Bookmania Specimen. - Mark Simonson

A Fresh Revivalof an Old ClassicfromMark SimonSonStudioBookmaniaLightLight ItalicRegularRegular ItalicSemiboldSemibold ItalicBoldBold ItalicBlackBlack Italic

hy?One might wonder: Why bother? Bookman hashad its day. It’s a has-been. Some might argue thatit’s no great loss. But I believe it’s a typographicalgem that’s never been properly revived.ITC’s redesign in the Seventies took it so far fromits roots that it should have been called somethingelse. But that’s the “Bookman” we’ve been stuckwith—like it or not—for a long time. The original,for the most part, has been lost to us. My aim wasto go back to the earlier Bookmans and make atypeface that would restore the dignity (as well asfrivolity) that was lost.As with any revival, it’s an interpretation. I’veleaned heavily toward the more refined look of thedisplay sizes of the older Bookmans. Nevertheless,it also works well for text, although the effect isdifferent than the old Bookmans at smaller sizes.(I hope to do a Bookmania Text someday that hasthe look and feel of the old text sizes.)I tried to picture what ATF’s Morris Fuller Bentonwould have done if he had developed BookmanOldstyle the way he did Cheltenham Oldstyle.Bookman Oldstyle (and most later Bookmans) hada certain unpolished look. There is some charm tothis, but I wanted to see the same fit and finish thatBenton gave to his Cheltenham and Century faces.Like traditional Bookmans, the italic is a slantedroman. But it’s not just slanted. It’s opticallycorrected to eliminate the unavoidable distortionthat comes from simply slanting the characters.I considered giving it a “cursive” italic, but itwouldn’t look like Bookman if I did, so I kept theslanted roman. It does have the advantage of beingeasier to read than cursive italics.What would a Bookman revival be without theswashes? I looked at all the different ones thatwere added over the years and decided to do ananthology of the best. I added a few of my ownideas, but tried to keep them as much in the spiritof Bookman swashes as I could.One thing that has been lacking in previousBookmans is typographic “niceties.” With this inmind, I added small caps, old style figures, tabularand proportional figures, swash ligatures, and—why not?—swash small caps.The range of weights in the earlier Bookmansvaried a lot. The earliest ones had just a “regular”weight. Sometimes a boldface was added. Some inthe film font era had more weights. The ITC versionhad four. Bookmania is similarly weighted, but withone more on the light end for a total of five weights:Light, Regular, Semibold, Bold, and Black.Some characters differ between roman anditalic: g, g, &, &, $, $. I’ve included the counterpartvariation as an option in each style. There are alsoa few lowercase alternates to give Bookmaniaa more contemporary-looking italic. Finally,I added coMMoNcAsE cAps, which are seenin some type revivals in the Sixties, inspired byBradbury Thompson’s AlphAbEt 26.All features (even the swashes) are included inall weights and styles.

Bookmania LightA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania RegularA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania SemiboldA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania BoldA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania BlackA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania Light ItalicA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania Regular ItalicA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania Semibold ItalicA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania Bold ItalicA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·Bookmania Black ItalicA B C D E F G H I J K L M N O P Q R S T U V W X Y ZA B C D E F G H I J K L M N O P Q R S T U V W X Y Za b c d e fg h i j k l m n o p r s t u v w x y z0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9..& & & # % ‰ $ ¢ € £. , : ; …' " ‘ ’ “ ” ‚ „ * † ‡ § @ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • ·

3,77Good Reasonsto UseBookmania.A A A A A A A A A A A A A A A A A A A A A A A A A A A A KA À À À À À À À À À À À À À À À À À À ÀÀ À À À À À À À À KÀ Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á KÁ        Â                    K à à à à à à à à à à à à à à à à à à à à à à à Ãà à à à KÃ Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä KÄ Å Å Å Å Å Å Å Å Å Å Å Å Å ÅÅ Å Å Å Å Å Å Å Å Å Å Å Å Å KÅ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā KĀ ĂĂ Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă KĂ Ą Ą Ą Ą Ą KĄ Æ Æ Æ Æ Æ Ǽ Ǽ Ǽ ǼǼ B B B B C C C C C C C Cx Ch h Ç Ç Ç Ç Ç Ç Ç Çx Çh h Ć Ć Ć Ć Ć Ć Ć Ćx Ćh h Ĉ Ĉ Ĉ Ĉ Ĉ Ĉ Ĉ Ĉx Ĉh h Ċ ĊĊ Ċ Ċ Ċ Ċ Ċx Ċh h Č Č Č Č Č Č Č Čx Čh h D D D D D Ď Ď Ď Ď Ď Đ Đ E E E E E E E E E E È È È È È È È È È È É É É É ÉÉ É É É É Ê Ê Ê Ê Ê Ê Ê Ê Ê Ê Ë Ë Ë Ë Ë Ë Ë Ë Ë Ë Ē Ē Ē Ē Ē Ē Ē Ē Ē Ē Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ė Ė Ė Ė Ė Ė Ė ĖĖ Ė Ę Ę Ę Ę Ę Ę Ę ĘĚ Ě Ě Ě Ě Ě Ě ĚĚ Ě F F F F F F F G G G G Ĝ Ĝ Ĝ Ĝ Ğ Ğ Ğ Ğ Ġ Ġ Ġ Ġ Ģ Ģ Ģ Ģ H H H H H H H H Ĥ Ħ Ħ Ħ Ħ Ħ ĦĦ Ħ I I Ì Ì Í Í Î Î Ï Ï Ĩ Ī Ī Ĭ Į İ İ IJ IJ J J J Ĵ Ĵ Ĵ K K K K K K K K K K K K K K K K K K KA KA Ķ Ķ Ķ Ķ Ķ Ķ Ķ ĶĶ Ķ Ķ Ķ ĶA ĶA L L L LX LX L L L L L L L L L LA LA LX LX Ĺ Ĺ ĹX Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ ĹA ĹX ĻĻ Ļ ĻX ĻX Ļ Ļ Ļ Ļ ĻĻ Ļ Ļ Ļ ĻA ĻA ĻX ĻX Ľ Ľ Ľ ĽX ĽX Ľ Ľ Ľ Ľ Ľ Ľ Ľ Ľ Ľ ĽA ĽA ĽX ĽX Ŀ ĿX ĿX Ł Ł Ł ŁX ŁX Ł Ł Ł Ł Ł Ł Ł Ł Ł ŁA ŁA ŁX ŁX MM M M M M M M M M M M M M M M M M M N N N N N N N N N N N N N N N N N Ñ Ñ Ñ Ñ Ñ Ñ ÑÑ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ņ Ņ Ņ Ņ Ņ Ň Ň Ň Ň Ň Ň Ň Ň Ň Ň Ň Ň ŇŇ Ň Ň Ň Ŋ Ŋ Ŋ Ŋ O OO OO O O Ò ÒO OÒ Ò Ò Ó ÓO OÓ Ó Ó Ô ÔO OÔ Ô Ô Õ ÕO OÕ Õ Õ Ö ÖO OÖ Ö Ö Ø ØO OØ Ø Ø Ō ŌO OŌ ŌŌ Ŏ ŎO OŎ Ŏ Ŏ Ő ŐO OŐ Ő Ő Ǿ ǾO OǾ Ǿ Œ Œ P P P Q Q Q Q Q R R R R R R RA RA Ŕ Ŕ ŔA Ŗ Ŗ Ŗ Ŗ ŖA Ř Ř Ř ŘŘ Ř ŘA ŘA S S S S S S Ś Ś Ś Ś Ś Ś Ŝ Ŝ Ŝ Ŝ Ŝ Ŝ Ş Ş Ş Ş Ş Ş Š Š Š Š Š Š Ș Ș Ș Ș Ș Ș ẞ ẞ ẞ T T T T T T T T Th T T TT TT Ţ Ţ Ţ Ţ Ţ Ţ Ţ Ţ Ţh Ţ Ţ ŢT TŢ Ť Ť Ť Ť Ť Ť Ť Ť Ťh Ť Ť ŤT TŤ Ŧ Ŧ Ŧ Ŧ ŦT TŦ U U U U U U UU U Ù Ù Ù Ù Ù Ù Ù Ù Ù Ú Ú Ú Ú Ú Ú Ú Ú Ú Û Û Û Û Û Û Û Û Û Ü Ü Ü Ü Ü Ü Ü Ü Ü Ũ Ũ Ũ ŨŨ Ū Ū Ū Ū Ū Ū Ū Ū Ū Ŭ Ŭ Ŭ Ŭ Ŭ Ů Ů Ů Ů Ů Ű Ű Ű Ű Ű Ų Ų Ų Ų Ų V V V V V V V V V V V V W W W WW W W W W W W W Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ẁ Ẁ Ẃ Ẃ Ẅ Ẅ Ẅ X X X X X X X X X XX X X X X X X X X X X Y Y Y Y Y Y Y Y Y Y Y Ý Ý Ý Ý Ý Ý Ý Ý Ý Ý Ý Ỳ Ŷ Ŷ Ŷ Ŷ Ÿ Ÿ Ÿ Ÿ Z Z Z ZA Ź Ź ŹŹA Ż Ż Ż ŻA Ž Ž Ž ŽA Ð Þ Þ Þ Þ A A A A A A A A A A A A A A A A A A A A A A A A A A A A À À À À À À À À À À À À À À À ÀÀ À À À À À À À À À À À Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á Á               ÂÂ Â Â Â Â Â Â Â Â Â Â Â Â Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ã Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä ÄÄ Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Ä Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Å Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā ĀĀ Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ā Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ă Ą Ą Ą Ą Ą Æ Æ Æ ÆÆ Ǽ Ǽ Ǽ Ǽ Ǽ B B B B C C C C C C C Ç Ç Ç Ç Ç Ç Ç Ć Ć Ć Ć Ć Ć Ć Ĉ Ĉ Ĉ Ĉ Ĉ Ĉ Ĉ Ċ Ċ Ċ Ċ Ċ Ċ Ċ Č Č Č Č Č Č Č D D D D D Ď Ď Ď Ď Ď ĐĐ E E E E E E E E E E È È È È È È È È È È É É É É É É É É É É Ê Ê Ê Ê Ê Ê Ê Ê Ê Ë Ë Ë Ë Ë Ë Ë Ë Ë Ë Ē Ē Ē Ē Ē Ē Ē Ē Ē Ē Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ĕ Ė Ė Ė Ė ĖĖ Ė Ė Ė Ė Ę Ę Ę Ę Ę Ę Ę Ę Ě Ě Ě Ě Ě Ě Ě Ě Ě Ě F F F F F F F G G G G Ĝ Ĝ Ĝ Ĝ Ğ Ğ Ğ Ğ Ġ Ġ Ġ Ġ Ģ Ģ Ģ Ģ H H H H H H Ĥ Ħ Ħ Ħ Ħ Ħ Ħ I I Ì Ì Í Í Î Î ÏÏ Ĩ Ī Ī Ĭ Į IJ IJ J J J Ĵ Ĵ Ĵ K K K K K K K K K K K K K K K K Ķ Ķ Ķ Ķ Ķ Ķ Ķ Ķ L L L LX LX L L L L L L L L L Ĺ Ĺ ĹX Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ Ĺ Ļ Ļ Ļ ĻX ĻX Ļ Ļ Ļ Ļ Ļ Ļ Ļ Ļ Ļ Ľ Ľ Ľ ĽX ĽX Ľ Ľ Ľ Ľ Ľ Ľ Ľ Ľ Ľ Ŀ Ŀ Ł Ł Ł ŁX ŁX Ł Ł Ł Ł Ł Ł Ł Ł Ł M MM M M M M M M M M M M M M M M M M N N N N N N N N N N N N N Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ñ Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń Ń ŅŅ Ņ Ņ Ň Ň Ň Ň Ň Ň Ň Ň Ň Ň Ň Ň Ň Ŋ Ŋ Ŋ O O O Ò Ó Ó Ó Ô Ô Ô Õ Õ Õ Ö Ø Ø Ø Ō Ō Ŏ Ŏ Ŏ Ő Ő Ő Ǿ Ǿ Œ Œ P P P Q Q Q Q Q R R R R R R Ŕ Ŕ Ŗ Ŗ Ŗ Ŗ Ř Ř Ř Ř Ř Ř S S S S S S Ś Ś Ś Ś ŚŚ Ŝ Ŝ Ŝ Ŝ Ŝ Ŝ Ş Ş Ş Ş Ş Ş Š Š Š Š Š Š Ș Ș Ș Ș Ș Ș ẞ ẞ ẞ T T T T T T T T Ţ Ţ Ţ Ţ Ţ Ţ Ţ Ţ Ť Ť Ť Ť Ť Ť Ť Ť Ŧ Ŧ Ŧ Ŧ U U U UU U U Ú Ú Ú Ú Ù Ù Ù Ù Ù Ù Ù Û Û Û Û Û Û Û Ü Ü Ü Ü Ü Ü Ü Ũ Ũ Ũ Ũ Ũ Ū Ū Ū Ū Ū Ū Ū Ŭ Ŭ Ŭ Ŭ Ŭ Ů Ů Ů Ů Ů Ű Ű Ű Ű Ű Ų Ų Ų Ų Ų V V VV V V V V V V V W W W W W W W W W W W Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ Ŵ X X X X X X X X X X X XX X X X X X X Y Y Y Y Y Y Y Y Y Ý Ý Ý Ý Ý Ý Ý Ý Ý Ŷ Ŷ Ŷ Ŷ Ÿ Ÿ Ÿ Ÿ Z Z Z Ź Ź Ź Ž Ž Ž Ż Ż Ż Ð Þ Þ Þ Þ a a a a à à à à á á á áâ â â â ã ã ã ã ä ä ä ä å å å å ā ā ā ā ă ă ă ă ą ą ą ą æ æ ǽ ǽ b b b c c c c ç ç ç ç ć ć ć ć ĉ ĉ ĉ ĉ ċ ċ ċ ċ č č č č d d d ď ď đ đ e e ee e e e e è è è è è è è è é é é é é é é é ê ê ê ê ê ê ê ê ë ë ë ë ë ë ë ë ē ē ē ē ē ē ē ē ĕ ĕ ĕ ĕ ĕ ĕ ĕ ĕ ė ė ė ė ė ė ė ė ę ę ę ę ę ę ę ę ě ě ě ě ě ě ě ě f f f f f ff ff ff ff ff ff fh fi fi fi fi fi fj fk fl fl fl fl fl fl fl ffb ffi ffi ffi ffi ffi ffi ffj ffk ffl ffl ffl fflffl ffl ffl ffl g g g gg g g g g g g g g ĝ ĝ ĝ ĝĝ ĝ ĝ ĝ ĝ ğğ ğ ğğ ğ ğ ğ ğ ġ ġ ġ ġġ ġ ġ ġ ġ ģ ģ ģ ģ ģ ģ ģ ģ ģ h h h h h h h h h Ch Ch Th T T T T ĥ ĥ ĥ ĥ ĥ ĥ ĥ ĥ ĥ ħ ħ ħ ħ ħ ħ ħ ħ ħ i i ì ì í í î î ï ï ĩ ĩ ī ī ĭĭ į į ı ı ij j jj j j ĵ ĵ ĵ ĵ ĵ ȷ ȷ ȷ ȷ ȷ k k k k k k k k k k k k ķ ķ ķ ķ ķ ķ ĸ l l l l ĺ ĺ ĺ ĺ ļ ļ ļ ļ ľ ľ ľ ľ ŀ ŀ ŀ ł ł ł ł m m m m m m n n n n n n ñ ñ ñ ñ ñ ñ ń ń ńń ń ń ņ ņ ņ ņ ņ ņ ň ň ň ň ň ň ʼn ŋ o oo oo o o of ò òo oò ò ò ó óo oó ó ó ô ôo oô ô ô õ õo oõ õ õ ö öo oö ö ö ø øo oø ø ø ō ōo oō ō ŏ ŏo oŏ ŏ ŏ ő őo oő ő őǿ ǿ ǿo oǿ œ œ p p p p q q q q q r r r r rı r r ŕ ŕ ŕ ŕı ŗ ŗ ŗ ŗ ŗı ŗ ŗ ř ř ř ř řı ř ř s s s s s s s s s s ś ś ś ś ś ś ś ś ś ŝ ŝ ŝ ŝ ŝ ŝ ŝ ŝ ŝ ş ş ş ş ş ş ş ş ş š š š š š š š š š șș ș ș ș ș ș ș ș st st st st ß ß ß ß ſ ſb ſh ſi ſk ſl ſt t t t t t t t t ţ ţ ţ ţ ţ ţ ţ ţ ť ť ť ť ť ť ť ŧ ŧ ŧ ŧ ŧ ŧ ŧ ŧ u u ù ù ú û û ü ü ũ ũ ū ū ŭ ŭ ů ů ű ű ų ų v v v v ww w w ŵ ŵ ŵ ŵ ẁ ẁ ẁ ẃ ẃ ẃ ẅ ẅ ẅ x x x x x x x x x y y y y y y y y y ý ý ý ý ý ý ý ý ý ÿ ÿ ÿ ÿ ÿ ÿ ŷ ŷ ŷ ŷ ŷ ŷ ỳ z z z z ź ź ź ź ż ż ż ż ž ž ž žð þ þ þ þ þ þ a ª b d e ʰ i l m ⁿ o º r s t 0 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 0 1 1 2 3 4 5 6 7 8 9 0 1 2 3 4 5 6 7 8 9 $ $ ¢ € £ ¥ ƒ ₡ ₢ ₣ ₧ Rp ¤ $ $ ¢ € £ ¥ ƒ ₡ ₢ ₣ ₧ Rp ( $ ¢ − - . , ) ( $ ¢ - . , ) ₀ ₁ ₂ ₃ ₄ ₅ ₆ ₇ ₈ ₉ ⁰ ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹ ⁄ 0 1 2 3 4 5 6 7 8 9 ¼ ½ ¾ . , : ; … / | ¦ \ _ ' " ‘ ’ “ ” ‚ „ ! ¡ ? ¿ ( ) [ ] { } - – — « » ‹ › • · ¡ ¿ ( ) [ ] { } - – — « » ‹ › • · ! ¡ ? ¿ ( ) [ ] { }& & & # % ‰ & # % ‰ * † ‡ § @ ° © ® ℗ l ℮ + < = > × ÷ − √ ≤ ≥ ± ≈ ≠ ¬ ∞ ◊ ∫ ^ ~ Δ ∑ ∏ Ω ∂ μ π ´ ` ˆ ˇ ¨ ¯ ˘ ˙ ˚ ˛ ˜ ˝ ̒ ̦ ¸ apple

swashesMarkersbecomesMarkersA feWRandOmMaRKerSororMaRKerSold style figures1967becomes1967commoncase capsREMAINbecomesREMAINsmall capsTerra Firmabecomesterra firmaorTerra Firmadiscretionary ligaturescase-sensitive forms[X-ray]becomes[x-ray]ligatureseaturestabular &proportional figures1967 & 1967become1967 & 1967fractions44/100becomes44/100optional “cursive” charactersimaginarybecomesimaginaryalternate charactersQuestion 17becomesQuestion 7also&&&Past PerfectbecomesPast PerfectorPRACTICEbecomesPRACTICEalternate ligaturesTheatrebecomeseatreoreatreoreatreAffluent OfficebecomesAffluent Officehistorical formsCongressbecomesCongreſsjenson “E”TennesseebecomesTennessee

Boatloadsof Swashes.(Don’t Worry. YouDon’t Have toUse Them.*)*Well...maybe just a little bit.CAPS:A A A A A A A A A A A A A A A A A A A A A A A A A A A AÆ Æ Æ Æ Æ B B B B C C C C C C C C D D D D DE E E E E E E E EE F F F F F F F G G G G H H H H H H H HI I J J J K K K K K K K K K K K K K K K K K K L L L L L L L L L L L L L L L LM M M M M M M M M M M M M MM M M M MN N N N N N N N N N N N N N N N N O O O Œ Œ P P PQ Q Q Q Q R R R R R R S S S S S S ẞ ẞ ẞT T T T T T T T U U U U U U U U UV V V V V V V V V V V V W W W W W W W W W W W WX X X X X X X X X X X X X X X X X X X X XY Y Y Y Y Y Y Y Y Y Y Z Z Z & & & Þ Þ Þ ÞSmall caps:A A A A A A A A A A A A A A A A A A A A A A A A A A AAÆ Æ Æ Æ Æ B B B B C C C C C C C D D D D D E E E E E E E E EE F F F F F F FG G G G H H H H H H I I J J J K K K K K K K K K K K K K K K K L L L LL L L L L L L L L L M M M M M M M M M M M M M MM M M M MN N N N N N N N N N N N N O O O Œ Œ P P P Q Q Q Q Q R R R R R R S S S S S S ẞ ẞ ẞ T T T T T T T T U U U U U U U V V V V V V V V V V VW W W W W W W W W W W X X X X X X X X X X X X X X X X X X XY Y Y Y Y Y Y Y Y Z Z Z & Þ Þ Þ ÞLowercase:a a a a æ æ b b b c c c c d d d e e e e e e e ef f f f f ff ff ff ff ff ff fi fi fi fi fi fl fl fl fl fl fl fl ffi ffi ffi ffi ffi ffi ffl ffl ffl fflffl ffl ffl fflg g g gg g g g g g g g g h h h h h h h h h i i j jj j j k k k k k k k k k k k kl l l l m m m m m m n n n n n n o o o of œ œ p p p p q q q q q r r r r rı r rs s s s s s s s s s st st st st ß ß ß ß t t t t t t t t u u v v v v w w w wx x x x x x x x x y y y y y y y y y z z z z þ þ þ þ þ þ

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Miller & Richard’s Antique Old Style (1858)Sol Hess’ New Bookman (1927)Photo Bookman & neo-Bookman (c. 1960s)Book covers (c. 1960s & 1970s)ITC Bookman (1975) Monotype Bookman Old Style (c. 1986)BookmaniaABCDEFGHabcdefghijkl1234567&&12345678&ATF Bookman Oldstyle (c. 1901)TheBookmaniaStory.In early 2006, I did a custom font for aclient based on the old display font,Bookman Bold Italic with Swash. Alongwith Bookman Bold with Swash, itoriginated sometime in the mid-1960s. Ihave so far been unable to find out whodesigned and produced it. I think of it asthe “Sixties Bookman.”Sixties Bookman was widely availableby 1970 in film fonts, as well as rub-downand cut-out type. Letraset catalogs creditedthe design to Miller & Richard, a Scottishtype foundry. This is stretching the truth abit. Miller & Richard did produce a facearound 858,a precursor to Bookman Oldstyle, calledAntique Old Style No. 7. Designed byA. C. Phemister, it was a heavy variationof a face called “Old Style.” (NineteenthcenturyOld Style faces were essentiallyWhat I call “Sixties Bookman” (c. 1965)modern interpretations of Caslon’s types.)It differed from the later Bookman Oldstylein many details.Other foundries imitated the design.The Bruce Foundry did Old Style Antique#310 and followed in 90 with an improvedversion called Bartlett Oldstyle. Shortlyafter, The Bruce Foundry joined AmericanType Founders and Bartlett Oldstyle wasrenamed “Bookman Oldstyle.”The new name came from WadsworthA. Parker, who is also credited with addingthe first few swash characters to Bookman,six in the roman and nine in the italic.Bartlett/Bookman Oldstyle seems to haveoriginated the “slanted roman” italic thathas been a characteristic feature of allBookmans (with two recent exceptions).Bookman Oldstyle was adapted toMonotype casters in 909. Other foundriescopied it, including Ludlow, which added adifferent set of swash characters. Sol Hessdesigned New Bookman for Monotype in927, a more refined version with wedgeshapedserifs. Monotype and BarnhartBrothers & Spindler produced their own“Bold” and “Bold Condensed” styles.However, none of these earlier metalfaces could be mistaken for SixtiesMeola Bookman (c. 1970)Bookman. It’s closest to the larger sizes ofATF Bookman Oldstyle, but significantlybolder, with more contrast between thethicks and thins than other Bookmans andwith smaller serifs. Sixties Bookmanexpanded on ATF Bookman’s modest butdistinctive swash character repertoire with25 in the roman and 47 in the italic.One unfortunate thing about SixtiesBookman’s italic is that most of thecharacters are slanted mechanically, withno optical correction. VGC, maker of theTypositor, created their own version usingthe same name, but with optically correctitalics and a somewhat different set ofswash characters.Other Bookmans appeared in film typeand process lettering from houses such asPhoto-Lettering (Photo Bookman) andHeadliners International (neo-Bookman).Photo Bookman is basically BookmanOldstyle with “mod” swash letters.Neo-Bookman is more closely based onSixties Bookman, but with five weights.Another design, called Meola Bookman,had 97 rather clumsily-drawn swashcharacters, and only a single weight.By 970, the most ubiquitous Bookmanwas Sixties Bookman. Where did it comeFrom a United Airlines ad (1967)from? I’ve yet to see a credit for thedesigner or maker of this version. The besttheory I have is that it was a custom fontcreated for ad campaign in the mid-sixties.Someone who had access to it madecopies. And before long, every typesettingshop had it. Whatever the story is, thisversion of Bookman was everywhere. I hadSixties Bookman on rub-down type sheetswhen I was in high school in the earlySeventies discovering type.In 975, ITC released ITC Bookman (fourweights, with italics), designed by thetalented Ed Benguiat. ITC Bookman was abold departure from previous versions. Thelowercase height was enlarged (in keepingwith the fashion of the time), the swasheswere more reserved, and—significantly—ithad a “cursive” italic, instead of the slantedroman of earlier Bookmans. This italic wasnot related to the style used in Bookman’sAntique Old Style ancestors, which weremore like the italics of Caslon or CenturyOld Style. Instead, it is more like the italicsof Bodoni or Century Schoolbook.By the end of the 970s, ITC Bookmanwas a hit and was eclipsing the olderBookmans, including Sixties Bookman.When it was chosen as one of the fontsBook covers, etc. (c. 1960s & 1970s)included on Apple’s LaserWriter II in themid-980s—making it one of the earliestfonts available for desktop publishing—theeclipse became total.To make matters worse (at least for fansof the old Bookmans), Monotype createdBookman Old Style, a family of fonts withthe same metrics and proportions as ITCBookman. In the details, it looks more likethe old Bookmans, but it has a similar“cursive” italic and enlarged lowercase.Between them, ITC Bookman andBookman Old Style have taken over theBookman “space” in the minds of mostdesigners, and the older—and I’d sayhandsomer—Bookmans are scarce tononexistent in the digital font world.Much of this was on my mind when I wasdigitizing Sixties Bookman for my client.Such a cheesy old typeface, I thought, but itsure is fun drawing these swashes....Then I had a thought. What if I took twoof the best old Bookmans—BookmanOldstyle (specifically, the larger sizes) andthe mysterious but ubiquitous SixtiesBookman, and did a revival based on them?Completely redrawn and refined—not afacsimile of the old fonts. With everyBookmania (2011)previous swash character ever concoctedfor Bookman (within reason) and as manynew ones as I can think of. Small caps, oldstyle figures. Swash small caps. Plenty ofweights. Ligatures. Swash ligatures! I wasexperiencing “Bookmania.”682 swash characters later, it’s finished.I fear I may have gone too far with theswashes, but I don’t regret it. Bookmania ismy love letter to the classic Bookmans. It’sa kind of throwback (ITC Bookman wasprogress, right?), but it’s also brand new,designed for the digital age.And, really, you can completely ignorethose gawdy swashes if you like, andappreciate&the quiet dignity of plain oldBookmania.Or not.

Bookmania light & light Italic1964 design trend, 1969 typographic style, 1975 clichÉ1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s Book1964 design trend, 1969 typographic style, 1975 clichÉ1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s BookBookmaniaLight & Light Italic18 on 20 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i cs y s t e m? N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i nly. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r r o n e o us ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n tu s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s u re s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m t he h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x pr e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e14 on 16 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t it s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n ad m i t t e d l y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o ns i s t e n t u s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f le n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l ow e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r e s,d iv i d e d w h e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f ra c t i o n s, n o m a t t e r h o w c o nve n i e n t, have t o g i v e w a y t o t h i12 on 13 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u n i t o fm e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r r o n e o us ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e o n e d e c i m a ld iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m t he h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o ffi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c ti o n s, n o m a t t e r h o w c o nve n i e n t, have t o g i v e w a y t o t h i s m e t h o d. We10 on 11 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m et r i c s y s t e m? N o t i t s u n i t o f m e a s u r e m e n t,c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t ed l y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i es i n i t s c o n s i s t e n t u s e o f t h e o n e d e c i m a ld iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e rfi c i e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o th e l o w e s t, a l l v a l u e s may b e e x p r e s s e d in o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r eq u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f ra c t i o n s, n o m a t t e r h o w c o nve n i e n t, havet o g i v e w a y t o t h i s m e t h o d. We m u s t n o tw r i t e 1/2, b u t .5. A s y s t e m o f t y p e s t a n d a rd s b a s e d o n t h i s s c h e m e m u s t n e c e s s a r i8 on 9 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s tem? N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t is f o u n d e d o n a n a d m i t t e d l y e r r o n e o u s ge o g r a p h ic m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e o n e de c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi ci e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, al l v a l u e s m ay b e e x p r e s s e d i n o n e s e r i e s o f fi g u r es, d iv i d e d w h e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A l lv u l g a r f r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, have to g i v e w a y t o t h i s m e t h o d. We m u s t n o t w r i t e 1/2, bu t .5. A s y s t e m o f t y p e s t a n d a r d s b a s e d o n t h i s s ch e m e m u s t n e c e s s a r i l y h a v e a d e c i m a l f r a c t i o n o ft h e m e t e r a s i t s b a s e, a n d b e d i v i d e d d e c i m a l l y. AD u o d e c i m a l d i v i s i o n o f t h e m e t e r w o u l d b e a b s u r6 on 7 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u n i t o fm e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r r o n e o us ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e o n e d e c i m a ld iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m t h eh i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi gu r e s, d iv i d e d w h e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c t i o ns, n o m a t t e r h o w c o nve n i e n t, have t o g i v e w a y t o t h i s m e t h o d. We mu s t n o t w r i t e 1/2, b u t .5. A s y s t e m o f t y p e s t a n d a r d s b a s e d o n t h i s s c he m e m u s t n e c e s s a r i l y h a v e a d e c i m a l f r a c t i o n o f t h e m e t e r a s i t s b as e, a n d b e d i v i d e d d e c i m a l l y. A D u o d e c i m a l d i v i s i o n o f t h e m e t e r w ou l d b e a b s u r d e n o u g h—i t w o u l d b e t h e o l d i n c h a n d f o o t i n a n o t h e r fo r m. S t i l l m o r e a b s u r d w o u l d b e t h e g r a f t i n g o n t h e b e a u t i f u l d e c i ma l s i m p l i c i t y o f t h e m e t r i c s y s t e m s u c h e x c e e d i n g l y v u l g a r f r a c t i o n sBookmania Regular & regular Italic1964 design trend, 1969 typographic style, 1975 clichÉ1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s Boo1964 design trend, 1969 typographic style, 1975 clichÉ1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s BooBookmaniaRegular & Regular Italic18 on 20 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i cs y s t e m? N o t i t s u n i t o f m e a s u r e m e n t, c e r t a in l y. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r r o n eo u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i st e n t u s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l me a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y.Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv14 on 16 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o ti t s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a na d m i t t e d l y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c on s i s t e n t u s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s of l e n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h el o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r es, d iv i d e d w h e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a rf r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, have t o g i v e w a y t o t12 on 13 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u n it o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e d l y er r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t he o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a nd c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s m ay b e e x pr e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t h e d ec i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, h ave10 on 11 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d me t r i c s y s t e m? N o t i t s u n i t o f m e a s u r e me n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a dm i t t e d l y e r r o n e o u s ge o g r a p h i c m e a s u re. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e o n ed e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e ng t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m t h eh i gh e s t t o t h e l o w e s t, a l l v a l u e s may b ee x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i de d w h e r e r e q u i r e d b y t h e d e c i m a l p o i nt. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w co nve n i e n t, h ave t o g i v e w a y t o t h i s m e th o d. We m u s t n o t w r i t e 1/2, b u t .5. A s y st e m o f t y p e s t a n d a r d s b a s e d o n t h i s s c8 on 9 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t em? N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i sf o u n d e d o n a n a d m i t t e d l y e r r o n e o u s ge o g r a p h i cm e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e o n e d ec i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c ie s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, al l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r es, d iv i d e d w h e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A ll v u l g a r f r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, havet o g i v e w a y t o t h i s m e t h o d. We m u s t n o t w r i t e 1/2,b u t .5. A s y s t e m o f t y p e s t a n d a r d s b a s e d o n t h i s sc h e m e m u s t n e c e s s a r i l y h a v e a d e c i m a l f r a c t i o no f t h e m e t e r a s i t s b a s e, a n d b e d i v i d e d d e c i m a l l y.A D u o d e c i m a l d i v i s i o n o f t h e m e t e r w o u l d b e a b6 on 7 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u n it o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e d l y er r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t he o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a nd c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s m ay b e e x pr e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t h e d ec i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, havet o g i v e w a y t o t h i s m e t h o d. We m u s t n o t w r i t e 1/2, b u t .5. A s y s t em o f t y p e s t a n d a r d s b a s e d o n t h i s s c h e m e m u s t n e c e s s a r i l y h a ve a d e c i m a l f r a c t i o n o f t h e m e t e r a s i t s b a s e, a n d b e d i v i d e d d e ci m a l l y. A D u o d e c i m a l d i v i s i o n o f t h e m e t e r w o u l d b e a b s u r d e n ou g h—i t w o u l d b e t h e o l d i n c h a n d f o o t i n a n o t h e r f o r m. S t i l l m o re a b s u r d w o u l d b e t h e g r a f t i n g o n t h e b e a u t i f u l d e c i m a l s i m p l i c i t

BookmaniaSemibold & Semibold ItalicBookmaniaBold & Bold ItalicBookmania semibold & semibold Italic1964 design trend, 1969 typographic style, 1975 clich1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s Bo1964 design trend, 1969 typographic style, 1975 clich1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s BoBookmania bold & bold Italic1964 design trend, 1969 typographic style, 1975 clich1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s B1964 design trend, 1969 typographic style, 1975 clich1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. Alternates 5.Miller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s B18 on 20 pointwhat is the essence of the vaunted metric system? Not its unit of measurement, certainly. That is founded on an admittedly erroneous geographic measure. It lies in itsconsistent use of the one decimal divisionin all measures of length, superficies and capacity. From the highest to the lowest, all values may be expressed in one series of10 on 11 pointw h at i s t h e e s s e n c e o f t h e v a u n t e dm e t r i c s y s t e m? N o t i t s u n i t o f m e a s u re m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n an a d m i t t e d l y e r r o n e o u s ge o g r a p h i c me a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f th e o n e d e c i m a l d iv i s i o n i n a l l m e a s u re s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y.Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a lu e s m ay b e e x p r e s s e d i n o n e s e r i e s of fi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t he d e c i m a l p o i n t. A l l v u l g a r f r a c t i o n s, no m a t t e r h o w c o nve n i e n t, have t o g i v ew a y t o t h i s m e t h o d. We m u s t n o t w r i te 1/2, b u t .5. A s y s t e m o f t y p e s t a n d a r d18 on 20 pointwhat is the essence of the vaunted metricsystem? Not its unit of measurement, certainly. That is founded on an admittedly erroneous geographic measure. It lies in its consistent use of the one decimal division inall measures of length, superficies and capacity. From the highest to the lowest, all values may be expressed in one series of figu10 on 11 pointw h at i s t h e e s s e n c e o f t h e v a u n t e dm e t r i c s y s t e m? N o t i t s u n i t o f m e a s ur e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o na n a d m i t t e d l y e r r o n e o u s ge o g r a p h i cm e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s eo f t h e o n e d e c i m a l d iv i s i o n i n a l l m ea s u r e s o f l e n g t h, s u p e r fi c i e s a n d c a pa c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t,a l l v a l u e s m ay b e e x p r e s s e d i n o n e se r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i re d b y t h e d e c i m a l p o i n t. A l l v u l g a r f ra c t i o n s, n o m a t t e r h o w c o nve n i e n t, have t o g i v e w a y t o t h i s m e t h o d. We mu s t n o t w r i t e 1/2, b u t .5. A s y s t e m o f t14 on 16 point8 on 9 point14 on 16 point8 on 9 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N ot i t s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o na n a d m i t t e d l y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s in i t s c o n s i s t e n t u s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l me a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m t h e hi gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o ne s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t h e d e c im a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w c o nve n iw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s tem? N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h at i s f o u n d e d o n a n a d m i t t e d l y e r r o n e o u s ge o g r ap h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h eo n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h,s u p e r fi c i e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t he l o w e s t, a l l v a l u e s m ay b e e x p r e s s e d i n o n e s er i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t h e de c i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h ow c o nve n i e n t, h ave t o g i v e w a y t o t h i s m e t h o d.We m u s t n o t w r i t e 1/2, b u t .5. A s y s t e m o f t y p e s ta n d a r d s b a s e d o n t h i s s c h e m e m u s t n e c e s s a r i ly h a v e a d e c i m a l f r a c t i o n o f t h e m e t e r a s i t s b a se, a n d b e d i v i d e d d e c i m a l l y. A D u o d e c i m a l d i v i sw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m?N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n de d o n a n a d m i t t e d l y e r r o n e o u s ge o g r a p h i c m e a s u r e.I t l i e s i n i t s c o n s i s t e n t u s e o f t h e o n e d e c i m a l d iv i s i on i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y.Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s m ay b e e xp r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u ir e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a tw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c sy s t e m? N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i n ly. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r r o n e o us ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e nt u s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s ur e s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr o m th e h i gh e s t t o t h e l o w e s t, a l l v a l u e s m ay b e e xp r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e re r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r ac t i o n s, n o m a t t e r h o w c o nve n i e n t, h ave t o g i ve w a y t o t h i s m e t h o d. We m u s t n o t w r i t e 1/2, bu t .5. A s y s t e m o f t y p e s t a n d a r d s b a s e d o n t hi s s c h e m e m u s t n e c e s s a r i l y h a v e a d e c i m a l f ra c t i o n o f t h e m e t e r a s i t s b a s e, a n d b e d i v i d e12 on 13 point6 on 7 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u n i to f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r ro n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e on e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c ap a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s se d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t h e d e c i ma l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, have t og i v e w a y t o t h i s m e t h o d. We m u s t n o t w r i t e 1/2, b u t .5. A s y s t e mo f t y p e s t a n d a r d s b a s e d o n t h i s s c h e m e m u s t n e c e s s a r i l y h a v e ad e c i m a l f r a c t i o n o f t h e m e t e r a s i t s b a s e, a n d b e d i v i d e d d e c i m al l y. A D u o d e c i m a l d i v i s i o n o f t h e m e t e r w o u l d b e a b s u r d e n o u gh—i t w o u l d b e t h e o l d i n c h a n d f o o t i n a n o t h e r f o r m. S t i l l m o r ea b s u r d w o u l d b e t h e g r a f t i n g o n t h e b e a u t i f u l d e c i m a l s i m p l i c i t y12 on 13 point6 on 7 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u ni t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e dl y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s eo f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi ci e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i re d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w co nve n i e n t, have t o g i v e w a y t o t h i s m e t h o d. We m u s t n o t w r i t e1/2, b u t .5. A s y s t e m o f t y p e s t a n d a r d s b a s e d o n t h i s s c h e m e mu s t n e c e s s a r i l y h a v e a d e c i m a l f r a c t i o n o f t h e m e t e r a s i t s b as e, a n d b e d i v i d e d d e c i m a l l y. A D u o d e c i m a l d i v i s i o n o f t h e me t e r w o u l d b e a b s u r d e n o u g h—i t w o u l d b e t h e o l d i n c h a n d f oo t i n a n o t h e r f o r m. S t i l l m o r e a b s u r d w o u l d b e t h e g r a f t i n g ow h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u n i to f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r ro n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e on e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c ap a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s se d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i r e d b y t h e d e c i ma l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, have t ow h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s u ni t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t t e dl y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n t u s eo f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi ci e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e r e r e q u i re d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a t t e r h o w c

BookmaniaBlack & Black ItalicBookmania black & black Italic1964 design trend, 1969 typographic style, 1975 clic1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. AlternatesMiller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s1964 design trend, 1969 typographic style, 1975 clic1. Small Caps. 2. Old Style Figures. 3. Swashes. 4. AlternatesMiller & Richard’s Antique No. 7, Bruce’s Bartlett Old Style, ATF’s18 on 20 pointwhat is the essence of the vaunted metricsystem? Not its unit of measurement, certainly. That is founded on an admittedlyerroneous geographic measure. It lies inits consistent use of the one decimal division in all measures of length, superficies and capacity. From the highest to the lowest, all values may be expressed in one14 on 16 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m?N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u nd e d o n a n a d m i t t e d l y e r r o n e o u s ge o g r a p h i c m e a s ur e. I t l i e s i n i t s c o n s i s t e n t u s e o f t h e o n e d e c i m a l div i s i o n i n a l l m e a s u r e s o f l e n g t h, s u p e r fi c i e s a n d c ap a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d wh e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c12 on 13 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s un i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t te d l y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n tu s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s up e r fi c i e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v al u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e re r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m a10 on 11 pointw h at i s t h e e s s e n c e o f t h e v a u n t ed m e t r i c s y s t e m? N o t i t s u n i t o f m ea s u r e m e n t, c e r t a i n l y. T h a t i s f o u n de d o n a n a d m i t t e d l y e r r o n e o u s ge og r a p h i c m e a s u r e. I t l i e s i n i t s c o n si s t e n t u s e o f t h e o n e d e c i m a l d iv i s io n i n a l l m e a s u r e s o f l e n g t h, s u p e rfi c i e s a n d c a p a c i t y. Fr o m t h e h i gh e st t o t h e l o w e s t, a l l v a l u e s m ay b e e xp r e s s e d i n o n e s e r i e s o f fi g u r e s, d ivi d e d w h e r e r e q u i r e d b y t h e d e c i m al p o i n t. A l l v u l g a r f r a c t i o n s, n o m at t e r h o w c o nve n i e n t, h ave t o g i v e wa y t o t h i s m e t h o d. We m u s t n o t w r i t8 on 9 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c sy s t e m? N o t i t s u n i t o f m e a s u r e m e n t, c e r t a i n ly. T h a t i s f o u n d e d o n a n a d m i t t e d l y e r r o n e ou s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t en t u s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l m e as u r e s o f l e n g t h, s u p e r fi c i e s a n d c a p a c i t y. Fr om t h e h i gh e s t t o t h e l o w e s t, a l l v a l u e s m ay be e x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e dw h e r e r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v ul g a r f r a c t i o n s, n o m a t t e r h o w c o nve n i e n t, have t o g i v e w a y t o t h i s m e t h o d. We m u s t n ot w r i t e 1/2, b u t .5. A s y s t e m o f t y p e s t a n d a r ds b a s e d o n t h i s s c h e m e m u s t n e c e s s a r i l y h av e a d e c i m a l f r a c t i o n o f t h e m e t e r a s i t s b a s6 on 7 pointw h at i s t h e e s s e n c e o f t h e v a u n t e d m e t r i c s y s t e m? N o t i t s un i t o f m e a s u r e m e n t, c e r t a i n l y. T h a t i s f o u n d e d o n a n a d m i t te d l y e r r o n e o u s ge o g r a p h i c m e a s u r e. I t l i e s i n i t s c o n s i s t e n tu s e o f t h e o n e d e c i m a l d iv i s i o n i n a l l m e a s u r e s o f l e n g t h, s up e r fi c i e s a n d c a p a c i t y. Fr o m t h e h i gh e s t t o t h e l o w e s t, a l l v al u e s may b e e x p r e s s e d i n o n e s e r i e s o f fi g u r e s, d iv i d e d w h e re r e q u i r e d b y t h e d e c i m a l p o i n t. A l l v u l g a r f r a c t i o n s, n o m at t e r h o w c o nve n i e n t, h ave t o g i v e w a y t o t h i s m e t h o d. We mu s t n o t w r i t e 1/2, b u t .5. A s y s t e m o f t y p e s t a n d a r d s b a s e d on t h i s s c h e m e m u s t n e c e s s a r i l y h a v e a d e c i m a l f r a c t i o n o f th e m e t e r a s i t s b a s e, a n d b e d i v i d e d d e c i m a l l y. A D u o d e c i ma l d i v i s i o n o f t h e m e t e r w o u l d b e a b s u r d e n o u g h—i t w o u l d be t h e o l d i n c h a n d f o o t i n a n o t h e r f o r m. S t i l l m o r e a b s u r d wlatin capitalsA B C D E F G H I J K L M N O P Q R S T U V W X Y Z &á à â ä ã å ā ă ą æ Ǽ ç ć č Ĉ Ċ ď đ é è ê ë Ē Ĕ Ę ĚŊ ğ ģ Ĝ Ġ Ĥ Ħ í ì î ï ī į Ĩ Ĭ IJ Ĵ ķ ł ĺ ļ ľ Ŀ ñ ń ņ ň ó ò ôõ ø ō ő Ŏ Ǿ œ ŕ ŗ ř š ś ş ș Ŝ ţ ť Ŧ ú ù û ü ū ů űų Ŭ Ũ Ŵ ý Ŷ Ỳ ÿ ž ź ż ð þlatin lowercasea b c d e f g h i ı j k l m n o p q r s ſ t u v w x y zá à â ä ã å ā ă ą æ ǽ ç ć č ĉ ċ ď đ é è ê ë ē ĕ ę ě ŋ ğ ģ ĝ ġ ħ ĥ í ì î ïī į ĩ ĭ ij j ĵ ķ ł ĺ ļ ľ ŀ ñ ń ņ ň ʼn ó ò ô ö õ ø ō ő ŏ ǿ œ ŕ ŗ ř š ś ş ș ŝ ß ţ ť ŧú ù û ü ū ů ű ų ŭ ũ ẃ ŵ ẁ ẅ ý ŷ ỳ ÿ ž ź ż ð þlatin lowercase superiorsabdeèilmⁿorstlatin small capsa b c d e f g h i j k l m n o p q r s t u v w x y z &á à â ä ã å ā ă ą æ Ǽ ç ć č Ĉ ď đ é è ê ë Ē ĕ Ę Ě Ŋğ ģ Ĝ Ġ Ħ í ì îï ī į ĩ ĭ ij Ĵ ķ ł ĺ ļ ľ ŀ ñ ń ņ ň ó ò ô ö õ ø ō ő ŏ ǿ œ ŕ ŗ ř š ś ş șŜ ţ ť ŧ ú ù û ü ū ů ű ų Ŭ ũ ŵ ý ŷ ÿ ž ź ż ð þSWASH & Alternate capitals (accented characters not shown)A A A A A A A A A A A A A A A A A AA A A A A A A A AÆ Æ Æ Æ ÆB B B C C C C C C C D D D D E EE E E E E EE Ŋ Ŋ Ŋ F F F F F F G G G H HH H H H H I J J K K K K K K K K K KK K K K K K K KA L L L L L L L L LL L L L L L M M M M M M M M MM M M MM M M M M N N N N N NN N N N N N N N N N O O Œ P P Q QQ Q R R R R R RA S S S S S ẞ ẞ ẞ T T TT T T T Th U U U U U U UU V V V V V V V V V V V W W W WW W W W W W W X X X X X X X XX X X X X X X X X X X X Y Y Y Y YY Y Y Y Y Z Z Þ Þ Þ & &swash & Alternate lowercase (accented characters not shown)a a a æ æ b b c c c d d e e e e e e e f f f f ffff ff ff ff ff fi fi fi fi fi fl fl fl fl fl fl fl ffi ffi ffi ffi ffi ffi fflffl ffl fflffl ffl ffl ffl g g gg g g g g g g g g h h h h h hh h i jj j jk k k k k k k k k k k k l l l m m m mm n n n n n o o œ p p p q q q q r r r rı r r s s s s s ss s s st st st st ß ß ß t t t t t t t u v v v w w w x x x x xx x x y y y y y y y y z z z þ þ þ þ þSWASH & Alternate small caps (accented characters not shown)A A A A A A A A A A A A A A A A A A A A A A AA A AAÆ Æ Æ Æ B B B C C C C C C D D D DE E E E E E E EE Ŋ Ŋ F F F F F FG G G H H H H HI J J K K K K K K K K K K K K K K K L LLL L L L L L L L L L M M M M M M M M MM M M MM M M M MN N N N N N N N N N N N O O Œ P P Q Q Q Q R R R R R S S S S Sẞ ẞT T T T T T T U U U U U U V V V V V V V V V VW W W W W W W W W W X X X X X X X X X XX X X X X X X X Y Y Y YYY Y Y Z Z Þ Þ Þ Þ floating accentsˆ ` ´ ˜ ¨ ˘ ˇ ˙ ˚ ¯ ˝ ˛ ¸ ̦lowercase ligatures ff fh fi fj fk fl ffb ffi ffj ffk fflproportional & tabular lining figures1234567890 1234567890proportional & tabular oldstyle figures1234567890 11234567890superscript and scientific inferior figures(-−.,$¢1234567890)(-−.,$¢1234567890)fraction figures(-−.,$) 1234567890⁄1234567890 (-−.,$$ )pre-built fractions1/2 1/4 3/4currency (standard and oldstyle)$$¢£€ƒ¥₡Rp₣₧¤ $$¢£€ƒ¥₡other figure-related characters (standard and oldstyle)#%‰ #%‰mathematical operators+−×÷=≈≠±≤≥¬|¦^~◊√∫µ∂∑∏πΩ∆dashes, delimiters and conjoiners_-–—()[]{} ()[]{} /\quotes'"‘’“”‚„‹›«»punctuation.,:;…!?¡¿·!?¡¿miscellaneous®©℗ •@*†‡§ ° l ℮ a ouppercase variants‹›«»()[]{}-–—·•¡¿

latin italic capitalsA B C D E F G H I J K L M N O P Q R S T U V W X Y Z&á à â ä ã å ā ă ą æ Ǽ ç ć č Ĉ Ċ ď đ é è ê ë Ē Ĕ ĘĚ Ŋ ğ ģ Ĝ Ġ Ĥ Ħ í ì î ï ī į Ĩ Ĭ IJ Ĵ ķ ł ĺ ļ ľ Ŀ ñ ń ņ ň ó òô õ ø ō ő Ŏ Ǿ œ ŕ ŗ ř š ś ş ș Ŝ ţ ť Ŧ ú ù û ü ū ůű ų Ŭ Ũ Ŵ ý Ŷ Ỳ ÿ ž ź ż ð þlatin italic lowercasea b c d e f g h i ı j k l m n o p q r s ſ t u v w x y zá à â ä ã å ā ă ą æ ǽ ç ć č ĉ ċ ď đ é è ê ë ē ĕ ę ě ŋ ğ ģ ĝ ġ ħ ĥ í ì î ïī į ĩ ĭ ij j ĵ ķ ł ĺ ļ ľ ŀ ñ ń ņ ň ʼn ó ò ô ö õ ø ō ő ŏ ǿ œ ŕ ŗ ř š ś ş ș ŝ ß ţ ť ŧú ù û ü ū ů ű ų ŭ ũ ẃ ŵ ẁ ẅ ý ŷ ỳ ÿ ž ź ż ð þlatin italic lowercase superiorsabdeèilmⁿorstlatin italic small capsa b c d e f g h i j k l m n o p q r s t u v w x y z &á à â ä ã å ā ă ą æ Ǽ ç ć č Ĉ ď đ é è ê ë Ē ĕ Ę Ě Ŋğ ģ Ĝ Ġ Ħ í ì îï ī į ĩ ĭ ij Ĵ ķ ł ĺ ļ ľ ŀ ñ ń ņ ň ó ò ô ö õ ø ō ő ŏ ǿ œ ŕ ŗ ř š ś ş șŜ ţ ť ŧ ú ù û ü ū ů ű ų Ŭ ũ ŵ ý ŷ ÿ ž ź ż ð þSWASH & Alternate italic capitals (accented characters not shown)A A A A A A A A A A A A A A A A A AA A A A A A A A AÆ Æ Æ Æ ÆB B B C C C C C C C D D D D E EE E E E E EE Ŋ Ŋ Ŋ F F F F F F G G G H HH H H H H I J J K K K K K K K K K KK K K K K K K L L L L L L L L LL L L L L L M M M M M M M M MM M M MM M M M M N N N N N NN N N N N N N N N N O O Œ P P Q QQ Q R R R R R S S S S S ẞ ẞ ẞ T T TT T T T U U U U U U UU V V V V V V V V V V V W W W WW W W W W W W X X X X X X X XX X X X X X X X X X X X Y Y Y Y Y YY Y Y Y Z Z Þ Þ Þ & &swash & Alternate italic lowercase (accented characters not shown)a a a æ æ b b c c c d d e e e e e e e f f f f ff ffff ff ff ff fi fi fi fi fi fl fl fl fl fl fl fl ffi ffi ffi ffi ffi ffi ffl fflffl fflffl ffl ffl ffl g g gg g g g g g g g g h h h h h h h hi jj j jk k k k k k k k k k k k l l l m m m m mn n n n n o o of œ p p p q q q q r r r rı r r s s s s s s s s sst st st st ß ß ß t t t t t t t u v v v w w w x x x x x x xx y y y y y y y y z z z þ þ þ þ þSWASH & Alt. italic small caps (accented characters not shown)A A A A A A A A A A A A A A A A A A A A A AA A A AAÆ Æ Æ Æ B B B C C C C C C D D DD E E E E E E E EE Ŋ Ŋ F F F F F FG G G H H H HH I J J K K K K K K K K K K K K K K K LL LL L L L L L L L L L M M M M M M M M MM M M MM M M M MN N N N N N N N N N N N O O Œ P P Q Q Q Q R R R R R S S S S Sẞ ẞT T T T T T T U U U U U U V V V V V V V V V VW W W W W W W W W W X X X X X X X X X XX X X X X X X X Y Y Y Y Y Y Y Y Z Z Þ Þ Þ Þ italic floating accentsˆ ` ´ ˜ ¨ ˘ ˇ ˙ ˚ ¯ ˝ ˛ ¸ ̦italic lowercase ligatures ff fh fi fj fk fl ffb ffi ffj ffk fflitalic proportional & tabular lining figures1234567890 1234567890italic proportional & tabular oldstyle figures1234567890 11234567890italic superscript and scientific inferior figures(-−.,$¢1234567890)(-−.,$¢1234567890)italic fraction figures(-−.,$) 1234567890⁄1234567890 (-−.,$$ )pre-built italic fractions1/2 1/4 3/4italic currency (standard and oldstyle)$$¢£€ƒ¥₡Rp₣₧¤ $$¢£€ƒ¥₡other figure-related italic characters (standard and oldstyle)#%‰ #%‰italic mathematical operators+−×÷=≈≠±≤≥¬|¦^~◊√∫µ∂∑∏πΩ∆italic dashes, delimiters and conjoiners_-–—()[]{} ()[]{} /\italic quotes'"‘’“”‚„‹›«»italic punctuation.,:;…!?¡¿·!?¡¿miscellaneous italic®©℗ •@*†‡§ ° l ℮ a oitalic uppercase variants‹›«»()[]{}-–—·•¡¿table of stylistic sets Off (Standard Appearance) On (With Stylistic Set Applied)Stylistic Set 1:(Cursive Forms):angryangryangryangryStylistic Set 2: g&$ g&$(Roman/Italic Alternates):g&$g&$Stylistic Set 3:(Commoncase Caps):AMERICANAMERICANAMERICANAMERICANStylistic Set 4:(Jenson “e”):eagleseagleseagleseaglesStylistic Set 5:(Traditional Old Style Figure One)1910191019101910Stylistic Set 6:(Wavy Crossbars)RAFTERSraftersRAFTERSrAFtErsNotes: Stylistic Sets 1–6 provide selected “recipes” of alternate characters designed to give Bookmania a different look.Sets may be combined (when software allows) to create your own custom recipes or used alone. Accented characters arenot shown in this table, but are fully represented. Stylistic Sets require application and/or operating system support.languages supportedEnglish, French, Spanish, Portuguese, Basque, German, Swedish,Norwegian, Danish, Finnish, Icelandic, Czech, Polish, Hungarian,Lithuanian, Croatian, Esperanto, Maltese, Turkish, Romanian, andAlbanian.note: Access to extended language features requires applicationand/or operating system Unicode or OpenType support.Opentype features supportedSmall Caps from Lowercase, All Small Caps, Swash Characters,Standard Ligatures, Case-Sensitive Forms, Ordinals, Class-BasedKerning, Proportional Lining Figures, Tabular Lining Figures,Proportional Oldstyle Figures, Tabular Oldstyle Figures, Fractions,Superscript, and Scientific Inferior.Note: Access to OpenType features requires application and/oroperating system support for OpenType.About the swash charactersWhile it might have been possible to have swash charactersselected automatically when the Swash feature is used, I believethat the selection of swash characters should be in the hands ofthe designer. For best results, swash characters should be selectedand inserted from the glyph palette or glyph window in yourgraphics application. Professional applications such as InDesign,Illustrator, and QuarkXPress have this capability.stylistic mapping (plain, italic, bold, bold italic)Group 1: Light, Light Italic, Semibold, Semibold ItalicGroup 2: Regular, Regular Italic, Bold, Bold ItalicGroup 3: Black, Black Italicnote: Use of stylistic mapping (in other words, using the keyboardor other short cut for “plain,” “bold,” and “italic”) is optional and notnecessarily recommended for some pre-press output systems.Copyright 2011 Mark Simonson.“Bookmania” is a trademark of Mark Simonson Studio.

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