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Fall/Winter 2012/2013 - Steidl

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58<br />

Weegee<br />

Weegee’s People<br />

In 1946, a year after the runaway success of Naked City, Weegee published his affectionate but sharp appraisal of the<br />

citizens of New York. Weegee’s People presents a true cross-section of New Yorkers, from the photographer’s cherished<br />

street people to the rich dames who frequented the Metropolitan Opera. This facsimile is a painstaking recreation of<br />

the original book, and follows the success of other facsimiles printed by <strong>Steidl</strong> including Moï Ver’s Paris (2003) and<br />

Jakob Tuggener’s Fabrik (2003).<br />

Weegee (Arthur Fellig, 1899–1968) is best known for his tabloid news photos of urban crowds, crime scenes and<br />

New York City nightlife of the 1930s and 1940s. Between 1935 and 1946, Weegee was perhaps the most relentlessly<br />

inventive figure in American photography. Weegee later dedicated himself to what he called “creative photography”,<br />

images made through distorting lenses and other optical effects. He also made short films and collaborated with film<br />

directors such as Jack Donohue and Stanley Kubrick, as a special-effects consultant and still photographer.<br />

Exhibition: International Center of Photography, New York, 20 January to 2 September <strong>2012</strong><br />

Co-published with the International Center of Photography, New York<br />

Weegee<br />

Weegee’s People<br />

Text by Weegee<br />

Book design by Stefan Salter<br />

248 pages<br />

6.7 x 9.65 in. / 17 x 24.5 cm<br />

266 photographs<br />

Quadrotone<br />

Clothbound hardcover with dust jacket<br />

€ 40.00 / £ 30.00 / US$ 50.00<br />

ISBN 978-3-86930-439-7<br />

59

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