8 <strong>The</strong> north <strong>Star</strong> <strong>Monthly</strong> <strong>March</strong> 2006Glassblowing datesBack 2000 Years to theSilk roadTerrY HOFFerHarry Besset is an artist and anhistorian. He’s a glassblower, andworking with his wife, Wendy, intheir studio above the village ofHardwick they make strikingexamples of an ancient art.Glassblowing is an old traditionwith rough studios, as theyare, still marking the 2,000-yearold path of the Silk Road throughthe Middle East into China. <strong>The</strong>Egyptians worked with glass inthe 4th Century BC, but somewherebetween the fringes of theRoman Empire and the wayfaringmerchants seeking spices and silk,someone discovered that sand andlime could be heated as moltenglass and blown, or literally inflated,with a thin metal tube. At thatmoment, estimated at about 50BC, the shapes for jars and othervessels became far greater thanthey were with the conventionalmeans of molding glass over aremovable core of mud or dung,and blown glass found applicationsin holding exotic perfumesand ointments or even such ordinarysubstances as tea.For nearly two thousand yearsglassblowing evolved slowlyunder the roofs of factories surroundedby forests for fuelingtheir fires and with designers mostoften giving directions to skilledfactory laborers who made mostof the products. Glass blowingbecame high art, and “glass houses”guarded their secrets of materialsand technique.In 1851 the Great Exhibitionof the Industry of all Nations orthe first World’s Fair in Londonfeatured a gigantic buildingknown as the Crystal Palace,300,000 panes of glass covering20 acres of exhibits. Automationand the industrial process were infull bloom, and glass appeared asdrinking glasses, butter dishes,flower vases and all sorts ofhousehold ornamentation.<strong>The</strong>se layered glass vases and orbs have a inner dreamlike landscapes with pastures and fields leadingto the distant rugged horizon and spectacular sky and cloud formations beyond.Photo By: <strong>North</strong> <strong>Star</strong> <strong>Monthly</strong>Harry Besset turns and carefully shapes a layered glass vase stillglowing from the high temperature furnace.<strong>The</strong> market for glass washuge, and industrial glass makingsoared to meet the demand, butthere was no way the art could bea cottage craft. <strong>The</strong> scale and thecost of the equipment and facilitieswere enormous until a revolutionoccurred in the 1960’s. HarryBesset describes it as an offshootof the space age. <strong>The</strong> same technologythat gave us ceramic tilesused as heat shields on reenteringspace shuttles allowed for the productionof small scale andportable furnaces. Glass artistswhere suddenly freed from theconfines of a factory and able tocreate studios of their own - “anywhere,”Harry says, “that could bereached by the propane truck andthe UPS.”For the first time in its longhistory glassblowers could jointhe ranks of weavers, potters,woodworkers, jewelry makers,blacksmiths and basket makers. Aglassblower could take the craftalmost anywhere. <strong>The</strong> designerwas the glassblower and the glassblowercould have a significantsay in the design of the finishedproduct. <strong>The</strong> studio glass movementwas born, and almostovernight small scale glassblowingstudios were appearing farfrom their traditional settings.And it’s that studio movementthat allowed Harry and WendyBesset to develop their expertiseand today, as he says, “ride itswave.” While the industry wasonce highly secretive, Harry says,there is a powerful sense of communityas individuals and theirtechniques travel the world. Todaythe studio movement, and with itinnovation and creativity, isemerging at a level that couldnever have been imagined whenstandardization and mass productionwere what the marketrequired.<strong>The</strong> winter cold is upon usonce again. Come on in tothe Coop and we'll warmand cheer you up.We've got the bestORgANIC PRODUCEsection full of freshscrumptious goodies to fillyour needs.Eat Well, Eat Healthy,Feel Better!!Vermont baked breadsdelivered four days aweek! Make it a point tocome in and sign up forour weekly e-mailnewsletter. It’s free!Anyone can shop,member or not.Open: Mon - Wed & Sat 9-6Thurs & Fri 9-7; Sundays 11-4Member or Not, Anybody Can Shop490 Portland StreetSt. Johnsbury VT(802) 748-9498
<strong>The</strong> north <strong>Star</strong> <strong>Monthly</strong> <strong>March</strong> 2006 9Harry and Wendy Besset have introduced a new line of layeredglass vases that are inspired by their own landscape in Vermont.This vase for example, has a 360° view of the horizon, a magicalview of the outdoors. At right rear is studio assistant Jamie Labbefrom Craftsbury.Harry and Wendy Bessetmoved to Hardwick in1987, and after more than20 years of refining their skillsthey make and sell glass productsto galleries, museum shops andcustomers worldwide. <strong>The</strong>ir outletsinclude the <strong>North</strong>eastKingdom Artisan’s Guild in St.Johnsbury, Artisan’s Hand inMontpelier and Frog Hollow inMiddlebury and Burlington.Known by the name VermontGlass Workshop they buy theirglass as pre-consumer waste -that’s broken glass or secondsfrom a factory that makes candlesticks,drinking glasses andrugged tableware for the hotelindustry. “We buy four - five thousandpounds at a time,” Harrysays. “It’s pretty clear, and mostimportantly it’s consistent. <strong>The</strong>reare some who make their ownglass from scratch. <strong>The</strong>y love thechemistry, and they tinker with it.But my preference is to tinkerwith the form.”<strong>The</strong> broken glass is set in ahigh-temperature propane firedfurnace in a crucible, which holdsthree to four gallons of the moltenfluid. <strong>The</strong>re at 2300°, overnight,air bubbles are cooked out, and theliquid is a fine blend of moltenglass.<strong>The</strong>n through the door of thevery hot furnace Harry reacheswith an iron punty rod, and liketurning honey in a jar on a spoonhe gathers a small quantity of theliquid glass and backs away fromthe opening.<strong>The</strong>n begins thedelicate “dancewith heat and gravity”as the rod isturned slowly andthe molten glassform is nudgedand trimmed orinflated with ablow pipe toexpand its size.<strong>The</strong>n, as Wendy describes it,begins the delicate “dance withheat and gravity” as the rod isturned slowly and the molten glassform is nudged and trimmed andshaped with various paddle-likeblades or inflated with a blow pipeto expand its size. If the glassbegins to cool below its workablecondition above 1000°, it isreheated in a empty furnace, andthe process continues. Workingwith care and continuous movementthe glass may be joined to asubsequent color, covered with anouter layer or, as in some of theVermont Glass candlesticks andstemmed glasses, given a spiralingwrap as a wonderful decorativeaddition.Finally as the delicate processreaches its remarkable conclusion,the punty is broken away from thefinished form, and the tiny scar ismelted and sealed with a handtorch. <strong>The</strong> glass object is carefullyplaced into a final oven where itjoins other completed work andcools slowly, to avoid the fataleffects of thermal shock or rapidtemperature change, at the rate of100° per hour.As the objects cool the finalcolors appear, and Harry andWendy Bessett and their studioassistant, Jamie Labbe fromCraftsbury, enjoy the delight andwonder of the process just as itmust have been enjoyed throughthe last 2,000 years. “It’s fragile,”Harry says. “And that’s part of themystique. Glass can break - inproduction or in its end use in yourhome. On the other hand it justmight last forever - certainlylonger than the all of the wax candlesthat are burned in glass candlesticksor all of the cut flowersthat dry out in glass vases.”Wendy says, “But no one isgoing to pay $60 for a wineglassor $160 for a candlestick whenthey compare them against thosefor $5 unless there is a legitimateconnection - a human story perhaps.”And that’s an important andmeaningful story that is gettingharder to hear in our modern society.Wendy has been very much apart of a new line of unusual productsmade in their studio. <strong>The</strong>seare decorative layered vases andsolid orbs, which are made from asmall inner form. She decoratesthe form with colors applied byhand suggesting northern Vermontlandscapes. <strong>The</strong>re are clouds andvarying sky patterns and mountainoushorizons leading forwardthrough colorful foliage andfields. After the applied colorshave dried the inner form is coveredand built up with an outerglass layer and finally shaped as avase or sphere with a 360° view ofthe dreamlike landscape. <strong>The</strong>y aremagical - almost hypnotic - tohold and admire.Wendy says, “<strong>The</strong>y are unusual,and, for a time anyway, theyare unlike anything we have seen.<strong>The</strong> layering itself is not innovative,but these are pure Vermont,and they suggest the independenceand ingenuity that attractedmany of us here in the first place.“<strong>The</strong>re really is satisfactionfor us knowing that our glass isbeing used in someone’s kitchenor dining room and imagining thatthe wine really does taste better.We can’t be concerned by someonepassing up a hand made glasscandlestick for $160 in a craftStudio photography by Aaron Warkov<strong>The</strong>se hand blown and handfinished candlesticks and glasses(below) were made at theVermont Glass Workshop inHardwick.guild and settling instead for onefor $13.75 from T.J. Maxx at themall.”Harry says, “Our culture isdriven by the pursuit of the lowestpossible price and the search for anew production process that islower in cost than the last one. Weare comfortable at this level -designing and producing productsone at a time by hand with a story.We hope it survives.”FridayAfternoonTea Room<strong>North</strong> DanvilleBaptist Church2-4 p.m. on FridaysNovember through <strong>March</strong>By Donation to ChurchRenovation FundAll Welcome(802) 748-4096