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Fall/Winter 2012/2013 - Steidl

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136<br />

Ed Ruscha<br />

Catalogue Raisonné of the Paintings<br />

Volume 5: 1993–1997<br />

Edited by Robert Dean and Lisa Turney with an essay by Hal Foster, “Evening in America,” which analyzes Ruscha’s<br />

paintings of the 1990s.<br />

The period covered by Volume 5 comprises 195 paintings, reproduced in full color. A highlight is the complete layout<br />

of the 1995 Denver Central Library project, which Ruscha described as “a rolling historical landscape of Colorado<br />

and the West.” Other notable series of this period include the “Cityscape” paintings, which resemble ransom notes,<br />

and a group of images of clock faces titled after the names of American cars and car manufacturers. This volume also<br />

includes numerous documentary photographs, a selection of Ruscha’s sketchbook pages, and complete<br />

bibliographic references and exhibition histories.<br />

Co-published with Gagosian Gallery, New York/Beverly Hills.<br />

Ed Ruscha<br />

Catalogue Resonné of the Paintings,<br />

Volume 5: 1993–1997<br />

Edited by Robert Dean and Lisa Turney<br />

With an Essay by Hal Foster<br />

Book design by Breanne Woods<br />

and Judith McKay<br />

after an original design concept<br />

by Bruce Mau Design<br />

484 pages and 5 gatefolds<br />

9.5 x 11.4 in. / 24 x 29 cm<br />

Four colour process<br />

Clothbound hardcover housed<br />

in a slipcase<br />

€ 165.00 / £ 138.00 / US$ 220.00<br />

ISBN 978-3-86930-251-5<br />

137

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