Reading Psalmodia (PDF) - St. Anthony's Monastery

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This Bookis dedicated, with great respect andaffection,toProtopsaltes Andreas Stylianou,whose fine psalmody has,for well over quarter of a century,enriched the worship of the historicGreek Orthodox Churchof the Annunciation,Manchester.
ContentsPart IIntroduction1. Notes and Scales2. The Types of Scale3. The Three Systems4. The Interval Signs5. Time Signs6. Qualifying Signs7. The Types of Hymns & Melodies8. IsokratimaPart II9. Tones, Modes & ScalesTone 1Tone 2Tone 3Tone 4Tone 5Tone 6Tone 7: VarysTone 810. Marks, Tokens & Accidentals11. Rhythm & Tempo12. Psalmodia in PracticeThe VoiceThe Forms of ChantPart III13. PitchModulation Tone to Tone14. Theory & Practice15. Diatonic & Enharmonic16. Hard & Soft Chromatic17. Melodic Accents18. Transcribing Psalmodia into European Notation19. The Microtones of the Scales of the Eight EchoiPart IVNotes and Bibliography
Page 1: Reading PsalmodiaAn introduction to
Page 5 and 6: Similarly, in the eighteenth and ni
Page 7 and 8: Here each of the steps of the scale
Page 9 and 10: of which in turn becomes the founda
Page 11 and 12: The Cascade [ o ] is the equivalent
Page 13 and 14: The Pause z. indicates a silence of
Page 15 and 16: The distinctions amongst the differ
Page 17 and 18: ContentsPart IIntroduction1. Notes
Page 19 and 20: would make this evident. A cherubik
Page 21 and 22: Pappadic DiDominant Notes: Irmic &
Page 23 and 24: can be sung either on Ni or on Ga d
Page 25 and 26: of sharpness or flatness they indic
Page 27 and 28: the poetic metre is, of course, the
Page 29 and 30: THE VOICE.The Psaltes needs to have
Page 31 and 32: melodies for Saturday evening and S
Page 33 and 34: Reading PsalmodiaPart IIISections 1
Page 35 and 36: 13. PITCH.Modern Psaltai tend to re
Page 37 and 38: scales even if we accept Pa rather
Page 39 and 40: DIAGRAM EI |----------|--------|---
Page 41 and 42: on Vu? The same question arises wit
Page 43 and 44: the next step above and then return
Page 45 and 46: music - a use that has at least the
Page 47 and 48: What are we to conclude from this?
Page 49: Konstantinos identifies Maqam Rast

Reading Psalmodia (PDF) - St. Anthony's Monastery

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