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INTERVIEW HELMUT JAHN - ArchIdea

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AIRPORTS HAVE DEVELOPED INTO CITIES. In the olden days, people used to settle and build towns<br />

near a ford in the river, a cross-roads or a harbour - places where they met and traded their goods.<br />

Today’s airports provide a similar function. Particularly the large international ones are centres of<br />

trade and entertainment. They’re complex and hybrid and, with their shops, cafés, restaurants, casinos,<br />

stations, car parks and cinemas, are commercially attractive<br />

AIRPORTS<br />

to hotels and companies, which<br />

cluster round them. New towns gradually develop near the ones they give access to and even start<br />

to compete with them.<br />

FOCUS ON INTERIORS:<br />

SCHIPHOL AIRPORT<br />

AMSTERDAM, THE NETHERLANDS<br />

The development of Schiphol Airport is an illustrative<br />

example. The original terminal - plain, rectangular and<br />

functional - was built in the 1960s, when 4 million passengers<br />

used the airport each year. However, the rapid<br />

increase in the number of passengers (from 8 million in<br />

1971 to 42 million in 2004) forced the airport to regularly<br />

expand and adjust its facilities to modern standards. One<br />

recent project was the renovation of the original building<br />

and the extension of Lounge 1. The architectural firms<br />

Benthem Crouwel and NACO wanted to refer back to the<br />

original functionality of the old building while allowing<br />

room for commercial activities. Schiphol had presented the<br />

concept for these activities: Run, Fun and Surprise. ‘Run’<br />

provides the basic shopping essentials (liquor, cigarettes,<br />

books and magazines), ‘Fun’ offers enjoyment (mainly<br />

cafés and restaurants) and ‘Surprise’ holds just that for<br />

passengers who are on their way to the plane (casino and<br />

coffee corners).<br />

Taking the view that Schiphol is in fact a city, the architects<br />

opted for the introduction of such elements as the square<br />

and the street. A street now runs from passport control<br />

all the way to the piers, and widens halfway along to form<br />

a square. Schiphol’s commercial concept fits in well: the<br />

street is lined with shops, while the square has shops,<br />

cafés and restaurants. The street looks austere, bright,<br />

white and reassuring: you know that you can quickly and<br />

easily reach the plane. The square, which is two stories<br />

high, stands out markedly: light beams cleave the space<br />

beneath the black steel ceiling and reflect off the tiny<br />

pieces of mirror embedded in the black floor tiles. Four<br />

little wooden ‘islands’ in the square are reserved for such<br />

activities as catering, promotion, sales and entertainment.<br />

One of them even has a pond. This set-up prevents the<br />

square from getting clogged up with commercial objects.<br />

Attention has also been given to the walls that articulate<br />

the square. The architects strove for simplicity in order<br />

to allow room for further commercial additions without<br />

losing the visual coherence of the building. Two austere<br />

walls accommodate a number of shops, while a glass wall<br />

provides a view of the aeroplanes.<br />

Thus, the function of the airport has changed drastiing that many a person still finds flying an exciting<br />

cally. An airport’s major concern used to be the effi- experience - or even something that is impossible and<br />

cient processing of passenger flows. The programme defies logic. The architectural design of an internation-<br />

was clear: the airport was a machine that processed al airport, however, presents totally different chal-<br />

passengers. Room for poetry, if any, could be found lenges. The commercial activities there add an extra<br />

only in the design of the roof: the architecture of the dimension: efficient passenger and luggage handling<br />

airport was mainly the architecture of the roof. The does not exactly go hand in hand with the realm of<br />

best-known example is the TWA Terminal at John F. temptation and allure. The world of commerce wants<br />

Kennedy Airport (New York). It was designed by the the passenger to forget about flying for a while and<br />

Finnish architect Saarinen, who used the shape of the to indulge in what it has to offer. Constantly changing<br />

wing as a metaphor for flying.<br />

passenger flows are another complicating factor. In<br />

Most small, provincial airports are still not very addition, future growth must be taken into account.<br />

complex: the processing of passengers is their only<br />

concern and their central focus is on functionality.<br />

If a design were to be tailored only to the needs of<br />

the moment, the airport would end up either too big<br />

Architects: Benthem Crouwel NACO, Amsterdam<br />

Photos: Jannes Linders<br />

Sometimes, though, architects design the terminal or too small.<br />

12 as a reassuring, even ritual escort to the plane, know-<br />

13<br />

Airports

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