12.07.2015 Views

Potential health risks of exposure to noise from personal music ...

Potential health risks of exposure to noise from personal music ...

Potential health risks of exposure to noise from personal music ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Health <strong>risks</strong> <strong>from</strong> <strong>exposure</strong> <strong>to</strong> <strong>noise</strong> <strong>from</strong> <strong>personal</strong> <strong>music</strong> players3.5.8. ConclusionsExposure <strong>to</strong> excessive <strong>noise</strong> is one major cause <strong>of</strong> hearing disorders worldwide. Somedata suggest an increased risk due <strong>to</strong> increase in use <strong>of</strong> audio leisure activities. Thereseems <strong>to</strong> be a trend for increased risk due <strong>to</strong> PMPs, as their qualities improved and theyhave become used by a largely increasing proportion <strong>of</strong> the population. The <strong>noise</strong>inducedhearing impairments have received much attention in the past decades mostlybecause <strong>of</strong> hazards <strong>of</strong> industrial <strong>noise</strong> <strong>exposure</strong>s. Based upon many scientific studies theInternational Standard Organization has published recommendations for <strong>health</strong> safety. Amost used ISO reference for risk assessment is that an <strong>exposure</strong> <strong>to</strong> a sound level <strong>of</strong> 85dB (A) for 8 hours a day, 5 days per week will induce in 5% <strong>of</strong> the exposed population ahearing loss <strong>of</strong> about 4 dB after 3 years and 9 dB after 45 years. These losses beingconsidered as quasi negligible this sound level-duration was considered as a safe limitabove which preventive actions should be taken. The ISO recommendations also expressthat, as shown by many studies, the <strong>noise</strong>-induced hearing loss is the product <strong>of</strong> soundlevel by duration <strong>of</strong> <strong>exposure</strong>, and follows the equal energy principle stating that adecrease <strong>of</strong> sound level if associated with a proportional increase in duration (forexample a halving in sound level associated with a doubling <strong>of</strong> <strong>exposure</strong> duration) inducesimilar <strong>risks</strong>. All data indicate a large inter-individual variability in vulnerability <strong>to</strong>excessive sound <strong>exposure</strong>s, some subjects being affected while others are not; up <strong>to</strong> nowthe fac<strong>to</strong>rs underlying this variability are very poorly known.In the last decade many new and promising data were obtained concerning the biology <strong>of</strong>pathological processes responsible for hearing impairments due <strong>to</strong> excessive sound<strong>exposure</strong>s. Excessive <strong>noise</strong> can induce damage <strong>to</strong> most cell types in the inner ear, butpresently the sequence <strong>of</strong> these pathological events and their cause/effect relationshipsremain poorly known. Several environmental fac<strong>to</strong>rs can have detrimental effects, suchas <strong>exposure</strong> <strong>to</strong> several chemicals and lowered levels <strong>of</strong> breathed oxygen which werefound <strong>to</strong> increase NIHL. The study on involvement <strong>of</strong> genetic fac<strong>to</strong>rs has only recentlystarted and first evidences point <strong>to</strong> some possible genes and seem <strong>to</strong> exclude others.Following the development <strong>of</strong> molecular biology many new drugs were found <strong>to</strong> haveprotective effects against NIHL in fundamental experiments, these constitute new andvery promising perspectives <strong>to</strong> prevent and cure NIHL in the future in humans. Althoughsome few studies have started <strong>to</strong> assess some new drug treatments in humans muchfurther research is needed over coming years before definite clinical applications can beconsidered.3.6. Technical aspects <strong>of</strong> <strong>personal</strong> <strong>music</strong> players3.6.1. General characteristicsPersonal <strong>music</strong> players have a very wide field <strong>of</strong> application ranging <strong>from</strong> pr<strong>of</strong>essional<strong>to</strong>ols at the workplace <strong>to</strong> the leisurely consumer and <strong>to</strong> children who use these devices as<strong>to</strong>ys. They are portable digital <strong>music</strong> players that play <strong>music</strong> as audio files, such as MP3.In addition, most <strong>of</strong> these devices allow <strong>to</strong> s<strong>to</strong>re video, pictures, and <strong>to</strong> receive radio andTV programs (podcasting). Earphones and external speakers are the typical outputdevices delivering sound <strong>to</strong> the listener. Personal <strong>music</strong> players (PMPs) are widely used inconjunction with several headphones <strong>of</strong> different styles (insert, supra-aural, vertical, andcircumaural).To identify the risk levels <strong>of</strong> PMPs one has <strong>to</strong> realize that the chain <strong>of</strong> <strong>music</strong> reproductionis organised in stages which are more or less independent <strong>of</strong> each other but <strong>to</strong>getheraffect the output signal level. Personal <strong>music</strong> players reproduce <strong>music</strong> <strong>from</strong> a recording.The sound <strong>of</strong> a signal has usually been recorded through a microphone and theoscillations resulting <strong>from</strong> the pressure changes are s<strong>to</strong>red as a sampled wave form.Different procedures and algorithms are used for s<strong>to</strong>ring <strong>of</strong> analogue or digital40

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!