer, Roman 79<br />
Singh, Dayanita 95<br />
Staeck, Klaus 132-135<br />
<strong>Steidl</strong>, Gerhard 15 ,135<br />
Sternfeld, Joel 46-51<br />
Subotzky, Mikhael 75<br />
Teller, Juergen 112-117<br />
Weegee 55-59<br />
Weiss, Marta 139<br />
Wiedenhöfer, Kai 129<br />
Zahm, Olivier 103<br />
Titles<br />
L’album d’Eddy 129<br />
American Prospects 51<br />
A Message for You 119<br />
Arthur Elgort 101<br />
Bailey’s East End 43<br />
Ballet 121<br />
Bangkok 71<br />
Beuys Book 135<br />
Black Maps. American Landscape and<br />
the Apocalyptic Sublime 67<br />
The Black Photo Album / Look at Me:<br />
1890–1950 93<br />
Catalogue Raisonné of the Paintings. Volume 5:<br />
1993–1997 137<br />
Close Far 63<br />
Collected Works 23<br />
Confrontiers 131<br />
Daimler Chronicle 149<br />
Domingo Milella 69<br />
England / Scotland 1960 45<br />
Exposed 111<br />
File Room 95<br />
From A Summer Notebook 89<br />
Gunkanjima 125<br />
Hello Yellow Glove 143<br />
How to Photograph Women 103<br />
I Am Innocent 77<br />
Karpaten / Carpathians 79<br />
The Keys to the House 115<br />
Light from the Middle East: New<br />
Photography 139<br />
The Little Black Jacket. Chanel’s Classic<br />
Revisited 107<br />
Los Alamos Revisited 35<br />
Malls Across America 127<br />
MANICOMIO. Secluded Madness 61<br />
Martin Munkasci 97<br />
The Master I, II, III 117<br />
Murder Is My Business 55<br />
Naked City 57<br />
Ode to Happiness 151<br />
On the Mines 27<br />
Own Death 91<br />
Paper Passion Parfume 15<br />
Parallel Worlds 81<br />
Paris Portraits 1925–1930 147<br />
The Photographic Work 99<br />
Pictures and Text 113<br />
The Place We Live. A Retrospective Selection of<br />
Photographs, 1964–2009 39<br />
Retinal Shift 75<br />
Sit Lux et Lux Fuit 87<br />
Stranger Passing 49<br />
Teen Tribe. A World with Two Sons 123<br />
Valencia 31<br />
Weegee’s People 59<br />
White Road 73<br />
Work 85<br />
Contents<br />
3 Introduction<br />
4 Index<br />
5 Contents<br />
6 How to contact our imprint partners / Press enquiries<br />
7 How to contact us / How to order<br />
Distribution<br />
8 Germany, Austria and Switzerland / USA and Canada<br />
9 France / All other territories<br />
11 <strong>Steidl</strong>ville Bookshops<br />
13 Book Awards <strong>2012</strong><br />
15 Geza Schoen and Gerhard <strong>Steidl</strong> Paper Passion Parfume<br />
17 Slipcased Editions / <strong>Fall</strong> Highlights<br />
23<br />
STEIDL World Wide Photopgraphy<br />
Gordon Parks Collected Works<br />
27 David Goldblatt On the Mines<br />
31 Robert Frank Valencia<br />
35 William Eggleston Los Alamos Revisited<br />
39 Robert Adams The Place We Live. A Retrospective Selection<br />
of Photographs, 1964–2009<br />
43 David Bailey Bailey’s East End<br />
45 Bruce Davidson England / Scotland 1960<br />
49 Joel Sternfeld Stranger Passing<br />
51 Joel Sternfeld American Prospects<br />
55 Weegee Murder Is My Business<br />
57 Weegee Naked City<br />
59 Weegee Weegee’s People<br />
61 Raymond Depardon MANICOMIO. Secluded Madness<br />
63 Nicholas Nixon Close Far<br />
67 David Maisel Black Maps. American Landscape and the Apocalyptic<br />
Sublime<br />
69 Domingo Milella<br />
71 Andreas Gursky Bangkok<br />
73 Ivan Sigal White Road<br />
75 Mikhael Subotzky Retinal Shift<br />
77 Adel Abdsessemed I am Innocent<br />
79 Roman Signer Karpaten / Carpathians<br />
81 Eija-Liisa Ahtila Parallel Worlds<br />
85 Nancy Rubins Work<br />
87 Mauro D’Agati Sit Lux et Lux Fuit<br />
89 Erich Hartmann and Ruth Bains Hartmann From a Summer Notebook<br />
91 Péter Nádas Own Death<br />
93 Santu Mofokeng The Black Photo Album / Look at Me: 1890–1950<br />
95 Dayanita Singh File Room<br />
97 F.C. Gundlach (ed.) Martin Munkacsi<br />
99 F.C. Gundlach The Photographic Work<br />
101 Arthur Elgort<br />
103 Olivier Zahm How to Photograph Women<br />
107 Karl Lagerfeld and Carine Roitfeld The Little Black Jacket. Chanel’s<br />
Classic Revisited<br />
111 Bryan Adams Exposed<br />
113 Juergen Teller Pictures and Text<br />
115 Juergen Teller The Keys to the House<br />
117 Juergen Teller The Master I, II, III<br />
119 Guy Bourdin A Message for You<br />
121 Henry Leutwyler Ballet<br />
123 Martine Fougeron Teen Tribe. A World with two Sons<br />
125 Yves Marchand and Romain Meffre Gunkanjima<br />
127 Michael Galinsky Malls Across America<br />
129 Kadir Guirey (ed.) L’album d’Eddy<br />
131 Kai Wiedenhöfer Confrontier<br />
135 Klaus Staeck and Gerhard <strong>Steidl</strong> Beuys Book<br />
137 Ed Ruscha Catalogue Raisonné of the Paintings. Volume 5: 1993–1997<br />
139 Marta Weiss (ed.) Light from the Middle East: New Photography<br />
143 Jim Dine Hello Yellow Glove<br />
147 Berenice Abbott Paris Portraits 1925–1930<br />
149 Daimler AG (ed.) Daimler Chronicle<br />
151 Alexandra Grant and Keanu Reeves Ode to Happiness<br />
This catalogue is not for sale • © <strong>2012</strong> for the images by the artists • © <strong>2012</strong> for the texts by the authors • Scanning by <strong>Steidl</strong>’s digital darkroom • Production<br />
and printing by <strong>Steidl</strong> • Düstere Str. 4, 37073 Göttingen, Germany • Phone +49 551 49 60 60 / Fax +49 551 49 60 649 • mail@steidl.de • www.steidlville.com<br />
www.steidl.de • All rights reserved • Printed in Germany by <strong>Steidl</strong> • ISBN 978-3-86930-556-1<br />
5
6<br />
How to contact our imprint partners<br />
Caroline Lebar<br />
7, rue de Lille<br />
75007 Paris<br />
France<br />
Tel. +33 1 4450 2200<br />
Fax +33 1 4450 2205<br />
caroline.lebar@karllagerfeld.com<br />
Box Ltd.<br />
412 West 14 th Street<br />
New York, NY 10014<br />
USA<br />
Tel. +1 212 965 9555<br />
Fax +1 212 965 9487<br />
marion@steidldangin.com<br />
www.steidldangin.com<br />
BrancoliniGrimaldi<br />
Elisa Badii<br />
43/44 Albemarle Street<br />
London W1S 4JJ<br />
Tel. +44 20 7493 5721<br />
elisa@brancolinigrimaldi.com<br />
www.brancolinigrimaldi.com<br />
Julia Joern<br />
525 West 19 th Street<br />
New York, NY 10011<br />
Tel. +1 212 727 2070<br />
Fax +1 212 727 2072<br />
julia@davidzwirner.com<br />
www.davidzwirner.com<br />
GUN<br />
<strong>Steidl</strong>/Gun<br />
GunGallery<br />
Runebergsgatan 3<br />
SE-114 29 Stockholm<br />
Sweden<br />
Tel. +46 707 27 76 27<br />
info@gungallery.se<br />
www.gungallery.se<br />
Düstere Str. 4<br />
37073 Göttingen<br />
Germany<br />
Tel. +49 551 49 60 60<br />
Fax +49 551 49 60 649<br />
mail@steidl.de<br />
Nina Holland / Jerry Sohn<br />
Düstere Str. 4<br />
37073 Göttingen<br />
Germany<br />
Tel. +49 551 49 60 60<br />
Fax +49 551 49 60 649<br />
nholland@steidl.de<br />
jerrysohn@steidl.de<br />
Peter Miles Studio<br />
650 East 6 th Street, Apt. 1<br />
New York, NY 10009<br />
Tel. +1 212 358 7991<br />
email@petermilesstudio.com<br />
www.steidl-miles.com<br />
Edition Folkwang / <strong>Steidl</strong><br />
Tanja Milewsky<br />
Düstere Str. 4<br />
37073 Göttingen<br />
Germany<br />
Tel. +49 341 331 40 96<br />
tanja.milewsky@gmx.de<br />
Moderna Museet<br />
Teresa Hahr<br />
Managing Editor<br />
Box 163 82<br />
SE-103 27 Stockholm<br />
Sweden<br />
Tel: +46 8 5195 5257<br />
Fax: +46 8 5195 5250<br />
T.Hahr@modernamuseet.se<br />
www.modernamuseet.se<br />
t<br />
International Center of Photography<br />
Philomena Mariani<br />
1114 Ave. of the Americas<br />
New York, NY 10036<br />
USA<br />
Tel. +1 212 857 0037<br />
Fax +1 212 857 0090<br />
pmariani@icp.org<br />
www.icp.org<br />
Press enquiries<br />
Germany, Austria<br />
and Switzerland<br />
<strong>Steidl</strong> Verlag<br />
Claudia Glenewinkel<br />
Düstere Str. 4<br />
37073 Göttingen<br />
Germany<br />
Tel. +49 551 49 60 650<br />
Fax +49 551 49 60 644<br />
presse@steidl.de<br />
USA and Canada<br />
<strong>Steidl</strong>MACK<br />
Poppy Melzack<br />
25 Denmark Street, 3 rd Floor<br />
London WC2H 8NJ<br />
United Kingdom<br />
press@steidlville.com<br />
www.steidlville.com<br />
France<br />
Patrick Remy<br />
22, Place Charles Fillion<br />
75017 Paris<br />
France<br />
Tel. +33 1 4263 2167<br />
Fax +33 1 4226 5518<br />
patremy2@wanadoo.fr<br />
All other territories<br />
<strong>Steidl</strong>MACK<br />
Poppy Melzack<br />
25 Denmark Street, 3 rd Floor<br />
London WC2H 8NJ<br />
United Kingdom<br />
Tel. +44 20 3077 1167<br />
press@steidlville.com<br />
www.steidlville.com<br />
How to contact us<br />
s<br />
Düstere Str. 4<br />
37073 Göttingen<br />
Germany<br />
Tel. +49 551 49 60 60<br />
Fax: +49 551 49 60 649<br />
mail@steidl.de<br />
www.steidl.de<br />
www.steidlville.com<br />
Managing Director<br />
Michael Mack<br />
Tel. +44 20 3077 1167<br />
mm@steidlville.com<br />
Sales<br />
Matthias Wegener<br />
Tel. +49 551 49 60 616<br />
Fax: +49 551 49 60 649<br />
mwegener@steidl.de<br />
Program / Submissions<br />
Gerhard <strong>Steidl</strong><br />
gsteidl@steidl.de<br />
Michael Mack<br />
Tel. +44 20 3077 1167<br />
mm@steidlville.com<br />
Catalogue / Editorial<br />
Maren Mittentzwey<br />
Tel.: +49 551 49 60 661<br />
mmittentzwey@steidl.de<br />
Export Management / Shipping<br />
Jan Menke ns<br />
Tel.: +49 551 49 60 618<br />
Fax: +49 551 49 60 617<br />
jmenkens@steidl.de<br />
Production Manager<br />
Bernard Fischer<br />
Tel.: +49 551 49 60 633<br />
Fax: +49 551 49 60 634<br />
bfischer@steidl.de<br />
Public Relations / Press<br />
Claudia Glenewinkel<br />
Tel.: +49 551 49 60 650<br />
Fax: +49 551 49 60 644<br />
cglenewinkel@steidl.de<br />
Poppy Melzack<br />
Tel. +44 20 3077 1167<br />
press@steidlville.com<br />
How to order<br />
Germany, Austria<br />
and Switzerland<br />
<strong>Steidl</strong> Verlag<br />
Matthias Wegener<br />
Düstere Str. 4<br />
37073 Göttingen<br />
Germany<br />
Tel. +49 551 49 60 616<br />
Fax +49 551 49 60 649<br />
mwegener@steidl.de<br />
For detailed information on sales representatives<br />
please refer to page 8<br />
France<br />
Interart Sarl<br />
1, rue de l’Est<br />
75020 Paris<br />
T (1) 43 49 36 60<br />
F (1) 43 49 41 22<br />
info@interart.fr<br />
Sodis<br />
128, avenue du Maréchal-de-Lattre-de-Tassigny<br />
BP 142<br />
77400 Lagny<br />
For detailed information on sales representatives<br />
please refer to page 9<br />
USA and Canada<br />
Innovative Logistics, LLC<br />
575 Prospect Street, Suite 301, Lakewood, NJ 08701<br />
Phone (US): +1 866 289 2088<br />
Toll Free (US): +1 877 318 6990<br />
Phone (Outside US): +1 732 534 4366<br />
Fax orders (US): +1 877 372 8892<br />
Fax orders (Outside US): +1 732 363 0338<br />
E-Mail orders: orders@innlog.net<br />
For detailed information on sales representatives<br />
please refer to page 9<br />
All other territories<br />
Thames & Hudson Ltd.<br />
181a High Holborn<br />
London WC1V 7QX<br />
United Kingdom<br />
Tel. +44 20 7845 5000<br />
Fax +44 20 7845 5055<br />
sales@thameshudson.co.uk<br />
exportsales@thameshudson.co.uk<br />
For detailed information on sales representatives<br />
please refer to page 10<br />
7
Distribution<br />
Germany, Austria and Switzerland<br />
Verlag:<br />
Gerhard <strong>Steidl</strong><br />
Druckerei und Verlag<br />
GmbH & Co. OHG<br />
Düstere Straße 4<br />
37073 Göttingen<br />
Tel. +49 551 49 60 60<br />
Fax +49 551 49 60 649<br />
mail@steidl.de<br />
www.steidl.de<br />
AUSLIEFERUNGEN<br />
DEUTSCHLAND<br />
Gemeinsame<br />
Verlags auslieferung Göttingen (GVA)<br />
Postfach 2021<br />
37010 Göttingen<br />
Tel. +49 551 487 177<br />
Fax +49 551 41 392<br />
bestellung@gva-verlage.de<br />
Lieferanschrift:<br />
Anna-Vandenhoeck-Ring 36<br />
37081 Göttingen<br />
GVA Auftragsbearbeitung<br />
für <strong>Steidl</strong><br />
Leonore Frester<br />
Tel. +49 551 487 177<br />
Fax +49 551 41392<br />
frester@gva-verlage.de<br />
ÖSTERREICH<br />
Mohr-Morawa<br />
Sulzengasse 2<br />
A–1232 Wien<br />
Tel. +49 1 68 014 0<br />
Fax +49 1 68 7130<br />
bestellung@mohrmorawa.at<br />
SCHWEIZ<br />
AVA<br />
Centralweg 16<br />
CH–8910 Affoltern am Albis<br />
Tel. +49 44 762 4260<br />
Fax +49 44 762 4210<br />
buch2000@ava.ch<br />
8<br />
Vertrieb:<br />
Matthias Wegener<br />
Tel. +49 551 49 60 616<br />
Fax +49 551 49 60 649<br />
mwegener@steidl.de<br />
AUSSENDIENST<br />
DEUTSCHLAND<br />
Schleswig-Holstein,<br />
Hamburg, Bremen,<br />
Niedersachsen<br />
Konrad Singer<br />
Am Stein 1<br />
22337 Hamburg<br />
Tel. +49 40 598 226<br />
Fax +49 40 505 302<br />
konrad.singer@t-online.de<br />
Berlin, Mecklenburg-<br />
Vorpommern,<br />
Brandenburg<br />
Vera Grambow<br />
Liselotte-Herrmann-Straße 2<br />
10407 Berlin<br />
Tel. +49 30 4004 8583<br />
Fax +49 30 421 2246<br />
berliner-verlagsvertretungen@t-online.de<br />
Sachsen-Anhalt,<br />
Sachsen, Thüringen<br />
Dr. Torsten Spitta<br />
Feldstraße 7d<br />
04288 Leipzig<br />
Tel. +49 341 297 49792<br />
Fax +49 341 297 77787<br />
torstenspitta@aol.com<br />
Nordrhein-Westfalen<br />
Gerd Wagner<br />
Poststr. 39<br />
41334 Nettetal-Kaldenkirchen<br />
Tel. +49 2157 124 701<br />
Fax +49 2157 124 702<br />
wagnergerd@aol.com<br />
Benedikt Geulen<br />
Meertal 122<br />
41464 Neuss<br />
Tel. +49 2131 125 5990<br />
Fax +49 2131 125 7944<br />
benedikt.geulen@t-online.de<br />
Hessen, Rheinland-Pfalz,<br />
Saarland, Luxemburg<br />
Raphael Pfaff<br />
Verlagsvetretung<br />
An den Drei Hohen 51<br />
60435 Frankfurt<br />
Tel. +49 69 5489 0366<br />
Fax +49 69 5490 24<br />
raphael.pfaff@web.de<br />
Baden-Württemberg<br />
Edwin Gantert<br />
Ricarda-Huch-Straße 1A<br />
79114 Freiburg<br />
Tel. +49 761 84 220<br />
Fax +49 761 80 6834<br />
edwingantert@web.de<br />
Bayern<br />
Günter Schubert<br />
c/o Vertreterbüro Jens Müller<br />
Kapuzinerstraße 11<br />
97070 Würzburg<br />
Tel. +49 911 211 0309<br />
Fax +49 911 211 0488<br />
schubert-muenchen@t-online.de<br />
ÖSTERREICH<br />
Günther Raunjak<br />
Feldstr. 92<br />
A–3420 Kritzendorf<br />
Tel. +49 664 391 2839<br />
guenther.raunjak@mohrmorawa.at<br />
Günter Thiel<br />
Reuharting 11<br />
A–4652 Steinerkirchen<br />
Tel. +49 664 391 2835<br />
Fax +49 664 77 391 2835<br />
guenter.thiel@mohrmorawa.at<br />
SCHWEIZ<br />
Giovanni Ravasio<br />
c/o Buch 2000 Verlagsauslieferung<br />
Centralweg 16<br />
CH–8910 Affoltern am Albis<br />
g.ravasio@hispeed.ch<br />
Distribution<br />
USA and Canada<br />
Innovative Logistics, LLC<br />
575 Prospect Street, Suite 301,<br />
Lakewood, NJ 08701<br />
Phone (US): +1 866 289 2088<br />
Toll Free (US): +1 877 318 6990<br />
Phone (Outside US): +1 732 534 4366<br />
Fax orders (US): +1 877 372 8892<br />
Fax orders (Outside US): +1 732 363 0338<br />
E-Mail orders: orders@innlog.net<br />
TRADE SALES REPRE-<br />
SENTATIVES<br />
UNITED STATES<br />
Continental Sales, Inc.<br />
213 West Main Street<br />
Barrington, IL 60010<br />
Tel: 847-381-6530<br />
Fax: 847-382-0419<br />
bookreps@wybel.com<br />
Continental Sales, Inc.<br />
West Coast<br />
Regional Office<br />
Faherty & Associates<br />
6665 SW Hampton St., Ste 100<br />
Portland, OR 97223<br />
Tel: 503-639-3113<br />
faherty@fahertybooks.com<br />
Midwest<br />
Regional Office<br />
Wybel Marketing Group, Inc.<br />
213 W. Main St.<br />
Barrington, IL 60010<br />
Tel: 847-382-0384<br />
Fax: 847-382-0385<br />
bookreps@wybel.com<br />
East Coast<br />
Regional Office<br />
Melman-Moster Associates, Inc.<br />
43 Yawpo Ave., Ste 6<br />
Oakland, NJ 07436<br />
Tel: 201-651-9400<br />
books@melman-moster.com<br />
South Regional Office<br />
Southern Territory Associates<br />
4508 64th Street<br />
Lubbock, TX 79414<br />
Tel: 806-799-9777<br />
sta77@suddenlink.net<br />
CANADA<br />
165 Dufferin St.<br />
Toronto, Ontario, M6K 3H6<br />
Phone: 416-531-4941<br />
Fax: 416-531-4259<br />
jackie@jacquelinegross.com<br />
www.jacquelinegross.com<br />
Distribution<br />
France<br />
Paris Sales Office<br />
Patrick Remy<br />
22, Place Charles Fillion<br />
75017 Paris<br />
France<br />
Tel. +33 1 4263 2167<br />
Fax +33 1 4226 5518<br />
patremy2@wanadoo.fr<br />
FOR PUBLICATIONS<br />
IN ENGLISH<br />
INTERART SARL<br />
1, rue de l’Est<br />
75020 Paris<br />
T (1) 43 49 36 60<br />
F (1) 43 49 41 22<br />
info@interart.fr<br />
Responsable distribution<br />
Laurence H’Limi<br />
laurence@interart.fr<br />
Responsable diffusion<br />
Pierre Samoyault<br />
pierre@interart.fr<br />
Représentants<br />
Blanche Pilven<br />
blanche@interart.fr<br />
Emerick Charpentier<br />
emerick@interart.fr<br />
Margot Rietsch<br />
margot@interart.fr<br />
Assistante commercial<br />
Marylaure Perre<br />
marylaure@interart.fr<br />
Service commande<br />
commercial@interart.fr<br />
www.dilicom.net<br />
FOR PUBLICATIONS<br />
IN FRENCH<br />
SODIS<br />
128, avenue du Maréchal-de-Lattre-de-<br />
Tassigny<br />
BP 142<br />
77400 Lagny<br />
Traitement des commandes<br />
Responsable : Maeva Knisy<br />
Tél : 01 60 07 95 54<br />
Identification DILICOM<br />
transmission<br />
SODILA (Les commandes codifiées<br />
transmises par DILICOM sont assurées<br />
du traitement le plus rapide)<br />
Tél : 01 60 07 82 99<br />
Fax : 01 64 30 32 27<br />
Relations clientèle<br />
Chef de service : Pierrette Kimmel<br />
Tél : 01 60 07 82 01. Fax : 01 64 30 88<br />
05<br />
pierrette.kimmel@sodis.fr<br />
Assistante Réclamations : Vic Mojasevic<br />
Tél : 01 60 07 86 33. Fax : 01 64 30 88 06.<br />
slavica.mojasevic@sodis.fr<br />
Distribution<br />
All other territories<br />
Head Office/Export<br />
Sales Department:<br />
Thames & Hudson Ltd<br />
181a High Holborn<br />
London WC1V 7QX<br />
Tel. +44 20 7845 5000<br />
Fax +44 20 7845 5050<br />
Sales and Marketing Department<br />
Fax +44 20 7845 5055<br />
sales@thameshudson.co.uk<br />
export@thameshudson.co.uk<br />
UK Sales Office<br />
Christian Frederking<br />
Sales and Marketing Director<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E c.frederking@thameshudson.co.uk<br />
Andrew Stanley<br />
Head of UK Sales<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E a.stanley@thameshudson.co.uk<br />
Andrius Juknys<br />
Manager, Distributed books<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E a.juknys@thameshudson.co.uk<br />
Mark Garland<br />
Distributed Sales Co-ordinator<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E m.garland@thameshudson.co.uk<br />
UK Territory Managers<br />
David Howson<br />
Key Accounts and London<br />
T020 7845 5000<br />
F 020 7845 5055<br />
E d.howson@thameshudson.co.uk<br />
London: E1-E18, EC1-4, N1-22, SE1,<br />
SW3, SW7, W1, W2, W8, W11, WC2<br />
Dawn Shield<br />
Key Accounts and London<br />
T 0207845 5000<br />
F 020 7845 5055<br />
E d.shield@thameshudson.co.uk<br />
London: NW1-NW11<br />
Leslie Bolt<br />
T 07984 034496<br />
E l.bolt@thameshudson.co.uk<br />
Bedfordshire, Berkshire, Cambridgeshire,<br />
Dorset, Essex, Hampshire, Hertfordshire,<br />
Kent, Middlesex, Norfolk, Suffolk, Surrey,<br />
East Sussex, West Sussex, Wiltshire,<br />
Worcestershire, Oxford, London SW4-6,<br />
SW8-20, SE2-26, W3-7, W9-14<br />
Karim White<br />
T 07740 768900<br />
E k.white@thameshudson.co.uk<br />
Cheshire, Cleveland, Cumbria, Co.<br />
Durham, Lancashire, Greater Manchester,<br />
Merseyside, Northumberland,<br />
Sheffield, Tyne & Wear, Yorkshire, Ireland,<br />
Scotland<br />
Trade:<br />
Thames & Hudson<br />
(Distributors) Ltd<br />
(distribution and accounts)<br />
Littlehampton Book Services<br />
Faraday Close<br />
Durrington, Worthing<br />
West Sussex<br />
BN13 3RB<br />
United Kingdom<br />
Tel. +44 1903 828501<br />
SUBSIDIARIES, AGENTS AND REPRESENTATIVES<br />
Mike Lapworth<br />
T 07745 304 088<br />
E mikelapworth@sky.com<br />
Buckinghamshire, Derbyshire, Herefordshire,<br />
Leicestershire, Lincolnshire,<br />
Northants, Nottinghamshire, Oxon (except<br />
Oxford), Shropshire, Staffordshire,<br />
Warwickshire, West Midlands,<br />
Worcestershire<br />
Ian Tripp<br />
T 07970 450162<br />
E iantripp@ymail.com<br />
Channel Islands Cornwall, Devon,<br />
Gloucestershire, Somerset, Wales<br />
For all other UK areas, please<br />
contact:<br />
Thames & Hudson<br />
Head Office<br />
181A High Holborn<br />
London WC1V 7QX, UK<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E sales@thameshudson.co.uk<br />
Subsidiaries, Agents<br />
and Representatives Abroad<br />
Americas<br />
Central and South America,<br />
Mexico<br />
Natasha Ffrench<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E n.ffrench@thameshudson.co.uk<br />
The Caribbean<br />
John Edgeler<br />
Edgeler Book Services Ltd<br />
3 Ashacre Lane<br />
Worthing<br />
BN13 2DA, UK<br />
M +44 7801 866936<br />
T/F +44 1903 265925<br />
E j.edgeler@ntlworld.com<br />
Europe<br />
Austria and Germany except<br />
South<br />
Michael Klein<br />
c/o Vertreterbuero Wuerzburg<br />
Huebergasse 1<br />
D-97070 Wuerzburg<br />
Germany<br />
T +49 931 17 405<br />
F +49 931 17 410<br />
E klein@sitwell.de<br />
9
Subsidaries, agents and representatives (continued)<br />
Belgium, Netherlands and<br />
Luxembourg<br />
Bas van der Zee<br />
President Kennedylaan 66 huis<br />
1079 NG Amsterdam<br />
Netherlands<br />
T +31 (0) 623137695<br />
E s.vanderzee@thameshudson.co.uk<br />
Eastern Europe and Eastern<br />
Mediterranean<br />
Stephen Embrey<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E s.embrey@thameshudson.co.uk<br />
France<br />
Interart S.A.R.L.<br />
1 rue de l’Est<br />
75020 Paris<br />
T (1) 43 49 36 60<br />
F (1) 43 49 41 22<br />
E commercial@interart.fr<br />
Germany, South and<br />
Switzerland<br />
Graham Williams<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E g.williams@thameshudson.co.uk<br />
Ireland<br />
Karim White<br />
3/2 Spottiswoode Street<br />
Edinburgh<br />
EH9 1EP<br />
T 07740 768900<br />
E k.white@thameshudson.co.uk<br />
Italy, Spain and Portugal<br />
Natasha Ffrench<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E n.ffrench@thameshudson.co.uk<br />
Scandinavia, Baltic States,<br />
Russia and the CIS<br />
Per Burell<br />
Idalavägen 1<br />
182 78 Stocksund<br />
Sweden<br />
T +46 (0)8 85 64 75<br />
E p.burell@thameshudson.co.uk<br />
Africa<br />
Africa (excluding South)<br />
Ian Bartley<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E i.bartley@thameshudson.co.uk<br />
South Africa, Swaziland,<br />
Lesotho, Namibia, Botswana<br />
and Zimbabwe<br />
Peter Hyde Associates<br />
5 & 7 Speke Street<br />
(Corner Nelson Street)<br />
Observatory 7925<br />
Cape Town<br />
T (021) 447 5300<br />
F (021) 447 1430<br />
E beverley@peterhyde.co.za<br />
10<br />
Middle East<br />
Middle East incl. Egypt<br />
Stephen Embrey<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E s.embrey@thameshudson.co.uk<br />
Iran<br />
Bookcity Co. (P.J.S)<br />
PO Box 158757341<br />
743 Shariati Street<br />
Tehran 16396<br />
T +(9821) 88459950<br />
F +(9821) 88459949<br />
E Semiramis@bookcity.co.ir<br />
Israel<br />
Lonnie Kahn Ltd<br />
20 Eliyahu Eitan Street<br />
75703 Rishon Lezion<br />
T (03) 951 8418<br />
F (03) 951 8415<br />
E aviva@lonibooks.co.il<br />
Lebanon<br />
Levant Distributors<br />
PO Box 11-1181<br />
Sin-El-Fil, Al Qalaa Area<br />
Sector No. 5<br />
Bldg #31, 53rd Street<br />
Beirut<br />
T (01) 488 035<br />
F (01) 510 659<br />
E info@levantgroup.com<br />
Asia<br />
China (prc), Hong Kong,<br />
and Macau<br />
Thames & Hudson China Ltd<br />
Units B&D 17/F<br />
Gee Chang Hong Centre<br />
65 Wong Chuk Hang Road<br />
Aberdeen<br />
Hong Kong<br />
T +852 2 553 9289<br />
F +852 2 554 2912<br />
E aps_thc@asiapubs.com.hk<br />
For China enquiries:<br />
Feng Haiming, Shanghai<br />
E fhm_thc@asiapubs.com.hk<br />
Michelle Liu, Beijing<br />
E lmh_thc@asiapubs.com.hk<br />
Taiwan<br />
Ms Helen Lee, Taipei<br />
E Helen_lee@asiapubs.com.hk<br />
Korea<br />
Zita Chan, Hong Kong<br />
E Zita_chan@asiapubs.com.hk<br />
Japan<br />
Scipio Stringer<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E s.stringer@thameshudson.co.uk<br />
Malaysia<br />
Thames & Hudson<br />
Private Ltd<br />
c/o APD Kuala Lumpur<br />
Nos. 24 & 26 Jalan SS3/41<br />
47300 Petaling Jaya<br />
Selangor, Darul Ehsan<br />
T (603) 7877 6063<br />
F (603) 7877 3414<br />
E customersvc@apdkl.com<br />
Singapore and South-East Asia<br />
Thames & Hudson (Singapore)<br />
Private Ltd<br />
52 Genting Lane<br />
#06-05, Ruby Land Complex<br />
Singapore 349560<br />
T (65) 6749 3551<br />
F (65) 6749 3552<br />
E customersvc@apdsing.com<br />
Taiwan<br />
Ms Helen Lee, Taipei<br />
E Helen_lee@asiapubs.com.hk<br />
Bangladesh<br />
Zeenat Book Supply Ltd<br />
190 Dhaka New Market<br />
Dhaka 1205<br />
T (02) 861 7005<br />
E zbooksl55@gmail.com<br />
India, Pakistan and Sri Lanka<br />
Raj Rupam Bora<br />
C-40/44, Lajpat Nagar-II<br />
New Delhi 110024<br />
T +91 11 4659 4551<br />
F +91 11 4659 4551<br />
M +91 9873 165100<br />
E r.rupam@thameshudson.co.uk<br />
Australasia<br />
Australia, New Zealand, Papua<br />
New Guinea &<br />
the Pacific Islands<br />
Thames & Hudson (Australia) Pty Ltd<br />
11 Central Boulevard<br />
Portside Business Park<br />
Fisherman’s Bend<br />
Victoria 3207<br />
T (03) 9646 7788<br />
F (03) 9646 8790<br />
E enquiries@thaust.com.au<br />
For countries not mentioned<br />
above, please contact:<br />
Ian Bartley, Head of Export Sales<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
181A High Holborn<br />
London WC1V 7QX, UK<br />
T +44 (0)20 7845 5000<br />
F +44 (0)20 7845 5055<br />
E i.bartley@thameshudson.co.uk<br />
<strong>Steidl</strong>villeBarcelona<br />
Círculo Del Arte<br />
Carrer de la Princesa, 52<br />
08003 Barcelona<br />
Spain<br />
Tel: +34 93 268 88 00<br />
www.circulodelarte.com<br />
<strong>Steidl</strong>villeBrussels<br />
Librairie Saint-Hubert<br />
2, Galerie du roi<br />
Brussels 1000<br />
Belgium<br />
Tel: +32 2 511 24 12<br />
<strong>Steidl</strong>villeHongkong<br />
Asia One<br />
8 Fung Yip Street<br />
Chai Wan<br />
Hong Kong<br />
China<br />
Tel: +852 28892320<br />
<strong>Steidl</strong>villeLosAngeles<br />
Rosegallery<br />
Bergamot Station Arts Center<br />
2525 Michigan Avenue<br />
Santa Monica<br />
California 90404<br />
Gallery G5<br />
Tel: +1 310 264 8440<br />
<strong>Steidl</strong>villeNew Delhi<br />
Photoink<br />
MGF Hyundai Building, Ground Floor<br />
1 Jhandewalan, Faiz Road<br />
New Delhi 1 10005 India<br />
Tel: +91 11 2875 5940/41/42<br />
<strong>Steidl</strong>villeRome<br />
s.t. foto libreria galleria<br />
Via degli Ombrellari, 25<br />
00193 Roma<br />
Tel: +39 06 64760105<br />
<strong>Steidl</strong>villeSt. Barts<br />
Linde Gallery<br />
Les Hauts du Carré d’Or<br />
Gustavia<br />
97133 Saint Barthelemy<br />
Tel: +59 5 90 29 73 86<br />
<strong>Steidl</strong>villeLisbon<br />
Rua do Norte, 14<br />
1200-286 Lisboa<br />
Portugal<br />
Tel: +351 936250198<br />
<strong>Steidl</strong>villeEast Hampton<br />
Linde Gallery<br />
25 A Newtown Lane<br />
East Hampton, NY 11937<br />
USA<br />
Tel: +1 631 604 5757<br />
<strong>Steidl</strong>villeMadrid<br />
La Fabrica<br />
Verónica 13, 28014<br />
Madrid<br />
Spain<br />
Tel: +34 912 985 537<br />
<strong>Steidl</strong>villeNew York<br />
Box Books<br />
412 West 14 th Street<br />
New York, NY 10014<br />
USA<br />
Tel: +1 212 965 9555<br />
<strong>Steidl</strong>villeSan Diego<br />
Museum of Photographic Arts Museum Store<br />
1649 El Prado<br />
San Diego, CA 92101<br />
USA<br />
Tel: +1619 238 7559 231<br />
<strong>Steidl</strong>villeBeijing<br />
Timezone 8 Books & Cafe (Beijing 798)<br />
PO Box 8503<br />
No. 4 Jiu Xian Qiao Road<br />
Beijing 100015<br />
China<br />
Tel: +8610 8456 0336<br />
<strong>Steidl</strong>villeFlorence<br />
Brancolini Grimaldi<br />
Arte Contemporanea<br />
Vicolo dell’Oro 12/R<br />
50123 Firenze<br />
Italy<br />
Tel: +39 055 239 62 63<br />
<strong>Steidl</strong>villeLondon East<br />
Rough Trade East<br />
Old Truman Brewery<br />
91 Brick Lane<br />
London E1 6QL<br />
England<br />
Tel: +44 20 7392 7788<br />
<strong>Steidl</strong>villeMoscow<br />
Pobeda Gallery<br />
4 th Siromyatnicheskiy pereulok 1<br />
Stroenie 6<br />
Moscow 105120<br />
Russia<br />
<strong>Steidl</strong>villeParis<br />
Librairie 7L<br />
7, rue de Lille<br />
75007 Paris<br />
France<br />
Tel: +33 1 4292 0358<br />
WWW.STEIDLVILLE.COM<br />
For detailed information on all our books,<br />
artists and related events and to purchase<br />
signed copies and receive special offers,<br />
please visit us at: www.steidlville.com<br />
11
s<br />
<strong>2012</strong> Book Awards<br />
Deutscher Fotobuchpreis <strong>2012</strong><br />
Gold Medal<br />
Yves Marchand and Romain Meffre<br />
The Ruins of Detroit<br />
Thomas Wiegand<br />
Deutschland im Fotobuch<br />
Silver Medal<br />
Paulo Nozolino<br />
Makulatur<br />
Martin Parr (ed.)<br />
The Protest Box<br />
Kraszna Krausz Book Awards <strong>2012</strong><br />
Short List<br />
William Eggleston<br />
Chromes<br />
Kassel Photobook Festival<br />
International Photobook Award <strong>2012</strong><br />
William Eggleston<br />
Chromes<br />
Daniel Blaufuks<br />
Terezín<br />
Swiss Press Photo <strong>2012</strong><br />
Lifetime Achievement Award<br />
Robert Frank<br />
left: Photo by Koto Bolofo<br />
13
14<br />
Geza Schoen and Gerhard <strong>Steidl</strong><br />
Paper Passion Perfume<br />
Paper Passion Perfume captures the unique bouquet of freshly printed books. Designed by boutique perfumer Geza<br />
Schoen in close consultation with Gerhard <strong>Steidl</strong> and in collaboration with Wallpaper* magazine, the perfume expresses<br />
that peculiar mix of paper and ink which gives a book its unmistakable aroma, along with the fresh scent which a book<br />
opened for the first time releases. Schoen spent days in the depths of the paper-filled <strong>Steidl</strong> headquarters in Göttingen,<br />
sifting through books, papers samples and inks, to find inspiration for a perfume that is true to books, wearable, and<br />
which ages well in time – just like a good book. It took Schoen seventeen trials to preserve in his words, “the right<br />
balance between the smell of paper as such and an enjoyable perfumistic aesthetic”.<br />
The elaborate packaging of Paper Passion Perfume does more than justice to the perfume within. The packaging is a<br />
real book with a hidden cut-out compartment in which the bottle sits. The first pages of the book contain texts on the<br />
pleasures of paper and the Paper Passion project by Nobel Laureate Günter Grass, Karl Lagerfeld, Geza Schoen and<br />
Wallpaper* Editor-in-Chief Tony Chambers. The end product is a unique perfume, an homage to the luxurious sensuality<br />
of books and in Karl Lagerfeld’s words, “the silent smell of paper”.<br />
Geza Schoen, born in 1969 in Kassel, has worked for nearly twenty years as a perfumer. He enjoyed professional<br />
success at a young age when he won the pitch for the first Diesel fragrance in 1994, while still in his education. While<br />
working for Haarmann & Reimer, which later became Symrise, Schoen travelled to Paris, New York, Singapore and<br />
Buenos Aires, researching perfumery in local markets. He launched his Escentric Molecules series in 2005, after Schoen<br />
was introduced to British branding expert Jeff Lounds and his friend graphic designer Paul White, and This Company<br />
was formed. Schoen is currently working on a series of fragrances called “The Beautiful Mind”, inspired by women<br />
admired for their intellects.<br />
Geza Schoen and Gerhard <strong>Steidl</strong><br />
Paper Passion Perfume<br />
Perfume by Geza Schoen<br />
4.5 x 6.3 in. / 11.5 x 16 cm<br />
Clothbound book with cut-out compartment containing<br />
50 ml perfume bottle, wrapped in red crinkle paper and<br />
housed in a handmade cardboard box<br />
€ 88.00 / £ 70.00 / US$ 115.00<br />
ISBN 978-3-86930-501-1<br />
15
16<br />
s<br />
<strong>Fall</strong> Highlights / Slipcased editions<br />
Gordon Parks<br />
Collected Works<br />
Pages 18–23<br />
William Eggleston<br />
Los Alamos Revisted<br />
Pages 32–35<br />
Robert Adams<br />
The Place We Live<br />
Pages 36–39<br />
David Bailey<br />
Bailey’s East End<br />
Pages 40–43<br />
Nancy Rubins<br />
Work<br />
Pages 82–85<br />
17
18<br />
GORDON PARKS / COLLECTED WORKS / VOLUME I, 1942–1947 GORDON PARKS / COLLECTED WORKS / VOLUME II, 1947–1955<br />
19
20<br />
GORDON PARKS / COLLECTED WORKS / VOLUME III, 1956–1998 GORDON PARKS / COLLECTED WORKS / VOLUME IV, 1958–1975<br />
21
22<br />
GORDON PARKS / COLLECTED WORKS / VOLUME V, LIFE MAGAZINE 1948–1970<br />
Gordon Parks<br />
Collected Works<br />
“These images and words are a gathering of individuals, events, places, conflicts and dilemmas that confronted me as<br />
I shifted from course to course in pursuit of survival. Some star-coloured, others, painted with rage, fall like rain in my<br />
memory. They all simmer down to what I remember, forgot, and what at last I know.” Gordon Parks<br />
This five-volume collection surveys five decades of Gordon Parks’ photography. It is the most extensive publication to<br />
document his legendary career. Widely recognized as the most important and influential African-American photo grapher<br />
of the twentieth century, Parks combined a unique documentary and artistic style with a profound commitment to social<br />
justice. Working first for the Farm Security Administration and later for Life magazine, he specialized in extended-<br />
narrative picture stories on difficult subject matter. Covering crime, poverty, segregation, the politics of race and class,<br />
and controversial personalities, Parks became legendary for his ability to meld penetrating insight with a lyrical aesthetic.<br />
He was thus able to introduce a broad and diverse public to people, issues and ideas they might otherwise have ignored.<br />
Parks was remarkably versatile, travelling the world to photograph news events and fashion, as well as the worlds of<br />
art, literature, music, theatre and film. Later in life, he reconceived his vision in fundamentally personal and poetic terms,<br />
producing colour photographs that were allusive rather than descriptive, symbolic rather than literal.<br />
Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant labourer, he worked<br />
as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself, and<br />
becoming a photographer. In addition to his storied tenures at the Farm Security Administration and the Office of War<br />
Information (1941–1945) and Life magazine (1948–1972), Parks was a modern-day Renaissance man, who found<br />
success as a film director, author and composer. The first African-American director to helm a major motion picture, he<br />
popularised the Blaxploitation genre through his film Shaft (1971). He wrote numerous memoirs, novels and books of<br />
poetry, and received many awards, including the National Medal of Arts, and more than fifty honorary degrees. In 1997<br />
the Corcoran Gallery of Art in Washington, D.C., mounted his retrospective exhibition “Half Past Autumn: The Art of<br />
Gordon Parks”. Parks died in 2006.<br />
Volume I Volume II Volume III<br />
Volume IV Volume V Slipcase<br />
Co-published with The Gordon Parks Foundation,<br />
Pleasantville, New York<br />
Gordon Parks<br />
Collected Works<br />
Edited by Peter W. Kunhardt, Jr. and Paul Roth<br />
Texts by Henry Louis Gates, Jr., Deborah Willis,<br />
Maurice Berger, Barbara Baker Burrows, Paul Roth<br />
and Gordon Parks<br />
Book design by Gerhard <strong>Steidl</strong>, Duncan Whyte,<br />
James Liam Jordan and Peter Kunhardt, Jr.<br />
Vol. I, 1942–1947, 272 pages / Vol. II, 1947–1956,<br />
322 pages / Vol. III, 1956–63, 232 pages / Vol. IV,<br />
1963–98, 258 pages / Vol. V, Life facsimiles, 1948–70<br />
9.8 x 11.4 in. / 25 x 29 cm<br />
1,328 photographs<br />
Tritone and four colour process<br />
Five hardcover books housed in a slipcase<br />
€ 185.00 / £ 148.00 / US$ 285.00<br />
ISBN 978-3-86930-530-1<br />
23
24<br />
David Goldblatt, On The Mines David Goldblatt, On The Mines<br />
25
26<br />
David Goldblatt<br />
On the Mines<br />
On the Mines is a re-designed and expanded version of David Goldblatt’s influential book of 1973. Goldblatt grew up<br />
in the South African town of Randfontein, which was shaped by the social culture and financial success of the gold mines<br />
surrounding it. When these mines started to fail in the mid-sixties Goldblatt began taking photos of them, which form<br />
the basis of On the Mines. The book features an essay on the human and political dimensions of mining in South Africa<br />
by Nobel laureate Nadine Gordimer, whose writing has long influenced Goldblatt.<br />
The new version of the book maintains the original three chapters “The Witwatersrand: a Time and Tailings”,<br />
“Shaftsinking” and “Mining Men”, but is otherwise completely updated, in Goldblatt’s words, “to expand the view but<br />
not to alter the sense of things”. There are thirty-one new mostly unpublished photos including colour images, eleven<br />
deleted images, a postscript by Gordimer to her essay, as well as a text by Goldblatt reflecting on his childhood and<br />
the 1973 book. On the Mines is the first of many titles in an ambitious collaboration between the photographer and <strong>Steidl</strong><br />
that will publish Goldblatt’s life work in a series of re-prints and new books.<br />
David Goldblatt is a definitive photographer of his generation, esteemed for his dispassionate depiction of life in South<br />
Africa over a period of more than fifty years. Born in Randfontein in 1930, Goldblatt worked in his father’s menswear<br />
business until 1963 when he took up photography full time. Goldblatt’s work concerns above all human values and is<br />
a unique document of life during and after apartheid. His photographs are held in major international collections, and<br />
his solo exhibitions include those at the Museum of Modern Art in New York in 1998, and the Fondation Henri Cartier-<br />
Bresson in Paris in 2011. In 1989 Goldblatt founded the Market Photo Workshop in Johannesburg to teach visual<br />
literacy and photography especially to those disadvantaged by apartheid.<br />
David Goldblatt<br />
On the Mines<br />
Essay by Nadine Gordimer<br />
Book design by David Goldblatt and Cyn van Houten<br />
180 pages<br />
10.9 x 10.9 in. / 27.6 x 27.6 cm<br />
80 photographs<br />
Tritone and four colour process<br />
Clothbound hardcover with foil embossing<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-491-5<br />
27
Robert Frank, Valencia Robert Frank, Valencia<br />
28 29
30<br />
Robert Frank<br />
Valencia<br />
In 1950, Robert Frank left his job as a photographer in New York to travel through Europe with his family. That summer<br />
he arrived in Valencia, Spain, which was at the time a humble, bleak place enduring the austere conditions of the postwar<br />
period like the rest of the country. The pictures Frank took of Valencia depict the daily life of a fishing village. His<br />
portrayal is so natural and clear that further verbal explanation seems superfluous; they simply reflect, in the photo grapher’s<br />
words, “the humanity of the moment”. The photographs in this book, many of which have never been published<br />
before, allow dignity to override poverty.<br />
Robert Frank, a key figure in photographic history, was born in Zurich in 1924 and immigrated to the United States in<br />
1947. He is best known for his seminal book The Americans, first published in 1959, which gave rise to a distinct new<br />
form in the photobook, and his experimental film Pull My Daisy (1959). Frank’s other projects include the books Black<br />
White and Things (1954) and The Lines of My Hand (1972), and the film Cocksucker Blues (1972) documenting the<br />
Rolling Stones. His awards include the Erich Salomon Prize (1985), the Hasselblad Award (1996), the Cornell Capa<br />
Award (1999) and the PHotoEspaña Award (2007) amongst others. Frank divides his time between New York City<br />
and Nova Scotia, Canada.<br />
Co-published with La Fabrica, Madrid<br />
Robert Frank<br />
Valencia<br />
Text by Robert Frank with a conversation between<br />
Vincente Todoli, Sarah Greenough and Peter MacGill<br />
Book design by Robert Frank and Studio Fernando Gutiérrez<br />
64 pages<br />
10 x 10 in. / 25.3 x 25.3 cm<br />
61 photographs<br />
Tritone<br />
Clothbound hardcover with dust jacket<br />
€ 38.00 / £ 30.00 / US$ 48.00<br />
ISBN 978-3-86930-502-8<br />
31
32<br />
William Eggleston, Los Alamos Revisited, Volume I William Eggleston, Los Alamos Revisited, Volume II<br />
33
34<br />
William Eggleston, Los Alamos Revisited, Volume III<br />
Volume 1 Volume 2<br />
Volume 3 Slipcase<br />
William Eggleston<br />
Los Alamos Revisited<br />
Between 1965 and 1974 William Eggleston and Walter Hopps traveled together in the US, Eggleston taking photographs,<br />
Hopps driving. During these travels the title Los Alamos was born. At the turn of the century Eggleston, Hopps,<br />
Caldecot Chubb and Winston Eggleston edited the photographs into a set of five portfolio boxes containing dye-<br />
transfer prints, which were produced in an edition of five with three sets of artist proofs. In addition to this selection, a<br />
further thirteen images were printed and released as individually available dye-transfer prints, which were referred to as<br />
“cousins” of the Los Alamos project. Hopps’ original vision was to make a vast exhibition of the project, but plans fell<br />
through and the idea was abandoned. At some point the negatives became separated, Hopps retaining roughly half of<br />
the project in Houston. Later Hopps carefully returned what was assumed to be the remainder of the negatives to<br />
Memphis and they were catalogued as Box #17. After Hopps’ death in 2005 his widow Caroline found another box of<br />
negatives that had never been accounted for. These were then catalogued as Box #83 and documented in a hand-made<br />
reference book called Lost and Found Los Alamos.<br />
In 2011, William Eggleston III (son of William) and Mark Holborn came together to review the now complete set of<br />
negatives for a final edit and sequence. They finished their sequence in Göttingen with Winston Eggleston in <strong>2012</strong>. It<br />
is presented in its entirety in this three-volume set. An earlier edition of Los Alamos edited by Thomas Weski was<br />
published by Scalo in 2003. Weski’s original essay is included in this revised edition. Los Alamos Revisited has been<br />
drawn from the complete set of photographs, including the long lost negatives from Box #83.<br />
William Eggleston was born in 1939 in Memphis, where he still lives and works. <strong>Steidl</strong> has published Eggleston’s Paris<br />
(2009), Before Color (2010) and Chromes (2011).<br />
William Eggleston<br />
Los Alamos Revisited<br />
Text by Thomas Weski and Walter Hopps<br />
Book design by Gerhard <strong>Steidl</strong>, Duncan Whyte<br />
and Karsten Lücke<br />
Vol. 1: 192 pages / Vol. 2: 168 pages /<br />
Vol. 3: 228 pages<br />
12.4 x 12.6 in. / 31.5 x 32 cm<br />
280 photographs<br />
Four colour process<br />
Three clothbound hardcover books with tipped-in<br />
photos, housed in a foil-embossed slipcase<br />
€ 248.00 / £ 220.00 / US$ 345.00<br />
ISBN 978-3-86930-532-5<br />
35
36<br />
Robert Adams, The Place We Live Robert Adams, The Place We Live<br />
37
38<br />
Robert Adams, The Place We Live<br />
Robert Adams<br />
The Place We Live<br />
A Retrospective Selection of Photographs, 1964–2009<br />
“Are there affirmable days or places in our deteriorating world? Are there scenes in life, right now, for which we might<br />
conceivably be thankful? Is there a basis for joy or serenity, even if felt only occasionally? Are there grounds now and<br />
then for an unironic smile?” Robert Adams<br />
The Place We Live traces Adams’ deep engagement with the geography of the American West, weaving together<br />
various aspects of over four decades of work into a cohesive, epic narrative of the American experience. Taken as a<br />
whole, this publication elucidates the photographer’s civic goals: to consider the privilege of the place we were given<br />
and the obligations of citizenship. Printed with an unprecedented fidelity to the photographer’s original prints, volumes<br />
one and two reflect Adams’ exacting, compelling sequence of nearly four hundred plates and bring together texts written<br />
by the photographer to accompany his photographic projects. Volume three offers a detailed chronology of Adams’ life,<br />
an illustrated bibliography of his monographs, selections from his personal archive, and a series of critical essays on his<br />
work by Joshua Chuang, Tod Papageorge, Jock Reynolds and John Szarkowski.<br />
Robert Adams, born in 1937 in New Jersey, first came to prominence in the early 1970s. His work has been shown<br />
widely both in Europe and the United States, including in the landmark 1975 exhibition New Topographics. <strong>Steidl</strong> has<br />
published Gone? (2010) and Tree Line (2010)<br />
Exhibitions: Los Angeles County Museum of Art, 11 March to 3 June, <strong>2012</strong>; Yale University Art Gallery, New Haven,<br />
3 August to 28 October, <strong>2012</strong>; Museo Nacional Centro de Arte Reina Sofía, Madrid, 22 January to 13 May, <strong>2013</strong>;<br />
Josef Albers Museum Quadrat, Bottrop, Summer <strong>2013</strong>; Media Space, London, <strong>Fall</strong> <strong>2013</strong>; Jeu de Paume, Paris,<br />
Spring 2014; Fotomuseum <strong>Winter</strong>thur, Summer 2014.<br />
Volume 1 Volume 2<br />
Volume 3 Slipcase<br />
Co-published with Yale University Art Gallery<br />
Robert Adams<br />
The Place We Live<br />
Essays by Joshua Chuang, Tod Papageorge, Jock Reynolds<br />
and John Szarkowski<br />
Book design by Katy Homans and Joshua Chuang<br />
Vol. 1: 248 pages / Vol. 2: 220 pages / Vol. 3: 164 pages<br />
9.7 x 11.8 in. / 24.5 x 30 cm<br />
460 photographs<br />
Tritone and four colour process<br />
Three clothbound hardcovers with dust jackets,<br />
housed in a slipcase<br />
€ 225.00 / £ 180.00 / US$ 295.00<br />
ISBN 978-3-86930-533-2<br />
39
40<br />
David Bailey, Bailey’s East End David Bailey, Bailey’s East End<br />
41
42<br />
David Bailey<br />
Bailey’s East End<br />
“The idea for a book on the East End formed sometime in the 1980s. The London Docks had already closed down or<br />
were starting to. I chose to shoot mainly in the districts of Silvertown and Canning Town. I have over the years spent<br />
many weekends shooting whatever took my fancy. The other two times I had bursts of photographic energy in the East<br />
End were in the 1960s and from about 2004 to 2010. These were my three key periods to draw pictures from, instead<br />
of just trolling through the last fifty years of archives.<br />
In the late 1940s and early 1950s I heard a quote on the radio, ‘Go west, young man.’ At the time I didn’t give it much<br />
thought. Later I assumed it was from America and that it went back to the middle of the nineteenth century, when America’s<br />
west coast was opening up to great wealth and opportunities. The cockneys should have listened, but they didn’t. They<br />
went east like their ancestors before them. The ones that moved east out of ‘Old Nichol’ went to Whitechapel, then on<br />
to Stepney and Bow, then to what is now called Newham and later to Barking, Dagenham and onto Essex.<br />
My mother was from Bow, my father it seems was from Hackney, my grandfather from Bethnal Green. Before him they<br />
all were from Whitechapel as far as records show.” David Bailey<br />
David Bailey, born in London in 1938, is one of the most successful photographers of his generation, and his career,<br />
in and beyond fashion photography, spans fifty years. <strong>Steidl</strong> has published Bailey’s Democracy (2005), Havana (2006),<br />
NY JS DB 62 (2007), Is That So Kid (2008) and EYE (2009), and Delhi Dilemma (<strong>2012</strong>).<br />
Volume 1 Volume 2<br />
Volume 3 Slipcase<br />
BAILEY’S EAST END<br />
David Bailey<br />
Bailey’s East End<br />
Text by David Bailey<br />
Book design by David Bailey and Gerhard <strong>Steidl</strong><br />
Vol. 1: 240 pages / Vol. 2: 228 pages /<br />
Vol. 3: 256 pages<br />
10.2 x 13 in. / 26 x 33 cm<br />
620 photographs<br />
Tritone<br />
Three clothbound hardcovers in a slipcase<br />
€ 165.00 / £ 130.00 / US$ 215.00<br />
ISBN 978-3-86930-534-9<br />
43
44<br />
NEW REVISED EDITION<br />
Bruce Davidson<br />
England / Scotland 1960<br />
In 1960, after an intense year photographing a notorious Brooklyn street gang “The Jokers”, Bruce Davidson decided<br />
to remove himself from the tension and depression of that work. He received an assignment to photograph Marilyn<br />
Monroe during the making of John Houston’s The Misfits in the Nevada desert, and then travelled to London on commission<br />
for Queen magazine. Published by Jocelyn Stevens, Queen was devoted to British lifestyle and Davidson was<br />
charged, with no specific agenda, to spend a couple of months touring England and Scotland to create a visual portrait<br />
of the two countries.<br />
England / Scotland 1960 offers a poetic insight into the heart of English and Scottish cultures. Reflecting a post-war<br />
era in which the revolutions of the 1960s had not quite yet entered the mainstream, Davidson’s photographs reveal<br />
societies driven by difference – the extremes of city and country life, of the landed gentry and the common people.<br />
Published for the first time in its entirety in 2005, this new edition has a larger ideal format chosen by Davidson initially<br />
for his Black & White (<strong>2012</strong>), and now the standard size for his future publications with <strong>Steidl</strong>.<br />
Born in 1933, Bruce Davidson began photographing at the age of ten in Oak Park, Illinois. Davidson studied at the<br />
Rochester Institute of Technology and Yale University, before being drafted into the army. After leaving military service<br />
in 1957, he freelanced for Life and in 1958 became a member of Magnum Photos. Davidson’s work is held in many major<br />
museum collections and his awards include a Guggenheim fellowship (1961) and the first National Endowment for the<br />
Arts in Photography (1967). <strong>Steidl</strong> has published Davidson’s Circus (2007), Outside Inside (2010), Subway (2011)<br />
and Black & White (<strong>2012</strong>).<br />
Bruce Davidson<br />
England / Scotland 1960<br />
Edited by Bruce Davidson and Michael Mack<br />
Texts by Bruce Davidson and Mark Haworth-Booth<br />
Book design by Gerhard <strong>Steidl</strong> and Duncan Whyte<br />
144 pages<br />
11.6 x 11.4 in. / 29.5 x 29 cm<br />
116 photographs<br />
Tritone<br />
Clothbound hardcover with foil embossing<br />
and a tipped-in photo<br />
€ 58.00 / £ 45.00 / US$ 75.00<br />
ISBN 978-3-86930-553-0<br />
45
46<br />
A Man at O’Hare Airport, Chicago, Illinois, July 1988<br />
A Young Man Gathering Shopping Carts, Huntington, New York, July 1993<br />
Summer Interns Having Lunch, Wall Street, New York, New York, August 1987<br />
A Woman with Her Ailing Mother on a Rails-to-Trails Conservancy Path, near Northampton, Massachusetts, October 1999<br />
47
48<br />
A Woman Out Shopping with Her Pet Rabbit, Santa Monica, California, August 1988<br />
NEW REVISED EDITION<br />
Joel Sternfeld<br />
Stranger Passing<br />
Over a period of fifteen years Joel Sternfeld travelled across America and took portrait photographs that form in Douglas<br />
R. Nickel’s words an “intelligent, unscientific, interpretive sampling of what Americans looked like at the century’s end.”<br />
Unlike historical portraits which represent significant people in staged surroundings, Sternfeld’s subjects are uncannily<br />
“normal”: a banker having an evening meal, a teenager collecting shopping carts in a parking lot, a homeless man<br />
holding his bedding. Using August Sander’s classic photograph of three peasants on their way to a dance as a starting<br />
point, Sternfeld employed a conceptual strategy that amounts to a new theory of the portrait, which might be termed<br />
“The Circumstantial Portrait”. What happens when we encounter the other in the mist of a circumstance? What presumptions,<br />
if any, are valid? What, if anything, can be known of the other from a photographic portrait?<br />
A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous<br />
awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s books<br />
published by <strong>Steidl</strong> include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008), First Pictures<br />
(2011) and On This Site (<strong>2012</strong>).<br />
Joel Sternfeld<br />
Stranger Passing<br />
Essays by Douglas R. Nickel and Ian Frazier<br />
Book design by Joel Sternfeld and Gerhard <strong>Steidl</strong><br />
132 pages<br />
13.4 x 11.4 in. / 34 x 29 cm<br />
60 photographs<br />
Four colour process<br />
Clothbound hardcover with a tipped-in photo<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-499-1<br />
49
50<br />
McLean, Virginia, December 1978<br />
Exhausted Renegade Elephant, Woodland, Washington, June 1979<br />
NEW REVISED EDITION<br />
Joel Sternfeld<br />
American Prospects<br />
This is the definitive edition of Joel Sternfeld’s seminal American Prospects made from new printing plates and<br />
technology that did not exist at the time of the 2003 <strong>Steidl</strong> edition. The book is otherwise unchanged, except for the<br />
addition of one new image. The subjects of American Prospects include a fireman picking out a pumpkin at a farm<br />
stand while a classic American house burns in the background, a lone basketball hoop in a vast Southwestern desert<br />
reminiscent of the Creation, and whales beached in Oregon seemingly symbolic of ecological failure to come. These<br />
and other narrative pictures, “helped open the gates for a new type of photography now practised by Gregory Crewdson,<br />
Rineke Dijkstra, Andreas Gursky, Thomas Ruff, Thomas Struth, and Jeff Wall, among many others… By corrupting the<br />
purity of photography, Sternfeld played a pivotal role in moving the medium forward.” (Kerry Brougher, Chief Curator at<br />
the Hirshhorn Museum and Sculpture Garden.)<br />
A major figure in the photography world, Joel Sternfeld was born in New York City in 1944. He has received numerous<br />
awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld’s books<br />
published by <strong>Steidl</strong> include American Prospects (2003), Sweet Earth (2006), Oxbow Archive (2008), First Pictures<br />
(2011) and On This Site (<strong>2012</strong>).<br />
Joel Sternfeld<br />
American Prospects<br />
Essays by Kerry Brougher, Andy Grundberg<br />
and Anne W. Tucker<br />
Book design by Joel Sternfeld and Gerhard <strong>Steidl</strong><br />
160 pages<br />
15.4 x 12 in. / 39 x 30.5 cm<br />
70 photographs<br />
Four colour process<br />
Clothbound hardcover with a dust jacket<br />
€ 88.00 / £ 75.00 / distributed in the USA by DAP<br />
ISBN 978-3-88243-915-1<br />
51
52<br />
Weegee Weegee<br />
53
54<br />
Weegee<br />
Murder Is My Business<br />
Gangland murders, gruesome car crashes and perilous tenement fires were the staples of Weegee’s flashlit black-and-<br />
white work as a freelance press photographer in the mid 1930s. These graphic and sometimes sensationalistic photos<br />
of New York crimes and news events set the standard for what has since become known as tabloid journalism.<br />
Taking its title from Weegee’s self curated exhibition at the Photo League in 1941, Murder Is My Business examines<br />
the urban violence and mayhem that was the focus of his early work. Challenged to capture unique images of<br />
newsworthy events and distribute them quickly, Weegee would listen to his police band radio receiver for news of fresh<br />
crimes and often arrive at crime scenes before the police themselves, allowing him to case each scene and create the<br />
best composition. Murders, he claimed, were the easiest to photograph because the subjects never moved or became<br />
temperamental.<br />
Murder Is My Business features Weegee’s most famous images in the context of their original presentation in period<br />
newspapers and exhibitions, as well as Weegee’s own books and films. The book also presents case studies of various<br />
crimes photographed by Weegee including original documents from police dossiers, and partial reconstructions of<br />
Weegee’s studio and his Photo League exhibition.<br />
Weegee (Arthur Fellig, 1899–1968) is best known for his tabloid news photos of urban crowds, crime scenes and<br />
New York City nightlife of the 1930s and 1940s. Between 1935 and 1946, Weegee was perhaps the most relentlessly<br />
inventive figure in American photography. Weegee later dedicated himself to what he called “creative photography”,<br />
images made through distorting lenses and other optical effects. He also made short films and collaborated with film<br />
directors such as Jack Donohue and Stanley Kubrick, as a special-effects consultant and still photographer.<br />
Exhibition: International Center of Photography, New York, 20 January to 2 September <strong>2012</strong><br />
Weegee:<br />
Murder is my<br />
Business<br />
Co-published with the International Center of Photography, New York<br />
Weegee<br />
Murder Is My Business<br />
Edited by Brian Wallis<br />
Essays by Alan Trachtenberg, Carol Squiers, Richard Meyer,<br />
Eddy Portnoy and Brian Wallis<br />
Book design by Maya Peraza-Baker<br />
300 pages<br />
8.2 x 10.7 in. / 21 x 27 cm<br />
250 photographs<br />
Tritone and four colour process<br />
Softcover<br />
€ 38.00 / £ 30.00 / US$ 48.00<br />
ISBN 978-3-86930-441-0<br />
55
56<br />
Weegee<br />
Naked City<br />
When Naked City was published in 1945, it was an instant success and inspired a Hollywood film. Naked City is<br />
Weegee’s unflinching look at his beloved New York City through photos by turns ironic, hilarious, seamy and brutal.<br />
Photographing the city at all hours and in all its guises, Weegee created a thrilling, lonely and candid portrait, and a style<br />
that was to inspire younger photographers, not least Diane Arbus. <strong>Steidl</strong>’s facsimile of Naked City carefully recreates<br />
the original book, bringing to life an object that is in form and spirit as close as possible to the first edition, and of which<br />
Weegee would be proud.<br />
Weegee (Arthur Fellig, 1899–1968) is best known for his tabloid news photos of urban crowds, crime scenes and<br />
New York City nightlife of the 1930s and 1940s. Between 1935 and 1946, Weegee was perhaps the most relentlessly<br />
inventive figure in American photography. Weegee later dedicated himself to what he called “creative photography”,<br />
images made through distorting lenses and other optical effects. He also made short films and collaborated with film<br />
directors such as Jack Donohue and Stanley Kubrick, as a special-effects consultant and still photographer.<br />
Exhibition: International Center of Photography, New York, 20 January to 2 September <strong>2012</strong><br />
Co-published with the International Center of Photography, New York<br />
Weegee<br />
Naked City<br />
Text by Weegee<br />
244 pages<br />
6.7 x 9.5 in. / 17 x 24 cm<br />
236 photographs<br />
Quadrotone<br />
Clothbound hardcover with dust jacket<br />
€ 40.00 / £ 30.00 / US$ 50.00<br />
ISBN 978-3-86930-438-0<br />
57
58<br />
Weegee<br />
Weegee’s People<br />
In 1946, a year after the runaway success of Naked City, Weegee published his affectionate but sharp appraisal of the<br />
citizens of New York. Weegee’s People presents a true cross-section of New Yorkers, from the photographer’s cherished<br />
street people to the rich dames who frequented the Metropolitan Opera. This facsimile is a painstaking recreation of<br />
the original book, and follows the success of other facsimiles printed by <strong>Steidl</strong> including Moï Ver’s Paris (2003) and<br />
Jakob Tuggener’s Fabrik (2003).<br />
Weegee (Arthur Fellig, 1899–1968) is best known for his tabloid news photos of urban crowds, crime scenes and<br />
New York City nightlife of the 1930s and 1940s. Between 1935 and 1946, Weegee was perhaps the most relentlessly<br />
inventive figure in American photography. Weegee later dedicated himself to what he called “creative photography”,<br />
images made through distorting lenses and other optical effects. He also made short films and collaborated with film<br />
directors such as Jack Donohue and Stanley Kubrick, as a special-effects consultant and still photographer.<br />
Exhibition: International Center of Photography, New York, 20 January to 2 September <strong>2012</strong><br />
Co-published with the International Center of Photography, New York<br />
Weegee<br />
Weegee’s People<br />
Text by Weegee<br />
Book design by Stefan Salter<br />
248 pages<br />
6.7 x 9.65 in. / 17 x 24.5 cm<br />
266 photographs<br />
Quadrotone<br />
Clothbound hardcover with dust jacket<br />
€ 40.00 / £ 30.00 / US$ 50.00<br />
ISBN 978-3-86930-439-7<br />
59
60<br />
Raymond Depardon<br />
MANICOMIO<br />
Secluded Madness<br />
“In 1977, I met Franco Basaglia, director of the manicomico (lunatic asylum) at the hospital in Triest, who was also the<br />
leader of an alternative psychiatric movement. Taking advantage of the chaotic political situation in Italy at the time, he<br />
started to close several psychiatric hospitals with a group of doctors, and had ‘Law 180’ passed in 1978, which resulted<br />
in the definitive closure of the asylums. Franco encouraged me to take photographs of this reality, ‘If not, they will not<br />
believe us,’ he told me. With more than a hundred thousand people interned in psychiatric asylums all over Italy, the<br />
situation was indeed dramatic. He also introduced me to directors of other asylums in Venice, Naples, Arezzo and Turin.<br />
For four years, until the closure of the hospital on the island of San Clemente very close to Venice, I photographed<br />
these places of pain to preserve them in memory and to pay tribute to Franco Basaglia – who died from a sudden illness<br />
in 1980. My film about San Clemente came out in 1982, but it’s only now thirty years later – after a long pause – that<br />
I have finally edited and designed the photographic work that was begun all those years ago.” Raymond Depardon<br />
Raymond Depardon, born in Villefranche-sur-Saône in 1942, belongs to a generation of French photographers reluctant<br />
to over-interpret its subjects. Depardon developed a profound love for the Middle East and the desert, recurrent themes<br />
in his later work. In 1967 an encounter with Gilles Caron led to the founding of Gamma, through which they were<br />
assigned to the most troubled parts of the world. In 1973 Depardon became Gamma’s director. From 1975 to 1977<br />
he travelled in Chad and received a Pulitzer Prize in 1977. The next year Depardon left Gamma to become a Magnum<br />
associate, then a full member in 1979, when he also received a George Sadoul Prize for his film Numéro Zéro.<br />
Depardon’s numerous awards include the Robert Capa Gold Medal, the César Award for Best Documentary and a<br />
nomination for an Academy Award. His books with <strong>Steidl</strong> include Villes/Cities/Städte (2007) and Manhattan Out (2008).<br />
Raymond Depardon<br />
MANICOMIO<br />
Secluded Madness<br />
Book design by Raymond Depardon<br />
208 pages<br />
11.6 x 8.7 in. / 29.5 x 22 cm<br />
215 photographs<br />
Tritone<br />
Clothbound hardcover<br />
€ 48.00 / £ 38.00 / US$ 60.00<br />
ISBN 978-3-86930-535-6<br />
61
62<br />
Nicholas Nixon<br />
Close Far<br />
Nicholas Nixon is known for the ease and intimacy of his large format photography. He has photographed porch life in<br />
the rural South, the changing Boston cityscape, sick and dying people, the intimacy of couples, and an ongoing annual<br />
portrait of his wife Bebe and her three sisters, beginning in 1975. Included in the seminal 1975 exhibition “New<br />
Topographics”, Nixon is major figure in American photography of the latter half of the twentieth century.<br />
In Close Far, Nixon presents a dichotomous group of photos made with his signature large-format view camera, in this<br />
case one with an 11x14 inch negative. The first half of the book contains self-portraits, comprising in Nixon’s words<br />
“sketches of an old man”. Filled with anxiety, longing and contentedness, these images chronicle the shapes, slopes and<br />
pores of Nixon’s face. The second half of the book shows views of buildings in the densest part of Boston. Made from<br />
high within the buildings and with the same camera, these images without horizons do not gaze down upon but rather<br />
“through” the city. With the lens in the same orientation as his self-portrait photos, Nixon’s results are remarkable for<br />
their richness of detail and complexity of form.<br />
Nicholas Nixon was born in Detroit in 1947 and has lived in the Boston area for over forty years. He has received<br />
numerous awards including three National Endowment for the Arts Fellowships and two Guggenheim Fellowships. In<br />
2005, Nixon’s ongoing portrait of the Brown sisters was exhibited at the Museum of Modern Art in New York and the<br />
Modern Art Museum of Fort Worth. His work is held in the collections of the Metropolitan Museum of Art in New York,<br />
the Los Angeles County Museum of Art, and the Museum of Fine Arts in Boston, among others. Nixon’s books include<br />
The Brown Sisters (2005) and Live Love Look Last published by <strong>Steidl</strong> in 2011.<br />
Nicholas Nixon<br />
Close Far<br />
Text by Peter Galassi<br />
Book design by Katy Homans<br />
102 pages<br />
11 x 13.9 in. / 27.9 x 35.3 cm<br />
48 photographs<br />
Tritone<br />
Hardcover<br />
€ 48.00 / £ 38.00 / US$ 60.00<br />
ISBN 978-3-86930-536-3<br />
63
64<br />
David Maisel, Black Maps David Maisel, Black Maps<br />
65
66<br />
David Maisel<br />
Black Maps<br />
American Landscape and the Apocalyptic Sublime<br />
Black Maps is the first in-depth survey of the major aerial projects by David Maisel, whose images of radically altered<br />
terrain have transformed the practice of contemporary landscape photography. In more than 100 photos that span<br />
Maisel’s career, Black Maps presents a hallucinatory worldview encompassing both stark documentary and tragic<br />
metaphor, and exploring the relationship between nature and humanity today. Maisel’s images of environmentally<br />
impacted sites consider the aesthetics of open pit mines, clear-cut forests, rampant urbanization and sprawl, and zones<br />
of water reclamation. These surreal and disquieting photos take us towards the margins of the unknown and as the Los<br />
Angeles Times has stated, “argue for an expanded definition of beauty, one that bypasses glamour to encompass the<br />
damaged, the transmuted, the decomposed.”<br />
David Maisel was born in New York in 1961. His photographs have been exhibited internationally, and are included in<br />
many permanent collections such as the Metropolitan Museum of Art in New York, the Los Angeles County Museum of<br />
Art, and the Victoria and Albert Museum in London. Maisel was a scholar in residence at the Getty Research Institute<br />
in 2007, an artist in residence at the Headlands Center for the Arts in 2008, and a recipient of an individual artist’s grant<br />
from the National Endowment for the Arts. He is a trustee of the Headlands Center for the Arts.<br />
Exhibitions: CU Art Museum, University of Colorado Boulder, 1 February to 11 May, <strong>2013</strong>; Scottsdale Museum of<br />
Contemporary Art, Scottsdale, Arizona, 1 June to 1 September <strong>2013</strong><br />
David Maisel<br />
Black Maps<br />
American Landscape and the Apocalyptic Sublime<br />
Edited by Alan Rapp<br />
Introduction by Julian Cox<br />
Essays by Natasha Egan, Geoff Manaugh, Alan Rapp,<br />
Kirsten Rian, Joseph Thompson and Kazys Varnelis<br />
Poem by Mark Strand<br />
Book design by Bob Aufuldish, Aufuldish & Warinner<br />
228 pages<br />
11.6 x 11.6 in. / 29.5 x 29.5 cm<br />
115 photographs<br />
Duotone and four colour process<br />
Hardcover with dust jacket<br />
€ 56.00 / £ 45.00 / US$ 75.00<br />
ISBN 978-3-86930-537-0<br />
67
68<br />
Domingo Milella<br />
“It’s hard to talk about photography without facing issues of time, memory and death – not as stereotypical archetypes,<br />
but as challenging and malleable entities of culture and nature.” Domingo Milella<br />
This first published monograph by Domingo Milella is a photographic journey from his hometown in the outskirts of Bari<br />
in southern Italy, taking us to Mexico City, Cairo, Ankara, Anatolia, Sicily, Tunisia, and as far as Mesopotamia. Milella’s<br />
subject is cities and their borders, cemeteries and villages, caves and homes, tombs and hieroglyphs – in short, signs<br />
of man’s presence on earth. His interest is the overlap between civilisation and nature, and how landscape and architecture<br />
are invested with individual and collective memory. These photographs emerge from and challenge classical<br />
ideas of landscape in art history, and seek an alternative iconography in which an almost forgotten past coexists with<br />
the present. Says Milella: “Making images doesn’t only mean documenting or taking photographs. It’s also a possibility<br />
for contemplation and recollection. Building an image of the past is to face the present, and activate the possibility<br />
of the future.”<br />
Domingo Milella was born in 1981 in Bari, Italy, and today divides his time between his hometown and New York. At<br />
the age of eighteen Milella moved to New York to study photography at the School of Visual Arts (BFA 2005), where<br />
Stephen Shore was one of his teachers. Milella has worked with Massimo Vitali and Thomas Struth has been an<br />
influential mentor. Since 2001, he has been developing his landscape project. Milella has exhibited at Brancolini Grimaldi<br />
(Rome and London), Tracy Williams, Ltd. (New York), Foam photography museum (Amsterdam), the Venice Biennale<br />
and Les Rencontres d’Arles.<br />
Exhibition: Brancolini Grimaldi, London, 23 November <strong>2012</strong> to 19 January <strong>2013</strong><br />
Domingo Milella<br />
Domingo Milella<br />
Essay by Francesco Zanot<br />
Book design by Domingo Milella and Gerhard <strong>Steidl</strong><br />
72 pages<br />
14.8 x 11 in. / 37.5 x 28 cm<br />
31 photographs<br />
Four colour process<br />
Clothbound hardcover<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-487-8<br />
69
70<br />
Andreas Gursky<br />
Bangkok<br />
Andreas Gursky’s new Bangkok series forms the basis of this book. Gursky’s photos depict the dark, moving water of<br />
Thailand’s Chao Phraya river, whose shimmering surface possesses the qualities of abstract painting. Indeed these<br />
photos are reminiscent of some of the most recognisable examples of Modernist Abstraction such as the work of Hans<br />
Arp, but they also echo the more hostile patterns of military camouflage. Seductively beautiful on the first glance, it is<br />
only in time that the rubbish of civilisation becomes recognisable floating on the surface of the river – the flotsam of a<br />
threatening reality moving upon colourful reflections. Gursky alludes to the ecological problems that jeopardise Bangkok,<br />
and which shortly after these images were made, culminated in the widespread flooding that devastated great parts of<br />
Thailand.<br />
Andreas Gursky, born in 1955 in Leipzig, is one of the most important contemporary photographers. He studied at the<br />
Folkwangschule in Essen, and at the Kunstakademie Düsseldorf under Bernd and Hilla Becher.<br />
Exhibition: Stiftung Museum Kunstpalast, Düsseldorf, 23 September <strong>2012</strong> to 13 January <strong>2013</strong><br />
Co-published with Museum Kunstpalast, Düsseldorf<br />
Andreas Gursky<br />
Bangkok<br />
Texts by Hans Irrek, Beat Wismer and John Yau<br />
Book design by Adeline Morlon<br />
112 pages<br />
8.7 x 11.4 in. / 22 x 29 cm<br />
12 large-format Bangkok plates, 12 specially prepared<br />
details on translucent paper, and 40 illustrations<br />
Four colour process<br />
Clothbound hardcover with a cut out hole in the cover<br />
€ 38.00 / £ 30.00 / US$ 48.00<br />
ISBN 978-3-86930-554-7<br />
71
72<br />
Ivan Sigal<br />
White Road<br />
From 1998 to 2005, photographer Ivan Sigal worked, lived and travelled in Central Asia, traversing Russia, Kazakhstan,<br />
Uzbekistan, Tajikistan, Kyrgyzstan and Afghanistan. He roamed with a dual identity: on the one hand designing media<br />
projects with local communities; on the other, an itinerant documentarian. The images from his multi-year odyssey reveal<br />
the unsettled lives of Eurasians in provincial towns and cities. Alongside the photos, an episodic narrative unfolds:<br />
vignettes chronicling Sigal’s encounters while tracing his restless passage through the landscape. Through image and<br />
text, White Road addresses what was left behind when the Soviet Union’s ideological superstructure was stripped<br />
away, eliminating the grand narrative that imposed meaning on people’s lives. The cumulative effect is that of a search<br />
without a centre or an apparent goal. We sense that circumstances of history and power propel us – subject, traveller,<br />
and reader – from encounter to encounter, and from place to place. The term “white road” means “safe journey” in<br />
Kazakh, Kyrgyz and Uzbek. These words are printed on road signs at the edges of Central Asian towns, wishing travellers<br />
well as they enter the emptiness of the steppe.<br />
Ivan Sigal is a documentary photographer who works on long-term storytelling projects. Born in 1969 in Pennsylvania,<br />
he has lived for extensive periods in the former Soviet Union and in Asia. Sigal’s Eurasia work has been exhibited in cities<br />
across the former Soviet Union and in the United States. He also designs and creates international media projects,<br />
with a focus on networked communities.<br />
Exhibition: Corcoran Gallery of Art, Washington, D.C., November <strong>2012</strong> to February <strong>2013</strong><br />
Ivan Sigal WHITE ROAD<br />
Ivan Sigal<br />
White Road<br />
Edited by Ivan Sigal and Paul Roth<br />
Texts by Ivan Sigal and Paul Roth<br />
Book design by Ivan Sigal and Paul Roth<br />
340 pages<br />
9.5 x 8 in. / 24.1 x 20.3 cm<br />
225 photographs<br />
Tritone<br />
Clothbound hardcover<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-538-7<br />
73
74<br />
Mikhael Subotzky<br />
Retinal Shift<br />
Retinal Shift is the catalogue for Mikhael Subotzky’s <strong>2012</strong> Standard Bank Young Artist Exhibition, which will tour every<br />
major museum in South Africa. Retinal Shift investigates the practice and mechanics of looking – in relation to the<br />
history of Grahamstown, the history of photographic devices, and Subotzky’s own history as an artist. The works draw<br />
on archival portraits from the last century, found surveillance footage, as well as Subotzky’s own photographs from<br />
various series’ that he re-contextualizes. The opening work in the book is a self-portrait that Subotzky made with the<br />
assistance of an optometrist. High-resolution images of his left and right retinas sit side by side. Says Subotzky: “I was<br />
fascinated by this encounter. At the moment that my retinas, parts of my essential organs of seeing, were photographed,<br />
I was blinded by the apparatus that made the images.<br />
Mikhael Subotzky was born in 1981 in Cape Town and is currently based in Johannesburg. Subotzky adopts the<br />
directness of the social documentary mode while questioning the photographic medium itself. Over the past eight years,<br />
his work has focused on the inside and outside of South Africa’s notorious prisons, the small town of Beaufort West,<br />
and Ponte City, a single iconic building in Johannesburg.<br />
Exhibitions: Grahamstown National Arts Festival, 28 June to 8 July <strong>2012</strong>; Nelson Mandela Metropolitan Art<br />
Museum, Port Elizabeth, 25 July to 5 September <strong>2012</strong>; Tatham Art Gallery, Pietermaritzburg, 20 September to 11<br />
November <strong>2012</strong>; IZIKO South African National Gallery, Cape Town, 28 November <strong>2012</strong> to 9 January <strong>2013</strong>;<br />
Johannes Stegmann Art Gallery, Bloemfontein, 27 February to 29 March <strong>2013</strong>; Standard Bank Gallery,<br />
Johannesburg, 15 April to 23 April <strong>2013</strong>; University of Potchefstroom Art Gallery, Potchefstroom, 27 June to 2<br />
August <strong>2013</strong><br />
Mikhael Subotzky<br />
Retinal Shift<br />
Text by Anthea Buys and Sean O’Toole<br />
Edited by Ivan Vladislavic<br />
Book design by Michael Aberman and Emmet Byrne<br />
300 pages<br />
7.5 x 10.2 in. / 19 x 26 cm<br />
250 photographs<br />
Four colour process<br />
Clothbound hardcover<br />
€ 38.00 / £ 30.00 / US$ 48.00<br />
ISBN 978-3-86930-539-4<br />
75
76<br />
Adel Abdsessemed<br />
I am Innocent<br />
First coming to widespread attention in 2000, the work of Adel Abdessemed has been generally understood as an<br />
intuitive and searing response to the convulsions shaking the contemporary world in its religious, political, economic and<br />
moral aspects. The artist has been said to re-appropriate the primal powers of violence and destruction by creating<br />
braided aeroplanes, a rolled-up fuselage, burnt-out cars moulded in terra cotta, rows of barbed wire… Installations,<br />
performances, drawings, sculptures, videos, photos – Abdessemed employs multiple media to register the signs of<br />
violence scattered across the world, to capture the hubbub of history and render it in images. True as these views may<br />
be, this book and the accompanying major exhibition at the Centre Pompidou offer a thorough reappraisal of them. I am<br />
Innocent shows that history in its chaotic, convulsive and conflicting forms is not the object of Abdessemed’s art but<br />
rather its material, which is thoroughly reworked, stylised and sublimated to the images of the world. Abdessemed’s work<br />
belongs to a history of art that exceeds the narrow limits of the contemporary. Today’s world may supply Abdessemed<br />
with his raw materials, but he subjects them to dream-like displacements and transformations.<br />
Born in Algeria in 1971, Adel Abdessemed began his studies at the Ecole des Beaux-Arts in Algiers. After the<br />
assassination of its director by Islamists, Abdessemed moved to France and continued to study in Lyon. Today he lives<br />
and works in Paris. In 2000 Abdessemed completed a residence at P.S.1 in New York, and his work is represented in<br />
prominent international collections including the Centre Pompidou in Paris, the Israel Museum in Jerusalem, Musée<br />
d’art moderne et contemporain in Geneva, Musée d’Art Moderne de la Ville de Paris, and the François Pinault Foundation<br />
in Venice.<br />
Exhibition: Centre Pompidou, Paris, 3 October <strong>2012</strong> to 7 January <strong>2013</strong><br />
Co-published with Centre Pompidou, Paris<br />
Adel Abdsessemed<br />
I am Innocent<br />
Texts by Pamela M. Lee, Emmanuel Alloa, Patricia Falguieres,<br />
Tom McDonough, Hou Hanru and Philippe-Alain Michaud<br />
Book design by <strong>Steidl</strong> Design<br />
260 pages<br />
10.2 x 13.8 in. / 26 x 35 cm<br />
100 photographs<br />
Four colour process<br />
Clothbound hardcover with dust jacket<br />
€ 30.00 / £ 22.00 / US$ 38.00<br />
ISBN 978-3-86930-541-7<br />
77
78<br />
Roman Signer<br />
Karpaten / Carpathians<br />
This book presents photos taken by Roman Signer on a 2005 journey through the Carpathian Mountains, which took<br />
him to the Ukraine and Romania. The photos evidence brief stops at the side of the road and present subjects that fall<br />
into two distinct categories: home-grown fruits, vegetables and other produce for sale, carefully displayed on stools or<br />
small tables; and loving memorials of flowers, crosses and wreaths for deceased family members and friends who were<br />
road casualties. The similarity between each composition – the landscape format, the colourful centred arrangement,<br />
the consistent distance between photographer and subject – belies a deeper message: the produce suggests sustenance,<br />
growth and plenty; while the memorials are signs of tragedy and grief. Karpaten / Carpathians is thus not only<br />
a collection of travel photos, but a reflection of the human need to shape events, and a succinct story of life and death<br />
– both realities along the metaphorical road on which we all travel.<br />
Born in 1938 in Appenzell, Switzerland, Roman Signer worked as an architectural draughtsman before studying at the<br />
School of Art and Design Zurich, the Lucerne School of Art and Design, and the Warsaw Academy of Fine Arts. Signer<br />
is particularly known for his performance work, including “action sculptures” which involve recording experiments such<br />
as explosions and collisions that bear aesthetic results. Signer has exhibited internationally including shows at<br />
Hamburger Bahnhof in Berlin, Bonnefanten Museum in Maastricht, and Aargauer Kunsthaus in Aarau. <strong>Steidl</strong> has<br />
published his Travel Photos (2006) and Projections (2008).<br />
Roman Signer<br />
Karpaten / Carpathians<br />
Texts by Paula von den Bosch and Madeleine Schuppli<br />
Book design by Peter Zimmermann<br />
120 pages<br />
9.1 x 6.5 in. / 23 x 16.5 cm<br />
46 photographs<br />
Four colour process<br />
Softcover<br />
€ 24.00 / £ 18.00 / US$ 34.00<br />
ISBN 978-3-86930-489-2<br />
79
80<br />
Eija-Liisa Ahtila<br />
Parallel Worlds<br />
Eija-Liisa Ahtila is one of the most accomplished and recognised contemporary Nordic artists working today, and Parallel<br />
Worlds presents her most recent bodies of work. Ahtila has been an indefatigable pioneer of multi-media art since her<br />
video and performance breakthrough in the 1990s, and her influential position in cinema was cemented in 2011 when<br />
she was appointed to the feature films jury of the Venice Film Festival. Parallel Worlds shows Ahtila’s ongoing interest<br />
in the experience of being human, her complex narratives incorporating art historical and literary references, her adaption<br />
of commercial and documentary filmic styles, as well as her current interest in bio-politics and post-humanism.<br />
Eija-Liisa Ahtila was born in Hämeenlinna, Finland in 1959, and today lives and works in Helsinki. Ahtila has received<br />
numerous grants and awards including the Edstrand Foundation Art Prize, the Artes Mundi Prize and a DAAD Fellowship.<br />
Her work has been shown at many institutions including the Museum of Modern Art in New York, Jeu de Paume<br />
in Paris, and Tate Modern in London.<br />
Exhibitions: Moderna Museet, Stockholm, 11 February to 6 May <strong>2012</strong>; Carré d’Art – Musée d’art contemporain, Nîmes,<br />
12 October <strong>2012</strong> to 6 January <strong>2013</strong>; Kiasma Museum of Contemporary Art, Helsinki 19 April to 1 September <strong>2013</strong><br />
Co-published with Moderna Museet, Stockholm<br />
Eija-Liisa Ahtila<br />
Parallel Worlds<br />
Texts by Cary Wolfe, Leevi Haapala, Lena Essling<br />
and Eija-Liisa Ahtila<br />
Book design by Ida Wessel<br />
200 pages<br />
8.5 x 11 in. / 21.7 x 28 cm<br />
160 images<br />
Four colour process<br />
Paperbound hardcover with a tipped-in lenticular photo<br />
€ 35.00 / £ 28.00 / US$ 45.00<br />
ISBN 978-3-86930-490-8<br />
81
82<br />
Nancy Rubins, Work / Volume 1 / Drawings Nancy Rubins, Work / Volume 2 / Sculptures<br />
83
84<br />
Nancy Rubins, Work / Volume 3 / Self-Portraits<br />
Nancy Rubins<br />
Work<br />
This three-volume publication is a visual journey through forty years of Nancy Rubins’ sculptures and drawings. The<br />
first two volumes begin with Rubins’ student work, where her themes, methods and ambitions emerge. The first volume<br />
moves through numerous large-scale sculptures incorporating massive quantities of used electric appliances with<br />
concrete and rebar, then on to trailers, hot water heaters, mattresses, airplane parts, and small boats held in suspended<br />
tension by webs of cables. The second volume explores Rubins’ often gigantic and sculptural drawings, densely covered<br />
with graphite pencil marks that embody the intense and abundant energy of their making. A final booklet with a series<br />
of playful and candid self-portrait photographs taken at the Baltimore train station photo booth in 1972–4 completes<br />
Work.<br />
Nancy Rubins was born in 1952 in Naples, Texas, and today lives and works in Topanga, California near Los Angeles.<br />
Rubins has installed monumental sculptures across the United States and Europe, and significant public and private<br />
collections hold her work. She has exhibited at institutions including the Museum of Modern Art in New York, the Museum<br />
of Contemporary Art in San Diego, and the Venice Biennale.<br />
Volume 1 Volume 2<br />
Volume 3 Slipcase<br />
NANCY<br />
RUBINS<br />
WORK<br />
<strong>Steidl</strong><br />
Nancy Rubins<br />
Work<br />
Essays by Céline Flécheux and Dave Hickey<br />
Book design by Nancy Rubins and Gerhard <strong>Steidl</strong><br />
Vol. 1: 176 pages / Vol. 2: 304 pages /<br />
Vol. 3: 48 pages<br />
9.5 x 12.6 in. / 24 x 32 cm<br />
414 photographs and drawings<br />
Four colour process<br />
Two clothbound hardcovers and a softcover<br />
in a slipcase<br />
€ 125.00 / £ 100.00 / US$ 175.00<br />
ISBN 978-3-86930-493-9<br />
85
86<br />
Mauro D’Agati<br />
Sit Lux et Lux Fuit<br />
Between 2008 and 2010 Mauro D’Agati visited Masonic lodges in Havana to take photos of this secret and largely<br />
unseen world. Through D’Agati’s images of Masonic meetings, temples, symbols, documents, as well as portraits of the<br />
Masons themselves, we gain access to the intricate rituals of Masonic life, which are a blend of the earnest, mysterious<br />
traditions of an elite fraternity and everyday Cuban existence. The Grand Lodge of Cuba holds a special position in<br />
Freemasonry circles as Cuba is one of the few Communist nations where Masonry still thrives: today there are 316<br />
lodges and more than 29,000 members on the island. The precise details of the workings within a temple may not be<br />
revealed to the public, yet D’Agati’s photos take us as far as permissible into this fascinating subculture.<br />
Mauro D’Agati, born 1968 in Palermo, began working as a professional photographer in 1996, initially covering many<br />
Sicilian jazz festivals, as well as art and theatrical events. He has contributed to international publications including Le<br />
Monde, Stern, and Italian Vanity Fair. <strong>Steidl</strong> has published D’Agati’s Palermo Unsung (2009), and Alamar and Napule<br />
Shot, both in 2010.<br />
Mauro D’Agati<br />
Sit Lux et Lux Fuit<br />
Book design by Leda Li Pira and Jonas Wettre<br />
346 pages<br />
7.5 x 11 in. / 19 x 28.5 cm<br />
221 photographs<br />
Four colour process<br />
Clothbound hardcover<br />
€ 56.00 / £ 45.00 / US$ 75.00<br />
ISBN 978-3-86930-488-5<br />
87
88<br />
Erich Hartmann and Ruth Bains Hartmann<br />
From a Summer Notebook<br />
“Here are pages from a photographer’s summer notebook, the sights he wishes to remember, the feelings he wishes<br />
to record… These pages from my notebook encompass that same time, those same places, seen through a different<br />
eye, recorded in a different language…” Ruth Bains Hartmann<br />
So begins From a Summer Notebook which combines the photos of Magnum photojournalist Erich Hartmann with the<br />
words of his writer wife Ruth Bains Hartmann. This book is a record of a shared summer holiday in coastal Maine, not<br />
an album of incidents but a distillation of a particular time and place through images and words. Long married, much<br />
travelled, often separated by work, but together here in the same place during a calm interval of privacy, photographer<br />
and writer reveal separate realities and parallel memories that together form one statement. Photographs of their family<br />
summerhouse and the quiet Maine countryside through which they roam without plan or destination are not described<br />
but enhanced by the writer’s memories of past summers, and perhaps of time itself. Both separate and personal, these<br />
images and words are a quiet celebration of a fondly remembered summer.<br />
Erich Hartmann (1922–1999), a Magnum photojournalist for fifty years, was renowned for his work in the arts, his<br />
interpretation of the industrial landscape and his revelation of the beauties of technology.<br />
Ruth Bains Hartmann, was a book editor in a New York publishing house before turning to freelance research and<br />
writing, often working in collaboration with her husband on major projects such as “Our Daily Bread” and “In the Camps”.<br />
After his sudden death in 1999 she assumed direction of his photographic estate for which she has curated numerous<br />
exhibitions and edited Where I Was, a book of his personal photographs.<br />
Erich Hartmann and Ruth Bains Hartmann<br />
From a Summer Notebook<br />
Book design by Ruth Bains Hartmann,<br />
John P. Jacobs and Sarah <strong>Winter</strong><br />
32 pages<br />
7.9 x 11.8 in. / 20 x 30 cm<br />
13 photographs<br />
Four colour process<br />
Clothbound hardcover<br />
€ 24.00 / £ 18.00 / US$ 30.00<br />
ISBN 978-3-86521-840-7<br />
89
90<br />
Péter Nádas<br />
Own Death<br />
“I looked into its filmy eyes inquisitively and saw it was the body’s fear, not mine, not the soul’s, and so it was fear of<br />
death. I realised I could distinguish between my inner self and my physical body... An ice-cold surface covered my inner<br />
heat.” Péter Nádas<br />
In this short story a man relates his innermost thoughts as he suffers a heart attack on the street and is then brought<br />
back to life after three and a half minutes. It is a compelling tale of something appalling and completely ordinary, of pain<br />
and fear and acceptance, while walking the thin line between life and death. In contrast to the speed of this near-death<br />
experience, Own Death includes a series of photos in which the passage of time is hardly apparent. Over the course<br />
of a year the author photographed a wild pear tree in his garden at different times of the day, recording its changes under<br />
a range of light conditions. Own Death contrasts perceptions of the here and now with the hereafter, and its complex<br />
composition alludes to the passage of mortal time.<br />
Péter Nádas, born in Budapest, Hungary in 1942, worked as a press photographer before becoming a writer. His first<br />
book of stories was published in 1967 and his bestselling novel, A Book of Memories, was published in 1986. Nádas<br />
is among the most important authors of our time and has received numerous prizes including the Austrian State Prize<br />
for European Literature, the Leipzig Book Award for European Understanding, and the Kossuth Prize. <strong>Steidl</strong> published<br />
Nádas’ Etwas Licht in 1991.<br />
Péter Nádas<br />
Own Death<br />
Book design by Hans Werner Holzwarth<br />
287 pages<br />
7.3 x 10.2 in. / 18.5 x 26 cm<br />
162 photographs<br />
Four colour process<br />
Clothbound hardcover with dust jacket<br />
€ 40.00 / £ 30.00 / US$ 50.00<br />
ISBN 978-3-86521-010-4<br />
91
92<br />
Santu Mofokeng<br />
The Black Photo Album / Look at Me: 1890–1950<br />
“…with the so-called civilised workers, almost without exception their civilisation was only skin deep.” O. Pirow, quoting<br />
South African Prime Minister J. B. M. Hertzog<br />
For this book Santu Mofokeng collected private photographs which urban black working and middle-class families in<br />
South Africa commissioned between 1890 and 1950, a time when the government was creating policies towards those<br />
designated as “natives”. Painterly in style, the images evoke the artifices of Victorian photography. Some of them are<br />
fiction, a creation of the artist in terms of setting, props, clothing and pose – yet there is no evidence of coercion. We<br />
believe these images, as they reveal something about how these people imagined themselves. In this work Mofokeng<br />
analyses the sensibilities, aspirations and self-image of the black population and its desire for representation and social<br />
recognition in times of colonial rule and suppression. The Black Photo Album / Look at Me: 1890–1950 is drawn from<br />
an ongoing research project of the University of Witwatersrand in Johannesburg.<br />
Santu Mofokeng was born in Johannesburg in 1956 and began his career as a street photographer in Soweto during<br />
the apartheid era. Having received the Ernest Cole Scholarship in 1991, he studied at the International Centre for<br />
Photography in New York. In 1998 Mofokeng received the Künstlerhaus Worpswede Fellowship and in 2002 a DAAD<br />
Fellowship in Berlin. His first international retrospective opened in May 2011 at Jeu de Paume in Paris. Mofokeng lives<br />
and works in Johannesburg.<br />
Santu Mofokeng<br />
The Black Photo Album / Look at Me: 1890–1950<br />
Text by Okwui Enwezor<br />
Book design by <strong>Steidl</strong> Design<br />
100 pages<br />
7.3 x 10.6 in. / 18.5 x 27 cm<br />
35 photographs<br />
Four color process<br />
Softcover<br />
€ 34.00 / £ 28.00 / US$ 45.00<br />
ISBN 978-3-86930-310-9<br />
93
94<br />
Dayanita Singh<br />
File Room<br />
Dayanita Singh’s photos of archives and their custodians across India examine how memory is made and how history<br />
is narrated. These images bring to light the paradox of archives: they are impersonal in their classifications, yet each is<br />
the careful handiwork of an individual archivist, an unsung keeper of history whose decisions generate the sources of<br />
much of our knowledge. Archives are vessels of orthodox fact but can also be the home of neglected details and<br />
forgotten documents than can unfix the status quo. As the pace of change in contemporary India accelerates and Indians<br />
turn from the past and fix their gaze on the future, what will become of the archive? Singh prompts us to imagine archives<br />
as not merely documents of dusty scholarship but as monuments of knowledge, beautiful in their unkempt order.<br />
Dayanita Singh was born in New Delhi in 1961 and studied at the National Institute of Design in Ahmedabad and the<br />
International Center of Photography in New York. Singh has exhibited at institutions including the Serpentine Gallery in<br />
London and Hamburger Bahnhof in Berlin. Handcrafting books is central to her practice. Singh’s books at <strong>Steidl</strong> include<br />
Privacy (2004), Go Away Closer (2007), Sent a Letter (2008) and Dream Villa (2010).<br />
Dayanita Singh<br />
FILE ROOM<br />
Dayanita Singh<br />
File Room<br />
Book design by Dayanita Singh and Gerhard <strong>Steidl</strong><br />
160 pages<br />
9.5 x 12.6 in. / 24 x 32 cm<br />
120 photographs<br />
Tritone<br />
Softcover<br />
€ 45.00 / £ 36.00 / US$ 58.00<br />
ISBN 978-3-86930-542-4<br />
95
96<br />
F.C. Gundlach (ed.)<br />
Martin Munkacsi<br />
Martin Munkacsi was never at a loss for self-confidence and was proud to be the best-paid photographer of his time.<br />
One of the most significant photographers of the twentieth century, Munkacsi shaped the beginnings of modern<br />
photojournalism and set into motion the previously static medium of photography. Munkacsi combined journalistic<br />
accuracy with a highly formal aesthetic standard, and was an outstanding representative of the “Neues Sehen”, arguably<br />
photography’s weightiest contribution to advanced art. He defied convention by incorporating motion, dramatic camera<br />
angles and whimsy into his work, creating fashion and sports photography that was groundbreaking and unmatched.<br />
Munkacsi’s work unfortunately did not remain intact: scattered throughout the world, it was to an extent lost. Only the<br />
Ullstein Archive in Berlin maintains a fairly extensive collection of his life’s work from his days in Hungary and Germany.<br />
This second-edition of Martin Munkacsi combines pictures from all Munkacsi’s artistic phases with images and bodies<br />
of work that have not been seen since their initial magazine publication. Munkacsi’s work reveals a tense, technologyobsessed,<br />
glamorous and contradictory epoch.<br />
Martin Munkacsi was born in in Koloszvár, Hungary, published his first sports photos in 1921, and in 1927 moved to<br />
Berlin where he worked for Berliner Illustrirte Zeitung, Koralle, Uhu, Die Dame, Vu, Modern Photography and other<br />
international magazines. By the time he immigrated to the USA in 1934, Munkacsi had revolutionized fashion photo -<br />
graphy. He worked under contract for Harper’s Bazaar, published works in Life to great acclaim and photographed the<br />
influential series “How Americans Live” for Ladies’ Home Journal. Munkacsi also worked as an advertising photographer<br />
and cameraman for film productions. Largely forgotten, he died in New York in 1963.<br />
Co-published with the International Center of Photography, New York<br />
F.C. Gundlach (ed.)<br />
Martin Munkacsi<br />
Foreword by Richard Avedon<br />
Texts and research by Klaus Honnef and Enno Kaufhold<br />
Book design by Claas Möller<br />
416 pages<br />
9.4 x 11.6 in. / 24 x 29.5 cm<br />
320 images<br />
Tritone<br />
Clothbound hardcover with dust jacket<br />
€ 58.00 / £ 45.00 / US$ 78.00<br />
ISBN 978-3-86521-269-6<br />
97
98<br />
F.C. Gundlach<br />
The Photographic Work<br />
This definitive monograph brings together Gundlach’s fashion work for the first time and establishes him as a leading<br />
light of the industry. One of the most distinguished German fashion photographers of the post-war era, Gundlach wrote<br />
fashion history over a period of forty years. His work presents not only the evolution of clothing, but also the poses,<br />
gestures, props and locations, which have defined the changing idea of beauty over decades. Alongside this work,<br />
Gundlach also created emphatic portraits, reportages and travel photography. Gundlach has always considered himself<br />
a photographer on assignment, and his work for high-circulation magazines shaped the public’s perception of fashion.<br />
Yet his images also captured the spirit of their time, embodying the optimism of the meagre days after the war, through<br />
op and pop art to post-modernism. The Photographic Work is the long-awaited English edition of the original German<br />
book, which won a Silver Deutscher Fotobuchpreis in 2009.<br />
F.C. Gundlach was born in Heinebach, Germany in 1926, and his work portraits fashion from 1950 to 1990, from haute<br />
couture to prêt-à-porter, from Berlin’s tailoring to today’s unisex fashion. Working for magazines such as Film und Frau<br />
(1952–1966) and Brigitte (1963–1986), Gundlach was formative in determining the public perception of fashion at this<br />
time. His is the oeuvre of a great photographer who defied in Theodor W. Adorno’s words the “clotted discrepancy<br />
between the sterile and the useful” of visual imagery.<br />
F.C. Gundlach<br />
The Photographic Work<br />
Edited and texts by Klaus Honnef, Hans-Michael Koetzle,<br />
Sebastian Lux and Ulrich Rüter<br />
Book design by Claas Möller<br />
304 pages<br />
9.4 x 11.8 in. / 24 x 30 cm<br />
550 images<br />
Four colour process<br />
Clothbound hardcover with dust jacket<br />
€ 65.00 / £ 48.00 / US$ 88.00<br />
ISBN 978-3-86521-594-9<br />
99
100<br />
Arthur Elgort<br />
Arthur Elgort<br />
This is Arthur Elgort’s first comprehensive book, showing his world-renowned fashion imagery alongside his personal<br />
work. The book spans Elgort’s five-decade career and illustrates his longevity as an emulated fashion photographer. His<br />
lively and casual shooting style is significantly influenced by a lifelong love of music and dance, particularly jazz and ballet.<br />
Elgort’s 1971 debut in British Vogue created a sensation in the fashion world where his soon-to-be iconic “snapshot”<br />
style and emphasis on movement and natural light transcended norms of fashion photography. Elgort subsequently<br />
rose to fame working for such distinguished magazines as American, French and Italian Vogue, Interview, GQ, Life and<br />
Rolling Stone; and shooting advertising campaigns for fashion labels including Chanel, Valentino and Yves Saint Laurent.<br />
Arthur Elgort was born in 1940 and raised in New York City. He attended Stuyvesant High School, and Hunter College<br />
where he initially studied painting before switching to photography, which he took to naturally. Elgort’s numerous books<br />
include Personal Fashion Photographs (1983) and the bestseller Models Manual released during the supermodel boom<br />
in 1994. Elgort has also directed two films, Texas Tenor: The Illinois Jacquet Story (1992), and the documentary Colorado<br />
Cowboy (1993) which portrays legendary cowboy Bruce Ford and won the award for Best Cinematography at<br />
the Sundance Film Festival in 1994. In 2011 Elgort received the Board of Directors’ Special Tribute Award from the<br />
Council of Fashion Designers of America.<br />
Arthur Elgort<br />
Arthur Elgort<br />
Foreword by Grace Coddington<br />
Essay by Martin Harrison<br />
Book design by Marianne Houtenbos and Aoife Wasser<br />
420 pages<br />
10 x 12.7 in. / 24.5 x 32 cm<br />
280 photographs<br />
Four colour process with a fifth fluorescent colour<br />
Hardcover with acetate jacket<br />
€ 68.00 / £ 54.00 / US$ 98.00<br />
ISBN 978-3-86930-543-1<br />
101
102<br />
Olivier Zahm<br />
How to Photograph Women<br />
Ever since Karl Lagerfeld gave him his first digital camera, Olivier Zahm – the co-founder and editor-in-chief of the<br />
critically-acclaimed magazine Purple Fashion – has been taking pictures that he regularly publishes in the Night section<br />
of his magazine as well as on his website, Purple Diary. This book largely features Zahm’s personal pictures from the<br />
past seven years including images of nightlife and parties, friends, girlfriends, sex, celebrities, landscape and architecture.<br />
His mostly black-and-white photos combine his favourite erotic references, such as the work of Nobuyoshi Araki, Helmut<br />
Newton, and Richard Kern with a typically nineties snapshot aesthetic which gives a feeling of intimacy and reality to<br />
his pictures. All images are credited and often commented on by Zahm, lending a direct, personal edge to this story.<br />
Olivier Zahm worked as an art critic for Artforum, Flash Art, Art Press and Texte zur Kunst during the 1980s and early<br />
1990s. He is a renowned curator and has worked on over 150 exhibitions of contemporary art, for institutions including<br />
the Museum of Modern Art in New York, and the Centre Pompidou in Paris. In 1992, Zahm founded Purple Prose<br />
magazine (1992–1998) with Elein Fleiss, and the publication has created spin-offs such as Purple Fiction (1992–<br />
1998), Purple Sexe (1998–2001), Purple magazine (1998–2003), Purple Journal (2004–present), Purple Fashion<br />
(1995–1998, 2004–present), and Purple Books, a publishing house. The “realistic”, sometimes dubbed “anti-fashion”<br />
aesthetics of Purple was a reaction against the glamour of the eighties, and can be linked to the global counterculture<br />
of that time, with the work of Juergen Teller, Terry Richardson, Wolfgang Tillmans, and Mario Sorrenti.<br />
OLIVIER ZAHM<br />
HOW TO<br />
PHOTOGRAPH<br />
WOMEN<br />
Olivier Zahm<br />
How to Photograph Women<br />
Book design by Purple Institute<br />
500 pages<br />
8.2 x 12 in. / 21 x 30.5 cm<br />
750 photographs<br />
Duotone and four colour process<br />
Softcover with dust jacket<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-552-3<br />
103
Kanye West, Singer Dakota Fanning, Actress Mark Vanderloo, Model<br />
Freja Beha, Model Charlotte Gainsbourg, Actress, Singer Sarah Jessica Parker, Actress<br />
Sandro Kopp, Painting Artist Yoko Ono, Artist, Musician, and Peace Activist Alexander Wang, Designer<br />
Alice Dellal, Model, Drummer Alexa Chung, TV Presenter Waris Ahluwalia, Actor<br />
Elisa Sednaoui, Actress Tuki Brando Anja Rubik, Model<br />
Claudia Schiffer, Model Baptiste Giabiconi, Model Joan Smalls, Model<br />
104 Karl Lagerfeld, The Little Black Jacket Karl Lagerfeld, The Little Black Jacket<br />
105
106<br />
Anna Wintour<br />
Book Slipcase<br />
Karl Lagerfeld and Carine Roitfeld<br />
The Little Black Jacket<br />
Chanel’s Classic Revisited<br />
This book is Karl Lagerfeld and Carine Roitfeld’s reinterpretation of Chanel’s iconic little black jacket. Lagerfeld has<br />
redesigned the jacket, transforming it into a modern, adaptable garment to be worn by both sexes of all ages. The Little<br />
Black Jacket contains Lagerfeld’s photographs of celebrities wearing the jacket with individual flair – sometimes classic,<br />
sometimes irreverent, but always Chanel – and each styled by Carine Roitfeld. A range of accomplished actors,<br />
musicians, designers, models, writers and directors gets the little black jacket treatment, including Claudia Schiffer,<br />
Uma Thurman, Kanye West, Tilda Swinton, Baptiste Giabiconi, Yoko Ono and Sarah Jessica Parker. This book shows<br />
the astounding versatility of Chanel’s vision in Lagerfeld’s hands, and ensures the little black jacket’s future as a timeless<br />
classic.<br />
Karl Lagerfeld, fashion designer, book dealer and publisher, began working as a photographer in 1987. Lagerfeld has<br />
received the Lucky Strike Design Award from the Raymond Lewy Foundation, the cultural prize from the German<br />
Photographic Society, and the ICP Trustees Award at the International Center of Photography’s Infinity Awards in 2007.<br />
His recent exhibitions include “Konkret Abstrakt Gesehen” at the Langen Foundation, Neuss, and “Metamorphoses of<br />
an American – A Cycle of Youth, 2003–8” at Pace/MacGill, New York. <strong>Steidl</strong> has published most of Lagerfeld’s books,<br />
including Casa Malaparte (1998), A Portrait of Dorian Gray (2004), Room Service (2006) and The Beauty of Violence<br />
(2010).<br />
Carine Roitfeld is a fashion writer and stylist, and was editor-in-chief of French Vogue from 2001 to 2011. Roitfeld<br />
began her career as a model before moving to French Elle as a journalist and stylist. Meeting Mario Testino then marked<br />
the beginning of an ongoing collaboration that saw the pair create groundbreaking advertising campaigns and editorial<br />
shoots. Roitfeld worked as a consultant with Tom Ford during his time at Gucci and Yves Saint Laurent, and her book<br />
Irreverent was published in 2010.<br />
Karl Lagerfeld and Carine Roitfeld<br />
The Little Black Jacket<br />
Chanel’s Classic Revisited<br />
Book design by Karl Lagerfeld,<br />
Eric Pfrunder and Gerhard <strong>Steidl</strong><br />
232 pages and a gatefold<br />
11.4 x 14.6 in. / 29 x 37 cm<br />
112 photographs<br />
Quadrotone<br />
Otabind softcover housed in a slipcase<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-446-5<br />
107
108<br />
Udo Kier<br />
Morrisey Ronnie Wood<br />
109
110<br />
Amy Winehouse<br />
Bryan Adams<br />
Exposed<br />
In the late nineties Bryan Adams became curious about making photographic self-portraits for his album covers, and<br />
so chose to pick up the camera himself. That serendipitous decision was the beginning of a successful photographic<br />
career, parallel to Adams’ impressive achievements as a singer, songwriter and producer. Exposed is a retrospective<br />
of Adams’ photography and features portraits of friends and colleagues in the entertainment, fashion and art industries,<br />
including Morrissey, Ben Kingsley, Amy Winehouse, Michael Jackson, Louise Bourgeois, Lindsay Lohan and Judi Dench.<br />
This book, Adams’ first comprehensive monograph, “exposes” not only unknown facets of his subjects but also the<br />
depth of Adams’ photographic faculty.<br />
Bryan Adams, born in 1959 in Ontario, divides his time between music and photography. Adams has photographed for<br />
magazines including Interview, i-D, Harper’s Bazaar, and British and German Vogue. In 2003 he founded Zoo Magazine<br />
for which he has received a Goldene Feder Award. In 2006 Adams was honoured with a German Lead Award for his<br />
series of photographs of Mickey Rourke. Adams’ photographic exhibitions include those held at the Saatchi Gallery<br />
and the National Portrait Gallery in London, and the Haus der Kunst in Munich.<br />
Bryan Adams<br />
Exposed<br />
Foreword by Elton John<br />
Book design by Sandor Lubbe, Carlo Elias, Edgar Smaling at SMEL<br />
304 pages<br />
9.8 x 13.1 in. / 25 x 33.3 cm<br />
180 photographs<br />
Tritone and four colour process<br />
Clothbound hardcover with foil embossing and a tipped-in photo,<br />
protected by an acetate jacket<br />
€ 65.00 / £ 80.00 / US$ 88.00<br />
ISBN 978-3-86930-500-4<br />
111
112<br />
Juergen Teller<br />
Pictures and Text<br />
For over a year Juergen Teller contributed a column to the magazine of Die Zeit, Germany’s most respected news paper.<br />
Given free creative rein, Teller presented a new image each week with an accompanying text he had written. Combining<br />
pictures and words in this way was new for Teller, and has since intensified the autobiographical element of his work.<br />
Like his images the texts are blunt, often controversial and irresistibly Telleresque. From the very beginning the column<br />
was greeted with enthusiasm but also elicited outcry – the magazine received piles of letters each week, most of them<br />
complaining that such poor photo graphs were being published in such a respected magazine. Book two Literature<br />
contains the best of these letters.<br />
Born in 1964 in Erlangen, Germany, Juergen Teller has lived in London since 1986. His influential fashion photography<br />
has been published extensively, and solo exhibitions of his work have been held at the Fondation Cartier pour l’art<br />
contemporain in Paris and the Kunsthalle Wien among other institutions. Teller’s books with <strong>Steidl</strong> include Louis XV<br />
(2005), Marc Jacobs Advertising 1998–2009 (2010) and Zimmermann (2010).<br />
Co-published with ZEIT Magazine, Berlin<br />
Book 1 Book 2<br />
Slipcase<br />
Juergen Teller<br />
Pictures and Text<br />
Foreword by Christoph Amend<br />
Book design by Peter Miles<br />
and Juergen Teller<br />
Vol. 1: 128 pages<br />
Vol. 2: 64 pages<br />
8.5 x 10.3 in. / 21.5 x 26.2 cm<br />
60 photographs<br />
Four colour process<br />
Two hardcovers housed in a slipcase<br />
€ 48.00 / £ 40.00 / US$ 65.00<br />
ISBN 978-3-86930-320-8<br />
113
114<br />
Juergen Teller<br />
The Keys to the House<br />
Unlike many photographers who maintain a strict divide between their commercial and private work, Teller has always<br />
combined the two. Indeed this merging is one reason for Teller’s progressive edge. The Keys to the House contains<br />
recent photographs of Teller’s life at and around his house in Suffolk: landscapes, portraits of family and friends. But<br />
of course Teller’s vision would not be complete without the occasional fashion figure who was entered his personal<br />
world – be it Lily Cole floating like Ophelia, or Vivienne Westwood leaning on a red Mercedes Benz.<br />
Born in 1964 in Erlangen, Germany, Juergen Teller has lived in London since 1986. His influential fashion photography<br />
has been published extensively, and solo exhibitions of his work have been held at the Fondation Cartier pour l’art<br />
contemporain in Paris and the Kunsthalle Wien among other institutions. Teller’s books with <strong>Steidl</strong> include Louis XV<br />
(2005), Marc Jacobs Advertising 1998–2009 (2010) and Zimmermann (2010).<br />
Juergen Teller<br />
The Keys to the House<br />
Book design by Peter Miles and Juergen Teller<br />
160 pages<br />
9.4 x 11.8 in. / 24 x 30 cm<br />
100 photographs<br />
Four colour process<br />
Clothbound hardcover with dust jacket<br />
€ 45.00 / £ 39.00 / US$ 65.00<br />
ISBN 978-3-86930-383-3<br />
115
116<br />
The Master I<br />
The Master II<br />
The Master III<br />
Juergen Teller<br />
The Master<br />
In the summer of 2005 <strong>Steidl</strong> published a small booklet of Juergen Teller’s work, titled ‘The Master’. It offered a<br />
characteristic examination of his own world and persona as a photographer, a mixture of fashion and commissioned<br />
works, alongside self-portraits, family photographs and scenes from his Bavarian home. The title and starting point for<br />
the book were portraits of two of his heroes, the photographers William Eggleston and Nobuyoshi Araki. The book<br />
quickly went out of print and a second edition of the ‘The Master’ will now be printed alongside ‘The Master II’,<br />
marking the beginning of a series of booklets that will culminate in a slip-cased edition of all ten or more at some point<br />
in the future. ‘The Master II’ comprises his recent body of work ‘Ukraine’ in which he chose to employ the city of Kiev<br />
as the setting for a fashion shoot, mixing fashion, still-lives of the city, and portraits of ordinary people as a way of<br />
representing his own fantasy of a country marked by a brash youthful energy and an obsession with capitalism.<br />
Juergen Teller, born in Erlangen, Germany in 1964, studied at the Bayerische Staatslehranstalt für Photographie in<br />
Munich. His work has been published in influential publications such as W Magazine, iD and Purple and has been the<br />
subject of solo exhibitions including the Photographer’s Gallery in London, the Kunsthalle Wien and the Fondation<br />
Cartier pour l’art contemporain in Paris. Teller has produced numerous monographs with <strong>Steidl</strong> including Marc Jacobs<br />
Advertising 1998–2009 and Zimmerman.<br />
Juergen Teller<br />
THE MASTER I<br />
48 pages with 33 color plates<br />
6.5 x 8.5 in./16.5 x 21.6 cm<br />
Stapled softcover<br />
€ 8.00 / £ 6.00 / US$ 10.00<br />
ISBN 978-3-86521-104-0<br />
Juergen Teller<br />
THE MASTER II<br />
48 pages with 28 color plates<br />
6.5 x 8.5 in./16.5 x 21.6 cm<br />
Stapled softcover<br />
€ 8.00 / £ 6.00 / US$ 10.00<br />
ISBN 978-3-86930-056-2<br />
Juergen Teller<br />
THE MASTER III<br />
48 pages with 27 color plates<br />
6.5 x 8.5 in./16.5 x 21.6 cm<br />
Stapled softcover<br />
€ 8.00 / £ 6.00 / US$ 10.00<br />
ISBN 978-3-86521-800-1<br />
117
118<br />
Guy Bourdin<br />
A Message for You<br />
With the eye of a painter Guy Bourdin created images containing fascinating stories, compositions and colours. Using<br />
fashion photography as his medium, Bourdin explored the provocative and the sublime with a relentless perfectionism<br />
and sharp humour. Famed for his suggestive narratives and surreal aesthetics, Bourdin radically broke conventions of<br />
commercial photography and in the process captured the imagination of a generation. The late 1970s, recognised as<br />
the high note of his career, is the focal point of this new edition, which combines in one book the two volumes of the<br />
original 2006 publication. The first part of A Message for You shows the legendary, nearly forgotten images and rarely<br />
seen variants of a single model, Nicolle Meyer. She appeared in over thirty of Bourdin’s famous campaigns for Charles<br />
Jourdan and in iconic French Vogue editorials. The second part of the book explores Bourdin’s pictorial landscape, a<br />
collage of images that maps his artistic vision. The texts, Polaroids, poems, sketches and contact sheets unfold through<br />
Nicolle Meyer’s memories and capture moments of Bourdin’s work in progress.<br />
The career of fashion photographer Guy Bourdin (1928–1991) spans over three decades. He worked for international<br />
magazines such as French, Italian and British Vogue and Harper’s Bazaar, and made advertising campaigns for Charles<br />
Jourdan, Chanel, Issey Miyake and Gianni Versace among others. Bourdin’s awards include the Grand Prix National de<br />
la Photographie, and the Infinity Award from the International Center of Photography in New York. His work is held in<br />
prestigious museums such as the Victoria and Albert Museum in London, Jeu de Paume in Paris and the National<br />
Museum of China. <strong>Steidl</strong> published Bourdin’s In Between in 2010.<br />
Guy Bourdin<br />
A Message for You<br />
Texts by Nicolle Meyer, Alber Elbaz and Shelly Verthime<br />
Book design by Nicolle Meyer, Shelly Verthime<br />
and Pascal Dangin<br />
312 pages<br />
10.4 x 10.8 in. / 26.5 x 27.5 cm<br />
245 photographs<br />
Four colour process<br />
Clothbound hardcover with dust jacket<br />
€ 48.00 / £ 36.00 / US$ 60.00<br />
ISBN 978-3-86930-551-6<br />
119
120<br />
Henry Leutwyler<br />
Ballet<br />
After four years of collaboration with Peter Martins and the New York City Ballet, Henry Leutwyler was granted<br />
unprecedented backstage access to the Company during the winter of <strong>2012</strong>. The resulting book, Ballet, reflects thirty<br />
years of his passion for the art form, realised in thirty days of photography. Leutwyler inhabited the shadows of the<br />
stage and became “invisible”, recording images of the dancers using nothing more than his 35mm Leica. He was able<br />
to explore the performers’ personal space, affording a more abstract portrait – a visual slice of their frenzied existence<br />
in an art form predicated on perfection. Ballet is an homage to the gritty universe from behind the curtain, and a<br />
complement to its ethereal beauty as viewed from the front row.<br />
With impresario Lincoln Kirstein, George Balanchine co-created the New York City Ballet in 1948. What followed is<br />
arguably one the most revolutionary periods in ballet history as he redefined the art form, introducing abstract works<br />
performed with a signature speed, musicality, and precision. Under the leadership of Peter Martins, these are the<br />
hallmarks of the Company to this day.<br />
Henry Leutwyler was born in Switzerland in 1961. He lived and worked in Paris for a decade before finding his way to<br />
New York City in 1995, where he established his reputation as a portrait photographer. <strong>Steidl</strong> published Leutwyler’s first<br />
book Neverland Lost: A Portrait of Michael Jackson, in 2010. The images from Neverland Lost have been exhibited in<br />
solo shows in Los Angeles (2010), New York City (2011) and Moscow (2011–<strong>2012</strong>).<br />
Henry Leutwyler<br />
Ballet<br />
Introduction by Peter Martins<br />
Book design by Ruba Abu-Nimah and Eleanor Rogers (Water NYC)<br />
436 pages<br />
8.7 x 11.8 in. / 22 x 30 cm<br />
229 photographs<br />
Four colour process<br />
Clothbound hardcover<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-544-8<br />
121
122<br />
Martine Fougeron<br />
Teen Tribe<br />
A World with Two Sons<br />
Teen Tribe is a series of intimate portraits of Martine Fougeron’s two adolescent sons and their tribe of friends growing<br />
up in New York and France. Begun in 2004, Fougeron has followed the lives of her sons Nicolas and Adrien from the<br />
ages of thirteen and fourteen respectively as they entered adulthood. The book pictures adolescence as a transformative<br />
state, caught between childhood and adulthood, between the feminine and masculine, between innocence and<br />
burgeoning self-identity. As both mother and photographer, Fougeron combines a tender transparency for her subject<br />
with a more distanced view of the world of teenagers. Teen Tribe is a visual diary of her sons’ domestic lives arranged<br />
chronologically, capturing the different rites of passage and personal challenges they encounter over time. Inspired by<br />
Dutch paintings of domestic scenes particularly those of Vermeer, as well as by cinematic compositions, Fougeron’s<br />
work is both a sensual biography of two boys, and a depiction of the universal process of growing up to which all can<br />
relate.<br />
Martine Fougeron was born in Paris in 1954 and studied at Wellesley College and l’Institut d’Études Politiques de<br />
Paris. For the past fourteen years she has lived with her two sons in New York. After a successful career as creative<br />
director of a perfumery, Fougeron turned to photography, studying at the International Center of Photography in New<br />
York. Her work on her two sons has been exhibited internationally and is held in major public and private collections<br />
including the Museum of Fine Arts in Houston and the Philadelphia Museum of Art. Fougeron is a regular contributor<br />
to The New Yorker and The New York Times Magazine.<br />
Martine Fougeron<br />
Teen Tribe<br />
A World with Two Sons<br />
Essay by Lyle Rexer<br />
Interview by Robert A. Schafer, Jr.<br />
Book design by Martine Fougeron and Gerhard <strong>Steidl</strong><br />
144 pages<br />
11 x 9.8 in. / 28 x 25 cm<br />
85 photographs<br />
Four colour process<br />
Clothbound hardcover with dust jacket and a DVD<br />
€ 56.00 / £ 45.00 / US$ 75.00<br />
ISBN 978-3-86930-545-5<br />
123
124<br />
Yves Marchand and Romain Meffre<br />
Gunkanjima<br />
Hashima is a small island located off the extreme southwest coast of Japan, about ten miles from Nagasaki. Its dark<br />
warship-like silhouette earned it the nickname of Gunkanjima (“battleship island”). During the wave of industrialisation<br />
in the nineteenth century, a coal seam was discovered on the island and the Mitsubishi corporation opened a mine<br />
there. Workers settled on the island and the population increased, the small mining town quickly becoming a modern<br />
and autonomous settlement. During the 1950s, Gunkanjima became one of the most densely populated places in the<br />
world with over 5,000 inhabitants. But after an accident and the restructuring of the Mitsubishi mining project, the mine<br />
closed in January 1974. The last inhabitants deserted the island, the connection by boat was suspended, and since then<br />
Gunkanjima has become a ghost town. Marchand and Meffre photographed the island between 2008 and <strong>2012</strong>.<br />
Born in 1981 and 1987 in the Parisian suburbs, Yves Marchand and Romain Meffre began to photograph separately<br />
in 2001. They began working together for their project on the urban decay of Detroit in 2005, which <strong>Steidl</strong> published<br />
to acclaim as The Ruins of Detroit in 2010.<br />
Yves Marchand and Romain Meffre<br />
Gunkanjima<br />
Text by Alissa Descotes Toyosaki<br />
Book design by Yves Marchand, Romain Meffre<br />
and Gerhard <strong>Steidl</strong><br />
80 pages<br />
15 x 11.4 in. / 38 x 29 cm<br />
60 photographs<br />
Four colour process<br />
Clothbound hardcover<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86930-546-2<br />
125
126<br />
Michael Galinsky<br />
Malls Across America<br />
Throughout the 1980s, as America’s downtown districts declined in importance and the “big-box” stores began their<br />
slow march across the country, malls became increasing central to American popular culture, dominating the social life<br />
of a large swath of the population. In 1989 Michael Galinsky, a twenty-year-old photographer, drove across the country<br />
recording this change: the spaces, textures and pace that defined this era. Starting in the winter of 1989 with the Smith<br />
Haven Mall in Garden City Long Island, Galinsky photographed malls from North Carolina to South Dakota, Washington<br />
State and beyond. The photos he took capture life in these malls as it began to shift from the shiny excess of the 1980s<br />
towards an era of slackers and grunge culture. Malls Across America is filled with seemingly lost or harried families<br />
navigating their way through these temples of consumerism, along with playful teens, misfits, and the aged. There is a<br />
sense of claustrophobia to the images, even in those that hint at wide commercial expanses – a wall or a ceiling is<br />
always there to block the horizon. These photos never settle or focus on any one detail, creating the sense that they are<br />
stolen records of the most immediate kind.<br />
Michael Galinsky, born in 1969 in Chapel Hill, North Carolina, is a musician, filmmaker and photographer. Throughout<br />
the 1990s he was a member of the band Sleepyhead and documented the underground rock world through film and<br />
photography. His work has been published in Option, Chemical Imbalance, Tape Op, Puncture, Copper Press and on<br />
album covers. Galinsky and his partner, Suki Hawley, have collaborated on five feature length films: Half-Cocked (1994),<br />
Radiation (1999), Horns and Halos (2002), Code 33 (2005) and Battle for Brooklyn (2010). In <strong>2012</strong> Galinsky received<br />
a Guggenheim fellowship.<br />
Michael Galinsky<br />
Malls Across America<br />
Essay by Michael Galinsky<br />
Book design by Peter Miles<br />
128 pages<br />
9.8 x 11.8 in. / 25 x 30 cm<br />
62 photographs<br />
Four colour process<br />
Hardcover<br />
€ 48.00 / £ 38.00 / US$ 60.00<br />
ISBN 978-3-86930-547-9<br />
127
128<br />
Kadir Guirey (ed.)<br />
L’album d’Eddy<br />
“That Belgian, he doesn’t even leave you the crumbs, he’s a cannibal!”<br />
Christian Raymond<br />
In cycle racing there have been some amazing feats, stories of comeback and daring, of victory and tragedy, of personal<br />
sacrifice and bad luck – and then there is the story of the greatest cyclist that ever lived: Eddy Merckx. This extraordinary<br />
Belgian notched up an incredible 525 victories in a career that spanned just over thirteen years. No surprise then, that<br />
even his teammates nicknamed him “The Cannibal”. Eddy Merckx was from a different time, a time when professional<br />
cyclists raced all year round, from the cold early season classics, to the hot summer grand tours. Today professional<br />
bike riders specialise in one event, yet Merckx was a true all-rounder, equally at home in the velodromes of Ghent as<br />
on the French Alps. He won all of the major bike races and more; the Cannibal was unique.<br />
This photographic collection is unique too, because it is the story of Eddy Merckx as seen by a fan. L’album d’Eddy does<br />
not show considered portraits or typical finish line celebrations, but intimate and personal images of Merckx. This book<br />
depicts races including the Tour de France and the 1971 World Championships in Barcelona, and shows many of the<br />
riders of the time such as Raymond Poulidor, Roger Swerts and Herman van Springel. The origin of the album remains<br />
a mystery: all we know about its possible owner is the inscription on the inside cover: “Bien sportivement – M. Louis<br />
LeCouf” which is signed by Eddy Merckx.<br />
Kadir Guirey (ed.)<br />
L’album d’Eddy<br />
Essay by Paul Fournel<br />
Translation by Kadir Guirey<br />
Book design by Peter Miles<br />
28 pages<br />
12.9 x 10.5 in. / 32.8 x 26.6 cm<br />
91 photographs<br />
Four colour process<br />
Hardcover<br />
€ 34.00 / £ 28.00 / US$ 45.00<br />
ISBN 978-3- 86930-548-6<br />
129
130<br />
Kai Wiedenhöfer<br />
Confrontier<br />
In 1989 Kai Wiedenhöfer photographed the fall of the Berlin Wall in his hometown, and was deeply moved by this<br />
experience of history unfolding. At the time, Wiedenhöfer, like many, believed this event would mark the end of walls<br />
being employed as political tools and dismissed them as anachronistic instruments of division. Over twenty years later,<br />
history has proved us wrong; indeed walls have enjoyed a barbaric renaissance. Border barriers have been erected in<br />
the US, Europe, and the Middle East in the aftermath of political, economic, religious and ethnic conflicts. Wiedenhöfer<br />
has documented walls in Belfast, Ceuta and Melilla, Baghdad, the Occupied Palestinian Territories, the American-<br />
Mexican border, Cyprus, Korea as well as the remains of the Iron Curtain. Confrontiers presents Wiedenhöfer’s comprehensive<br />
project and evidences his conviction that walls are not solutions to today’s political and economic problems,<br />
but proof of human weakness, error and our inability to communicate with one another.<br />
Kai Wiedenhöfer, born in Schwenningen, Germany in 1966, received a Masters in photography and editorial design from<br />
the Folkwang School in Essen and studied Arabic in Damascus, Syria. Since 1989 the focus of his work has been the<br />
Middle East. Wiedenhöfer has received numerous awards including the Leica Medal of Excellence, the Alexia Foundation<br />
For World Peace Grant, World Press Photo Awards, the Eugene Smith Grant in Humanistic Photography and the<br />
Carmignac Gestion Photojournalism Award. <strong>Steidl</strong> has published Wiedenhöfer’s Perfect Peace (2002), Wall (2007) and<br />
The Book of Destruction (2010) whose photos comprised a solo exhibition at the Musée d’Art Moderne de la Ville de<br />
Paris.<br />
Kai Wiedenhöfer<br />
Confrontier<br />
Text by Stefanie Rosenkranz<br />
Book design by Dirk Fütterer and Daniel Schilke<br />
184 pages with 8 gatefolds<br />
9 x 13 in. / 23 x 33 cm<br />
128 photographs<br />
Four colour process<br />
Paperbound hardcover with foil embossing<br />
€ 48.00 / £ 38.00 / US$ 60.00<br />
ISBN 978-3-86930-550-9<br />
131
132<br />
Klaus Staeck and Gerhard <strong>Steidl</strong>, Beuys Book Klaus Staeck and Gerhard <strong>Steidl</strong>, Beuys Book<br />
133
134<br />
Klaus Staeck and Gerhard <strong>Steidl</strong><br />
Beuys Book<br />
Joseph Beuys was photographed extensively during his life, whether at work, while travelling or at home. But only a few<br />
photographers had the privileged access and tenacity of Klaus Staeck and Gerhard <strong>Steidl</strong>. Graphic artist Staeck and<br />
printer/publisher <strong>Steidl</strong> accompanied Beuys with their cameras from 1970 until his death in 1986. Staeck and <strong>Steidl</strong><br />
were part of Beuys’ entourage, worked closely with him to produce his multiples and objects, and documented intimate<br />
aspects of the life of this unmatched artist-performer. These photos reveal Beuys’ unique charismatic personality that<br />
influenced not only those he met, but society and art in general.<br />
Born in 1938 in Pulsnitz near Dresden, Klaus Staeck is one of Germany’s most prominent graphic artists. Renowned<br />
for his political posters, Staeck has been president of the Akademie der Künste in Berlin since 2006. <strong>Steidl</strong> has produced<br />
Staeck’s posters throughout his career and has published many of his books including Ohne Auftrag (2001),<br />
Pornografie (2005) and Schöne Aussichten (2009).<br />
Gerhard <strong>Steidl</strong> was born in 1950 in Göttingen, Germany, where he continues to live and work. <strong>Steidl</strong> received his<br />
informal printing training from Klaus Staeck and Joseph Beuys, and in 1972 the first <strong>Steidl</strong> book Befragung der<br />
Documenta was published. Since the mid-1980s <strong>Steidl</strong> has published literature including the work of Nobel laureates<br />
Günter Grass and Halldór Laxness. In 1996 <strong>Steidl</strong> founded an international photography book program.<br />
Klaus Staeck and Gerhard <strong>Steidl</strong><br />
Beuys Book<br />
Edited by Klaus Staeck and Gerhard <strong>Steidl</strong><br />
Text by Erhard Kluge<br />
Book design by Klaus Staeck, Gerhard <strong>Steidl</strong> and Duncan Whyte<br />
736 pages<br />
6.5 x 9.4 in. / 16.5 x 24 cm<br />
455 photographs<br />
Four colour process<br />
Clothbound hardcover with foil embossing<br />
€ 65.00 / £ 50.00 / US$ 88.00<br />
ISBN 978-3-86521-914-5<br />
135
136<br />
Ed Ruscha<br />
Catalogue Raisonné of the Paintings<br />
Volume 5: 1993–1997<br />
Edited by Robert Dean and Lisa Turney with an essay by Hal Foster, “Evening in America,” which analyzes Ruscha’s<br />
paintings of the 1990s.<br />
The period covered by Volume 5 comprises 195 paintings, reproduced in full color. A highlight is the complete layout<br />
of the 1995 Denver Central Library project, which Ruscha described as “a rolling historical landscape of Colorado<br />
and the West.” Other notable series of this period include the “Cityscape” paintings, which resemble ransom notes,<br />
and a group of images of clock faces titled after the names of American cars and car manufacturers. This volume also<br />
includes numerous documentary photographs, a selection of Ruscha’s sketchbook pages, and complete<br />
bibliographic references and exhibition histories.<br />
Co-published with Gagosian Gallery, New York/Beverly Hills.<br />
Ed Ruscha<br />
Catalogue Resonné of the Paintings,<br />
Volume 5: 1993–1997<br />
Edited by Robert Dean and Lisa Turney<br />
With an Essay by Hal Foster<br />
Book design by Breanne Woods<br />
and Judith McKay<br />
after an original design concept<br />
by Bruce Mau Design<br />
484 pages and 5 gatefolds<br />
9.5 x 11.4 in. / 24 x 29 cm<br />
Four colour process<br />
Clothbound hardcover housed<br />
in a slipcase<br />
€ 165.00 / £ 138.00 / US$ 220.00<br />
ISBN 978-3-86930-251-5<br />
137
138<br />
Marta Weiss (ed.)<br />
Light from the Middle East: New Photography<br />
Light from the Middle East explores the various ways that contemporary Middle Eastern artists deploy the language and<br />
techniques of photography. Whether embracing the capacity of photography to record or bear witness, or subverting<br />
that process in order to highlight its susceptibility to manipulation and recontextualization, they use the medium to tell<br />
stories, to question, and to challenge.<br />
This book accompanies an exhibition at the Victoria and Albert Museum (13 November <strong>2012</strong>–7 April <strong>2013</strong>), the first<br />
major museum exhibition of contemporary Middle Eastern photography. It presents over 25 artists from across the<br />
greater Middle East (including North Africa and Central Asia), whose multiple viewpoints are appropriate to a region<br />
where collisions between personal, social, religious and political life can be emotive and complex. It includes a wide array<br />
of work made by artists living in the region and in diaspora, ranging from photojournalism to staged and digitally<br />
manipulated photographs.<br />
Marta Weiss is Curator of Photographs at the Victoria and Albert Museum. She has organised exhibitions at the V&A,<br />
the Metropolitan Museum of Art, and the Princeton University Art Museum, and has published articles and catalogue<br />
essays on topics ranging from Victorian photocollage to contemporary Iranian photography. She holds a BA in history<br />
of art from Harvard University and earned a PhD, specialising in the history of photography, from Princeton University.<br />
Venetia Porter is curator of the collection of Islamic and modern and contemporary Middle Eastern art at the British<br />
Museum. She studied Arabic and Islamic art at Oxford University and obtained her Ph.D on the medieval history and<br />
architecture of the Yemen from the University of Durham. Her publications include Islamic Tiles (1995), Word into Art:<br />
Artists of the Modern Middle East (2006), Arabic and Persian Seals and Amulets (2011), The Art of Hajj (<strong>2012</strong>), and<br />
(ed.) Hajj: Journey to the Heart of Islam (<strong>2012</strong>).<br />
Marta Weiss (ed.)<br />
Light from the Middle East<br />
Texts by Marta Weiss, Venetia Porter, Kate Best and Stephen Deuchar<br />
Book design by Grégoire Pujade-Lauraine<br />
144 pages<br />
7.9 x 10.2 in. / 20 x 26 cm<br />
92 images<br />
Four colour process<br />
Hardcover<br />
€ 30.00 / £ 25.00 / US$ 40.00<br />
ISBN 978-3-86930-557-8<br />
139
Jim Dine, working on drawings for Hello Yellow Glove
142<br />
Jim Dine<br />
Hello Yellow Glove<br />
Jim Dine’s status as a master draughtsman is unquestioned and this book presents the best of his most recent drawings.<br />
Hello Yellow Glove opens with one of Dine’s most treasured motifs, Pinocchio. Using dense charcoal and dripping<br />
washes, Dine depicts the sinister edge to Carlo Collodi’s story and Pinocchio’s isolation in his quest to become a real<br />
boy. With similar dark layers and dissolving forms Dine also depicts botanical motifs such as the thistle and catalpa tree.<br />
In addition to these bodies of work, Hello Yellow Glove presents Dine’s portrait of Gerhard <strong>Steidl</strong>, an ambitious suite<br />
of nine drawings made by the artist in his Göttingen studio. Alongside reproductions of the drawings are photographs<br />
of Dine taken by <strong>Steidl</strong> during the sittings, which form both a candid portrait of the artist and offer a rare glimpse into<br />
his working processes.<br />
Born in 1935 in Cincinnati, Ohio, Jim Dine is a prolific painter, draughtsman, print-maker and photographer. Initially<br />
associated with the Pop movement, Dine’s career spans over forty years and his work is held in many private and public<br />
collections. His books with <strong>Steidl</strong> include Birds (2001), The Photographs, so far (2003) and Hot Dream (52 Books)<br />
(2008).<br />
Jim Dine<br />
Hello Yellow Glove<br />
Book design by Jim Dine and Jonas Wettre<br />
64 pages<br />
8.3 x 11 in. / 21 x 28 cm<br />
32 drawings and 38 photographs<br />
Four colour process<br />
Softcover<br />
€ 25.00 / £ 20.00 / US$ 34.00<br />
ISBN 978-3-86930-484-7<br />
143
144<br />
Berenice Abbott, Paris Portraits 1925–1930 Berenice Abbott, Paris Portraits 1925–1930<br />
145
146<br />
The grey areas on the left-hand pages indicate where the pages will be die cut. When a left-hand page<br />
is laid over a right-hand page, the image will be cropped to reveal Abbott’s fine-tuned compositions.<br />
Berenice Abbott<br />
Paris Portraits 1925–1930<br />
This is one in a series of books to be published by <strong>Steidl</strong> that will explore Berenice Abbott’s exceptional body of work.<br />
Abbott began her photographic career in 1925, taking portraits in Paris of some the most celebrated artists and writers<br />
of the day including Marie Laurencin, Jean Cocteau, Peggy Guggenheim and James Joyce. Within a year her work was<br />
exhibited and acclaimed. Paris Portraits 1925–30 features the clear, honest results of Abbott’s earliest photographic<br />
project and illustrates the philosophy of all her subsequent work. For this landmark book, 115 portraits of 83 subjects<br />
have been scanned from the original glass negatives, the full negatives have been printed, and a die-cut overleaf<br />
presents each portrait incorporating Abbott’s cropping instructions.<br />
Berenice Abbott, born in Springfield, Ohio in 1898, was a dominant figure in twentieth-century American photography.<br />
Abbott moved to Paris from New York in 1921, and in 1923, after many false starts, was hired by her friend Man Ray.<br />
He was looking for an assistant who knew nothing about photography whom he could teach. Abbott learned quickly and<br />
within a year was taking her own photographs. Her first solo exhibition in 1926 was a success, and for the next 65 years<br />
Abbott mastered a wide range of subjects. Highlights of Abbott’s career include the monumental project Changing<br />
New York (1935–1938), photographing rural America including US Route 1 from Maine to Florida, photographically<br />
interpreting scientific and natural phenomena, establishing the reputation of Eugène Atget, and founding the first<br />
university photography program in the United States. <strong>Steidl</strong> published the two-volume retrospective Berenice Abbott<br />
(2008), and Documenting Science (2011).<br />
Co-published with Commerce Graphics, New York<br />
Berenice Abbott<br />
Paris Portraits 1925–1930<br />
Edited by Ron Kurtz and Hank O’Neal<br />
Texts by Ron Kurtz and Hank O’Neal<br />
Book design by <strong>Steidl</strong> Design<br />
368 pages<br />
9.4 x 11.8 in. / 24 x 30 cm<br />
58 photographs<br />
Tritone<br />
Clothbound hardcover with a tipped-in photo<br />
€ 98.00 / £ 82.00 / US$ 130.00<br />
ISBN 978-3-86930-314-7<br />
147
148<br />
Daimler AG (ed.)<br />
Daimler Chronicle<br />
On the occasion of the 125th anniversary of the automobile, Daimler presents this comprehensive chronicle of the world’s<br />
oldest automotive manufacturer. The fascinating history of the car and its impact on society are here to be discovered<br />
in word and text: from Carl Benz’s gas engine drive prototype of 1883, to the sleek Mercedes Benz racing cars of the<br />
1930s, and today’s progressive designs for the future. Whether luxury sedan, sports car, truck or bus, this book provides<br />
an in-depth overview of every make of car produced by Daimler. Beginning with historical portraits of the auto motive<br />
pioneers Carl Benz, Gottlieb Daimler and Wilhelm Maybach, the reader explores the evolution of the Mercedes Benz over<br />
time and how it has earned its place in our cultural imagination.<br />
Daimler AG (ed.)<br />
Daimler Chronicle<br />
Book design by L2M3 Kommunikationsdesign, Stuttgart<br />
432 pages<br />
9.4 x 11.8 in. / 24 x 30 cm<br />
1,800 photos<br />
Four colour process<br />
Paperbound hardcover with a black fore edge<br />
€ 35.00 / £ 28.00 / US$ 45.00<br />
ISBN 978-3-86930-983-5<br />
149
150<br />
2 ND EDITION NOW AVAILABLE<br />
Alexandra Grant and Keanu Reeves<br />
Ode to Happiness<br />
This is the eagerly awaited second edition of Ode to Happiness, a grown-up’s picture book and a charming reminder<br />
not to take oneself too seriously. With drawings by painter Alexandra Grant, text by actor Keanu Reeves, and in<br />
collaboration with mutual friend Janey Bergam, this facsimile artists’ book is about making the best of a bad situation.<br />
In the tradition of a classic “hurtin’ song”, Reeves’ text externalizes a melancholy internal monologue and subtly pokes<br />
fun at it. Grant’s images, delicately realised in sombre inky washes, reflect the dark and light, the pathos and humour<br />
of the text. Neither entirely earnest nor wholly ironic, Ode to Happiness is both a meditation and a gentle tease about<br />
how we cope with life’s sorrows.<br />
Los Angeles based artist Alexandra Grant uses language and words as the basis for her paintings, drawings and<br />
sculptures. Grant has exhibited at institutions including the Museum of Contemporary Art in Los Angeles, the California<br />
Biennial, Orange County Museum of Art, and the Contemporary Museum in Baltimore. She has collaborated with artists<br />
and writers including Michael Joyce and Hélène Cixous, and is a founding member of the Watts House Project in Los<br />
Angeles.<br />
Keanu Reeves, born in 1964 in Beirut, is a celebrated actor and writer. Reeves’ films include Point Break (1991), Speed<br />
(1994), The Matrix (1999) and the upcoming Jekyll. His theatrical roles include an acclaimed portrayal of Shakespeare’s<br />
Hamlet.<br />
Singer stitched brochure Slipcase<br />
Alexandra Grant and Keanu Reeves<br />
Ode to Happiness<br />
Book design by Alexandra Grant,<br />
Keanu Reeves and Gerhard <strong>Steidl</strong><br />
36 pages<br />
7.9 x 12.8 in. / 20 cm x 32.5 cm<br />
15 drawings<br />
Quadrotone<br />
Singer-sewn brochure in a<br />
clothbound slipcase<br />
€ 38.00 / £ 32.00 / US$ 55.00<br />
ISBN 978-3-86930-209-6<br />
151
Abbott, Berenice<br />
Berenice Abbott<br />
Two clothbound books housed in a<br />
slipcase, 32 x 34 cm<br />
Vol. 1: 264 pp, 118 tritone plates<br />
Vol. 2: 316 pp, 151 tritone plates<br />
€ 100.00 / £ 70.00 / US$ 145.00<br />
978-3-86521-592-5<br />
Beda Achermann<br />
Big Time, The Legendary Style of<br />
Männer Vogue, 1984–1989<br />
Softcover housed in a slipcase<br />
10.4 x 13.8 in. / 26.3 x 35 cm, 38 pp<br />
300 colour photographs<br />
€ 65.00 / £ 54.00 / US$ 85.00<br />
ISBN 978-3-86930-445-8<br />
Miles Aldridge<br />
Other Pictures<br />
Clothbound hardcover with a tippedin<br />
photo, housed in a slipcase<br />
15.4 x 10.6 in. / 39 x 27 cm, 140 pp<br />
94 colour photographs<br />
€ 98.00 / £ 82.00 / US$ 145.00<br />
ISBN 978-3-86930-437-3<br />
152<br />
Berenice Abbott<br />
Documenting Science<br />
Clothbound hardcover with a tippedin<br />
photo<br />
11.6 x 12.2 in. / 29.5 x 31 cm, 180 pp<br />
93 photographs, Tritone<br />
€ 58.00 / £ 50.00 / US$ 75.00<br />
ISBN 978-3-86930-431-1<br />
Adams, Robert<br />
Gone?<br />
Clothbound hardcover with<br />
dust jacket<br />
25.4 x 25.4 cm, 128 pp<br />
118 tritone photographs<br />
€ 49.50 / £ 44.00 / US$ 69.95<br />
978-3-86521-917-6<br />
Al Thani, Khalid<br />
Here is My Secret<br />
Clothbound hardcover with<br />
a tipped-in photo<br />
29 x 24 cm, 160 pp<br />
80 photographs, tritone<br />
978-3-86521-922-0<br />
BACKLIST BACKLIST<br />
A-chan<br />
Off Beat<br />
Otabind softcover<br />
7.5 x 9.4 in. / 19 x 24 cm, 64 pp<br />
45 photographs, Tritone<br />
€ 20.00 / £ 16.00 / US$ 25.00<br />
ISBN 978-3-86930-416-8<br />
Adams, Robert<br />
Tree line<br />
Clothbound hardcover with<br />
dust jacket<br />
25.6 x 27.6 cm, 128 pp<br />
Tritone<br />
€ 35.00 / £ 30.00 / US$ 50.00<br />
978-3-86521-956-5<br />
Alÿs, Francis<br />
Sign Painting Project<br />
Hardcover<br />
26.5 x 14 cm, 220 pp<br />
300 photographs<br />
€ 45.00 / £ 38.00 / US$ 64.00<br />
978-3-86521-290-0<br />
A-chan<br />
Vibrant Home<br />
Otabind softcover<br />
9.3 x 11 in. / 23.5 x 28 cm, 104 pp<br />
68 colour photographs<br />
€ 20.00 / £ 16.00 / US$ 25.00<br />
ISBN 978-3-86930-415-1<br />
Ai Weiwei<br />
Interlacing<br />
Otabind softcover with dust jacket<br />
17 x 23.5 cm, 496 pp<br />
Four colour process<br />
€ 39.00 / £ 34.00 / US$ 58.00<br />
978-3-86930-337-6<br />
Dirk Alvermann<br />
Algeria<br />
Softcover<br />
4.3 x 7.1 in. / 10.8 x 18 cm, 224 pp<br />
162 photographs, Tritone<br />
€ 18.00 / £ 15.00 / US$ 28.00<br />
ISBN 978-3-86930-255-3<br />
Babeth<br />
Clothbound hardcover in a<br />
slipcase<br />
28.4 x 36.3 cm, 416 pp<br />
200 colour plates<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-482-9<br />
Bailey, David<br />
Is That So Kid<br />
Hardcover<br />
26 x 33 cm , 72 pp<br />
51 tritone plates<br />
€ 40.00 / £ 35.00 / US$ 65.00<br />
978-3-86521-632-8<br />
Bailey, David<br />
Flowers, Skulls, Contacts<br />
Leatherbound hardcover with<br />
a tipped-in photo<br />
26 x 33 cm, 300 pp<br />
€ 56.00 / £ 49.00 / US$ 75.00<br />
978-3-86930-128-0<br />
Bacon, Francis<br />
Francis Bacon – New Studies.<br />
Centenary Essays<br />
Hardcover with dust jacket<br />
19.5 x 25.5 cm, 272 pp<br />
260 colour plates<br />
€ 39.00 / £ 35.00 / US$ 58.00<br />
978-3-86521-946-6<br />
Bailey, David<br />
NY JS DB 62<br />
Hardcover<br />
26 x 33 cm, 72 pp<br />
3 colour and 24 tritone plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-414-0<br />
Bailey, David<br />
Eye<br />
Clothbound hardcover<br />
26 x 33 cm, 188 pp<br />
3 colour plates, 89 tritone plates<br />
€ 48.00 / £ 44.00 / US$ 75.00<br />
978-3-86521-708-0<br />
Bailey, David<br />
Bailey’s Democracy<br />
Clothbound hardcover<br />
26 x 33 cm, 160 pp<br />
47 tritone plates<br />
€ 44.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-192-7<br />
Bailey, David<br />
Pictures that Mark Can Do<br />
Clothbound hardcover<br />
26 x 33 cm, 176 pp<br />
164 colour plates<br />
€ 45.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-367-9<br />
Baldessari, John<br />
Miracle Chips<br />
Softcover<br />
20.3 x 24.7 cm, 80 pp<br />
Four colour process<br />
€ 28.00 / £ 24.00 / US$ 34.00<br />
978-3-86521-677-9<br />
Bailey, David<br />
Havana<br />
Leatherbound hardcover<br />
26 x 33 cm, 176 pp<br />
Four colour process<br />
€ 45.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-270-2<br />
Bailey, David<br />
8 Minutes<br />
Clothbound hardcover<br />
26 x 33 cm, 264 pp<br />
Four colour process<br />
€ 44.00 / £ 40.00 / US$ 68.00<br />
978-3-86521-864-3<br />
Balet, Catherine<br />
Strangers in the Light<br />
Clothbound hardcover with<br />
dust jacket<br />
29.5 x 29.5 cm, 144 pp<br />
75 photographs, four colour process<br />
€ 48.00 / £ 40.00 / US$ 58.00<br />
978-3-86930-263-8<br />
153
Lewis Baltz<br />
Rule Without Exception / Only<br />
Exceptions<br />
Two otabind softcovers held in a sleeve<br />
9.4 x 13.1 in. / 23.8 x 33.3 cm, 368 pp<br />
260 photographs, Duotone/four colour<br />
€ 65.00 / £ 50.00 / US$ 80.00<br />
ISBN 978-3-86930-110-5<br />
Baltz, Lewis<br />
Candlestick Point<br />
Clothbound hardcover<br />
32.2 x 24.5 cm, 128 pp<br />
50 photographs, 72 tritone and 12<br />
colour plates<br />
€ 58.00 / £ 48,.00 / US$ 72.00<br />
978-3-86930-109-9<br />
Banier, François-Marie<br />
Grandes Chaleurs<br />
Clothbound hardcover<br />
24 x 30 cm, 144 pp<br />
109 tritone plates<br />
€ 45.00 / £ 35.00 / US$ 59.90<br />
978-3-86521-822-3<br />
154<br />
Lewis Baltz<br />
Texts<br />
Clothbound hardcover with foil<br />
embossing and a bookmark,<br />
with an acetate dust jacket<br />
5.3 x 8.3 in. / 13.5 x 21 cm, 160 pp<br />
€ 24.00 / £ 20.00 / US$ 30.00<br />
ISBN 978-3-86930-436-6<br />
Banier, François-Marie<br />
Perdre la tête<br />
Hardcover<br />
18 x 24.7 cm, 256 pp<br />
160 tritone plates<br />
€ 26.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-234-4<br />
Banier, François-Marie<br />
Boite de dessins<br />
Autocar Volume 1<br />
Clothbound hardcover<br />
36 x 26 cm, 96 pp<br />
€ 75.00 / £ 65.00 / US$ 85.00<br />
978-3-86930-066-5<br />
BACKLIST BACKLIST<br />
Baltz, Lewis<br />
Works<br />
Nine clothbound hardcovers housed<br />
in a slipcase<br />
27.9 x 26.8 cm<br />
Quadrotone and four colour process<br />
€ 700.00 / £ 600.00 / US$ 1000.00<br />
978-3-86930-114-3<br />
Banier, François-Marie<br />
Beckett<br />
Hardcover<br />
14.5 x 18 cm, 88 pp<br />
Four colour process<br />
€ 18.00 / £ 15.00 / US$ 25.00<br />
978-3-86521-983-1<br />
Banier, François-Marie<br />
Brioche Lait Pot Poire<br />
Autocar Volume 2<br />
Clothbound hardcover<br />
30 x 40 cm, 48 pp<br />
€ 46.00 / £ 76.00 / US$ 110.00<br />
978-3-86930-067-2<br />
Baltz, Lewis<br />
The Prototype Works<br />
Clothbound hardcover with<br />
dust jacket<br />
27.9 x 26.8 cm, 188 pp<br />
85 photographs, tritone<br />
€ 58.00 / £ 48.00 / US$ 72.00<br />
978-3-86930-250-8<br />
Banier, François-Marie<br />
I Missed You<br />
Hardcover<br />
18 x 24.5 cm, 328 pp<br />
Tritone<br />
€ 45.00 / £ 39.50 / US$ 60.00<br />
978-3-86521-823-0<br />
Banier, François-Marie<br />
To have fun at home<br />
Autocar Volume 3<br />
Clothbound hardcover<br />
7.5 x 14 cm, 48 pp<br />
€ 24.00 / £ 20.00 / US$ 32.00<br />
978-3-86930-068-9<br />
Banier, François-Marie<br />
On n’est jamais tranquile<br />
Autocar Volume 4<br />
Clothbound hardcover<br />
33 x 19 cm, 64 pp<br />
€ 58.00 / £ 48.00 / US$ 68.00<br />
978-3-86930-073-3<br />
Banier, François-Marie<br />
Follow me<br />
Autocar Volume 8<br />
17.5 x 25 cm, 60 pp<br />
Four colour process<br />
€ 48.00 / £ 40.00 / US$ 58.00<br />
978-3-86930-161-7<br />
Barnett, Mariani (eds.)<br />
Hiroshima Ground Zero 1945<br />
Otabind softcover<br />
25.4 x 30.9 cm, 248 pp<br />
Four colour process<br />
€ 48.00 / £ 42.00 / US$ 68.00<br />
978-3-86930-334-5<br />
Banier, François-Marie<br />
I am Fascinated<br />
Autocar Volume 5<br />
Leporello fold with a cardboard cover<br />
15.5 x 29.3 cm, 24 pp<br />
€ 48.00 / £ 58.00 / US$ 58.00<br />
978-3-86930-074-3<br />
Banier, François-Marie<br />
A 2 Doigts<br />
Autocar Volume 9<br />
25.5 x 32 cm, 32 pp<br />
Four colour process<br />
€ 48.00 / £ 40.00 / US$ 58.00<br />
978-3-86930-162-4<br />
Barney, Tina<br />
Players<br />
Hardcover with dust jacket<br />
30.5 x 22.9 cm, 96 pp<br />
66 photographs, four colour process<br />
€ 35.00 / £ 30.00 / US$ 45.00<br />
978-3-86521-995-4<br />
Banier, François-Marie<br />
Etoiles<br />
Autocar Volume 6<br />
Clothbound hardcover<br />
32 x 37.5 cm, 92 pp<br />
Four colour process<br />
€ 98.00 / £ 80.00 / US$ 125.00<br />
978-3-86930-159-4<br />
Banier, François-Marie<br />
Optimisme<br />
Autocar Volume 10<br />
10 x 14.5 cm, 196 pp<br />
Four colour process<br />
€ 38.00 / £ 30.00 / US$ 45.00<br />
978-3-86930-163-1<br />
Bartos, Adam<br />
Boulevard<br />
Hardcover<br />
29.4 x 24.5 cm, 120 pp<br />
59 colour plates<br />
€ 48.00 / £ 35.00 / US$ 65.00<br />
978-3-86521-159-0<br />
Banier, François-Marie<br />
Poaime<br />
Autocar Volume 7<br />
Clothbound hardcover<br />
35 x 29.5 cm, 80 pp<br />
Four colour process<br />
€ 98.00 / £ 80.00 / US$ 125.00<br />
978-3-86930-160-0<br />
Banier, François-Marie<br />
Pense à moi<br />
Autocar Volume 11<br />
34 x 31.5 cm, 48 pp<br />
Four colour process<br />
€ 48.00 / £ 40.00 / US$ 58.00<br />
978-3-86930-164-8<br />
Joseph Beuys, Klaus Staeck<br />
Honey is flowing in all directions<br />
Clothbound<br />
21 x 29.6 cm, 104 pp<br />
93 duotone plates<br />
€ 24.50 / £ 17.50 / US$ 29.95<br />
978-3-88243-538-2<br />
155
Blaufuks, Daniel<br />
Terezín<br />
Hardcover with dust jacket<br />
20.5 x 25.5 cm, 192 pp<br />
126 photographs, four colour<br />
process<br />
€ 42.00 / £ 35.00 / US$ 50.00<br />
978-3-86521-699-1<br />
Bolofo, Koto<br />
La Maison<br />
11 hardcover books, bound in craft<br />
paper with tipped-in photos, housed<br />
in a slipcase<br />
18 x 23.2 cm, 864 pp<br />
€ 175.00 / £ 149.00 / US$ 238.00<br />
978-3-86521-912-1<br />
Manuel Alvarez Bravo, Henri Cartier-<br />
Bresson, Walker Evans<br />
Documentary and Anti-Graphic<br />
Photographs<br />
Hardcover, 20 x 24 cm<br />
192 pages, 89 tritone plates<br />
€ 30.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-072-2<br />
156<br />
Koto Bolofo<br />
Dreams<br />
Clothbound hardcover<br />
11.4 x 14.6 in. / 29 x 37 cm, 144 pp<br />
166 colour photographs<br />
€ 58.00 / £ 45.00 / US$ 85 .00<br />
ISBN 978-3-86930-395-6<br />
Koto Bolofo<br />
Lord Snowdon<br />
Clothbound hardcover<br />
11.4 x 14.6 in. / 29 x 37 cm, 208 pp<br />
166 colour photographs<br />
€ 75.00 / £ 59.00 / US$ 99.00<br />
ISBN 978-3-86930-329-1<br />
Brohm, Joachim<br />
Ohio<br />
Clothbound hardcover with<br />
dust jacket, 29.5 x 25 cm<br />
120 pp, 40 colour plates<br />
€ 40.00 / £ 36.00 / US$ 59.95<br />
978-3-86521-698-4<br />
BACKLIST BACKLIST<br />
Bolofo, Koto<br />
Große Komplikation / Grand<br />
Complication<br />
Three clothbound hardcovers housed<br />
in a slipcase<br />
29 x 37 cm, 274 pp<br />
€ 98 / £ 80.00 / US$ 118.00<br />
978-3-86930-055-9<br />
Bolofo, Koto<br />
Venus Williams<br />
Clothbound hardcover with dust<br />
jacket, 29.7 x 34 cm, 100 pp<br />
90 colour and b/w plates<br />
€ 42.00 / £ 30.00 / US$ 60.00<br />
978-3-86521-602-1<br />
Brohm, Joachim<br />
Areal<br />
Clothbound hardcover<br />
20.4 x 26.6 cm, 264 pp<br />
206 colour plates<br />
€ 35.00 / £ 22.50 / US$ 35.00<br />
978-3-88243-878-9<br />
Bolofo, Koto<br />
Horse Power<br />
Clothbound hardcover<br />
29 x 37 cm, 144 pp<br />
197 photographs, four colour<br />
process<br />
€ 75.00 / £ 59.00 / US$ 99.00<br />
978-3-86930-129-7<br />
Bolofo, Koto<br />
Vroom! Vroom!<br />
Hardcover<br />
29 x 37 cm, 96 pages<br />
84 colour plates<br />
€ 58.00 / £ 52.00 / US$ 75.00<br />
978-3-86521-961-9<br />
Brohm, Joachim<br />
Ruhr<br />
Clothbound hardcover<br />
29 x 32 cm, 160 pp<br />
50 colour plates<br />
€ 50.00 / £ 35.00 / US$ 65.00<br />
978-3-86521-389-1<br />
Brynner, Victoria (ed.)<br />
YUL<br />
Yul Brynner: A Photographic Journey<br />
Four softcover books in a slipcase<br />
21.6 x 28.2 cm, 800 pp<br />
€ 98.00 / £ 88.00 / US$ 150.00<br />
978-3-86930-131-0<br />
Callahan, Harry<br />
Eleanor<br />
Hardcover<br />
26 x 31 cm, 160 pp<br />
121 tritone and 3 colour plates<br />
€ 50.00 / £ 34.00 / US$ 65.00<br />
978-3-88243-464-5<br />
Carroll, Mary Ellen<br />
Mary Ellen Carroll<br />
Softcover housed in a slipcase<br />
17.5 x 24.5 cm, 360 pp<br />
400 colour and b/w illustrations<br />
€ 35.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-618-2<br />
Burtynsky, Edward<br />
China<br />
Clothbound hardcover<br />
38.1 x 30.5 cm, 180 pp<br />
80 colour plates<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-130-9<br />
Callahan, Harry<br />
Nature<br />
Hardcover<br />
19.5 x 22.5 cm, 32 pp<br />
13 tritone plates<br />
€ 20.00 / £ 13.00 / US$ 25.00<br />
978-3-88243-437-9<br />
Carter, William<br />
Causes and Spirits<br />
Clothbound hardcover with dust<br />
jacket, 24 x 28 cm<br />
289 pp, tritone<br />
€ 50.00 / £ 52.00 / US$ 78.00<br />
978-3-86930-123-5<br />
Burtynsky, Edward<br />
Oil<br />
Clothbound hardcover<br />
37.5 x 29.5 cm, 140 pp<br />
100 colour plates<br />
€ 98.00 / £ 85.00 / US$ 128.00<br />
978-3-86521-943-5<br />
Callahan, Harry<br />
Seven Collages<br />
Clothbound hardcover<br />
28 x 32.4 cm, 32 pp<br />
7 tritone plates<br />
€ 40.00 / £ 34.00 / US$ 50.00<br />
978-3-86930-140-2<br />
Christenberry, William<br />
Working from Memory<br />
Clothbound hardcover with dust<br />
jacket, 23 x 25 cm<br />
112 pp, 50 colour plates<br />
€ 35.00 / £ 22.50 / US$ 45.00<br />
978-3-86521-593-2<br />
Burtynsky, Edward<br />
Quarries<br />
Clothbound hardcover<br />
38.1 x 30.4 cm, 176 pp<br />
80 colour plates<br />
€ 68.00 / £ 60.00 / US$ 88.00<br />
978-3-86521-456-0<br />
Calle, Sophie<br />
True Stories<br />
The Hasselblad Award in<br />
Photography 2010<br />
25.6 x 27.6 cm, pp 128<br />
€ 45.00 / £ 40.00 / US$ 65.00<br />
978-3-86930-156-3<br />
Clarke, Brian<br />
WORK<br />
Seven clothbound hardcover books<br />
housed in a slipcase<br />
25.4 x 36.5 cm<br />
€ 180.00 / £ 150.00 / US$ 249.90<br />
978-3-86521-633-5<br />
157
Chuck Close<br />
Scribble Book: Self Portrait<br />
Two accordion-fold books and a saddle-stiched<br />
booklet in a clamshell box<br />
25.4 x 36.5 cm. Books: 2 x 9 pp,<br />
booklet: 8 pp, 9-colour printing<br />
€ 75.00 / £ 64.00 / US$ 99.90<br />
978-3-86521-492-8<br />
Cole, Ernest<br />
The Photographer<br />
Hardcover<br />
27 x 29 cm, 256 pp<br />
€ 45.00 / £ 38.00 / US$ 56.00<br />
978-3-86930-137-2<br />
D'Agati, Mauro<br />
Alamar<br />
Clothbound hardcover<br />
29.5 x 25 cm, 156 pp<br />
87 colour plates<br />
€ 45.00 / £ 35.00 / US$ 59.95<br />
978-3-86521-954-1<br />
158<br />
John Cohen<br />
The High and Lonesome Sound: The<br />
Legacy of Roscoe Holcomb<br />
Softcover book with a DVD and CD<br />
8.3 x 10.2 in. / 21 x 26 cm, 270 pp<br />
158 photographs, Tritone<br />
€ 45.00 / £ 38.00 / US$ 58.00<br />
ISBN 978-3-86930-254-6<br />
Collins, Michael<br />
Record Pictures: Photographs from<br />
the Archive<br />
Clothbound hardcover<br />
30 x 25.5 cm, 218 pp<br />
60 colour plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-031-9<br />
D'Agati, Mauro<br />
Napule Shot<br />
Hardcover<br />
29.5 x 20.2 cm, 408 pp<br />
286 colour plates<br />
€ 56.00 / £ 48.00 / US$ 80.00<br />
978-3-86521-955-8<br />
BACKLIST<br />
Cohen, John<br />
Past Present Peru<br />
Two clothbound hardcover books,<br />
3 music CDs with a text booklet and<br />
5 film DVDs, housed in a slipcase<br />
27.5 x 28 cm, 284 pp<br />
€ 125.00 / £ 110.00 / US$ 175.00<br />
978-3-86930-103-7<br />
Colom, Joan<br />
RAVAL<br />
Hardcover<br />
20 x 24 cm,156 pp<br />
85 duotone plates<br />
€ 30.00 / £ 20.00 / US$ 40.00<br />
978-3-86521-324-2<br />
D'Agati, Mauro<br />
Palermo Unsung<br />
Hardcover<br />
22 x 30 cm, 104 pp<br />
55 tritone plates<br />
€ 45.00 / £ 39.50 / US$ 60.00<br />
978-3-86521-918-3<br />
Lynne Cohen<br />
Nothing is Hidden<br />
Clothbound hardcover with foil<br />
embossing<br />
12.4 x 10.3 in. / 31.5 x 26.2 cm, 172 pp<br />
128 colour photographs<br />
€ 65.00 / £ 50.00 / US$ 80.00<br />
ISBN 978-3-86930-449-6<br />
Cowin, Daniel<br />
Modernist Photography: The Daniel<br />
Cowin Collection at ICP<br />
Hardcover<br />
22.3 x 25.4 cm, 112 pp<br />
70 colour plates<br />
€ 40.00 / £ 32.00 / US$ 60.00<br />
978-3-86521-158-3<br />
Bruce Davidson<br />
Black & White<br />
Five clothbound books, with tipped-in<br />
photos, housed in a slipcase<br />
11.6 x 11.4 inches / 29.5 x 29 cm,<br />
704 pp, 561 tritone plates<br />
€ 248.00 / £ 220.00 / US$ 345.00<br />
ISBN 978-3-86930-432-8<br />
Davidson, Bruce<br />
Subway<br />
Hardcover with dust jacket<br />
29.5 x 29 cm, 140 pp<br />
117 photographs, four colour process<br />
€ 58.00 / £ 52.00 / Distributed in the<br />
USA by Aperture<br />
978-3-86930-294-2<br />
De Keyser, Raoul<br />
Terminus Drawings and Recent<br />
Paintings<br />
Hardcover<br />
23.6 x 29.8 cm, 144 pp<br />
Four colour process<br />
€ 48.00 / £ 42.00 / US$ 75.00<br />
978-3-86930-054-2<br />
Depardon, Raymond<br />
Villes / Cities / Städte<br />
Hardcover<br />
30 x 42 cm, 130 pp<br />
Four colour process<br />
€ 38.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-292-4<br />
Davidson, Bruce<br />
Outside Inside<br />
Three clothbound hardcover books<br />
housed in a slipcase<br />
23 x 30 cm, 944 pp<br />
Tritone<br />
€ 185.00 / £ 158.00 / US$ 195.00<br />
978-3-86521-908-4<br />
Delehaye, Luc<br />
2006 – 2010<br />
Otabind softcover<br />
21 x 26 cm, 80 pp<br />
13 photographs, 8 details<br />
Four colour process<br />
€ 24.00 / £ 20.00 / US$ 30.00<br />
978-3-86930-228-7<br />
Depardon, Raymond<br />
Manhattan Out<br />
Clothbound hardcover<br />
29.5 x 20.5 cm, 120 pp<br />
97 tritone plates<br />
€ 30.00 / £ 25.00 / US$ 49.50<br />
978-3-86521-704-2<br />
BACKLIST<br />
Dean, Tacita<br />
Darmstädter Werkblock<br />
Softcover, signed and numbered by<br />
the artist<br />
6 x 15.3 cm, 80 pp<br />
80 colour plates<br />
€ 85.00 / £ 70.00 / US$ 100.00<br />
978-3-86521-703-5<br />
Demarchelier, Patrick<br />
Patrick Demarchelier<br />
Clothbound hardcover with dust<br />
jacket, 27 x 31 cm<br />
408 pp, 410 colour and b/w plates<br />
€ 68.00 / £ 48.50 / US$ 99.00<br />
978-3-86521-736-3<br />
Derges, Susan<br />
Elemental<br />
Hardcover<br />
25 x 35 cm, pp 240<br />
€ 54.00 / £ 48.00 / US$ 75.00<br />
978-3-86930-150-1<br />
Dean, Tacita<br />
Seven Books Grey<br />
Seven softcover books in a slipcase<br />
19.2 x 26 cm, 488 pp<br />
Four colour process<br />
€ 78.00 / £ 65.00 / US$ 98.00<br />
978-3-86930-299-7<br />
Depardon, Raymond<br />
Hear Them Speak<br />
Hardcover<br />
15.9 x 21 cm, 168 pp<br />
94 colour plates<br />
€ 32.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-837-7<br />
Jim Dine<br />
Donkey in the Sea before Us<br />
Hardcover with dust jacket<br />
4.5 x 6.7 in. / 11.5 x 17 cm, 56 pp<br />
24 colour images<br />
€ 18.00 / £ 12.00 / US$ 28.00<br />
ISBN 978-3-86930-451-9<br />
159
Dine, Jim<br />
Birds<br />
Clothbound hardcover<br />
29.5 x 31.5 cm, 88 pp<br />
36 tritone plates<br />
€ 49.00 / £ 35.00 / US$ 50.00<br />
978-3-88243-240-4<br />
Dine, Jim<br />
Hot Dream (52 books)<br />
52 hardcover books housed in a<br />
cardboard box, 17 x 23.5 cm<br />
b/w, tritone and four colour process<br />
€ 380.00 / £ 327.00 / US$ 480.00<br />
978-3-86521-693-9<br />
Dine, Jim<br />
L’Odyssée de Jim Dine<br />
Clothbound hardcover<br />
29.7 x 31.3 cm, 192 pp<br />
Four colour process<br />
€ 60.00 / £ 40.00 / US$ 75.00<br />
978-3-86521-370-9<br />
Dine, Jim<br />
Entrada Drive<br />
Clothbound hardcover<br />
29.5 x 31.5 cm, 48 pp<br />
44 tritone plates<br />
€ 50.00 / £ 35.00 / US$ 70.00<br />
978-3-86521-080-7<br />
Dine, Jim<br />
This Goofy Life of Constant<br />
Mourning<br />
Clothbound flexible hardcover<br />
21.5 x 25 cm, 296 pp<br />
181 colour plates<br />
€ 70.00 / £ 48.00 / US$ 80.00<br />
978-3-88243-967-0<br />
Diserens, Corinne (ed.)<br />
Contemporary African Photography<br />
from the Walther Collection<br />
Appropriated Landscapes<br />
Hardcover, 24 x 32 cm, 448 pp<br />
Four colour process<br />
€ 78.00 / £ 72.00 / US$ 98.00<br />
978-3-86930-387-1<br />
BACKLIST<br />
Dine, Jim<br />
The Photographs,<br />
So Far (vols. 1-4)<br />
Four books housed in<br />
a slipcase, 21.3 x 28.5 cm<br />
1046 pp, 548 plates<br />
€ 150.00 / £ 100.00 / US$ 150.00<br />
978-3-88243-905-2<br />
Dine, Jim<br />
Night Fields, Day Fields – Sculpture<br />
Softcover<br />
23 x 28 cm, 144 pp<br />
75 photographs, four colour process<br />
€ 35.00 / £ 29.00 / US$ 42.00<br />
978-3-86930-204-1<br />
Disfarmer, Mike<br />
Original Disfarmer Photographs<br />
Hardcover<br />
20 x 25 cm, 240 pp<br />
209 colour and 4 b/w plates<br />
€ 35.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-189-7<br />
Dine, Jim<br />
Jim Dine<br />
Softcover<br />
14.8 x 21 cm, 64 pp<br />
Four colour process<br />
€ 14.00 / £ 11.00 / US$ 19.95<br />
978-3-86930-038-2<br />
Dine, Jim<br />
This Is How I Remember Now<br />
Hardcover<br />
21 x 24.5 cm, 350 pp<br />
Four colour process<br />
€ 48.00 / £ 33.00 / US$ 70.00<br />
978-3-86521-603-8<br />
Doisneau, Robert<br />
From Craft to Art<br />
Hardcover<br />
17 cm x 24 cm, 160 pp<br />
Tritone<br />
€ 38.00 / £ 34.00 / US$ 55.00<br />
978-3-86930-025-2<br />
Dom Pérignon<br />
I am Drinking Stars! History of a<br />
Champagne<br />
Clothbound hardcover with<br />
dust jacket<br />
14 x 20.5 cm, 140 pp<br />
€ 28.00 / £ 24.00 / US$ 34.00<br />
978-3-86521-750-9<br />
Earhart, Amelia<br />
Image and Icon<br />
Hardcover<br />
22.8 x 28 cm, 160 pp<br />
120 tritone plates<br />
€ 25.00 / £ 17.50 / US$ 28.00<br />
978-3-86521-407-2<br />
Eggleston, William<br />
Before Color<br />
Hardcover<br />
22.5 x 25.5 cm, 200 pp<br />
Quadrotone<br />
€ 48.00 / £ 40.00 / US$ 65.00<br />
978-3-86930-122-8<br />
d'Orgeval, Martin<br />
Pâques<br />
Softcover<br />
18.5 x 23.5 cm, 120 pp<br />
66 tritone plates<br />
€ 20.00 / £ 14.50 / US$ 28.00<br />
978-3-86521-262-7<br />
Edström, Anders<br />
waiting some birds a bus a woman /<br />
spidernets places a crew<br />
Clothbound hardcover<br />
26.8 x 21 cm, 128 pp<br />
80 colour plates<br />
€ 45.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-032-6<br />
Elkoury, Fouad<br />
Be ... Longing<br />
Hardcover<br />
18 x 24 cm, 160 pp<br />
Four colour process and tritone<br />
€ 28.00 / £ 25.00 / US$ 45.00<br />
978-3-86930-345-1<br />
160 161<br />
BACKLIST<br />
D’Orgeval, Martin<br />
The Soul<br />
Clothbound hardcover<br />
42 x 34.3 cm, 80 pp<br />
Four colour process<br />
€ 65.00 / £ 57.00 / US$ 88.00<br />
978-3 -86930-072-6<br />
William Eggleston<br />
Chromes<br />
Three clothbound hardcovers with<br />
tipped-in photos, housed in a slipcase<br />
12.4 x 12.6 in. / 31.5 x 32 cm, 744 pp<br />
364 colour photographs<br />
€ 248.00 / £ 220.00 / US$ 345.00<br />
ISBN 978-3-6930-311-6<br />
Eneroth, Joakim<br />
Swedish Red<br />
Clothbound hardcover<br />
17 x 25.6 cm, 48 pp<br />
32 colour plates<br />
€ 38.00 / £ 30.00 / US$ 45.00<br />
978-3-86521-613-7<br />
Diane Dufour and Jean-Yves<br />
Jouannais (eds.)<br />
Topographies of War<br />
Hardcover<br />
11.4 x 8.3 in. / 29 x 21 cm, 96 pp<br />
110 photographs, Four colour<br />
€ 25.00 / £ 18.00 / US$ 38.00<br />
ISBN 978-3-86930-421-2<br />
Eggleston, William<br />
Paris<br />
Clothbound hardcover<br />
22 x 28 cm, 184 pp<br />
70 colour photographs and<br />
50 drawings<br />
€ 39.00 / £ 35.00 / US$ 50.00<br />
978-3-86521-915-2<br />
Engström, JH<br />
CDG / JHE<br />
Hardcover<br />
29.7 x 23 cm, 112 pp<br />
66 colour plates<br />
€ 38.00 / £ 28.00 / US$ 48.00<br />
978-3-86521-538-3
Engström, JH<br />
Haunts<br />
Clothbound hardcover with dust<br />
jacket, 24.2 x 30.5 cm, 216 pp<br />
127 colour and duotone plates<br />
€ 50.00 / £ 35.00 / US$ 65.00<br />
978-3-86521-297-9<br />
Epstein, Mitch<br />
Berlin<br />
Clothbound hardcover in a slipcase<br />
24.5 x 29.5 cm, 72 pp<br />
Four colour process<br />
€ 45.00 / £ 36.00 / US$ 55.00<br />
978-3-86930-224-9<br />
Eskildsen, Ute<br />
Photography Collection Museum<br />
Folkwang<br />
Hardcover<br />
22.5 x 28 cm, 312 pp<br />
345 colour and b/w plates<br />
€ 34.00 / £ 30.00 / US$ 45.00<br />
978-3-86930-071-9<br />
162<br />
Enwezor, Okwui (ed.)<br />
Archive Fever: Uses of the Document<br />
in Contemporary Photography<br />
Softcover<br />
22.8 x 27.9 cm, 224 pp<br />
185 plates<br />
€ 30.00 / £ 22.50 / US$ 45.00<br />
978-3-86521-622-9<br />
Epstein, Mitch<br />
Recreation: American Photographs<br />
1973–1988<br />
Clothbound hardcover<br />
28 x 42 cm, 144 pp<br />
66 colour plates<br />
€ 60.00 / £ 40.00 / US$ 75.00<br />
978-3-86521-084-5<br />
Eskildsen, Joakim / Rinne, Cia<br />
The Roma Journeys<br />
Hardcover with a CD of field<br />
recordings and music recorded on<br />
the journeys, 23.3 x 26.6 cm<br />
369 pp, 329 colour plates<br />
€ 60.00 / £ 52.00 / US$ 78.00<br />
978-3-86521-371-6<br />
BACKLIST BACKLIST<br />
Enwezor, Okwui (ed.)<br />
Snap Judgments: New Positions in<br />
Contemporary African Photography<br />
Clothbound hardcover<br />
24 x 32 cm, 300 pp<br />
250 colour plates<br />
€ 55.00 / £ 40.00 / US$ 65.00<br />
978-3-86521-224-5<br />
Epstein, Mitch<br />
Work<br />
Hardcover<br />
22.9 x 26.6 cm, 276 pp<br />
226 duotone and 138 colour plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-281-8<br />
Evans, Walker<br />
Lyric Documentary<br />
Clothbound hardcover<br />
23.7 x 24.4 cm, 260 pp<br />
200 tritone plates<br />
€ 48.00 / £ 32.00 / US$ 60.00<br />
978-3-86521-022-7<br />
Enwezor, Okwui (ed.)<br />
Events of the Self:<br />
Contemporary African Photographs<br />
from The Walther Collection<br />
Clothbound hardcover with dust jacket<br />
24 x 32 cm, 352 pp<br />
€ 65.00 / £ 58.00 / US$ 88.00<br />
978-3-86930-157-0<br />
Epstein, Mitch<br />
American Power<br />
Clothbound hardcover with<br />
dust jacket, 29.5 x 26.5 cm<br />
144 pp, 64 colour plates<br />
€ 58.00 / £ 48.00 / US$ 72.00<br />
978-3-86521-924-4<br />
Fäldt, Tobias<br />
Year One<br />
Clothbound hardcover with<br />
dust jacket<br />
18.5 x 25 cm, 128 pp<br />
120 colour plates<br />
€ 38.00 / £ 30.00 / US$ 45.00<br />
ISBN 978-3-86521-537-6<br />
Flick, Robbert<br />
Trajectories<br />
Clothbound hardcover<br />
29.6 x 30 cm, 304 pp<br />
225 colour plates<br />
€ 70.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-018-0<br />
Frank, Robert<br />
The Americans<br />
Clothbound hardcover with<br />
dust jacket<br />
20.9 x 18.4 cm<br />
180 pp, 83 tritone plates<br />
€ 30.00 / £ 20.00 / US$ 39.95<br />
978-3-86521-584-0<br />
Frank, Robert<br />
The Complete Film Works<br />
Vol. 1: Pull My Daisy, The Sin of<br />
Jesus, Me and My Brother<br />
Three DVDs in a film-roll box<br />
€ 78.00 / £ 75.00 / US$ 140.00<br />
978-3-86521-365-5<br />
Foster, Heiting, Stuhlman<br />
Imagining Paradise<br />
Hardcover<br />
30.4 x 35.5 cm, 264 pp<br />
Four colour process<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-462-1<br />
Frank, Robert<br />
Looking In: Robert Frank’s The<br />
Americans – Expanded Edition<br />
Hardcover, 24 x 29.2 cm, 528 pp<br />
108 colour, 168 tritone, 210 duotone<br />
plates<br />
€ 69.00 / £ 49.90 / US$ 85.00<br />
978-3-86521-806-3<br />
Frank, Robert<br />
The Complete Film Works<br />
Vol. 2: OK End Here, Conversations,<br />
Liferaft Earth<br />
Three DVDs in a film-roll box<br />
€ 78.00 / £ 75.00 / US$ 140.00<br />
978-3-86521-525-3<br />
Forsslund, Maja<br />
AKT<br />
Clothbound hardcover<br />
29.5 x 23.6 cm, 80 pp<br />
40 tritone plates<br />
€ 48.00 / £ 42.00 / US$ 65.00<br />
978-3-86521-410-2<br />
Frank, Robert<br />
Black White and Things<br />
Softcover<br />
20 x 20.7 cm, 80 pp<br />
37 tritone plates<br />
€ 22.00 / £ 18.00 / US$ 29.95<br />
978-3-86521-808-7<br />
Frank, Robert<br />
The Complete Film Works<br />
Vol. 3: Keep Busy, About me: A<br />
Musical, S-8 Stones<br />
Three DVDs in a film-roll box<br />
€ 78.00 / £ 75.00 / US$ 140.00<br />
978-3-86521-591-8<br />
Franck, Martine<br />
Women / Femmes<br />
Clothbound hardcover with<br />
a tipped-in photo<br />
20.5 x 22.5, 152 pp<br />
€ 35.00 / £ 31.00 / US$ 50.00<br />
978-3-86930-149-5<br />
Frank, Robert<br />
Come Again<br />
Sewn softcover<br />
21.5 x 28 cm, 48 pp<br />
Colour matt inks with polaroid varnish<br />
€ 30.00 / £ 20.00 / US$ 40.00<br />
978-3-86521-261-0<br />
Robert Frank<br />
The Complete Film Works / Volumes<br />
4, 5, 6<br />
Nine DVDs in film-roll boxes, housed<br />
in a cardboard box<br />
Nine films, 295 minutes<br />
€ 98.00 / £ 80.00 / US$ 150.00<br />
ISBN 978-3-86930-480-9<br />
163
Frank, Robert<br />
Frank Films – The Film and Video<br />
Work of Robert Frank<br />
Softcover<br />
17 x 24 cm, 304 pp<br />
B/w photographs throughout<br />
€ 32.00 / £ 27.00 / US$ 45.00<br />
978-3-86521-815-5<br />
Frank, Robert<br />
London/Wales<br />
Hardcover<br />
20 x 24.5 cm, 128 pp<br />
70 tritone plates<br />
€ 47.50 / £ 30.00 / US$ 74.50<br />
978-3-86521-362-4<br />
Frank, Robert<br />
Paris<br />
Hardcover with dust jacket<br />
18.5 x 22 cm<br />
108 pp, 69 tritone plates<br />
€ 30.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-524-6<br />
164<br />
Robert Frank<br />
Pull My Daisy<br />
DVD with a text booklet and mini<br />
photo-magazine<br />
28 minutes<br />
€ 20.00 / £ 16.00 / US$ 28.00<br />
ISBN 978-3-86930-428-1<br />
Frank, Robert<br />
Me and My Brother<br />
Softcover with DVD<br />
25 x 32.5 cm, 56 pp<br />
100 tritone plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-363-1<br />
Frank, Robert<br />
Pangnirtung<br />
Clothbound hardcover<br />
23 x 30.5 cm, 40 pp<br />
27 photographs, quadrotone<br />
€ 25.00 / £ 22.00 / US$ 32.00<br />
978-3-86930-198-3<br />
BACKLIST<br />
Frank, Robert<br />
Pull My Daisy<br />
Hardcover<br />
13.7 x 20.2 cm, 64 pp<br />
53 tritone plates<br />
€ 17.50 / £ 14.00 / US$ 27.50<br />
978-3-86521-673-1<br />
Frank, Robert<br />
New York to Nova Scotia<br />
Hardcover<br />
22.7 x 30.4 cm, 112 pp<br />
27 duotone and 4 colour plates<br />
€ 25.00 / £ 17.50 / US$ 30.00<br />
978-3-86521-013-5<br />
Frank, Robert<br />
Portfolio<br />
Brochure in printed envelope<br />
20.5 x 27.3 cm, 48 pp<br />
40 tritone plates<br />
€ 18.00 / £ 12.00 / US$ 20.00<br />
978-3-86521-813-1<br />
Frank, Robert<br />
Henry Frank, Father Photographer<br />
Clothbound hardcover<br />
14 x 16.5 cm, 88 pp<br />
Tritone<br />
€ 24.00 / £ 20.00 / US$ 28.00<br />
978-3-86521-814-8<br />
Frank, Robert<br />
One Hour<br />
Clothbound hardcover<br />
10.5 x 15 cm, 96 pp<br />
14 tritone plates<br />
€ 18.00 / £ 12.50 / US$ 20.00<br />
978-3-86521-364-8<br />
Frank, Robert<br />
Seven Stories<br />
Seven stapled softback albums<br />
housed in a slipcase<br />
14 x 10 cm, 124 pp<br />
93 colour plates, four colour process<br />
€ 25.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-789-9<br />
Frank, Robert<br />
Storylines<br />
Softcover<br />
24.5 x 28 cm, 240 pp<br />
225 duotone and 25 colour photos<br />
€ 35.00 / £ 25.00 / US$ 40.00<br />
978-3-86521-041-8<br />
Frydman, Julien and Pontbriand,<br />
Chantal (eds.)<br />
Mutations (Paris Photo 2011)<br />
Hardcover<br />
21 x 29.7 cm, 200 pp<br />
Four colour process<br />
€ 28.00 / £ 22.00 / US$ 35.00<br />
978-3-86930-356-7<br />
Gearon, Tierney<br />
Daddy, where are you?<br />
Clothbound hardcover<br />
32.5 x 26.8 cm<br />
156 pp, 73 colour plates<br />
€ 75.00 / £ 50.00 / US$ 80.00<br />
978-3-86521-309-9<br />
Frank, Robert<br />
Tal Uf Tal Ab<br />
Otabind softcover housed in<br />
a slipcase<br />
20.5 x 25 cm, 40 pp<br />
Tritone<br />
€ 25.00 / £ 22.00 / US$ 28.00<br />
978-3-86930-101-3<br />
Garb, Tamar (ed.)<br />
Figures and Fiction<br />
Contemporary South African<br />
Photographs<br />
Hardcover<br />
24 x 32 cm, 256 pp, 280 images<br />
€ 48.00 / £ 40.00 / US$ 58.00<br />
978-3-86930-266-9<br />
Goldberg, Jim<br />
Open See<br />
Four volumes in a printed sleeve<br />
16.5 x 26.1 cm, 200 pp<br />
Tritone and four colour process<br />
€ 40.00 / £ 36.00 / US$ 50.00<br />
978-3-86521-826-1<br />
BACKLIST<br />
Robert Frank<br />
You Would<br />
Otabind softcover housed in a slipcase<br />
8.1 x 9.8 in. / 20.5 x 25 cm, 48 pp<br />
41 photographs, Tritone and four colour<br />
process<br />
€ 25.00 / £ 22.00 / US$ 28.00<br />
ISBN 978-3-86930-418-2<br />
Peter Fraser<br />
A City in the Mind<br />
Clothbound hardcover with foil<br />
embossing<br />
11.2 x 12.6 in. / 28.5 x 32 cm, 80 pp<br />
50 colour photographs<br />
€ 65.00 / £ 54.00 / US$ 85.00<br />
ISBN 978-3-86930-453-3<br />
Gonzalez-Torres, Felix<br />
Felix Gonzalez-Torres<br />
Clothbound hardcover<br />
21.2 x 27.3 cm, 320 pp<br />
Four colour process<br />
€ 70.00 / £ 48.00 / US$ 85.00<br />
978-3-86521-196-5<br />
Frank, Robert<br />
Zero Mostel reads a book<br />
Hardcover<br />
14.4 x 21.5 cm, 40 pp<br />
36 tritone plates<br />
€ 17.50 / £ 14.00 / US$ 27.50<br />
978-3-86521-586-4<br />
Garner, Philippe / Mellor, David Alan<br />
Antonioni’s Blow-Up<br />
Hardcover<br />
24.5 x 28.6 cm, 144 pp<br />
113 photographs, four colour process<br />
€ 38.00 / £ 32.00 / US$ 49.00<br />
978-3-86930-023-8<br />
Gossage, John<br />
The Thirty-Two Inch Ruler / Map of<br />
Babylon<br />
Clothbound with dust jacket<br />
23.5 x 28.6 cm, 80 pp<br />
180 colour plates<br />
€ 45.00 / £ 40.00 / US$ 68.00<br />
978-3-86521-710-3<br />
165
Gowin, Emmet<br />
Photographs<br />
Clothbound hardcover<br />
24 x 26 cm, 102 pp<br />
Tritone<br />
€ 40.00 / £ 32.00 / US$ 60.00<br />
978-3-86521-863-6<br />
Grass, Günter<br />
Günter Grass Catalogue Raisonné 1<br />
- The Etchings<br />
Hardcover with dust jacket<br />
24 x 31 cm, 608 pp<br />
303 illustrations<br />
€ 98.00 / £ 70.00 / US$ 125.00<br />
978-3-86521-565-9<br />
Hajek-Halke, Heinz<br />
Artist, Anarchist<br />
Clothbound hardcover<br />
26 x 33 cm, 224 pp<br />
108 tritone plates<br />
€ 65.00 / £ 45.00 / US$ 80.00<br />
978-3-86521-134-7<br />
166<br />
Graham, Paul<br />
Paul Graham<br />
Hardcover<br />
22.5 x 28 cm, 376 pp<br />
250 colour plates<br />
€ 48.00 / £ 42.00 / US$ 64.00<br />
978-3-86521-858-2<br />
Grass, Günter<br />
Günter Grass Catalogue Raisonné 2<br />
- The Lithographs<br />
Hardcover with dust jacket<br />
24 x 31 cm, 742 pp<br />
356 illustrations<br />
€ 98.00 / £ 70.00 / US$ 125.00<br />
978-3-86521-566-6<br />
Hara, Cristóbal<br />
Autobiography<br />
Hardcover<br />
18 x 24 cm, 96 pp<br />
69 colour plates<br />
€ 30.00 / £ 20.00 / US$ 40.00<br />
978-3-86521-472-0<br />
BACKLIST<br />
Graham, Paul<br />
a shimmer of possibility<br />
Softcover<br />
24.2 x 31.8 cm, 376 pp<br />
176 colour plates<br />
€ 48.00 / £ 42.00 / US$ 64.00<br />
978-3-86521-862-9<br />
Gray, Colin<br />
In Sickness and in Health<br />
Clothbound hardcover<br />
16 x 20 cm, 96 pp<br />
63 photographs, four colour process<br />
€ 28.00 / £ 22.00 / US$ 39.00<br />
978-3-86521-940-4<br />
Hara, Cristóbal<br />
An Imaginary Spaniard<br />
Clothbound hardcover<br />
18 x 24 cm, 96 pp<br />
63 colour plates<br />
€ 25.00 / £ 17.50 / US$ 30.00<br />
978-3-88243-901-4<br />
Robert Graham<br />
Early Work 1963–1973<br />
Clothbound hardcover with a tippedin<br />
image<br />
8 x 10 in. / 20.3 x 25.4 cm, 128 pp<br />
47 colour images<br />
€ 48.00 / £ 38.00 / US$ 65.00<br />
ISBN 978-3-86930-985-9<br />
Haas, Ernst<br />
Color Correction<br />
Ewing, William A. (ed.)<br />
Hardcover with dust jacket<br />
25 x 25 cm, 200 pp<br />
163 photographs<br />
€ 48.00 / £ 43.00 / US$ 65.00<br />
978-3-86930-136-5<br />
Amanda Harlech<br />
Travelling in India<br />
Clothbound hardcover with red handcoloured<br />
fore edges<br />
8.3 x 5.8 in. / 20 x 14.8 cm, 192 pp<br />
88 colour photographs<br />
€ 32.00 / £ 25.00 / US$ 40.00<br />
ISBN 978-3-86930-393-2<br />
Evelyn Hofer<br />
Breidenbach, Susanne (ed.)<br />
Clothbound hardcover<br />
24 x 29 cm, 312 pp<br />
76 tritone and 70 colour plates<br />
€ 65.00 / £ 42.00 / US$ 80.00<br />
978-3-86521-057-9<br />
Horn, Roni<br />
Haraldsdóttir, part two<br />
Clothbound hardcover with<br />
foil embossing, 20.8 x 26 cm, 144 pp<br />
Four colour process and tritone<br />
€ 88.00 / £ 75.00 / US$ 98.00<br />
978-3-86930-317-8<br />
Horn, Roni<br />
Cabinet of<br />
Hardcover<br />
30.5 x 35.6 cm<br />
76 pp, 36 colour plates<br />
€ 65.00 / £ 40.00 / US$ 65.00<br />
978-3-88243-864-2<br />
Dan Holdsworth<br />
Blackout<br />
Clothbound hardcover with a tippedin<br />
photo<br />
11.3 x 13 in. / 28.6 x 33 cm, 80 pp<br />
33 colour photographs<br />
€ 48.00 / £ 38.00 / US$ 65.00<br />
ISBN 978-3-86930-454-0<br />
Horn, Roni<br />
Haraldsdóttir, part two<br />
Special edition in slipcase<br />
Clothbound hardcover with foil<br />
embossing, 20.8 x 26 cm, 144 pp<br />
Four colour process and tritone<br />
€ 380.00 / £ 330.00 / US$ 540.00<br />
978-3-86930-429-8<br />
Horn, Roni<br />
Her, Her, Her, & Her<br />
Softcover<br />
24 x 24 cm<br />
128 pp, 120 duotone plates<br />
€ 35.00 / £ 24.00 / US$ 45.00<br />
978-3-86521-035-7<br />
BACKLIST<br />
Hoogland Ivanow, Martina<br />
Far Too Close<br />
Clothbound hardcover<br />
29.7 x 25 cm, 80 pp<br />
40 photographs, four colour process<br />
€ 34.00 / £ 29.00 / US$ 46.00<br />
978-3-86521-735-6<br />
Horn, Roni<br />
If on a <strong>Winter</strong>’s Night...<br />
Softcover<br />
17.2 x 22.9 cm, 128 pp<br />
62 colour plates<br />
€ 20.00 / £ 14.50 / US$ 20.00<br />
978-3-88243-911-3<br />
Horn, Roni<br />
Index Cixous<br />
Softcover<br />
14 x 20.5 cm, 116 pp<br />
65 tritone and 15 colour plates<br />
€ 22.50 / £ 15.00 / US$ 30.00<br />
978-3-86521-135-4<br />
Horn, Roni<br />
Another Water<br />
Otabind softcover<br />
19.7 x 30 cm, 112 pp<br />
Four colour process<br />
€ 38.00 / £ 35.00 / US$ 58.00<br />
978-3-86930-318-5<br />
Horn, Roni<br />
Doubt Box (Book IX of To Place)<br />
Boxed set, 20.3 x 25.4 cm<br />
28 two-faced cards<br />
56 colour plates<br />
€ 85.00 / £ 55.00 / US$ 100.00<br />
978-3-86521-276-4<br />
Horn, Roni<br />
Rings of Lispector (Agua Viva)<br />
Two softcover books in a slipcase<br />
28.6 x 22.4 cm, 144 pp<br />
47 colour plates<br />
€ 28.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-149-1<br />
167
Horn, Roni<br />
This is Me, This is You<br />
Hardcover<br />
18.5 x 23 cm, 192 pp<br />
96 colour plates<br />
€ 28.00 / £ 18.00 / US$ 25.00<br />
978-3-88243-798-0<br />
Horn, Roni<br />
VATNASAFN / LIBRARY OF WATER<br />
Hardcover with dust jacket<br />
23 x 17 cm<br />
176 pp, 87 colour plates<br />
€ 35.00 / £ 30.00 / US$ 45.00<br />
978-3-86521-942-8<br />
Iturbide, Graciela<br />
The Hasselblad Award 2008<br />
Clothbound hardcover<br />
25 x 27 cm, 144 pp<br />
Tritone<br />
€ 35.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-733-2<br />
168<br />
Horn, Roni<br />
A Kind of you<br />
Softcover<br />
20.9 x 22.8 cm, 96 pp<br />
Colour and b/w plates<br />
€ 20.00 / £ 15.00 / US$ 30.00<br />
978-3-86521-583-3<br />
Horn, Roni<br />
AKA<br />
Clothbound hardcover<br />
28.4 x 30.5 cm, 36 pp<br />
20 photographs, four colour process<br />
€ 35.00 / £ 25.00 / US$ 50.00<br />
978-3-86930-133-4<br />
Jacob, John P. (ed.)<br />
Kodak Girl<br />
Hardcover<br />
21.7 x 26 cm, 336 pp<br />
Four colour process<br />
€ 58.00 / £ 48.00 / US$ 78.00<br />
978-3-86930-324-6<br />
BACKLIST<br />
Horn, Roni<br />
bird<br />
Clothbound hardcover<br />
28.4 x 30.5 cm, 36 pp<br />
20 colour plates<br />
€ 35.00 / £ 25.00 / US$ 50.00<br />
978-3-86521669-4<br />
Horn, Roni<br />
Roni Horn aka Roni Horn<br />
Two volumes housed in<br />
a paper slipcase<br />
19 x 24 cm, 430 pp<br />
375 colour plates<br />
€ 50.00 / £ 42.00 / US$ 70.00<br />
978-3-86521-831-5<br />
Jasper, Texas<br />
The Community Photographs of<br />
Alonzo Jordan<br />
Hardcover<br />
29.5 x 23 cm, 160 pp<br />
137 tritone and 3 colour plates<br />
€ 48.00 / £ 42.00 / US$ 65.00<br />
978-3-86930-151-8<br />
Horn, Roni<br />
Her∂ubrei∂ at Home<br />
Softcover<br />
15.2 x 21.6 cm, 128 pp<br />
60 colour plates<br />
€ 20.00 / £ 13.00 / US$ 25.00<br />
978-3-86521-457-7<br />
Iturbide, Graciela<br />
asor<br />
Clothbound hardcover<br />
21 cm x 21 cm, 200 pp<br />
115 tritone plates<br />
€ 45.00 / £ 39.00 / US$ 49.90<br />
978-3-86521-681-6<br />
Jeppesen, Adam<br />
Wake<br />
Hardcover<br />
16 x 20.3 cm, 48 pp<br />
27 colour plates<br />
€ 32.00 / £ 22.00 / US$ 48.00<br />
978-3-86521-645-8<br />
Johansson, Gerry<br />
Deutschland<br />
Clothbound hardcover with<br />
a tipped-in image<br />
17 x 24 cm, 448 pp<br />
222 tritone plates<br />
€ 48.00 / £ 42.00 / US$ 65.00<br />
978-3-86521-534-5<br />
Kasher, Steven / Michaelson, Mark<br />
Least Wanted: A Century of<br />
American Mugshots<br />
Hardcover<br />
22 x 28 cm, 288 pp<br />
330 colour plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-291-7<br />
Killip, Chris<br />
Seacoal<br />
Clothbound hardcover with<br />
dust jacket<br />
27 x 23 cm, 112 pp<br />
116 tritone plates<br />
€ 38.00 / £ 32.00 / US$ 48.00<br />
ISBN 978-3-86930-256-0<br />
Johns, Jasper<br />
Catenary<br />
Clothbound hardcover with<br />
dust jacket<br />
25 x 30 cm, 128 pp<br />
51 colour plates, 30 illustrations<br />
€ 48.00 / £ 35.00 / US$ 58.00<br />
978-3-86521-162-0<br />
Keita, Seydou<br />
Photographs, Bamako, Mali,<br />
1948–1963<br />
Clothbound hardcover with<br />
a tipped-in photo, 27.5 x 35.5 cm<br />
412 pp, 400 tritone plates<br />
€ 98.00 / £ 86.00 / US$ 148.00<br />
978-3-86930-301-7<br />
Kirkland, Douglas / Lagerfeld, Karl<br />
Mademoiselle – Coco Chanel /<br />
Summer 62<br />
Clothbound hardcover<br />
26 x 21.5 cm, 104 pp<br />
Tritone<br />
€ 35.00 / £ 30.00 / US$ 45.00<br />
978-3-86521-865-0<br />
BACKLIST<br />
Judd, Donald<br />
Donald Judd<br />
Hardcover<br />
25.4 x 29.2 cm, 128 pp<br />
Six colour process<br />
€ 48.00 / £ 38.00 / US$ 65.00<br />
978-3-86930-390-1<br />
Chris Killip<br />
Arbeit / Work<br />
Clothbound hardcover with dust jacket<br />
11.2 x 10.4 in. / 28.5 x 26.5 cm<br />
136 pp<br />
84 Tritone photographs<br />
€ 38.00 / £ 28.00 / US$ 48.00<br />
ISBN 978-3-86930-457-1<br />
Koudelka, Joseph<br />
Roma<br />
Clothbound hardcover with<br />
dust jacket<br />
32 x 24 cm, 224 pp<br />
109 quadrotone plates<br />
€ 48.00<br />
978-3-86930-388-8<br />
Karel, Betsy<br />
Bombay Jadoo<br />
Clothbound hardcover<br />
24 x 22.5 cm, 91 pp<br />
53 tritone plates<br />
€ 32.00 / £ 22.00 / US$ 30.00<br />
978-3-86521-376-1<br />
Killip, Chris<br />
Pirelli Work<br />
Clothbound hardcover<br />
35 x 28 cm, 128 pp<br />
50 tritone plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-317-0<br />
Kuhn, Mona<br />
Bordeaux<br />
Clothbound hardcover<br />
29.2 x 31 cm, 102 pp<br />
Four colour process<br />
€ 58.00 / £ 50.00 / US$ 78.00<br />
978-3-86930-308-6<br />
169
Kuhn, Mona<br />
Evidence<br />
Clothbound hardcover<br />
29.2 x 31.1 cm, 108 pp<br />
33 tritone and 20 colour plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-372-3<br />
Lagerfeld, Karl<br />
Byzantine Fragments<br />
Singer-stitched brochure housed in<br />
a slipcase, 30 x 40 cm, 52 pp<br />
25 photographs, 7-colour process on<br />
ivory parchment<br />
€ 85.00 / £ 72.00 / US$ 110.00<br />
978-3-86930-246-1<br />
Lauffs, Helga and Walther (eds.)<br />
The Helga and Walther Lauffs<br />
Collection<br />
Two hardcover books housed in<br />
a slipcase, 28 x 31.8 cm<br />
508 pp, four colour process<br />
€ 120.00 / £ 120.00 / US$ 175.00<br />
978-3-86521-850-6<br />
Kuhn, Mona<br />
Native<br />
Clothbound hardcover<br />
29 x 31 cm, 96 pp<br />
65 colour plates<br />
€ 36.00 / £ 30.00 / US$ 50.00<br />
978-3-86521-913-8<br />
Lagerfeld, Karl<br />
Metamorphoses of an American<br />
Four clothbound hardcover books<br />
housed in a slipcase<br />
15.2 x 20 cm, 1144 pp<br />
864 tritone plates<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-522-2<br />
Leaf, June<br />
Record 1974/75<br />
Clothbound hardcover<br />
18.3 x 30 cm, 188 pp<br />
Four colour process<br />
€ 40.00 / £ 35.00 / US$ 59.95<br />
978-3-86930-045-0<br />
BACKLIST<br />
Kuhn, Mona<br />
Photographs<br />
Clothbound hardcover<br />
26.5 x 28.5 cm, 108 pp<br />
33 tritone and 20 colour plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-008-1<br />
Lagerfeld, Karl<br />
Work in Progress<br />
Softcover<br />
20 x 25 cm, 192 pp<br />
120 colour photographs<br />
€ 20.00 / £ 17.00 / US$ 25.00<br />
978-3-86930-261-4<br />
Lebeck, Robert<br />
Tokyo / Moscow / Leopoldville<br />
Three hardcover books in a slipcase<br />
21 x 29 cm, 576 pp<br />
380 b/w plates<br />
€ 65.00 / £ 55.00 / US$ 85.00<br />
978-3-86521-527-7<br />
Lagerfeld, Karl<br />
The Beauty of Violence<br />
Softcover in a slipcase<br />
29 x 37 cm, 68 pp<br />
Tritone<br />
€ 34.00 / £ 30.00 / US$ 50.00<br />
978-3-86930-046-7<br />
Lassnig, Maria<br />
The Pen is the Sister of the Brush -<br />
Diaries 1943-1997<br />
Clothbound hardcover with dust<br />
jacket, 17.8 x 23.4 cm<br />
208 pp, 80 b/w plates<br />
€ 30.00 / £ 27.00 / US$ 44.00<br />
978-3-86521-739-4<br />
Leiter, Saul<br />
Early Color<br />
Clothbound hardcover<br />
20 x 20 cm, 168 pp<br />
Four colour process<br />
€ 48.00 / £ 42.00 / US$ 65.00<br />
978-3-86521-139-2<br />
Leong, Sze Tsung<br />
History Images<br />
Clothbound hardcover<br />
34.2 x 27.9 cm, 144 pp<br />
80 colour plates<br />
€ 75.00 / £ 50.00 / US$ 90.00<br />
978-3-86521-274-0<br />
Marchand, Yves / Meffre, Romain<br />
The Ruins of Detroit<br />
Clothbound hardcover<br />
38 x 29 cm, 200 pp<br />
150 colour plates<br />
€ 89.00 / £ 82.00 / US$ 125.00<br />
978-3-86930-042-9<br />
Meiselas, Susan<br />
Encounters with the Dani<br />
Hardcover<br />
21.1 x 27.7 cm, 176 pp<br />
300 colour plates<br />
€ 40.00 / £ 25.00 / US$ 40.00<br />
978-3-88243-930-4<br />
Lemos, Kalliopi<br />
Crossings<br />
Two softcover books in a slipcase<br />
24 x 32 cm, 144 pp<br />
€ 35.00 / £ 29.00 / US$ 45.00<br />
978-3-86930-052-8<br />
Mark, Mary Ellen<br />
Falkland Road: Prostitutes<br />
of Bombay<br />
Clothbound hardcover<br />
32.6 x 28.4 cm, 106 pp<br />
65 colour plates<br />
€ 55.00 / £ 40.00 / US$ 75.00<br />
978-3-86521-128-6<br />
Meiselas, Susan<br />
In History<br />
Hardcover<br />
17.7 x 24.7 cm, 264 pp<br />
200 b/w and colour plates<br />
€ 50.00 / £ 40.00 / US$ 75.00<br />
978-3-86521-685-4<br />
170 171<br />
BACKLIST<br />
Lynch, David<br />
Works on Paper<br />
Hardcover in a sleeve<br />
28.5 x 39.5 cm, 528 pp<br />
Four colour process<br />
€ 145.00 / £ 125.00 / US$ 195.00<br />
978-3-86930-130-3<br />
McDean, Craig<br />
Lifescapes<br />
Hardcover<br />
38 x 26.7 cm, 88 pp<br />
40 colour plates<br />
€ 70.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-033-3<br />
Mettig, Klaus<br />
Don’t Be Left Behind<br />
Clothbound hardcover with<br />
dust jacket<br />
23.5 x 31 cm, 328 pp<br />
Four colour process<br />
€ 48.00 / £ 42.00 /US$ 75.00<br />
978-3-86521-595-6<br />
Man Ray<br />
Trees + Flowers - Insects Animals<br />
Hardcover<br />
22 x 26 cm, 370 pp<br />
320 drawings and photographs<br />
€ 45.00 / £ 42.00 / US$ 65.00<br />
978-3-86521-696-0<br />
Meiselas, Susan<br />
Carnival Strippers<br />
Clothbound hardcover<br />
27.3 x 23.4 cm, 164 pp<br />
78 tritone plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-88243-954-0<br />
Meunier, Sébastien<br />
Visual Pollution<br />
Clothbound hardcover with<br />
dust jacket<br />
29.5 x 32 cm, 120 pp<br />
€ 58.00 / £ 52.00 / US$ 78.00<br />
978-3-86521-093-7
Michals, Duane<br />
Foto Follies<br />
Softcover<br />
16 x 24 cm, 96 pp<br />
€ 22.50 / £ 15.00 / US$ 29.95<br />
978-3-86521-275-7<br />
Michener, Diana<br />
Sweethearts<br />
Softcover<br />
17 x 11.5 cm, 224 pp<br />
Four colour process<br />
€ 15.00 / £ 14.00 / US$ 22.00<br />
978-3-86521-713-4<br />
Mikhailov, Boris<br />
Salt Lake<br />
Hardcover<br />
40 x 30 cm, 80 pp<br />
65 tritone plates<br />
€ 68.00 / £ 45.00 / US$ 65.00<br />
978-3-88243-815-4<br />
172<br />
Michals, Duane<br />
A Visit with Magritte<br />
Flexible hardcover<br />
15.5 x 20.5 cm, 64 pp<br />
Four colour process<br />
€ 25.00 / £ 22.00 / US$ 32.00<br />
978-3-86521-987-9<br />
Michener, Diana<br />
Figure Studies<br />
Softcover sewn with red thread,<br />
housed in a black slipcase<br />
29 x 37 cm, 64 pp<br />
Quadrotone<br />
€ 28.00 / £ 24.00 / US$ 39.50<br />
978-3-86930-213-3<br />
Mikhailov, Boris<br />
Maquette Braunschweig<br />
Hardcover<br />
24 x 34 cm, 272 pp<br />
Four colour process<br />
€ 48.00 / £ 43.00 / US$ 68.00<br />
978-3-86521-834-6<br />
BACKLIST BACKLIST<br />
Michals, Duane<br />
Photographs from the Floating World<br />
Softcover<br />
24 x 16 cm, 64 pp<br />
Four colour process<br />
€ 25.00 / £ 22.00 / US$ 32.00<br />
978-3-86521-986-2<br />
Mik, Aeronout<br />
Communitas<br />
Otabind softcover<br />
24.5 x 31 cm, 232 pp<br />
Four colour process<br />
€ 35.00 / £ 32.00 / US$ 48.00<br />
978-3-86930-297-3<br />
Mocafico, Guido<br />
Movement<br />
Hardcover<br />
35.5 x 35.5 cm, 96 pp<br />
60 colour plates<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-455-3<br />
Michener, Diana<br />
Dogs, Fires, Me<br />
Softcover<br />
22 x 27 cm, 160 pp<br />
100 tritone plates<br />
€ 30.00 / £ 20.00 / US$ 40.00<br />
978-3-86521-123-1<br />
Boris Mikhailov<br />
From Japan<br />
Eight magazines in a box<br />
8.3 x 5.9 in. / 21 x 15 cm, 352 pp<br />
176 colour photographs<br />
€ 78.00 / £ 65.00 / US$ 98.00<br />
ISBN 978-3-86521-817-9<br />
Morath, Inge<br />
First Color<br />
Clothbound hardcover<br />
25 x 32 cm, 336 pp<br />
Four colour process<br />
€ 38.00 / £ 34.00 / US$ 49.95<br />
978-3-86521-930-5<br />
Morath, Inge<br />
The Road to Reno<br />
Hardcover<br />
24 x 25 cm, 144 pp<br />
60 tritone and 10 colour plates<br />
€ 45.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-203-0<br />
Muybridge, Eadweard<br />
Helios: Eadweard Muybridge in a<br />
Time of Change<br />
Excluding UK and Irish markets<br />
Hardcover, 27.9 cm x 21.6 cm, 300<br />
pp, 200 photographs and illustrations<br />
€ 65.00 / US$ 85.00<br />
978-3-86521-926-8<br />
Nozolino, Paulo<br />
bone lonely<br />
Hardcover<br />
18 x 26 cm, 72 pp<br />
Four colour process<br />
€ 34.00 / £ 32.00 / US$ 50.00<br />
978-3-86521-861-2<br />
Christopher Morris<br />
Americans<br />
Clothbound hardcover with a dust<br />
jacket<br />
7.9 x 9.1 in. / 20 x 23 cm, 200 pp<br />
117 colour photographs<br />
€ 48.00 / £ 40.00 / US$ 68.00<br />
ISBN 978-3-86930-448-9<br />
Nádas, Péter<br />
Own Death<br />
Clothbound hardcover<br />
18.5 x 26.2 cm, 288 pp<br />
161 colour plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-010-4<br />
Nozolino, Paulo<br />
Far Cry<br />
Clothbound hardcover<br />
24.8 x 32 cm, 136 pp<br />
78 tritone plates<br />
€ 45.00 / £ 30.00 / US$ 60.00<br />
978-3-86521-122-4<br />
Morris, Christopher<br />
My America<br />
Clothbound hardcover<br />
20 x 23 cm, 180 pp<br />
112 colour plates<br />
€ 35.00 / £ 24.00 / US$ 40.00<br />
978-3-86521-201-6<br />
Nickerson, Jackie<br />
Faith<br />
Hardcover<br />
22 x 27 cm, 224 pp<br />
140 colour plates<br />
€ 50.00 / £ 34.00 / US$ 65.00<br />
978-3-86521-484-3<br />
Nozolino, Paulo<br />
Makulatur<br />
Singer-stiched brochure<br />
18 x 26 cm, 20 pp<br />
Tritone<br />
€ 24.00 / £ 21.00 / US$ 35.00<br />
978-3-86930-327-7<br />
Munkacsi, Martin<br />
Martin Munkacsi<br />
Hardcover<br />
24 x 29 cm, 416 pp<br />
318 tritone plates<br />
€ 58.00 / £ 45.00 / US$ 78.00<br />
978-3-86521-269-6<br />
Nixon, Nicholas<br />
Live Love Look Last<br />
Hardcover<br />
24.5 x 30 cm, 148 pp<br />
Tritone<br />
€ 42.00 / £ 37.00 / US$ 59.95<br />
978-3-86930-026-9<br />
Odermatt, Arnold<br />
On Duty<br />
Hardcover with dust jacket<br />
28 x 31.2 cm, 336 pp<br />
Four colour process<br />
€ 65.00 / £ 45.00 / US$ 80.00<br />
978-3-86521-271-9<br />
173
Odermatt, Arnold<br />
Off Duty<br />
Hardcover with dust jacket<br />
28 x 31.2 cm, 358 pp<br />
347 colour plates<br />
€ 65.00 / £ 58.00 / US$ 95.00<br />
978-3-86521-694-6<br />
Parr, Martin (ed.)<br />
The Protest Box<br />
Five books and a text booklet in<br />
a cardboard box<br />
Limited edition of 1,000 boxed sets<br />
€ 380.00 / £ 338.00 / US$ 500.00<br />
978-3-86930-142-6<br />
Trent Parke<br />
Minutes to Midnight<br />
Clothbound hardcover<br />
11.6 x 9.8 in. / 29.5 x 25 cm, 96 pp<br />
48 photographs, Tritone<br />
€ 58.00 / £ 50.00 / US$ 75.00<br />
ISBN 978-3-86930-205-8<br />
Olsson, Mikael<br />
Södrakull Frösakull<br />
Clothbound hardcover with French<br />
fold jacket printed recto/verso<br />
25 x 26 cm 208 pp<br />
Four colour process<br />
€ 58.00 / £ 48.00 / US$ 72.00<br />
978-3-86930-059-7<br />
Parry, Eugenia / Model, Lisette<br />
Shooting Off My Mouth. Spitting Into<br />
the Mirror. Lisette Model – A<br />
Narrative Autobiography<br />
Hardcover<br />
20.3 x 24 cm, 128 pp<br />
€ 34.00 / £ 30.00 / US$ 45.00<br />
978-3-86521-920-6<br />
Paulsen, Susan<br />
Sarah Ryhmes with Clara<br />
Clothbound hardcover<br />
23.5 x 27 cm, 128 pp<br />
Four colour process<br />
€ 40.00 / £ 34.00 / US$ 48.00<br />
978-3-86930-244-7<br />
BACKLIST<br />
Orri<br />
Interiors<br />
Clothbound hardcover<br />
144 pages with a 16-page text booklet<br />
11.7 x 12.2 in. / 29.7 x 31 cm, 144 pp<br />
72 colour photographs<br />
€ 48.00 / £ 40.00 / US$ 68.00<br />
ISBN 978-3-86930-375-8<br />
Petersen, Anders<br />
City Diary<br />
Stapled brochure with a cloth-covered<br />
spine, housed in a sleeve<br />
23.4 x 31 cm, 192 pp<br />
Quadrotone<br />
€ 75.00 / £ 68.00 / US$ 98.00<br />
978-3-86521-536-9<br />
Paulsen, Susan<br />
Tomatoes on the Back Porch<br />
Clothbound hardcover<br />
20 x 22 cm, 74 pp<br />
33 duotone and 5 colour plates<br />
€ 20.00 / £ 12.95 / US$ 25.00<br />
978-3-86521-056-2<br />
Packham, Monte<br />
Concentric Circles<br />
A Chronicle of <strong>Steidl</strong> Publishers<br />
Clothbound hardcover<br />
17 x 23 cm, 160 pp<br />
€ 20.00 / £ 17.00 / US$ 27.50<br />
978-3-86930-024-5<br />
Trent Parke<br />
The Christmas Tree Bucket, Trent<br />
Parke’s Family Album<br />
Clothbound hardcover<br />
10.8 x 8.8 in. / 27.5 x 22.4 cm, 128 pp<br />
61 colour photographs<br />
€ 58.00 / £ 50.00 / US$ 75.00<br />
ISBN 978-3-86930-206-5<br />
Picardie, Justine<br />
Chanel - Her Life<br />
Clothbound hardcover with<br />
dust jacket, housed in a sleeve<br />
15.4 x 23.5 cm, 400 pp<br />
€ 38.00 / £ 40.00 / US$ 58.00<br />
978-3-86930-262-1<br />
Pigozzi, Jean<br />
Catalogue Deraisonné<br />
Hardcover<br />
23.6 x 28.6 cm, 400 pp<br />
€ 56.00 / £ 48.00 / US$ 78.00<br />
978-3-86930-034-4<br />
Polidori, Robert<br />
After the Flood<br />
Clothbound hardcover<br />
38.6 x 30 cm, 320 pp<br />
300 colour plates<br />
€ 75.00 / £ 50.00 / US$ 90.00<br />
978-3-86521-277-1<br />
Prinz, Bernhard<br />
Latifundia<br />
Hardcover<br />
22.8 x 27.9 cm, 180 pp<br />
114 colour plates<br />
€ 50.00 / £ 34.00 / US$ 65.00<br />
978-3-86521-487-4<br />
Pol, Andri<br />
Where is Japan<br />
Hardcover<br />
24.2 x 30 cm, 320 pp<br />
Four colour process<br />
€ 40.00 / £ 28.00 / US$ 45.00<br />
978-3-86521-993-0<br />
Polidori, Robert<br />
Zones of Exclusion: Pripyat<br />
and Chernobyl<br />
Clothbound hardcover<br />
38.5 x 30 cm, 112 pp<br />
190 colour plates<br />
€ 60.00 / £ 40.00 / US$ 75.00<br />
978-3-88243-921-2<br />
Raad, Walid<br />
I might die before I get a rifle<br />
Clothbound hardcover<br />
25.6 x 27.8 cm, 120 pp<br />
Tritone<br />
€ 35.00 / £ 32.00 / US$ 48.00<br />
978-3-86930-336-9<br />
174 175<br />
BACKLIST<br />
Polidori, Robert<br />
Havana<br />
Clothbound hardcover<br />
38.5 x 30 cm, 160 pp<br />
152 colour plates<br />
€ 74.00 / £ 48.00 / US$ 75.00<br />
978-3-88243-333-3<br />
Polidori, Robert<br />
Parcours Muséologique Revisité<br />
Three hardcover books housed in a<br />
slipcase, 29 x 29 cm<br />
744 pp, 480 colour plates<br />
€ 98.00 / £ 85.00 / US$ 124.90<br />
978-3-86521-702-8<br />
Rautert, Timm<br />
Josef Sudek, Prag 1967<br />
Hardcover with dust jacket<br />
24 x 28 cm, 98 pp<br />
42 b/w plates<br />
€ 35.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-712-7<br />
Polidori, Robert<br />
Robert Polidori’s Metropolis<br />
Clothbound hardcover<br />
29.2 x 27.3 cm, 144 pp<br />
92 colour plates<br />
€ 45.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-078-4<br />
Polidori, Robert<br />
Points in between...Up till now<br />
Hardcover<br />
25 x 30 cm, 192 pp<br />
Four colour process<br />
€ 30.00 / £ 27.00 / US$ 45.00<br />
978-3-86521-994-7<br />
Rautert, Timm<br />
No Photographing (English)<br />
Clothbound hardcover with a belly<br />
band, 22 x 28 cm,156 pp<br />
Four colour process and duotone<br />
€ 38.00 / £ 32.00 / US$ 48.00<br />
978-3-86930-322-2
Reed, Lou<br />
Romanticism<br />
Hardcover with dust jacket<br />
36 x 25 cm, 68 pp<br />
45 quadrotone plates<br />
€ 42.00 / £ 41.00 / US$ 68.00<br />
978-3-86521-728-8<br />
Ruetz, Michael<br />
Eye on Infinity<br />
Hardcover<br />
29.5 x 29.5 cm, 252 pp<br />
112 tritone plates<br />
€ 48.00 / £ 35.00 / US$ 70.00<br />
978-3-86521-766-0<br />
Ruscha, Ed<br />
THEN & NOW<br />
Slipcased<br />
45 x 32 cm, 152 pp<br />
Four colour process<br />
€ 120.00 / £ 80.00 / US$ 175.00<br />
978-3-86521-105-7<br />
Rodchenko<br />
MacGill, Peter / <strong>Steidl</strong>, Gerhard (eds.)<br />
Clothbound hardcover with dust jacket<br />
24.5 x 33 cm, 104 pp<br />
39 photographs, four colour process<br />
€ 88.00 / £ 74.00 / US$ 115.00<br />
978-3-86930-245-4<br />
Ruetz, Michael<br />
Eye on Time<br />
Hardcover with dust jacket<br />
29.7 x 21 cm, 360 pp<br />
290 tritone plates<br />
€ 48.00 / £ 35.00 / US$ 70.00<br />
978-3-86521-577-2<br />
Ruscha, Ed<br />
Catalogue Raisonné of the Paintings,<br />
Volume 1: 1958-1970<br />
Clothbound hardcover<br />
24 x 29.2 cm, 436 pp<br />
Four colour process<br />
€ 160.00 / £ 110.00 / US$ 200.00<br />
978-3-88243-972-4<br />
BACKLIST<br />
Rovner, Michal<br />
Fields<br />
Hardcover<br />
21 x 16 cm, 400 pp<br />
Four colour process<br />
€ 30.00 / £ 20.00 / US$ 40.00<br />
978-3-86521-216-0<br />
Ruetz, Michael<br />
Spring of Discontent: 1964-1974<br />
Hardcover<br />
24.6 x 29 cm, 192 pp<br />
Tritone<br />
€ 40.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-866-7<br />
Ruscha, Ed<br />
Catalogue Raisonné of the Paintings,<br />
Volume 2: 1971-1982<br />
Clothbound hardcover housed in a<br />
slipcase, 24 x 29.2 cm, 526 pp<br />
Four colour process<br />
€ 160.00 / £ 110.00 / US$ 200.00<br />
978-3-86521-138-5<br />
Rovner, Michal<br />
Histoires / Histories<br />
Hardcover<br />
24 x 30 cm, 160 pp<br />
Four colour process<br />
€ 40.00 / £ 38.00 / US$ 48.00<br />
978-3-86930-343-7<br />
Ruscha, Ed<br />
Photographer<br />
Clothbound hardcover<br />
20.5 x 25.5 cm, 184 pp<br />
214 illustrations<br />
€ 30.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-206-1<br />
Ruscha, Ed<br />
Catalogue Raisonné of the Paintings,<br />
Volume 3: 1983-1987<br />
Clothbound hardcover housed in a<br />
slipcase, 24 x 29.2 cm, 558 pp<br />
Four colour process<br />
€ 160.00 / £ 110.00 / US$ 210.00<br />
978-3-86521-368-6<br />
Ruscha, Ed<br />
Catalogue Raisonné of the Paintings,<br />
Volume 4: 1988-1992<br />
Clothbound hardcover housed in a<br />
slipcase, 24 x 29.2 cm, 526 pp<br />
Four colour process<br />
€ 148.00 / £ 135.00 / US$ 219.90<br />
978-3-86521-833-9<br />
Schaller, Matthias<br />
The Mill<br />
Hardcover<br />
29 x 23.5 cm, 120 pp<br />
55 colour plates<br />
€ 50.00 / £ 35.00 / US$ 65.00<br />
978-3-86521-378-5<br />
Inka Schube and Thomas Weski (eds.)<br />
Photography Calling!<br />
Hardcover<br />
9.3 x 11.8 in. / 23.5 x 30 cm, 460 pp<br />
450 photographs, Four colour process<br />
€ 45.00 / £ 38.00 / US$ 60.00<br />
ISBN 978-3-86930-379-6<br />
Ruscha, Ed<br />
Catalogue Raisonné of the Paintings,<br />
Volume 5: 1993 – 1997<br />
Clothbound hardcover housed in<br />
a slipcase, 24 x 29 cm, 504 pp<br />
Four colour process<br />
€ 165.00 / £ 138.00 / US$ 220.00<br />
978-3-86930-251-5<br />
Schaller, Matthias<br />
Purple Desk<br />
Clothbound hardcover with<br />
dust jacket, 25 x 29 cm<br />
72 pp, 30 colour plates<br />
€ 38.00 / £ 32.00 / US$ 49.90<br />
978-3-86521-597-0<br />
Schneider, Gregor<br />
Die Familie Schneider<br />
Clothbound hardcover<br />
17 x 24 cm, 184 pp<br />
Tritone<br />
€ 30.00 / £ 19.99 / US$ 35.00<br />
978-3-86521-236-8<br />
176 177<br />
BACKLIST<br />
Ruscha, Paul<br />
Paul Ruscha’s Full Moon<br />
Softcover<br />
16.5 x 24 cm, 184 pp<br />
Four colour process<br />
€ 15.00 / £ 10.00 / US$ 20.00<br />
978-3-86521-231-3<br />
Schmid, Joachim<br />
Photoworks 1982–2007<br />
Clothbound hardcover with<br />
dust jacket, 26 x 21 cm<br />
288 pp, four colour process<br />
€ 45.00 / £ 30.00 / US$ 55.00<br />
978-3-86521-394-5<br />
Schorr, Collier<br />
Neighbors<br />
Forest and Fields Volume 1.<br />
Hardcover<br />
32 x 26 cm, 88 pp<br />
58 tritone plates<br />
€ 38.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-303-7<br />
Fred Sandback<br />
Hardcover<br />
10 x 12 in. / 25.4 x 30.5 cm, 128 pp<br />
64 colour images<br />
€ 65.00 / £ 54.00 / US$ 85.00<br />
ISBN 978-3-86930-456-4<br />
Schmidt, Michael<br />
Berlin nach 45<br />
Clothbound hardcover with<br />
dust jacket<br />
29 x 23.5 cm, 144 pp<br />
54 duotone plates<br />
€ 45.00 / £ 30.00 / US$ 55.00<br />
978-3–86521–090–6<br />
Schorr, Collier<br />
Blumen<br />
Forest and Fields Volume 2.<br />
Hardcover<br />
25 x 31.4 cm, 104 pp<br />
53 colour and b/w plates<br />
€ 35.00 / £ 35.00 / US$ 50.00<br />
978-3-86521-687-8
Schorr, Collier<br />
There I Was<br />
Hardcover<br />
25 x 31.4 cm, 72 pp<br />
Four colour process<br />
€ 27.50 / £ 20.00 / US$ 40.00<br />
978-3-86521-616-8<br />
Serra, Richard<br />
Dirk’s Pod<br />
Clothbound hardcover<br />
24.5 x 26 cm, 128 pp<br />
50 tritone plates<br />
€ 30.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-089-9<br />
Sescz, Maria<br />
Inter esse<br />
Berlin 1985 – 87<br />
Clothbound hardcover<br />
29.5 x 23.6 cm, 80 pp<br />
35 photographs, four colour process<br />
€ 45.00 / £ 40.00 / US$ 58.00<br />
978-3-86521-788-2<br />
Schuh, Gotthard<br />
A Kind of Infatuation. Gotthard<br />
Schuh – Photographic Work<br />
Hardcover<br />
24 x 30 cm, 240 pp<br />
200 b/w plates<br />
€ 65.00 / £ 58.00 / US$ 78.00<br />
978-3-86521-830-8<br />
Serra, Richard<br />
Torqued Spirals,<br />
Toruses and Spheres<br />
Clothbound hardcover<br />
24 x 29.5 cm, 64 pp<br />
44 duotone plates<br />
€ 28.00 / £ 18.00 / US$ 24.95<br />
978-3-88243-633-4<br />
Shafran, Nigel<br />
Edited Photographs 1992-2004<br />
Flexible hardcover<br />
22 x 29 cm, 112 pp<br />
20 duotone and 50 colour plates<br />
€ 30.00 / £ 19.99 / US$ 35.00<br />
978-3-88243-976-2<br />
BACKLIST<br />
Scully, Sean<br />
Glorious Dust<br />
Hardcover<br />
21 x 16 cm, 232 pp<br />
201 colour plates<br />
€ 32.00 / £ 24.00 / US$ 47.00<br />
978-3-86521-081-4<br />
Serra, Richard / Reinartz, Dirk<br />
Te Tuhirangi Contour<br />
Clothbound hardcover<br />
24 x 22 cm, 76 pp<br />
40 duotone plates<br />
€ 28.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-014-2<br />
Sheikh, Fazal<br />
Ladli<br />
Clothbound hardcover<br />
26.7 x 33 cm, 140 pp<br />
70 tritone plates<br />
€ 30.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-381-5<br />
Sekaer, Peter<br />
Signs of Life<br />
Hardcover<br />
25 x 27.5 cm, 200 pp<br />
€ 48.00 / £ 43.00 / US$ 65.00<br />
978-3-86930-120-4<br />
Serra, Richard<br />
Notebooks<br />
Five books housed in a cardboard box<br />
Limited edition of 1,050, signed and<br />
numbered by the artist<br />
€ 420.00 / £ 350.00 / US$ 550.00<br />
978-3-86930-253-9<br />
Sheikh, Fazal<br />
Portraits<br />
Clothbound hardcover with<br />
dust jacket<br />
19.7 x 25 cm, 304 pp<br />
142 photographs, quadrotone<br />
€ 48.00 / £ 42.00 / US$ 65.00<br />
978-3-86521-819-3<br />
Sheikh, Fazal<br />
Moksha<br />
Clothbound hardcover<br />
26.7 x 33 cm, 220 pp<br />
170 tritone plates<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-125-5<br />
Signer, Roman<br />
Travel Photos<br />
Hardcover<br />
24 x 30 cm, 240 pp<br />
Four colour process<br />
€ 38.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-282-5<br />
Singh, Dayanita<br />
Go Away Closer<br />
Softcover<br />
16 x 20 cm, 32 pp<br />
31 tritone plates<br />
€ 12.00 / £ 8.50 / US$ 15.00<br />
978-3-86521-386-0<br />
Sheikh, Fazal<br />
The Circle<br />
Clothbound hardcover<br />
17 x 22.5 cm, 114 pp<br />
108 tritone plates<br />
€ 30.00 / £ 20.00 / US$ 40.00<br />
978-3-86521-599-4<br />
Simon, Taryn<br />
An American Index of the Hidden<br />
and Unfamiliar<br />
Clothbound<br />
25 x 34 cm, 150 pp<br />
Four colour process<br />
€ 65.00 / £ 40.00 / US$ 80.00<br />
978-3-86521-380-8<br />
Singh, Dayanita<br />
Sent a Letter<br />
Seven softcover volumes housed in<br />
a handmade clothbound box<br />
9 x 15.5 cm, 126 pp<br />
Tritone<br />
€ 65.00 / £ 45.00 / US$ 90.00<br />
978-3-86521-454-6<br />
178 179<br />
BACKLIST<br />
Sidibé, Malick<br />
Photographs<br />
Clothbound hardcover<br />
29.6 x 30 cm, 108 pp<br />
64 tritone plates<br />
€ 60.00 / £ 42.00 / US$ 68.00<br />
978-3-88243-973-1<br />
Simon, Taryn<br />
Contraband<br />
Softcover<br />
24.5 x 16.5 cm, 224 pp<br />
€ 45.00 / £ 40.00 / US$ 58.00<br />
978-3-86930-134-1<br />
Smoliansky, Gunnar<br />
One Picture at a Time<br />
Clothbound hardcover with<br />
dust jacket<br />
28.9 x 28.9 cm, 256 pp<br />
230 tritone plates<br />
€ 65.00 / £ 59.00 / US$ 82.00<br />
978-3-86521-615-1<br />
Sieff, Jeanloup<br />
Les indiscrètes<br />
Clothbound hardcover with<br />
dust jacket<br />
23.8 x 30 cm, 200 pp<br />
160 tritone, 150 b/w plates<br />
€ 49.00 / £ 44.00 / US$ 58.00<br />
978-3-86521-460-7<br />
Singh, Dayanita<br />
Dream Villa<br />
Flexible plastic softcover<br />
10 x 20 cm, 136 pp<br />
Four colour process<br />
€ 28.00 / £ 24.00 / US$ 38.00<br />
978-3-86521-985-5<br />
Soth, Alec<br />
Dog Days Bogotá<br />
Hardcover<br />
21.5 x 22.5 cm, 60 pp<br />
50 colour plates<br />
€ 25.00 / £ 22.00 / US$ 34.00<br />
978-3-86521-451-5
Soth, Alec<br />
Sleeping by the Mississippi<br />
Clothbound hardcover with<br />
a tipped-in photo<br />
28.5 x 27.5 cm, 120 pp<br />
Four colour process<br />
€ 40.00 / £ 35.00 / US$ 54.00<br />
978-3-86521-753-0<br />
Spero, David<br />
Churches<br />
Clothbound hardcover<br />
23 x 29.7 cm, 144 pp<br />
65 colour plates<br />
€ 38.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-308-2<br />
Sternfeld, Joel<br />
Sweet Earth: Experimental Utopias in<br />
America<br />
Clothbound hardcover<br />
30.5 x 25.5 cm, 136 pp<br />
60 colour plates<br />
€ 60.00 / £ 40.00 / US$ 65.00<br />
978-3-86521-124-8<br />
Soth, Alec<br />
Niagara<br />
Hardcover with a tipped-in photo<br />
23 x 26.5 cm, 144 pp<br />
Four colour process<br />
€ 48.00 / £ 35.00 / US$ 65.00<br />
978-3-86521-233-7<br />
Staeck, Klaus<br />
Pornografie<br />
Softcover<br />
20 x 25 cm, 392 pp<br />
295 b/w plates<br />
€ 35.00 / £ 24.00 / US$ 45.00<br />
978-3-88243-124-7<br />
Sternfeld, Joel<br />
iDubai<br />
Clothbound hardcover<br />
20.3 x 25.4 cm, 160 pp<br />
70 colour plates<br />
€ 20.00 / £ 18.00 / US$ 28.00<br />
978-3-86521-916-9<br />
BACKLIST<br />
Soth, Alex<br />
Broken Manual<br />
Softcover with gatefolds and UV finish<br />
21 x 29.7 cm, 68 pp<br />
17 colour plates, 33 b/w plates<br />
€ 40.00 / £ 32.00 / US$ 50.00<br />
978-3-86930-199-0<br />
Sternfeld, Joel<br />
First Pictures<br />
Clothbound with a tipped-in photo<br />
29.5 x 24.5 cm, 320 pp<br />
Four colour process<br />
€ 48.00 / £ 42.00 / US$ 78.00<br />
978-3-86930-309-3<br />
Sternfeld, Joel<br />
Walking the High Line<br />
Clothbound with dust jacket<br />
26 x 21.5 cm, 72 pp<br />
24 colour and 5 b/w plates<br />
€ 28.00 / £ 25.00 / US$ 30.00<br />
978-3-88243-726-3<br />
Spagnoli, Jerry<br />
Daguerreotypes<br />
Softcover<br />
29 x 29 cm, 56 pp<br />
112 colour plates<br />
€ 30.00 / £ 20.00 / US$ 40.00<br />
978-3-86521-200-9<br />
Joel Sternfeld<br />
On This Site<br />
Clothbound hardcover with a tippedin<br />
photo<br />
12 x 10 in. / 30.5 x 25.4 cm, 112 pp<br />
50 colour plates<br />
€ 48.00 / £ 42.00 / US$ 65.00<br />
ISBN 978-3-86930-434-2<br />
Sternfeld, Joel<br />
When it Changed<br />
Softcover<br />
22.3 x 15 cm, 144 pp<br />
54 colour plates<br />
€ 25.00 / £ 17.50 / US$ 35.00<br />
978-3-86521-278-8<br />
Strömholm, Christer<br />
In Memory of Himself<br />
Hardcover<br />
20.5 x 25 cm, 144 pp<br />
100 duotone and colour plates<br />
€ 38.00 / £ 25.00 / US$ 45.00<br />
978-3-86521-298-6<br />
Teller, Juergen<br />
Märchenstüberl<br />
Hardcover<br />
27 x 21 cm, 144 pp<br />
140 colour plates<br />
€ 22.00 / £ 14.00 / US$ 25.00<br />
978-3-88243-863-5<br />
Teller, Juergen / Jacobs, Marc<br />
Marc Jacobs Advertising 1998-2009<br />
Clothbound hardcover with<br />
dust jacket<br />
30 x 38 cm, 576 pp<br />
700 colour plates<br />
€ 88.00 / £ 78.00 / US$ 120.00<br />
978-3-86521-715-8<br />
Sultan, Larry<br />
Katherine Avenue<br />
Hardcover<br />
21.0 x 29.7 cm, 120 pp<br />
€ 48.00 / £ 43.00 / US$ 65.00<br />
978-3-86930-135-8<br />
Teller, Juergen<br />
Nackig auf dem Fußballplatz<br />
Softcover<br />
27.3 x 20.4 cm, 184 pp<br />
9 colour plates and 1 duotone plate<br />
€ 25.00 / £ 18.00 / US$ 30.00<br />
978-3-88243-963-2<br />
Tichý, Miroslav<br />
Miroslav Tichý<br />
Hardcover<br />
21.6 x 32.4 cm, 328 pp<br />
364 colour plates<br />
€ 58.00 / £ 50.00 / US$ 75.00<br />
978-3-86930-102-0<br />
180 181<br />
BACKLIST<br />
Taylor, Al<br />
Al Taylor<br />
Hardcover with a tipped-in photo<br />
25.4 x 31.8 cm, 172 pp<br />
Four colour process<br />
€ 48.00 / £ 38.00 / US$ 65.00<br />
978-3-86930-389-5<br />
Teller, Juergen<br />
Zimmermann<br />
Clothbound hardcover housed<br />
in a slipcase<br />
23.5 x 29 cm, 56 pp<br />
€ 45.00 / £ 39.00 / US$ 65.00<br />
978-3-86521-996-1<br />
Philip Trager<br />
Clothbound hardcover<br />
25.2 x 31.2 cm, 312 pp<br />
156 tritone plates and 50 illustrations<br />
€ 60.00 / £ 40.00 / US$ 75.00<br />
978-3-86521-239-9<br />
Taylor-Wood, Sam<br />
Still Lives<br />
Two books in a sleeve<br />
23.4 x 29.9 cm, 192 pp<br />
160 colour and b/w plates<br />
€ 38.00 / £ 51.00 / US$ 34.00<br />
978-3-86521-323-5<br />
Teller, Juergen<br />
Nürnberg<br />
Clothbound hardcover<br />
35 x 28 cm, 120 pp<br />
60 colour plates<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-132-3<br />
Tuggener, Jakob<br />
Fabrik<br />
Clothbound hardcover with<br />
dust jacket<br />
22.8 x 30.9 cm, 62 pp<br />
95 photographs, tritone<br />
€ 65.00 / £ 45.00 / US$ 85.00<br />
978-3-86521-493-5
Tunbjörk, Lars<br />
I Love Borås!<br />
Hardcover in a slipcase<br />
27.4 x 34.4 cm, 168 pp<br />
175 colour plates<br />
€ 75.00 / £ 50.00 / US$ 90.00<br />
978-3-86521-296-2<br />
Verburg, JoAnn<br />
Interruptions<br />
Hardcover<br />
24 x 33 cm, 28 pp<br />
19 photographs<br />
€ 25.00 / £ 22.00 / US$ 30.00<br />
978-3-86930-118-1<br />
Waddell, Stephen<br />
Hunt and Gather<br />
Clothbound hardcover with<br />
dust jacket<br />
25 x 28.7 cm, 96 pp<br />
41 colour plates<br />
€ 35.00 / £ 32.00 / US$ 50.00<br />
978-3-86930-115-0<br />
Tunbjörk, Lars<br />
Vinter<br />
Hardcover with a tipped-in photo<br />
22.5 x 27.8 cm, 192 pp<br />
135 colour plates<br />
€ 40.00 / £ 27.50 / US$ 50.00<br />
978-3-86521-497-3<br />
Vitali, Massimo<br />
Landscape with Figures<br />
Clothbound hardcover with dust jacket<br />
38.5 x 30 cm, 200 pp<br />
114 photographs, four colour<br />
process<br />
€ 85.00 / £ 69.00 / US$ 98.00<br />
978-3-86930-197-6<br />
Warhol, Andy / Colacello, Bob<br />
Andy Warhol: Unexposed Exposures<br />
Softcover<br />
22 x 17 cm, 132 pp<br />
70 tritone plates<br />
€ 20.00 / £ 18.00 / US$ 30.00<br />
978-3-86930-116-7<br />
BACKLIST<br />
Turbeville, Deborah<br />
Past Imperfect<br />
Clothbound hardcover with<br />
dust jacket<br />
29.7 x 24.5 cm, 192 pp<br />
Four colour process<br />
€ 48.00 / £ 38.00 / US$ 59.00<br />
978-3-86521-452-2<br />
Vitali, Massimo<br />
Landscape with Figures / Natural<br />
Habitats<br />
Two hardcover books housed in a<br />
slipcase, 38.5 x 30 cm, 344 pp<br />
192 plates, four colour process<br />
€ 145.00 / £ 125.00 / US$ 198.00<br />
978-3-86930-257-7<br />
Weiner, Lawrence<br />
Something to Put Something On<br />
Hardcover<br />
25 x 21 cm, 44 pp<br />
Four colour process<br />
€ 25.00 / £ 20.00 / US$ 35.00<br />
978-3-86521-491-1<br />
van der Meer, Hans<br />
European Fields: The Landscape of<br />
Lower League Football<br />
Clothbound hardcover with<br />
dust jacket, 26.8 x 38 cm<br />
176 pp, four colour process<br />
€ 85.00 / £ 55.00 / US$ 100.00<br />
978-3-86521-191-0<br />
Vollmer, Jurgen<br />
On Filmsets and Other Locations<br />
Clothbound hardcover with<br />
dust jacket<br />
24 x 33 cm, 183 pp<br />
76 colour and 95 b/w plates<br />
€ 38.00 / £ 34.00 / US$ 59.00<br />
978-3-86521-598-7<br />
Welling, James<br />
Light Sources: 1992-2005<br />
Clothbound hardcover<br />
19 x 26 cm, 144 pp<br />
€ 40.00 / £ 36.00 / US$ 55.00<br />
978-3-86521-859-9<br />
Wessel, Henry<br />
Waikiki<br />
Clothbound hardcover with<br />
a tipped-in photo and dust jacket<br />
29.5 x 29.5 cm, 60 pp<br />
25 photographs, tritone<br />
€ 58.00 / £ 50.00 / US$ 85.00<br />
978-3-89630-300-0<br />
Wiedenhöfer, Kai<br />
The Book of Destruction<br />
Clothbound hardcover with<br />
dust jacket<br />
22.7 x 30.5 cm, 160 pp<br />
94 photographs, four colour process<br />
€ 34.00 / £ 30.00 / US$ 48.00<br />
978-3-86930-207-2<br />
Wylie, Donovan<br />
Outposts / Kandahar Province<br />
Clothbound hardcover with<br />
dust jacket<br />
29.5 x 23.5 cm, 64 pp<br />
28 photographs, four colour process<br />
€ 32.00 / £ 28.00 / US$ 45.00<br />
978-3-86930-321-5<br />
Wetzel, Gereon / Adolph, Jörg<br />
How to Make a Book with <strong>Steidl</strong><br />
DVD, documentary, 90 min<br />
Original version: English / German<br />
with subtitles<br />
€ 25.00 / £ 22.00 / US$ 34.95<br />
978-3-86930-119-8<br />
Wood, Tom<br />
Photie Man<br />
Clothbound hardcover<br />
21.5 x 28 cm, 224 pp<br />
68 tritone and 106 colour plates<br />
€ 40.00 / £ 28.00 / US$ 50.00<br />
978-3-86521-083-8<br />
Wylie, Donovan<br />
Scrapbook<br />
Softcover<br />
20.5 x 29.5 cm, 112 pp<br />
€ 24.00 / £ 22.00 / US$ 37.00<br />
978-3-86521-910-7<br />
182 183<br />
BACKLIST<br />
Doug Wheeler<br />
Clothbound hardcover with a tipped-in<br />
image<br />
10 x 11.5 in. / 25.4 x 29.2 cm, 128 pp<br />
70 colour images<br />
€ 65.00 / £ 54.00 / US$ 85.00<br />
ISBN 978-3-86930-455-7<br />
Wylie, Donovan<br />
British Watchtowers<br />
Hardcover<br />
30.3 x 23.5 cm, 72 pp<br />
49 colour plates<br />
€ 40.00 / £ 27.50 / US$ 50.00<br />
978-3-86521-499-7<br />
Wiedenhöfer, Kai<br />
Perfect Peace<br />
Hardcover<br />
24.5 x 33 cm, 174 pp<br />
125 duotone plates<br />
€ 42.00 / £ 28.00 / US$ 40.00<br />
978-3-88243-814-7<br />
Wylie, Donovan<br />
Maze<br />
Two hardcover books and<br />
a singer-stitched booklet, housed in<br />
a slipcase, 29.5 x 23.5 cm<br />
206 pp, 150 colour plates<br />
€ 48.00 / £ 44.00 / US$ 65.00<br />
978-3-86521-907-7
Change language