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Fall/Winter 2012/2013 - Steidl

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GORDON PARKS / COLLECTED WORKS / VOLUME V, LIFE MAGAZINE 1948–1970<br />

Gordon Parks<br />

Collected Works<br />

“These images and words are a gathering of individuals, events, places, conflicts and dilemmas that confronted me as<br />

I shifted from course to course in pursuit of survival. Some star-coloured, others, painted with rage, fall like rain in my<br />

memory. They all simmer down to what I remember, forgot, and what at last I know.” Gordon Parks<br />

This five-volume collection surveys five decades of Gordon Parks’ photography. It is the most extensive publication to<br />

document his legendary career. Widely recognized as the most important and influential African-American photo grapher<br />

of the twentieth century, Parks combined a unique documentary and artistic style with a profound commitment to social<br />

justice. Working first for the Farm Security Administration and later for Life magazine, he specialized in extended-<br />

narrative picture stories on difficult subject matter. Covering crime, poverty, segregation, the politics of race and class,<br />

and controversial personalities, Parks became legendary for his ability to meld penetrating insight with a lyrical aesthetic.<br />

He was thus able to introduce a broad and diverse public to people, issues and ideas they might otherwise have ignored.<br />

Parks was remarkably versatile, travelling the world to photograph news events and fashion, as well as the worlds of<br />

art, literature, music, theatre and film. Later in life, he reconceived his vision in fundamentally personal and poetic terms,<br />

producing colour photographs that were allusive rather than descriptive, symbolic rather than literal.<br />

Gordon Parks was born into poverty and segregation in Fort Scott, Kansas, in 1912. An itinerant labourer, he worked<br />

as a brothel pianist and railcar porter, among other jobs, before buying a camera at a pawnshop, training himself, and<br />

becoming a photographer. In addition to his storied tenures at the Farm Security Administration and the Office of War<br />

Information (1941–1945) and Life magazine (1948–1972), Parks was a modern-day Renaissance man, who found<br />

success as a film director, author and composer. The first African-American director to helm a major motion picture, he<br />

popularised the Blaxploitation genre through his film Shaft (1971). He wrote numerous memoirs, novels and books of<br />

poetry, and received many awards, including the National Medal of Arts, and more than fifty honorary degrees. In 1997<br />

the Corcoran Gallery of Art in Washington, D.C., mounted his retrospective exhibition “Half Past Autumn: The Art of<br />

Gordon Parks”. Parks died in 2006.<br />

Volume I Volume II Volume III<br />

Volume IV Volume V Slipcase<br />

Co-published with The Gordon Parks Foundation,<br />

Pleasantville, New York<br />

Gordon Parks<br />

Collected Works<br />

Edited by Peter W. Kunhardt, Jr. and Paul Roth<br />

Texts by Henry Louis Gates, Jr., Deborah Willis,<br />

Maurice Berger, Barbara Baker Burrows, Paul Roth<br />

and Gordon Parks<br />

Book design by Gerhard <strong>Steidl</strong>, Duncan Whyte,<br />

James Liam Jordan and Peter Kunhardt, Jr.<br />

Vol. I, 1942–1947, 272 pages / Vol. II, 1947–1956,<br />

322 pages / Vol. III, 1956–63, 232 pages / Vol. IV,<br />

1963–98, 258 pages / Vol. V, Life facsimiles, 1948–70<br />

9.8 x 11.4 in. / 25 x 29 cm<br />

1,328 photographs<br />

Tritone and four colour process<br />

Five hardcover books housed in a slipcase<br />

€ 185.00 / £ 148.00 / US$ 285.00<br />

ISBN 978-3-86930-530-1<br />

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