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Vespers as chanted on the Holy Mountain - St. Anthony's Monastery

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<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>As <str<strong>on</strong>g>chanted</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>


Byzantine Notati<strong>on</strong>December 2009, Versi<strong>on</strong> 1.1This book is available <strong>on</strong>line for free at:http://www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/Index.html<strong>St</strong>. Anth<strong>on</strong>y’s Greek Orthodox M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery4784 N. <strong>St</strong>. Joseph’s WayFlorence, AZ 85232 USATel. (520) 868-3188Fax (520) 868-3088e-mail: m<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery@stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.orgwebsite: www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org© 2006 <strong>St</strong>. Anth<strong>on</strong>y’s Greek Orthodox M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teryPermissi<strong>on</strong> to copy is granted for liturgical use.


ivC<strong>on</strong>tentsAposticha Theotoki<strong>on</strong> ....................................................................................................... 27Apolytiki<strong>on</strong> (Dismissal Hymn) ......................................................................................... 29Heirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ......................................................................................................... 32<strong>St</strong>ichera ......................................................................................................................... 34Aposticha ...................................................................................................................... 44SECOND MODELord I Have Cried ............................................................................................................. 50Let My Prayer ................................................................................................................... 51Verses (Psalms 140, 141, and 129) ................................................................................... 52Slow <strong>St</strong>ichera .................................................................................................................... 57Glory, Both now ............................................................................................................... 67Dogmatic Theotoki<strong>on</strong> ....................................................................................................... 70Aposticha .......................................................................................................................... 72Aposticha Theotoki<strong>on</strong> ....................................................................................................... 77Apolytiki<strong>on</strong> (Dismissal Hymn) ......................................................................................... 79Heirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ......................................................................................................... 82Verses (Psalms 140, 141, and 129) .............................................................................. 84<strong>St</strong>ichera ......................................................................................................................... 89Aposticha ...................................................................................................................... 99THIRD MODELord I Have Cried ............................................................................................................ 105Let My Prayer .................................................................................................................. 106Verses (Psalms 140, 141, and 129) .................................................................................. 107<strong>St</strong>ichera ............................................................................................................................ 112Glory, Both now .............................................................................................................. 121Dogmatic Theotoki<strong>on</strong> ...................................................................................................... 124Aposticha ......................................................................................................................... 126Aposticha Theotoki<strong>on</strong> ..................................................................................................... 131Apolytiki<strong>on</strong> (Dismissal Hymn) ........................................................................................ 133Heirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ........................................................................................................ 136<strong>St</strong>ichera ........................................................................................................................ 138Aposticha ..................................................................................................................... 148FOURTH MODELord I Have Cried ............................................................................................................ 154Let My Prayer .................................................................................................................. 155Verses (Psalms 140, 141, and 129) .................................................................................. 156<strong>St</strong>ichera ............................................................................................................................ 161Glory, Both now .............................................................................................................. 171Dogmatic Theotoki<strong>on</strong> ...................................................................................................... 174Aposticha ......................................................................................................................... 177Aposticha Theotoki<strong>on</strong> ..................................................................................................... 183Apolytiki<strong>on</strong> (Dismissal Hymn) ........................................................................................ 185


C<strong>on</strong>tents vHeirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ........................................................................................................ 188<strong>St</strong>ichera ........................................................................................................................ 190Aposticha ..................................................................................................................... 200PLAGAL FIRST MODELord I Have Cried ........................................................................................................... 206Let My Prayer .................................................................................................................. 207Verses (Psalms 140, 141, and 129) .................................................................................. 208<strong>St</strong>ichera ............................................................................................................................ 213Glory, Both now .............................................................................................................. 223Dogmatic Theotoki<strong>on</strong> ...................................................................................................... 226Aposticha ......................................................................................................................... 228Aposticha Theotoki<strong>on</strong> ...................................................................................................... 234Apolytiki<strong>on</strong> (Dismissal Hymn) ........................................................................................ 236Heirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ........................................................................................................ 239Verses (Psalms 140, 141, and 129) ............................................................................. 241<strong>St</strong>ichera ........................................................................................................................ 246Aposticha ..................................................................................................................... 256PLAGAL SECOND MODELord I Have Cried ............................................................................................................ 262Let My Prayer .................................................................................................................. 263Verses (Psalms 140, 141, and 129) .................................................................................. 264<strong>St</strong>ichera ............................................................................................................................ 269Glory, Both now .............................................................................................................. 278Dogmatic Theotoki<strong>on</strong> ...................................................................................................... 281Aposticha ......................................................................................................................... 283Aposticha Theotoki<strong>on</strong> ..................................................................................................... 288Apolytiki<strong>on</strong> (Dismissal Hymn) ........................................................................................ 290Heirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ........................................................................................................ 293Verses (Psalms 140, 141, and 129) ............................................................................. 295<strong>St</strong>ichera ........................................................................................................................ 300Aposticha ..................................................................................................................... 310GRAVE MODELord I Have Cried ........................................................................................................... 316Let My Prayer .................................................................................................................. 317Verses (Psalms 140, 141, and 129) .................................................................................. 318<strong>St</strong>ichera ............................................................................................................................ 323Glory, Both now .............................................................................................................. 333Dogmatic Theotoki<strong>on</strong> ...................................................................................................... 336Dogmatic Theotoki<strong>on</strong> (Diat<strong>on</strong>ic) ..................................................................................... 338Aposticha ......................................................................................................................... 341Aposticha Theotoki<strong>on</strong> ...................................................................................................... 345Aposticha Theotoki<strong>on</strong> (Diat<strong>on</strong>ic) .................................................................................... 346


viC<strong>on</strong>tentsApolytiki<strong>on</strong> (Dismissal Hymn) ........................................................................................ 347Heirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ........................................................................................................ 350<strong>St</strong>ichera ........................................................................................................................ 352Aposticha ..................................................................................................................... 362PLAGAL FOURTH MODELord I Have Cried ............................................................................................................ 367Let My Prayer .................................................................................................................. 368Verses (Psalms 140, 141, and 129) .................................................................................. 369<strong>St</strong>ichera ............................................................................................................................ 374Glory, Both now .............................................................................................................. 382Dogmatic Theotoki<strong>on</strong> ...................................................................................................... 385Aposticha ......................................................................................................................... 387Aposticha Theotoki<strong>on</strong> ..................................................................................................... 393Apolytiki<strong>on</strong> (Dismissal Hymn) ........................................................................................ 395Heirmologic (brief) Versi<strong>on</strong>s:Lord I Have Cried ........................................................................................................ 398<strong>St</strong>ichera ........................................................................................................................ 400Aposticha ..................................................................................................................... 410PART II – SPECIAL DAYSI Shall Go into Thy HousePlagal Fourth Mode, adapted from Hierom<strong>on</strong>k Gregory ................................................. 417Anoixantaria (end of Psalm 103)by Theodore Phokaeus (standard versi<strong>on</strong>) ...................................................................... 419by George Raidestenos (elaborate versi<strong>on</strong>) ..................................................................... 432by <strong>St</strong>. John Koukouzeles (very l<strong>on</strong>g versi<strong>on</strong>) .................................................................. 446Elaborate Finale for Anoixantaria, Ancient Melody ....................................................... 453Blessed is <strong>the</strong> Man (Psalms 1, 2, and 3)by Manuel <strong>the</strong> Protopsaltis, Plagal Fourth Mode (l<strong>on</strong>g versi<strong>on</strong>) ..................................... 458by Hierom<strong>on</strong>k Gregory, Plagal First Mode (brief versi<strong>on</strong>) ............................................. 471Lord I Have Cried (very l<strong>on</strong>g versi<strong>on</strong>s)First Mode, by Iakovos <strong>the</strong> Protopsaltis .......................................................................... 480Plagal Sec<strong>on</strong>d Mode, by Iakovos <strong>the</strong> Protopsaltis ........................................................... 485Verses (Psalms 140, 141, and 129) in Triple MeterFirst Mode, Ath<strong>on</strong>ite Melody .......................................................................................... 489Plagal Sec<strong>on</strong>d Mode, Ath<strong>on</strong>ite Melody ........................................................................... 495O Joyous LightSec<strong>on</strong>d Mode, by John Sakellarides ................................................................................ 501Sec<strong>on</strong>d Mode, Ancient Melody, abbreviated by Socrates Papadopoulos ....................... 503ProkeimenaFor WeekdaysSaturday ...................................................................................................................... 505


C<strong>on</strong>tents viiSunday ........................................................................................................................ 506M<strong>on</strong>day ....................................................................................................................... 507Tuesday ....................................................................................................................... 508Wednesday .................................................................................................................. 509Thursday ..................................................................................................................... 510Friday .......................................................................................................................... 511For LentTurn Not Away, by Petros Pelop<strong>on</strong>nesios .................................................................. 512Thou H<str<strong>on</strong>g>as</str<strong>on</strong>g>t Given, by Petros Pelop<strong>on</strong>nesios ................................................................ 515For Bright Week and Fe<str<strong>on</strong>g>as</str<strong>on</strong>g>t Days of <strong>the</strong> LordFor <strong>Holy</strong> Saturday, Arise O Lord .............................................................................. 517For <strong>Holy</strong> P<str<strong>on</strong>g>as</str<strong>on</strong>g>cha, What God is <str<strong>on</strong>g>as</str<strong>on</strong>g> Great ..................................................................... 518For Bright M<strong>on</strong>day, Our God is in Heaven ................................................................ 519For Bright Tuesday, With my Voice .......................................................................... 520For Bright Wednesday, Give Ear O God ................................................................... 521For Bright Thursday, I Will Love Thee ..................................................................... 522For Bright Friday, Thou H<str<strong>on</strong>g>as</str<strong>on</strong>g>t Given .......................................................................... 523Rich Men Have Turned PoorHeirmologic (Brief) MelodiesGrave Mode, traditi<strong>on</strong>al melody ................................................................................. 524Plagal First Mode, traditi<strong>on</strong>al melody in triple meter ................................................ 525<strong>St</strong>icheraric (L<strong>on</strong>g) MelodiesFirst Mode, by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ....................................................................... 526Plagal First Mode, by Hierom<strong>on</strong>k Daniel .................................................................. 528Plagal First Mode, by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ............................................................ 529Enharm<strong>on</strong>ic Grave Mode, Ancient Melody ............................................................... 530Diat<strong>on</strong>ic Grave Mode, Ancient Melody ..................................................................... 531O Theotokos and VirginEight-Mode Versi<strong>on</strong>, by Theodosios Georgiadis ............................................................ 532Plagal First Mode, Ancient Melody "from <strong>the</strong> City" ....................................................... 537Plagal First Mode, by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ................................................................. 539PART III – RESPONSESLord Have MercyPlagal Fourth Mode, by C<strong>on</strong>stantine Pringos................................................................... 541" " " by John Pall<str<strong>on</strong>g>as</str<strong>on</strong>g>is .............................................................................. 542" " " by Iakovos Nafpliotis ...................................................................... 543" " " by Thr<str<strong>on</strong>g>as</str<strong>on</strong>g>yvoulos <strong>St</strong>anits<str<strong>on</strong>g>as</str<strong>on</strong>g> ............................................................... 544" " " by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ............................................................... 545" " " by Michael Hatziathan<str<strong>on</strong>g>as</str<strong>on</strong>g>iou ............................................................ 546" " " by Kyriazis Nicoleris ...................................................................... 548" " " by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ............................................................... 549Plagal First Mode, by Athan<str<strong>on</strong>g>as</str<strong>on</strong>g>ios Karamanis ................................................................. 550" " " by Lycourgos Petridis ......................................................................... 551


viiiC<strong>on</strong>tents" " " by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ................................................................... 552" " " by Thr<str<strong>on</strong>g>as</str<strong>on</strong>g>yvoulos <strong>St</strong>anits<str<strong>on</strong>g>as</str<strong>on</strong>g> .................................................................. 553" " " by C<strong>on</strong>stantine Pringos ....................................................................... 554" " " by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ................................................................... 555" " " by Thr<str<strong>on</strong>g>as</str<strong>on</strong>g>yvoulos <strong>St</strong>anits<str<strong>on</strong>g>as</str<strong>on</strong>g> .................................................................. 556" " " by Demetrios Sourlantzis .................................................................... 557" " " by Nicolaos Georgiafentis .................................................................. 558Plagal First Mode, Ath<strong>on</strong>ite Melody for <strong>the</strong> Liti ............................................................. 559Pa<strong>the</strong>ic (Suffering) First Mode, by C<strong>on</strong>stantine Pringos ................................................. 560Grant This O LordPlagal Fourth Mode, by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ............................................................. 561" " " by Hierom<strong>on</strong>k Gregory ................................................................... 563Plagal First Mode, by Michael Hatziathan<str<strong>on</strong>g>as</str<strong>on</strong>g>iou .............................................................. 565" " " by Hierom<strong>on</strong>k Hiero<strong>the</strong>os ................................................................... 567SOURCES AND APPENDIXSources ................................................................................................................................... 569Appendix: The Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight Modes ..................................................................... 571


C<strong>on</strong>cerning Adaptati<strong>on</strong>CCURATE liturgical translati<strong>on</strong>s rarely have <strong>the</strong> same meter <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> originaltext. As a result, ei<strong>the</strong>r <strong>the</strong> original melody must change to accommodate<strong>the</strong> new pattern of accented and unaccented syllables, or <strong>the</strong> words must beforced into a melody that w<str<strong>on</strong>g>as</str<strong>on</strong>g> designed for a different text. When <strong>the</strong> originalmelody is not well known, most people would agree that <strong>the</strong> originalmelody should be discarded and a new melody composed. When, however, <strong>the</strong> original melodyis known and loved by many, most people prefer a musical arrangement of <strong>the</strong> text that resembles<strong>the</strong> original melody to a certain degree. Opini<strong>on</strong>s vary <str<strong>on</strong>g>as</str<strong>on</strong>g> to what degree this should be.To illustrate different degrees of preserving <strong>the</strong> original melody, we shall compare variousarrangements for <strong>the</strong> initial words of <strong>the</strong> <str<strong>on</strong>g>Vespers</str<strong>on</strong>g> psalm verse “Lord, I have cried” (Κύριεἐκέκραξα) in sticheraric first mode. The versi<strong>on</strong> of this that is c<strong>on</strong>sidered by most to be <strong>the</strong>“original melody” is found in <strong>the</strong> An<str<strong>on</strong>g>as</str<strong>on</strong>g>t<str<strong>on</strong>g>as</str<strong>on</strong>g>imatari<strong>on</strong> of Petros <strong>the</strong> Pelop<strong>on</strong>nesian (d. 1777) <str<strong>on</strong>g>as</str<strong>on</strong>g>published by Ioannis <strong>the</strong> Protopsaltis (d. 1866), which begins <str<strong>on</strong>g>as</str<strong>on</strong>g> follows:


xC<strong>on</strong>cerning Adaptati<strong>on</strong>The first adaptati<strong>on</strong> we shall analyze is taken from <strong>the</strong> Divine Liturgy Hymnal, 1 comm<strong>on</strong>lyknown in <strong>the</strong> Greek Orthodox Archdiocese of America <str<strong>on</strong>g>as</str<strong>on</strong>g> “<strong>the</strong> green book.”This example h<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> advantage of preserving <strong>the</strong> original melody 2 so well that both <strong>the</strong>English and <strong>the</strong> Greek could be used in <strong>the</strong> same score. It h<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> disadvantage, though, of unnecessarilyrepeating <strong>the</strong> phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e “to You.” Ano<strong>the</strong>r problem with this setting is that <strong>the</strong> melodyfor <strong>the</strong> first instance of <strong>the</strong> word “Lord” breaks <strong>the</strong> formulaic rules of compositi<strong>on</strong> for Byzantinemusic that dictate which melodic lines may be used to match a particular syllabic pattern.The melody for <strong>the</strong> phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e “me O Lord” is a standard formula in Byzantine music. However,placing <strong>the</strong> word “O” <strong>on</strong> <strong>the</strong> wr<strong>on</strong>g note betrays ei<strong>the</strong>r an ignorance of or disrespect towards<strong>the</strong> traditi<strong>on</strong>al applicati<strong>on</strong> of this formula. Breaking <strong>the</strong> formulaic rules is a problem not <strong>on</strong>lyideologically (in that such compositi<strong>on</strong>s cannot be c<strong>on</strong>sidered a valid c<strong>on</strong>tinuati<strong>on</strong> of <strong>the</strong> traditi<strong>on</strong>of Orthodox chant—which, <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> musicologist Dimitri C<strong>on</strong>omos h<str<strong>on</strong>g>as</str<strong>on</strong>g> pointed out, is “<strong>the</strong><strong>on</strong>ly music in world history that h<str<strong>on</strong>g>as</str<strong>on</strong>g> a c<strong>on</strong>tinuous 1500-year unbroken melodic traditi<strong>on</strong>”) but1 The Divine Liturgy Hymnal, Greek Orthodox Archdiocese of N. & S. America, Department of Religious Educati<strong>on</strong>,Brookline, M<str<strong>on</strong>g>as</str<strong>on</strong>g>s., sec<strong>on</strong>d editi<strong>on</strong>, 1982, p. 119.2 This arrangement is actually a transcripti<strong>on</strong> of <strong>the</strong> melody written by John Sakellaridis in his book Ἱερὰ Ὑμνῳδίαpresented below, which differs <strong>on</strong>ly slightly from <strong>the</strong> melody by Ioannis <strong>the</strong> Protopsaltis <strong>on</strong> <strong>the</strong> previous page.


C<strong>on</strong>cerning Adaptati<strong>on</strong> xialso aes<strong>the</strong>tically, because—to quote C<strong>on</strong>omos again—“<strong>the</strong>se age-old chants, especially preserved<strong>on</strong> Mount Athos, bear a relevance and a beauty that is unmatched by o<strong>the</strong>r, later producti<strong>on</strong>s.”Besides, melodies that break <strong>the</strong>se rules usually sound awkward even to <strong>the</strong> untrainedear, due to an unbalanced match between words and melody.The sec<strong>on</strong>d example is taken from <strong>the</strong> An<str<strong>on</strong>g>as</str<strong>on</strong>g>t<str<strong>on</strong>g>as</str<strong>on</strong>g>imatari<strong>on</strong>: Resurrecti<strong>on</strong>al Hymnal, 3 whichc<strong>on</strong>tains music composed by Hierom<strong>on</strong>k Seraphim Dedes.This sec<strong>on</strong>d example also h<str<strong>on</strong>g>as</str<strong>on</strong>g> advantages and disadvantages similar to <strong>the</strong> first example. 4In particular, <strong>the</strong> text h<str<strong>on</strong>g>as</str<strong>on</strong>g> been adjusted to fit <strong>the</strong> melody better (<strong>the</strong> phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e “hear me” is repeateda total of six times where<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> original versi<strong>on</strong> of <strong>the</strong> hymn uses this phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e <strong>on</strong>ly fourtimes). The melody also stretches <strong>the</strong> formulaic rules of Byzantine music compositi<strong>on</strong>: a melodicphr<str<strong>on</strong>g>as</str<strong>on</strong>g>e requiring three syllables w<str<strong>on</strong>g>as</str<strong>on</strong>g> used for <strong>the</strong> two syllables “Lord I” and “cried un-”.This example differs from <strong>the</strong> first example in that <strong>the</strong> melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been slightly changed to fit<strong>the</strong> text better. Namely, <strong>the</strong> <strong>on</strong>e-beat rest following <strong>the</strong> martyria w<str<strong>on</strong>g>as</str<strong>on</strong>g> used instead of an is<strong>on</strong>.An advantage of this example is that it is written in a traditi<strong>on</strong>al notati<strong>on</strong> of <strong>the</strong> OrthodoxChurch. We have enumerated <strong>the</strong> re<str<strong>on</strong>g>as</str<strong>on</strong>g><strong>on</strong>s why Byzantine music notati<strong>on</strong> is superior to Westernnotati<strong>on</strong> in an essay at: http://www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/Notati<strong>on</strong>B.htmThe next example <strong>on</strong> <strong>the</strong> following page w<str<strong>on</strong>g>as</str<strong>on</strong>g> written by David Melling of blessed memory,a Byzantine musicologist in England.3 An<str<strong>on</strong>g>as</str<strong>on</strong>g>t<str<strong>on</strong>g>as</str<strong>on</strong>g>imatari<strong>on</strong>: Resurrecti<strong>on</strong>al Hymnal, Great <str<strong>on</strong>g>Vespers</str<strong>on</strong>g> of Saturday Evening, Byzantine Music in Greek andEnglish, <strong>Holy</strong> Cross Greek Orthodox School of Theology, Brookline, 2004, p. 1.4 It should be pointed out, though, that this publicati<strong>on</strong> does not always preserve <strong>the</strong> original melodies unchanged.Usually <strong>the</strong> original melodies have been adjusted to a greater degree in order to match <strong>the</strong> English text better.


xiiC<strong>on</strong>cerning Adaptati<strong>on</strong>This adaptati<strong>on</strong> h<str<strong>on</strong>g>as</str<strong>on</strong>g> preserved <strong>the</strong> original melody essentially unaltered, <str<strong>on</strong>g>as</str<strong>on</strong>g> did <strong>the</strong> previoustwo examples. But this versi<strong>on</strong> differs from <strong>the</strong>m in that it does not repeat words that are notrepeated in <strong>the</strong> original. Since, however, <strong>the</strong> Greek text h<str<strong>on</strong>g>as</str<strong>on</strong>g> more syllables than <strong>the</strong> Englishtranslati<strong>on</strong>, some words in this versi<strong>on</strong> have been extended over a dozen notes. Although such aphenomen<strong>on</strong> does occur occ<str<strong>on</strong>g>as</str<strong>on</strong>g>i<strong>on</strong>ally in <strong>the</strong> sticheraric genus of hymns, it <strong>on</strong>ly happens withparticular melodic lines. The melodic lines in this adaptati<strong>on</strong>, however, would always be usedwith more syllables in regular Byzantine music.The fourth example is taken from page <strong>on</strong>e of this book:


C<strong>on</strong>cerning Adaptati<strong>on</strong> xiiiThis fourth example h<str<strong>on</strong>g>as</str<strong>on</strong>g> advantages and disadvantages different than <strong>the</strong> first three examples.Its primary disadvantage is that <strong>the</strong> original melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> not been preserved. A fur<strong>the</strong>r disadvantageof this example is that it is in Western notati<strong>on</strong>. 5 Its advantages, though, are that <strong>the</strong>text h<str<strong>on</strong>g>as</str<strong>on</strong>g> not been tampered with in order to mimic <strong>the</strong> syllabic pattern of <strong>the</strong> original hymn inGreek, and <strong>the</strong> melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been molded to match <strong>the</strong> text in perfect compliance with <strong>the</strong> formulaicrules of Byzantine music.The following adaptati<strong>on</strong> is by John Michael Boyer, <strong>the</strong> Protopsaltis of <strong>the</strong> Greek OrthodoxMetropolis of San Francisco, who studied Byzantine chant in Greece under <strong>the</strong> Arch<strong>on</strong>Protopsaltis Lycourgos Angelopoulos:This adaptati<strong>on</strong> is nearly identical to <strong>the</strong> previous example, even though <strong>the</strong> two werecomposed independently. The <strong>on</strong>ly melodic difference occurs <strong>on</strong> <strong>the</strong> first word. This adaptati<strong>on</strong>also complies fully with <strong>the</strong> formulaic rules of Byzantine music and is flawless in terms of orthography.Ano<strong>the</strong>r obvious difference between this and <strong>the</strong> previous versi<strong>on</strong> is that <strong>the</strong> latter iswritten in Byzantine notati<strong>on</strong> and includes <strong>the</strong> oxeia that Sim<strong>on</strong> Kar<str<strong>on</strong>g>as</str<strong>on</strong>g> recommended reintroducingand <strong>the</strong> markings for syneptygmenos rhythm.The next example is from <strong>the</strong> Byzantine Music Project by Dr. B<str<strong>on</strong>g>as</str<strong>on</strong>g>il Kazan of blessedmemory:5 We decided to publish <strong>the</strong> music of this book first in Western notati<strong>on</strong> despite its drawbacks, since <strong>the</strong> v<str<strong>on</strong>g>as</str<strong>on</strong>g>t majorityof chanters today know <strong>on</strong>ly Western notati<strong>on</strong>. Since <strong>the</strong>n, we have now presented <strong>the</strong> same troparia also inByzantine notati<strong>on</strong>.


xivC<strong>on</strong>cerning Adaptati<strong>on</strong>This adaptati<strong>on</strong> combines <strong>the</strong> advantages and disadvantages of <strong>the</strong> previous examples. Insome places (in <strong>the</strong> first me<str<strong>on</strong>g>as</str<strong>on</strong>g>ure, for example), <strong>the</strong> melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been altered to match <strong>the</strong> textbetter, while in o<strong>the</strong>r places (e.g., in <strong>the</strong> third me<str<strong>on</strong>g>as</str<strong>on</strong>g>ure), <strong>the</strong> original melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been preservedat <strong>the</strong> expense of breaking <strong>the</strong> formulaic rules of Byzantine music. For example, <strong>the</strong> melody for<strong>the</strong> two-syllable word “unto” is never used for two syllables in sticheraric first mode in Byzantinemusic in Greek—but always for <strong>on</strong>ly <strong>on</strong>e syllable. It should be pointed out, though, thatByzantine music in Arabic very frequently inserts extra syllables into formulae of Greek Byzantinemusic. Therefore, <strong>on</strong>e could justifiably argue that this standard practice of <strong>the</strong>irs is notwr<strong>on</strong>g but merely represents a different traditi<strong>on</strong> that is well established. Ano<strong>the</strong>r drawback ofthis adaptati<strong>on</strong> is that <strong>the</strong> words that would be accentuated when reading this text aloud are notemph<str<strong>on</strong>g>as</str<strong>on</strong>g>ized by <strong>the</strong> melody: in <strong>the</strong> first independent clause “O Lord, I have cried out untoThee,” <strong>on</strong>e would normally accentuate <strong>the</strong> words “Lord,” “cried,” and “Thee.” The melody,however, emph<str<strong>on</strong>g>as</str<strong>on</strong>g>izes <strong>the</strong> words “I” and “Thee.”The next example is an adaptati<strong>on</strong> in English by Nancy Takis of Michigan.


C<strong>on</strong>cerning Adaptati<strong>on</strong> xvThe melody of this adaptati<strong>on</strong> h<str<strong>on</strong>g>as</str<strong>on</strong>g> been altered to match <strong>the</strong> text, without distorting <strong>the</strong> textto fit <strong>the</strong> original melody better. This example c<strong>on</strong>forms well to <strong>the</strong> formulaic rules of Byzantinemusic except in two places where <strong>the</strong> rules have been stretched in order to imitate <strong>the</strong>original melody better: 1) <strong>the</strong> melody for <strong>the</strong> phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e “cried out to <strong>the</strong>e” in <strong>the</strong> sec<strong>on</strong>d staff is ahybrid combinati<strong>on</strong> of a heirmologic formula of plagal first mode with a sticheraric formula offirst mode, and 2) <strong>the</strong> melodic phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e for <strong>the</strong> words “me, O Lord” in <strong>the</strong> first two me<str<strong>on</strong>g>as</str<strong>on</strong>g>ures of<strong>the</strong> sec<strong>on</strong>d staff is appropriate for two syllables instead of three. In order to use this melodicphr<str<strong>on</strong>g>as</str<strong>on</strong>g>e (known <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> κύλισμα in <strong>the</strong> old Byzantine notati<strong>on</strong>) for three syllables, <strong>the</strong> embellishmentof <strong>the</strong> first note is expressly written out ei<strong>the</strong>r <str<strong>on</strong>g>as</str<strong>on</strong>g> a pet<str<strong>on</strong>g>as</str<strong>on</strong>g>tē with a klásma, or <str<strong>on</strong>g>as</str<strong>on</strong>g> an is<strong>on</strong> andkentēmata with a gorgón all above an olig<strong>on</strong>. The ramificati<strong>on</strong>s of this for music in Westernnotati<strong>on</strong> are that <strong>the</strong> melody for <strong>the</strong> first of <strong>the</strong> three syllables should be written ei<strong>the</strong>r <str<strong>on</strong>g>as</str<strong>on</strong>g> foureighth notes (<strong>on</strong> F, G, F, and E in this instance) or <str<strong>on</strong>g>as</str<strong>on</strong>g> a dotted eighth note followed by a sixteenthnote and two eighth notes (again <strong>on</strong> F, G, F, and E). A significant advantage of this adaptati<strong>on</strong>in comparis<strong>on</strong> to <strong>the</strong> previous example by Kazan is that <strong>the</strong> melody emph<str<strong>on</strong>g>as</str<strong>on</strong>g>izes <strong>the</strong>words that <strong>on</strong>e would emph<str<strong>on</strong>g>as</str<strong>on</strong>g>ize when reading <strong>the</strong> text aloud.The following example is an adaptati<strong>on</strong> by Kevin Lawrence of North Carolina.


xviC<strong>on</strong>cerning Adaptati<strong>on</strong>This adaptati<strong>on</strong> h<str<strong>on</strong>g>as</str<strong>on</strong>g> successfully followed <strong>the</strong> original melody quite closely. The <strong>on</strong>ly differenceis that in three places a quarter note h<str<strong>on</strong>g>as</str<strong>on</strong>g> ei<strong>the</strong>r been inserted or removed so that <strong>the</strong>melody would match <strong>the</strong> English text better. In particular, a quarter note h<str<strong>on</strong>g>as</str<strong>on</strong>g> been added in <strong>the</strong>first two staves for both instances of <strong>the</strong> word “O,” and in <strong>the</strong> sec<strong>on</strong>d me<str<strong>on</strong>g>as</str<strong>on</strong>g>ure of <strong>the</strong> sec<strong>on</strong>dstaff, a dotted half note is used instead of a half note and a quarter note. An inevitable result ofpreserving <strong>the</strong> original melody so well in a different language is that <strong>the</strong> formulaic rules ofByzantine music must be broken, due to <strong>the</strong> different number of syllables in <strong>the</strong> translati<strong>on</strong>.This can be observed in <strong>the</strong> first me<str<strong>on</strong>g>as</str<strong>on</strong>g>ure of <strong>the</strong> sec<strong>on</strong>d staff where <strong>the</strong> melody for <strong>the</strong> word“hear” is <str<strong>on</strong>g>as</str<strong>on</strong>g>sociated with <strong>on</strong>ly <strong>on</strong>e syllable instead of two. Likewise, <strong>the</strong> melody for <strong>the</strong> word“hear” in <strong>the</strong> middle of <strong>the</strong> third staff would normally have two syllables, but here it h<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>on</strong>ly<strong>on</strong>e. These imperfecti<strong>on</strong>s may be c<strong>on</strong>sidered minor since <strong>the</strong> melody does not cloud <strong>the</strong> meaningof <strong>the</strong> text by emph<str<strong>on</strong>g>as</str<strong>on</strong>g>izing unaccentuated syllables.The following polyph<strong>on</strong>ic setting is by Fr. James Meena of blessed memory, who w<str<strong>on</strong>g>as</str<strong>on</strong>g> anarchpriest of <strong>the</strong> Antiochian Archdiocese of America. Although having multiple parts clouds<strong>the</strong> modality of Byzantine music, we can still critique <strong>the</strong> arrangement by examining <strong>on</strong>ly <strong>the</strong>soprano’s melody.


C<strong>on</strong>cerning Adaptati<strong>on</strong> xviiThis adaptati<strong>on</strong> is similar to <strong>the</strong> previous example in that <strong>the</strong> original melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been preservedquite well. This example differs in that <strong>the</strong> text h<str<strong>on</strong>g>as</str<strong>on</strong>g> been altered to fit <strong>the</strong> music better:<strong>the</strong> phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e “to Thee have I cried” in <strong>the</strong> first line is changed to “I have cried unto Thee” in <strong>the</strong>third line. Likewise, <strong>the</strong> phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e “hear me” in <strong>the</strong> first and sec<strong>on</strong>d lines is changed to “O hearme, hear me” in <strong>the</strong> third line, thus repeating this phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e more times than it is repeated in <strong>the</strong>original Greek. Ano<strong>the</strong>r drawback of using <strong>the</strong> original melody nearly unaltered is that it unavoidablyemph<str<strong>on</strong>g>as</str<strong>on</strong>g>izes unduly <strong>the</strong> word “I” in <strong>the</strong> sec<strong>on</strong>d line. This arrangement also breaks <strong>the</strong>formulaic rules by <str<strong>on</strong>g>as</str<strong>on</strong>g>sociating <strong>the</strong> two syllables “have I” with two c<strong>on</strong>secutive quarter notes in<strong>the</strong> first line, since <strong>the</strong> rules dictate that a single syllable with a half note bel<strong>on</strong>gs in this melodicphr<str<strong>on</strong>g>as</str<strong>on</strong>g>e.The next example is taken from <strong>the</strong> website of <strong>the</strong> <strong>Holy</strong> Transfigurati<strong>on</strong> M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery inBrookline, M<str<strong>on</strong>g>as</str<strong>on</strong>g>sachusetts. 6This is an adaptati<strong>on</strong> of a more c<strong>on</strong>temporary versi<strong>on</strong> of this hymn, presented <strong>on</strong> <strong>the</strong> followingpage taken from a book published in 1952 by C<strong>on</strong>stantine Pringos, <strong>the</strong> Arch<strong>on</strong> Protopsaltisof <strong>the</strong> Patriarchate of C<strong>on</strong>stantinople. 76 See http://www.homb.org/frameset-sitemap.htm7 Πρίγγου, Κωνσταντίνου, Ἡ Πατριαρχικὴ Φόρμιγξ - Ἀναστασιματάριον, Ἀθῆναι, 1974, σελ. 15.


xviiiC<strong>on</strong>cerning Adaptati<strong>on</strong>Comparing <strong>the</strong> two, we can see that <strong>the</strong> English adaptati<strong>on</strong> h<str<strong>on</strong>g>as</str<strong>on</strong>g> successfully captured <strong>the</strong>flavor of <strong>the</strong> original and several of its melodic phr<str<strong>on</strong>g>as</str<strong>on</strong>g>es. Fur<strong>the</strong>rmore, this transcripti<strong>on</strong> inWestern notati<strong>on</strong> includes many of <strong>the</strong> implied embellishments of Byzantine chant. It also follows<strong>the</strong> formulaic rules perfectly, except in <strong>the</strong> beginning of <strong>the</strong> sec<strong>on</strong>d staff where <strong>the</strong> word“me” is used with a melodic phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e that is supposed to have two syllables instead of <strong>on</strong>ly <strong>on</strong>e.We shall now proceed to examine various adapti<strong>on</strong>s of this hymn in o<strong>the</strong>r foreign languages.The following example is taken from an An<str<strong>on</strong>g>as</str<strong>on</strong>g>t<str<strong>on</strong>g>as</str<strong>on</strong>g>imatari<strong>on</strong> in Rumanian: 8This example is similar to <strong>the</strong> fourth and fifth examples in that <strong>the</strong> original Greek melodyh<str<strong>on</strong>g>as</str<strong>on</strong>g> not been preserved, but <strong>the</strong> text h<str<strong>on</strong>g>as</str<strong>on</strong>g> not been distorted, and <strong>the</strong> music follows <strong>the</strong> formulaicrules of Byzantine music. It also follows <strong>the</strong> orthographical rules faithfully, except in <strong>on</strong>e place:8 An<str<strong>on</strong>g>as</str<strong>on</strong>g>t<str<strong>on</strong>g>as</str<strong>on</strong>g>imatarul, Sfintei M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tiri Neamţu, Bucureşti, 1943, p. 1.


C<strong>on</strong>cerning Adaptati<strong>on</strong> xix<strong>the</strong> elaphrón and <strong>the</strong> kentēmata for <strong>the</strong> syllable “zi” in <strong>the</strong> first line should not be placed abovean olig<strong>on</strong>, since <strong>the</strong>y are not followed by a descending character.The next example is an adaptati<strong>on</strong> in Spanish by Panagiotis Katsoulis from A<strong>the</strong>ns, a s<strong>on</strong>of <strong>the</strong> great teacher and protopsaltis, K<strong>on</strong>stantinos Katsoulis (1930-1987):Again, minor changes have been made to <strong>the</strong> original melody in order to match <strong>the</strong> text,and words have not been unnecessarily duplicated. The <strong>on</strong>ly problem with this adaptai<strong>on</strong> is thatit c<strong>on</strong>tains a few orthographical errors. In particular, <strong>the</strong> vareia in <strong>the</strong> first line should be removed,varei<str<strong>on</strong>g>as</str<strong>on</strong>g> should be added before <strong>the</strong> two-beat apóstrophoses in <strong>the</strong> sec<strong>on</strong>d and thirdlines, and <strong>the</strong> synechés elaphrón should be replaced by an yporroē. Never<strong>the</strong>less, this adaptati<strong>on</strong>faithfully follows <strong>the</strong> formulaic rules of Byzantine music compositi<strong>on</strong>.The following example is an adaptati<strong>on</strong> in Arabic by Mitri el-Murr (1880-1969), <strong>the</strong> Protopsaltisof <strong>the</strong> Patriarchate of Antioch, who w<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> first to write troparia in Arabic in Byzantinenotati<strong>on</strong>:


xxC<strong>on</strong>cerning Adaptati<strong>on</strong>As with <strong>the</strong> previous example in Rumanian, we see that <strong>the</strong> original melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> beenchanged to match <strong>the</strong> text, while c<strong>on</strong>forming perfectly to <strong>the</strong> formulaic rules of Byzantine music.Note that <strong>on</strong>ly subtle changes in <strong>the</strong> melody were made so <str<strong>on</strong>g>as</str<strong>on</strong>g> to retain <strong>the</strong> “flavor” of <strong>the</strong>original melody. There are, however, three slight orthographical inaccuracies in this adaptati<strong>on</strong>:<strong>the</strong> sýndesmos in <strong>the</strong> first line should be a vareia, <strong>the</strong> antikénoma with an aplē in <strong>the</strong> third lineshould be replaced by a pet<str<strong>on</strong>g>as</str<strong>on</strong>g>tē with a klásma, and <strong>the</strong> sýndesmos in <strong>the</strong> sec<strong>on</strong>d line should beremoved.The next example is an adaptati<strong>on</strong> in English b<str<strong>on</strong>g>as</str<strong>on</strong>g>ed <strong>on</strong> <strong>the</strong> Arabic melody by Sub-Deac<strong>on</strong>Karim El-Far of California:Comparing this with <strong>the</strong> Arabic prototype, we see that <strong>the</strong> melody is identical, except for<strong>the</strong> notes that have been added to account for <strong>the</strong> word “O” in both <strong>the</strong> first and third lines. Adrawback of preserving <strong>the</strong> original melody unchanged is evident in several places where anunaccented word becomes musically accentuated by <strong>the</strong> melody. In particular, <strong>the</strong> words “unto”and “Thou” in <strong>the</strong> first line and <strong>the</strong> word “have” in <strong>the</strong> third line are unduly emph<str<strong>on</strong>g>as</str<strong>on</strong>g>ized by <strong>the</strong>melody. Ano<strong>the</strong>r drawback of not changing <strong>the</strong> original melody is that <strong>the</strong> formulaic rules havebeen broken in <strong>the</strong> third line where <strong>the</strong> word “Lord” is extended over three notes. In terms oforthography, this example h<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> same orthographical errors <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> Arabic prototype. It h<str<strong>on</strong>g>as</str<strong>on</strong>g> anadditi<strong>on</strong>al orthographical mistake in <strong>the</strong> first line, where <strong>the</strong> sec<strong>on</strong>d note should be an is<strong>on</strong> precededby a vareia, ra<strong>the</strong>r than an is<strong>on</strong> above a pet<str<strong>on</strong>g>as</str<strong>on</strong>g>tē.The following example is a Serbian adaptati<strong>on</strong> taken from a book published in ChurchSlav<strong>on</strong>ic in C<strong>on</strong>stantinople in 1859 by Hadji Angel Ioanov Sevlievets:


C<strong>on</strong>cerning Adaptati<strong>on</strong> xxiHere <strong>the</strong> original melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been discarded and a new melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been composed thatc<strong>on</strong>forms perfectly to <strong>the</strong> formulaic and orthographical rules of Byzantine music. Evidently, <strong>the</strong>prototype for this adaptati<strong>on</strong> w<str<strong>on</strong>g>as</str<strong>on</strong>g> nei<strong>the</strong>r <strong>the</strong> versi<strong>on</strong> of this hymn published by Ioannis <strong>the</strong> Protospaltis(presented <strong>on</strong> <strong>the</strong> first page of this essay) nor <strong>the</strong> original compositi<strong>on</strong> by Petros <strong>the</strong>Pelop<strong>on</strong>nesian, (shown below in <strong>the</strong> old notati<strong>on</strong>), but most likely w<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> versi<strong>on</strong> published byPetros Ephesios in 1820 (presented <strong>on</strong> <strong>the</strong> following page). 9 This can safely be <str<strong>on</strong>g>as</str<strong>on</strong>g>sumed since<strong>the</strong> first six notes in both versi<strong>on</strong>s are identical and since both versi<strong>on</strong>s have a medial cadence<strong>on</strong> Ζω.9 Ἐφέσιος, Πέτρος, Νέον Ἀναστασιματάριον, ἐν Βουκορεστίῳ, 1820, σελ. 1.


xxiiC<strong>on</strong>cerning Adaptati<strong>on</strong>The versi<strong>on</strong> of this hymn by Petros Ephesios begins <str<strong>on</strong>g>as</str<strong>on</strong>g> follows: 10Notice that in <strong>the</strong> manuscript <strong>on</strong> <strong>the</strong> previous page, <strong>the</strong> entire melody of <strong>the</strong> first line is repeatedverbatim from <strong>the</strong> end of <strong>the</strong> sec<strong>on</strong>d line until near <strong>the</strong> end of <strong>the</strong> third line. Althoughthis versi<strong>on</strong> also begins with <strong>the</strong> same musical phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> versi<strong>on</strong> by Ephesios, it does nothave a medial cadence <strong>on</strong> its mesos “Ζω” <str<strong>on</strong>g>as</str<strong>on</strong>g> do Ephesios and Selvievec. Therefore, it is probablethat Selvievec b<str<strong>on</strong>g>as</str<strong>on</strong>g>ed his melody <strong>on</strong> <strong>the</strong> versi<strong>on</strong> by Ephesios.10 As an <str<strong>on</strong>g>as</str<strong>on</strong>g>ide regarding orthography, an <str<strong>on</strong>g>as</str<strong>on</strong>g>tute observer will notice that Petros Ephesios (d. 1840) used an olig<strong>on</strong>for <strong>the</strong> sec<strong>on</strong>d to l<str<strong>on</strong>g>as</str<strong>on</strong>g>t note in <strong>the</strong> first line for <strong>the</strong> syllable “σα,” where<str<strong>on</strong>g>as</str<strong>on</strong>g> Ioannis <strong>the</strong> Protopsaltis (d. 1866) in <strong>the</strong>first example of this essay used a pet<str<strong>on</strong>g>as</str<strong>on</strong>g>tē in <strong>the</strong> same situati<strong>on</strong>. A little-known rule of orthography dictates that anolig<strong>on</strong> must be used in this situati<strong>on</strong>. (See Οἰκονόμου Χαραλάμπους, Βυζαντινῆς Μουσικῆς Χορδή, ἐν ἹερᾷΜητροπόλει Πάφου-Κύπρου, 1940, σελ. 26, §55γ, or rule #2d in our compilati<strong>on</strong> at: http://www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/ByzOrthography.pdf) Fur<strong>the</strong>r evidence that <strong>the</strong> olig<strong>on</strong> is indeed more correct is found byexamining manuscripts of <strong>the</strong> Three Teachers and <strong>the</strong>ir immediate disciples. For example, <strong>the</strong> following facsimilieof a manuscript written in 1839 (MS 23501 Σπουδαστήριον Πρακτικῆς Θεολογίας, Πανεπιστήμιον Θεσσαλονίκης,φ. 1α.) correctly uses <strong>the</strong> olig<strong>on</strong>:


C<strong>on</strong>cerning Adaptati<strong>on</strong> xxiiiReturning to our analysis of adaptati<strong>on</strong>s in foreign languages, <strong>the</strong> next example we shallexamine is ano<strong>the</strong>r versi<strong>on</strong> in Church Slav<strong>on</strong>ic. This <strong>on</strong>e is taken from a recent publicati<strong>on</strong> 11 inBulgaria which is a reprint of a book published in 1872 in C<strong>on</strong>stantinople: 12The melody in this example differs in <strong>on</strong>ly a few places from <strong>the</strong> melody in <strong>the</strong> o<strong>the</strong>r examplein Church Slav<strong>on</strong>ic. In both of <strong>the</strong>m <strong>the</strong> original melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been altered in order tomatch <strong>the</strong> syllabic pattern of <strong>the</strong> translati<strong>on</strong> in accordance with <strong>the</strong> formulaic rules of Byzantinemusic. Note that this publicati<strong>on</strong> c<strong>on</strong>tinues <strong>the</strong> ancient manuscript traditi<strong>on</strong> of including a decorativeheader, inserting an elaborate initial capital letter, and writing Byzantine notati<strong>on</strong> in bothred and black (or brown) ink. This example is free of orthographical errors, but a minor typographicaldefect is that <strong>the</strong> f<strong>on</strong>t used to typeset <strong>the</strong> music puts <strong>the</strong> klásma and <strong>the</strong> gorgón too farabove <strong>the</strong> apóstrophos and <strong>the</strong> yporroē. 1311 Т. Икономов, Обширен Псалтикиен Възкресник, Осмогласник, Утренни Възкресни Стихири. ЦърковенКлир 2. Преработка, оформление и издател: Браството на Мъжка Общежителна Света Обител "Св. ИоанРилски", с. Скрино – Руен, редактор: Андрей Касабов. стр. 29.12 Воскресник или Церковно Восточное Песно-Пение, Содержающе Осмогласника и Оутренните Стихиры.Написан от Т. Икономова. Напечатан же иждевением Андрея Анастасова и С-ие. Цариград. 1872. стр. 17.The melodies in this book are for <strong>the</strong> most part identical to those found in <strong>the</strong> first Bulgarian book of Byzantinemusic printed in 1847 in Bucharest by Nikola Triandafilov.13 The f<strong>on</strong>t used for this example w<str<strong>on</strong>g>as</str<strong>on</strong>g> “ED Psaltica,” and it is available <strong>on</strong>line at www.cmk<strong>on</strong>.org/f<strong>on</strong>ts.htm Becauseof this and its o<strong>the</strong>r imperfecti<strong>on</strong>s, we created our own “EZ Psaltica” f<strong>on</strong>t package, which is available <strong>on</strong>lineat: http://www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/ByzMusicF<strong>on</strong>ts.html


xxivC<strong>on</strong>cerning Adaptati<strong>on</strong>The following example is an adaptati<strong>on</strong> by Andréa Atlanti of France, who studied Byzantinechant in Greece under <strong>the</strong> Protopsaltis Zachari<str<strong>on</strong>g>as</str<strong>on</strong>g> P<str<strong>on</strong>g>as</str<strong>on</strong>g>chalides.This adaptati<strong>on</strong> is ano<strong>the</strong>r example wherein <strong>the</strong> original melody w<str<strong>on</strong>g>as</str<strong>on</strong>g> discarded so that <strong>the</strong>melody would match <strong>the</strong> words in perfect c<strong>on</strong>formity to <strong>the</strong> formulaic rules. This example alsoh<str<strong>on</strong>g>as</str<strong>on</strong>g> perfect orthography except for <strong>on</strong>e minor detail: <strong>the</strong> apóstrophos in <strong>the</strong> sec<strong>on</strong>d line above<strong>the</strong> syllable “moi” should have a pet<str<strong>on</strong>g>as</str<strong>on</strong>g>tē beneath it.* * *In summary, <strong>the</strong> versi<strong>on</strong>s of this hymn written in countries where Byzantine chant h<str<strong>on</strong>g>as</str<strong>on</strong>g> existedfor centuries (Bulgaria, Greece, Rumania, Serbia, and Syria) have two characteristics incomm<strong>on</strong>: <strong>the</strong> melody h<str<strong>on</strong>g>as</str<strong>on</strong>g> been molded to match <strong>the</strong> text, and <strong>the</strong> text h<str<strong>on</strong>g>as</str<strong>on</strong>g> not been tamperedwith in order to fit a particular melody. On <strong>the</strong> o<strong>the</strong>r hand, most arrangements of this hymnfrom America—where Byzantine chant h<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>on</strong>ly recently appeared—preserve characteristics of<strong>the</strong> original melody at <strong>the</strong> expense of <strong>the</strong> text. In particular, three compromises have been observedin such adaptati<strong>on</strong>s: 1) The text itself h<str<strong>on</strong>g>as</str<strong>on</strong>g> been tampered with in order to mimic <strong>the</strong> syllabicpattern of <strong>the</strong> original hymn, 2) unaccented syllables are unduly emph<str<strong>on</strong>g>as</str<strong>on</strong>g>ized by <strong>the</strong> melody,and/or 3) <strong>the</strong> formulaic rules of Byzantine music compositi<strong>on</strong> have been stretched or disregarded.One can surmise that <strong>the</strong>se compromises are not found in <strong>the</strong> hymns in countrieswhere Byzantine chant h<str<strong>on</strong>g>as</str<strong>on</strong>g> existed for centuries because composers with a thorough gr<str<strong>on</strong>g>as</str<strong>on</strong>g>p ofByzantine chant abound in such places. In America, however, where Byzantine chant is newand expertise in it is rare, most attempts to arrange hymns have some or all of <strong>the</strong> aforementi<strong>on</strong>edshortcomings. As regards orthography, we have seen that examples taken from <strong>the</strong> nine-


C<strong>on</strong>cerning Adaptati<strong>on</strong> xxvteenth century have few or no errors, where<str<strong>on</strong>g>as</str<strong>on</strong>g> examples written in recent times tend to havemore orthographical errors, regardless of where <strong>the</strong>y were written.The questi<strong>on</strong> <strong>the</strong>n arises, which arrangement is best? The answer to this subjective questi<strong>on</strong>will depend <strong>on</strong> what <strong>on</strong>e believes to be <strong>the</strong> ideal degree of alterati<strong>on</strong> for Byzantine melodieswhen adapting <strong>the</strong>m to texts in a foreign language, and fur<strong>the</strong>r, if <strong>on</strong>e believes that <strong>the</strong> textmay be changed to mimic <strong>the</strong> syllabic pattern of <strong>the</strong> original melody. Since <strong>the</strong> melodies in thisbook bel<strong>on</strong>g to <strong>the</strong> syllabic “sticheraric” and “heirmologic” genres, which are text-b<str<strong>on</strong>g>as</str<strong>on</strong>g>ed andtext-emphatic (<str<strong>on</strong>g>as</str<strong>on</strong>g> opposed to <strong>the</strong> melismatic “papadic” genre), we believe that <strong>the</strong> goal shouldbe to alter or obscure <strong>the</strong> text <str<strong>on</strong>g>as</str<strong>on</strong>g> little <str<strong>on</strong>g>as</str<strong>on</strong>g> possible. Thus, our preference (in this book, at le<str<strong>on</strong>g>as</str<strong>on</strong>g>t) 14h<str<strong>on</strong>g>as</str<strong>on</strong>g> been to follow <strong>the</strong> example set by <strong>the</strong> adaptati<strong>on</strong>s made in countries with a str<strong>on</strong>g traditi<strong>on</strong>of Byzantine chant. In o<strong>the</strong>r words, we have made whatever changes necessary to <strong>the</strong> originalmelody to make it match <strong>the</strong> corresp<strong>on</strong>ding text in complete accordance with <strong>the</strong> orthographicaland formulaic rules of Byzantine music compositi<strong>on</strong>, without altering <strong>the</strong> text. Thissingular achievement in English w<str<strong>on</strong>g>as</str<strong>on</strong>g> made possible <strong>on</strong>ly by c<strong>on</strong>stantly referring to our compilati<strong>on</strong>of <strong>the</strong>se formulaic rules. We have posted <strong>the</strong>m in a new webpage 15 with <strong>the</strong> hope thato<strong>the</strong>r composers and arrangers of Byzantine music in any language will also benefit <str<strong>on</strong>g>as</str<strong>on</strong>g> much <str<strong>on</strong>g>as</str<strong>on</strong>g>we have by using <strong>the</strong>m.14 In our Divine Liturgies book, for some hymns we composed new melodies that would match <strong>the</strong> English textwithout breaking any formulaic rules, while for o<strong>the</strong>r hymns we disregarded <strong>the</strong> rules in order to preserve <strong>the</strong>original melody with few or no changes. This w<str<strong>on</strong>g>as</str<strong>on</strong>g> intenti<strong>on</strong>al, because many people know <strong>the</strong> melodies of thosehymns, and <strong>the</strong>y would prefer an adaptati<strong>on</strong> that sounds familiar, where<str<strong>on</strong>g>as</str<strong>on</strong>g> in this <str<strong>on</strong>g>Vespers</str<strong>on</strong>g> book, most of <strong>the</strong> tropariaof <strong>the</strong> octoechos are not well known. Therefore, we preserved <strong>on</strong>ly <strong>the</strong> general melodic movements of eachtropari<strong>on</strong>, while adapting <strong>the</strong> words to <strong>the</strong>ir appropriate melodic formulae. Only in <strong>the</strong> Apolytikia did we slightlystretch <strong>the</strong> formulaic rules in order to accommodate more of <strong>the</strong> original melody.15 See http://www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/Formula.html


About <strong>the</strong> Translati<strong>on</strong>OUR previous book with music for <strong>the</strong> Divine Liturgies c<strong>on</strong>tained both Elizabethan andModern English versi<strong>on</strong>s of each hymn. This book for <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>, however, c<strong>on</strong>tainshymns <strong>on</strong>ly in Elizabethan English. We decided to compose music <strong>on</strong>ly for this style ofEnglish because several o<strong>the</strong>rs have already set <strong>the</strong>se hymns to music using a Modern Englishtranslati<strong>on</strong>. 16 All <strong>the</strong> texts 17 used for <strong>the</strong> hymns in this publicati<strong>on</strong> are copyrighted by <strong>the</strong> <strong>Holy</strong>Transfigurati<strong>on</strong> M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery in Brookline, M<str<strong>on</strong>g>as</str<strong>on</strong>g>sachusetts, and are used with <strong>the</strong>ir kind permissi<strong>on</strong>.We chose <strong>the</strong>ir Elizabethan English translati<strong>on</strong> because many people throughout <strong>the</strong>world hold <strong>the</strong>ir liturgical translati<strong>on</strong>s in high regard due to <strong>the</strong>ir precisi<strong>on</strong>, meter, and elegance.16 In particular, Hierom<strong>on</strong>k Seraphim Dedes h<str<strong>on</strong>g>as</str<strong>on</strong>g> set to Byzantine music all troparia of <strong>the</strong> Octoechos for Saturday<str<strong>on</strong>g>Vespers</str<strong>on</strong>g> and Sunday Orthros. His works are available at: http://sgpm.goarch.org/M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery/index.php?p=31O<strong>the</strong>rs who have set <strong>the</strong>se troparia to Byzantine music using a Modern English translati<strong>on</strong> include: Dr. JessicaSuchy-Pilalis, John Michael Boyer, and Andrew Gorny.17 The <strong>on</strong>ly text in this book that is our own translati<strong>on</strong> is <strong>the</strong> text for <strong>the</strong> apolytikia of <strong>the</strong> Resurrecti<strong>on</strong>.


C<strong>on</strong>cerning Notati<strong>on</strong>The standard way to pr<strong>on</strong>ounce <strong>the</strong> word "<strong>the</strong>" in musical texts in English is to pr<strong>on</strong>ounceits "e" <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> schwa sound [ə] when followed by a c<strong>on</strong>s<strong>on</strong>ant and <str<strong>on</strong>g>as</str<strong>on</strong>g> a l<strong>on</strong>g"ee" sound when followed by a vowel. To help people avoid making mistakes whenchanting this word, it h<str<strong>on</strong>g>as</str<strong>on</strong>g> been written <str<strong>on</strong>g>as</str<strong>on</strong>g> "thē" when followed by a vowel.Part II of this book (which c<strong>on</strong>tains music for “Special Days”), provides more than <strong>on</strong>emelody for most hymns. One is free to choose whichever versi<strong>on</strong> <strong>on</strong>e feels would be most appropriate,taking into c<strong>on</strong>siderati<strong>on</strong> <strong>the</strong>ir durati<strong>on</strong> and level of difficulty.Tempo marks are provided merely <str<strong>on</strong>g>as</str<strong>on</strong>g> guidelines; <strong>the</strong>y may be altered to accommodate localrequirements.From around <strong>the</strong> fourteenth century, composers of Byzantine music have inserted meaninglessc<strong>on</strong>s<strong>on</strong>ants (such <str<strong>on</strong>g>as</str<strong>on</strong>g> + [n], ~ [n], and c [h]) into l<strong>on</strong>g, melismatic melodies. As Dr.C<strong>on</strong>omos explains:


xxviiiC<strong>on</strong>cerning Notati<strong>on</strong>Two problems were solved with <strong>the</strong> introducti<strong>on</strong> of <strong>the</strong>se foreign sounds into <strong>the</strong>text. First, a practical <strong>on</strong>e: <strong>the</strong>y had <strong>the</strong> effect of abbreviating an extended melodicphr<str<strong>on</strong>g>as</str<strong>on</strong>g>e into groups of a few notes, <strong>the</strong>reby making it e<str<strong>on</strong>g>as</str<strong>on</strong>g>ier for <strong>the</strong> soloist or <strong>the</strong> choir tosing. Sec<strong>on</strong>dly, it solved an aes<strong>the</strong>tic problem; <strong>the</strong> c<strong>on</strong>s<strong>on</strong>ants er<str<strong>on</strong>g>as</str<strong>on</strong>g>ed <strong>the</strong> unple<str<strong>on</strong>g>as</str<strong>on</strong>g>antnessof a sustained vowel and offered an incentive to <strong>the</strong> chanter to add emph<str<strong>on</strong>g>as</str<strong>on</strong>g>is atcertain points where <strong>the</strong> composer, scribe or psalte [i.e., chanter] thought fit. 2In this book <strong>the</strong>se c<strong>on</strong>s<strong>on</strong>ants were usually preserved in <strong>the</strong> melodic phr<str<strong>on</strong>g>as</str<strong>on</strong>g>es that call for<strong>the</strong>m. They are written in paren<strong>the</strong>ses so that it is clear that <strong>the</strong>y are not a part of <strong>the</strong> words andso that those who prefer not to use <strong>the</strong>m in English may omit <strong>the</strong>m.The “int<strong>on</strong>ati<strong>on</strong>s” (ajphchvmata) that may be <str<strong>on</strong>g>chanted</str<strong>on</strong>g> before a hymn have been listed in <strong>the</strong>Appendix by number. The appropriate number for <strong>the</strong> int<strong>on</strong>ati<strong>on</strong> is provided <strong>on</strong>ly at <strong>the</strong> beginningof those hymns that Ath<strong>on</strong>ite chanters might precede with an int<strong>on</strong>ati<strong>on</strong>.2 C<strong>on</strong>omos, Dimitri E., Byzantine Trisagia and Cheroubika of <strong>the</strong> Fourteenth and Fifteenth Centuries, PatriarchalInstitute for Patristic <strong>St</strong>udies, Thessal<strong>on</strong>iki, 1974, p. 264.


RubricsAS in <strong>the</strong> standard Greek An<str<strong>on</strong>g>as</str<strong>on</strong>g>t<str<strong>on</strong>g>as</str<strong>on</strong>g>imatari<strong>on</strong>, this book h<str<strong>on</strong>g>as</str<strong>on</strong>g> both sticheraric (slow) andheirmologic (brief) versi<strong>on</strong>s of “Lord, I have cried,” <strong>the</strong> <strong>St</strong>ichera, and <strong>the</strong> Apostichatroparia. On a typical Saturday evening <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>, <strong>the</strong> sticheraric versi<strong>on</strong>sof “Lord, I have cried” and <strong>the</strong> <strong>St</strong>ichera troparia are <str<strong>on</strong>g>chanted</str<strong>on</strong>g>, where<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> heirmologicversi<strong>on</strong>s of <strong>the</strong> Aposticha troparia are <str<strong>on</strong>g>chanted</str<strong>on</strong>g>. In some parishes, however,<strong>the</strong> standard practice is to chant <strong>the</strong> sticheraric versi<strong>on</strong>s of “Lord, I have cried” and <strong>the</strong> <strong>St</strong>icheratroparia for first, sec<strong>on</strong>d, plagal first, and plagal sec<strong>on</strong>d modes, while <strong>the</strong> remaining modes are<str<strong>on</strong>g>chanted</str<strong>on</strong>g> heirmologically.When <strong>the</strong>re is no Dox<str<strong>on</strong>g>as</str<strong>on</strong>g>tic<strong>on</strong> appointed for <strong>the</strong> <strong>St</strong>ichera by <strong>the</strong> Menai<strong>on</strong>, Triodi<strong>on</strong>, orPentecostari<strong>on</strong>, <strong>the</strong> verses “Glory...” and “Both now...” are <str<strong>on</strong>g>chanted</str<strong>on</strong>g> toge<strong>the</strong>r in <strong>the</strong> mode of <strong>the</strong>week, followed by <strong>the</strong> sticheraric versi<strong>on</strong> of <strong>the</strong> Dogmatic Theotoki<strong>on</strong> in <strong>the</strong> mode of <strong>the</strong> week.When, however, <strong>the</strong>re is an appointed Dox<str<strong>on</strong>g>as</str<strong>on</strong>g>tic<strong>on</strong> for <strong>the</strong> <strong>St</strong>ichera, it is <str<strong>on</strong>g>chanted</str<strong>on</strong>g> sticherarically,preceded by <strong>the</strong> sticheraric verse “Glory.” Thereafter, <strong>the</strong> verse “Both now” is <str<strong>on</strong>g>chanted</str<strong>on</strong>g> in <strong>the</strong>mode of <strong>the</strong> week, followed by <strong>the</strong> sticheraric versi<strong>on</strong> of <strong>the</strong> Dogmatic Theotoki<strong>on</strong> in <strong>the</strong> modeof <strong>the</strong> week.When <strong>the</strong>re is no Dox<str<strong>on</strong>g>as</str<strong>on</strong>g>tic<strong>on</strong> appointed for <strong>the</strong> Aposticha by <strong>the</strong> Menai<strong>on</strong>, Triodi<strong>on</strong>, orPentecostari<strong>on</strong>, <strong>the</strong> verses “Glory...” and “Both now...” are <str<strong>on</strong>g>chanted</str<strong>on</strong>g> toge<strong>the</strong>r sticherarically in<strong>the</strong> mode of <strong>the</strong> week, followed by <strong>the</strong> sticheraric versi<strong>on</strong> of <strong>the</strong> Aposticha Theotoki<strong>on</strong> in <strong>the</strong>mode of <strong>the</strong> week. When, however, <strong>the</strong>re is an appointed Dox<str<strong>on</strong>g>as</str<strong>on</strong>g>tic<strong>on</strong> for <strong>the</strong> Aposticha, it is<str<strong>on</strong>g>chanted</str<strong>on</strong>g> sticherarically, preceded by <strong>the</strong> sticheraric verse “Glory.” Thereafter, <strong>the</strong> verse “Bothnow” is <str<strong>on</strong>g>chanted</str<strong>on</strong>g> heirmologically in <strong>the</strong> mode of <strong>the</strong> preceding Dox<str<strong>on</strong>g>as</str<strong>on</strong>g>tic<strong>on</strong>, followed by <strong>the</strong>heirmologic versi<strong>on</strong> of <strong>the</strong> Aposticha Theotoki<strong>on</strong> in <strong>the</strong> same mode.For more details of <strong>the</strong> rubrics for <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>, see <strong>the</strong> typic<strong>on</strong> of Violakis and K<strong>on</strong>stantinos,available in English at: http://users.forthnet.gr/ath/frc/pspro<strong>the</strong>oria1.html#9thhour


AcknowledgementsTHIS book w<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>on</strong>ly made possible by <strong>the</strong> <str<strong>on</strong>g>as</str<strong>on</strong>g>sistance of dozensof people: hierom<strong>on</strong>ks; priests; m<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tics; Byzantine,Slavic, Russian, and Western musicologists; linguists; translators;Greek teachers; voice teachers; composers; chanters; choirdirectors; members of <strong>the</strong> Nati<strong>on</strong>al Forum of Greek OrthodoxChurch Musicians; ic<strong>on</strong>ographers; graphic designers; computerprogrammers; sound engineers; librarians; proofreaders; and professorsof music, <strong>the</strong>ology, and English. We would also like tothank ahead of time all who would like to point out to us <strong>the</strong> variousmistakes we have made. We are deeply grateful for all <strong>the</strong>irc<strong>on</strong>tributi<strong>on</strong>s and pray that our Lord Jesus Christ reward <strong>the</strong>m for<strong>the</strong>ir efforts abundantly in this life and in <strong>the</strong> next.


first modeLord, I Have Cried 84Kuvrie ejkevkraxa ord,___ I have ƒcried___ un - - to__________ Thee,__Ì ƒheark - ƒen ƒun - ƒƒ- ƒƒ- to_________Ì me; heark - - - en___ÌÌ ƒun - - to__ÌÌ me,___________Ì ƒƒO__________ÌÌ ƒƒƒLord. ƒLord,_____Ì I ƒhave ƒcried______ un - ƒƒ- ƒƒto____ Thee,__Ì ƒƒheark - en__Ì ƒun - to___ ƒƒme;________ at - ƒtend towww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


2First Mode - Lord I Have Cried ƒ<strong>the</strong> ƒvoice_________Ì of________ ƒ my ƒsup - - ƒƒpli - ca - - - ƒti<strong>on</strong> ƒƒwhen I ƒcry___Ì ƒƒun - to___ ƒThee:_____________ ƒHeark - - ƒen un - - to ƒƒme_ _________ÌO___________ ƒLord.Let My PrayerKateuqunqhvtwL ƒet ƒmy__Ì ƒprayer___________ÌÌ be___ÌÌ ƒƒset___________ forth ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒin - - - - ƒcense____ÌÌ ƒbe - fore_________ Thee, ƒ<strong>the</strong> lift - ing up______ _Ì of___ÌÌ ƒmy___̃ƒhands <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒan ƒeveƒƒ-ƒƒning ƒsac - ri - - ƒfice;__Ì heark - ƒ- ƒƒen un - - to ƒme,__________ O___________ ƒƒƒLord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129First ModeS 180Qou' Kuvrie et, O Lord, a ƒƒwatch be-fore my mouth, and ƒa door ƒƒof ƒen - cloƒ-ƒsure round a - ƒbout ƒmy lips.2 In - cline___Ì ƒƒnot__ƒƒmy ƒheart un - ƒƒto words of ƒe - - ƒƒvil, ƒƒto make ex - ƒcuse___ with exƒƒ-ƒƒcus - - es ƒin sins,3 With men that work ƒin - ƒiq - ui - ƒƒty; ƒƒand ƒI_______Ì will not ƒƒjoin with_ ƒƒ_̃<strong>the</strong>ir ƒcho - sen.4 ƒƒTheƒrightƒ-ƒƒeous man will ch<str<strong>on</strong>g>as</str<strong>on</strong>g>-ten me with mer-ƒcy and re - ƒƒprove__Ì ƒme;www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


4First Mode - Verses of Psalms ƒ <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor thē oil ƒof <strong>the</strong> sin - - ƒner, let ƒƒit ƒƒnot aƒ-ƒnoint my head.5 ƒ Forƒyet ƒmore__ÌÌ ƒƒis ƒmy prayer_ÌÌ ƒƒin ƒ<strong>the</strong> pres-ƒence of ƒƒ<strong>the</strong>ir ple<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒƒures; swal-lowed ƒƒup ƒƒnear by <strong>the</strong> rock have <strong>the</strong>ir judg - es been.6 ƒƒThey ƒƒshall hear ƒmy words, for ƒ<strong>the</strong>y be ƒsweet-ƒened; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa clod of earth ƒƒis broƒ-ƒken__ƒƒup - ƒƒ<strong>on</strong> ƒƒthē ƒearth, ƒso have ƒ<strong>the</strong>ir ƒb<strong>on</strong>es been scat-tered ƒnigh_ _ÌÌ ƒƒƒunƒ-ƒƒto ƒƒHa - ƒdes.7 ƒFor ƒƒun - to ƒThee, O ƒƒLord, ƒƒO Lord,__ are ƒƒmine ƒƒeyes, ƒin ƒƒThee have__ I ƒhoped; take______ ƒnot my ƒƒsoul ƒƒa-ƒway.8 Keep me ƒfrom <strong>the</strong> snare which <strong>the</strong>y have ƒlaid ƒƒfor me, ƒƒand from <strong>the</strong> stum-bling-blocks of <strong>the</strong>m ƒƒthat work ƒƒin - ƒƒiq - uiƒ- ty.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Verses of Psalms59 ƒƒThe ƒƒsin - ƒ- ƒners ƒshall ƒfall in - - to <strong>the</strong>ir own net; ƒƒI ƒam ƒƒa - ƒl<strong>on</strong>e unƒ-ƒƒtil ƒI ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s___ ƒby.10 With ƒmy voice ƒƒunƒ-ƒƒto ƒƒ<strong>the</strong> Lord_ ƒhave ƒI cried, with ƒƒmy ƒvoice unƒƒ-ƒƒto <strong>the</strong> Lord have ƒIƒƒmade ƒmy ƒsupƒ-ƒpliƒ- ƒca - ƒƒti<strong>on</strong>.11 ƒI will ƒpour___ out be-fore Him my ƒsupƒƒ-ƒƒpli - ƒca - ti<strong>on</strong>, mine ƒaf - ƒƒflic - - ƒƒti<strong>on</strong> beƒ-ƒƒfore______ƒƒƒHim will ƒƒI de-clare.12 When ƒmy ƒspir - ƒ- ƒit ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> faint - ƒing ƒƒwith - in____ ƒme, ƒ<strong>the</strong>n Thou knew- ƒest my paths.1314 In ƒƒthis way whereƒ-ƒƒin I ƒƒhave walked <strong>the</strong>y ƒhid for ƒme ƒƒa snare. ƒI ƒlooked up - ƒ<strong>on</strong> ƒmy ƒƒright hand, and be - ƒƒheld, and ƒƒ<strong>the</strong>re w<str<strong>on</strong>g>as</str<strong>on</strong>g> n<strong>on</strong>e that_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


6First Mode - Verses of Psalms ƒƒƒ_̃ƒdidknow__Ì ƒƒme.15 Flight ƒƒhath ƒfailed__ÌÌ ƒme, ƒand <strong>the</strong>re ƒis ƒn<strong>on</strong>e ƒƒthat watch-eth out___ÌÌ ƒfor my ƒsoul.16 ƒI ƒhave cried___ ƒƒunƒ-ƒƒto ƒThee, ƒO Lord; ƒƒI said:___ ƒƒThou__ ƒart ƒmy hope, my ƒƒpor-ti<strong>on</strong>__ƒƒart ƒThou_____Ì ƒin ƒ<strong>the</strong> ƒƒland ƒof___ƒƒ<strong>the</strong> ƒliv - ing.17 ƒƒAt - ƒƒtend ƒƒun - ƒƒto ƒƒmy sup - pli - ƒca - - ti<strong>on</strong>, for ƒI am ƒƒbrought_ ver - y ƒlow.18 ƒDe - ƒliv - er ƒƒme ƒfrom ƒ<strong>the</strong>m__ƒthat ƒper - ƒse - cute me, ƒfor ƒƒ<strong>the</strong>y are str<strong>on</strong>g- ƒƒ- ƒer than I.On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 9or with Brief <strong>St</strong>ichera <strong>on</strong> page 32.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Verses of Psalms71920 ƒBring my soul___ ƒout ƒof ƒpris - - ƒ<strong>on</strong> ƒthat I______Ì̃may c<strong>on</strong>-fess Thy Name. ƒThe ƒright-eous shall wait pa -ƒƒtientƒ-ly ƒforme ƒun - til ƒThou shalt reƒƒ-ƒƒward___ me.21 Out ƒƒof ƒƒ<strong>the</strong> ƒƒdepths__ÌÌ ƒhave__ ƒƒI cried______ ƒƒun - ƒƒto Thee, ƒƒO Lord; ƒOLord,____ÌÌ̃ƒhear ƒƒmy ƒvoice.22 ƒLet ƒThine ears___Ì ƒbe at - tenƒ-ƒtive ƒto <strong>the</strong> ƒvoice of ƒmy sup-pli - ƒca - ƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraFirst Mode Verse #1!Exavgage ejk fulakh'"B ring ƒƒmy ƒsoul out ƒƒof pris - ƒƒ<strong>on</strong> ƒƒthat ƒƒI may ƒc<strong>on</strong> - fess___ÌThy__ÌÌ _______ Name.<strong>St</strong>ichera #1Ta;" eJsperinav" ƒ c - cept our ƒeve - - ƒƒning_________ prayers, ƒO ƒho - - - - ƒly___________Ì Lord, ƒƒand___Ì grant ƒƒus__Ì <strong>the</strong> re - mis - - ƒsi<strong>on</strong> of_______ sins;_____ ƒƒfor ƒƒThou_____ ƒa - ƒƒl<strong>on</strong>e ƒart ƒƒHe ƒWho_____Ì̃hath__ÌÌ shown__ ƒƒforth ƒ<strong>the</strong> ƒRes - ƒur - ƒrec - ti<strong>on</strong> ƒƒun - to__________ ƒ<strong>the</strong>___________ ƒƒworld.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Slow <strong>St</strong>ichera9Verse #2!Eme; uJpomenou'si T he right - eous shall wait ƒpa - ƒƒtient - ly for ƒme ƒun - ƒƒtil ƒThouƒƒshalt re - ƒƒward________ ƒƒme.<strong>St</strong>ichera #2Kuklwvsate laoiv n - cir - - ƒƒcle__Ì ƒSi - ƒƒ- ƒƒ- <strong>on</strong>, O_____ ye__Ì peo - ƒƒ- ƒƒ- ƒƒ- ƒƒ- - - ƒƒples, and en - ƒcom-p<str<strong>on</strong>g>as</str<strong>on</strong>g>s her, ƒand ƒƒgive glo - ƒry <strong>the</strong>reƒ-ƒin to Him that is a - - ris - en__Ì from <strong>the</strong>______Ì dead; ƒƒfor____Ì He ƒis______ÌÌ ƒƒour______Ì God___ ƒWho hath ƒde - - ƒƒliv - - ƒƒered___ ƒƒus___Ì from ƒour ƒin - ƒiq - - - - - ui - - - ties.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


10First Mode - Slow <strong>St</strong>icheraOVerse #3!Ek baqevwn ut ƒƒ of ƒ<strong>the</strong> ƒƒdepths ƒhave ƒ ƒI ƒ cried ƒun - ƒƒto ƒThee, O ƒLord; ƒO Lord,__ hear___ƒmy__________Ì voice.<strong>St</strong>ichera #3Deu'te laoiv ƒome, O ye peo - - ƒples, let ƒƒus ƒƒpraise_ƒƒand ƒwor - ƒship___ƒƒChrist, glo - ri - fyƒƒ-ƒƒing His ƒRes - ur - rec - ti<strong>on</strong> from__________ <strong>the</strong>__________Ì dead; ƒƒfor____Ì ƒƒHe_____ is__ÌÌ our__ God___ Who ƒƒhath de - liv - - ered ƒƒ<strong>the</strong>___Ì world ƒƒfrom thē ƒer - - - - ƒror ƒof thē ƒen - - - - - e - - - - - ƒmy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Slow <strong>St</strong>ichera11Verse #4Genhqhvtw ta; w\ta souL et Thine ears ƒbe ƒƒat - ten - tive to ƒƒ<strong>the</strong> ƒvoice of my ƒƒsup - ƒƒpli - ƒƒƒca - - - ƒƒti<strong>on</strong>.<strong>St</strong>ichera #4Eujfravnqhte oujranoiv e - joice, ƒƒO ye ƒheav - - - - ƒens; ƒsound ƒƒ<strong>the</strong> trum-pets, ye ƒƒfounƒƒ- ƒda - ƒ ƒ-ƒƒti<strong>on</strong>s ƒ ƒƒof ƒthē___ÌÌ ƒƒearth; ƒcry______ ƒƒout ƒƒwith__ glad - - ness, O____ ƒƒye moun - - - tains. ƒƒFor, ƒƒbe -ƒƒƒhold, Em-ƒman - - u - - el ƒhath ƒƒnailed our sins___________Ì ƒ to ƒ<strong>the</strong>___Ì ƒCross, and ƒ<strong>the</strong> ƒGiv - er ƒof ƒlife hath slain__ÌÌ __ death,__ and, ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong> ƒƒFriend of man, ƒƒHe hath ƒraised ƒup ƒƒAd - ƒ- ƒ- ƒƒ-am.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


12First Mode - Slow <strong>St</strong>icheraIVerse #5!Ea;n ajnomiva" f ƒThou ƒshould - est ƒmark in - ƒƒiq - ui - ƒƒties, O ƒƒLord, O ƒƒLord, ƒƒwho ƒshall stand? ƒƒFor with ƒThee__̃<strong>the</strong>re ƒƒis for - ƒgive - - - ƒness.<strong>St</strong>ichera #5To;n sarki; eJkousivw" ƒet us praise ƒƒHim Who will-ƒing - - ƒly ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒcru - ƒci-ƒfied in ƒ<strong>the</strong> ƒflesh ƒƒfor___Ì us, Who did ƒ ƒsuf -fer ƒand__Ì̃ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>__ÌÌ ƒƒbur - - ƒied and ƒhath a - ris - en__ÌÌ ƒfrom__ ƒ<strong>the</strong>___ÌÌ ƒdead,__ and let_________ÌÌ ƒus____________ ƒsay: ƒ <strong>St</strong>abƒƒ- lish Thy Church in ƒOr - ƒtho - dox - - - ƒy, ƒƒO____ ƒChrist, ƒƒand make ƒour________ÌÌ life____ ƒpeace - ƒƒ- ful, since ƒThou art good ƒƒand<strong>the</strong> ƒFriend________ of___________ ƒƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Slow <strong>St</strong>ichera13Verse #6 $Eneken tou' ojnovmatov" souF or ƒƒThy ƒƒName's sake ƒhave ƒI pa - ƒƒtient - ƒly ƒƒwait - ƒƒed ƒfor ƒƒThee, ƒO ƒLord; ƒmy ƒƒsoul ƒƒhath ƒƒwait - ed ƒƒpa - ƒtient - ƒly for ƒ Thy ƒword, my ƒsoul hath ƒƒhopedin_______ <strong>the</strong>________Ì ƒƒLord.<strong>St</strong>ichera #6Tw'/ zwodovcw/ sou tavfw/ ƒs ƒƒƒƒwe un - ƒwor - ƒthy ƒ<strong>on</strong>es stand ƒbe - - ƒfore Thy____ ƒlife - - ƒgiv - - - - - ing_________Ì grave, ƒƒglo - ri - ƒƒfi - ƒcaƒ-ƒti<strong>on</strong> ƒdo____ ƒwe___ of - ƒƒ- fer to ƒThine in - ef - ƒfa -ƒƒ - ble ƒƒcomƒ-ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒsi<strong>on</strong>, O ƒChrist________ ƒƒour__Ì ƒ_______ ƒGod; ƒƒfor <strong>the</strong> ƒƒCross ƒand ƒdeath h<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou ƒac - ƒcept - - ed, ƒƒO ƒSin - ƒless___Ì One, that Thou might-ƒest grant <strong>the</strong> ƒRes - ƒur - ƒrecƒ-ti<strong>on</strong> unƒ-ƒƒto___ <strong>the</strong>___ ƒworld, since Thou ƒƒart______Ì ƒ<strong>the</strong> Friend________ ƒof___________Ì ƒƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


14First Mode - Slow <strong>St</strong>icheraVerse #7!Apo; fulakh'" prwi?a"F rom <strong>the</strong> ƒƒmorn - ƒing ƒwatch un - ƒƒtil ƒƒnight, fromƒ <strong>the</strong> morn - ƒing ƒwatch ƒlet ƒ Is - ra - el ƒƒhopeƒin______Ì ƒ<strong>the</strong>________ ƒƒƒƒLord.<strong>St</strong>ichera #7To;n tw'/ Patri; sunavnarc<strong>on</strong> et us praise <strong>the</strong> Word Who, with <strong>the</strong>__Ì ƒFa - - - - <strong>the</strong>r, ƒis ƒco - be - ƒgin-ƒning-ƒless ƒƒand ƒco - - - ƒe - - ƒter - - ƒƒnal, and ƒWho ƒƒin - ƒef - ƒfa - - bly hath ƒcome ƒƒforthƒƒfrom <strong>the</strong> vir - - - gin - ƒal____ womb, and hath ƒƒac - ƒceptƒ-ƒed ƒ<strong>the</strong> ƒƒCross and__ death ƒƒfor us will - ƒing - - ƒly, and ƒhath ƒa - ris - en ƒin glo - - -ƒry; ƒand ƒlet____Ì ƒus___ ƒsay___________ un - - - ƒto________ÌÌ Him: ƒO life - ƒgiv - ing__̃ Lord, ƒglo - ry___ ƒƒbe__ to_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Slow <strong>St</strong>ichera15 ƒ__ƒThee, <strong>the</strong> Savƒ-ƒƒiour ƒof_________Ì ƒ our___________ ƒsouls.Verse #8$Oti para; tw'/ Kurivw/F ƒor ƒƒwith ƒ<strong>the</strong> Lord ƒ <strong>the</strong>re ƒƒis ƒƒmer - ƒcy, ƒƒand ƒwithƒƒ ƒHim is ƒƒplen - ƒte - ous ƒƒre - ƒdempƒƒ-ƒƒti<strong>on</strong>; and He ƒshall re - ƒdeem ƒIs - ƒra - ƒƒel ƒ ƒoutƒƒ of ƒƒall his ƒin - ƒƒiq - - - ui - - - - ƒƒties.OVerse #9Aijnei'te to;n Kuvri<strong>on</strong> ƒ ƒpraise ƒ<strong>the</strong> Lord, ƒall ye ƒna - ƒti<strong>on</strong>s; ƒpraise Him, all ye peo - - - ples.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


16First Mode - Slow <strong>St</strong>icheraVerse #10$Oti ejkrataiwvqh F ƒor He hath ƒmade His ƒmer - cy to ƒpre - vail o - ver us, and <strong>the</strong> ƒtruth of ƒƒ<strong>the</strong> ƒLord ƒƒa - ƒƒbid -ƒeth ƒfor ƒev - - - - ƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…First Mode 84Dovxa Patriv...G lo - ƒƒry ƒto ƒƒ<strong>the</strong> Fa - ƒ<strong>the</strong>r, and ƒƒto ƒƒ<strong>the</strong>___ÌÌ ƒƒS<strong>on</strong>, ƒand__Ì to________Ì ƒƒ<strong>the</strong> ƒƒHo - - ly ƒƒSpir - - - - ƒƒit.Kai; nu'n ...B oth ƒnow and ev - - - er ƒƒand un - to ƒthē ƒa - - ƒƒges ƒƒof ƒa - - - ƒƒges.______ A - - - -ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


18First Mode - GloryAlternate MelodiesDovxa Patriv...G lo - ƒƒry ƒto ƒ<strong>the</strong>__Ì Fa - - - - ƒ<strong>the</strong>r, ƒƒand_Ì ƒto ƒƒ<strong>the</strong>___Ì S<strong>on</strong>, and to <strong>the</strong> Ho - ƒly ƒƒSpir - - - - it.Kai; nu'n ...B oth now and ƒev - - er ƒƒand un - ƒto ƒƒthē ƒƒa - - ges of a - ƒ- - - - - ƒges.__ ƒA - - - men.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Glory19Old (Slow) <strong>St</strong>icheraric MelodiesDovxa Patriv...G ƒlo - - - ry ƒto ƒ <strong>the</strong> Fa - - <strong>the</strong>r, and to____ <strong>the</strong>___̃ S<strong>on</strong>, ƒand_ __ ƒto______̃ƒ<strong>the</strong> Ho - - - ƒly ƒ Spir - - - - - - - - - - - - - - - - - - - - - it.________________Kai; nu'n ...B ƒoth ƒnow ______________Ì and___Ì ev - - - - -ƒƒer and un - to ƒthē a - - ges ƒ ƒof____ a - - - ƒƒges.______________________Ì ƒA -ƒ ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>First Mode 84Th;n pagkovsmi<strong>on</strong> dovxan he u - ƒni - ƒverƒƒ- sal glo - ƒƒry ƒƒborn of__̃men, who ƒƒhath ƒƒgiv - ƒƒen ƒbirth ƒun - ƒƒto_________ƒƒ<strong>the</strong>___Ì M<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒter, ƒƒ<strong>the</strong> heav - - - - - - - ƒen - - - ƒƒly________ÌÌ gate, ƒ let ƒƒus praise_Ì Mar - - -ƒƒy <strong>the</strong>__ Vir - - - - - - ƒƒgin, <strong>the</strong> ƒƒs<strong>on</strong>g ƒƒof <strong>the</strong> ƒƒbod - - - ƒi - less___Ì hosts, ƒand ƒthē ƒa - dornƒƒ-ƒƒment ƒƒof ƒ<strong>the</strong> ƒfaith - - - - - - - - - - - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Dogmatic Theotoki<strong>on</strong> 21 ful. For ƒƒshe w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒshown to___ ƒbe a ƒHeav - - - - ƒen and ƒa tem - - ƒple ƒƒof__ÌÌ ƒ<strong>the</strong>___________ God - - - head; ƒde - stroy-ing <strong>the</strong> ƒƒwall ƒƒof enƒƒ-ƒƒmi - ty, she ƒush - - ƒƒered ƒin__Ì ƒpeace_Ì ƒand o - ƒpened ƒ<strong>the</strong> ƒKing - - - - ƒdom. Pos - ƒsessƒ-ƒƒing, <strong>the</strong>re - ƒƒfore, this ƒƒan - - - chor ƒƒof____ faith, ƒƒwe have <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒcham - - pi - - <strong>on</strong> <strong>the</strong> Lord_____________Ì̃Who_Ì ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>________Ì ƒborn______ of_________Ì ƒher. Take ƒcour - - age, ƒƒ<strong>the</strong>re - - ƒfore, ƒtake cour-ƒage, O ye peo - - ƒƒple ƒƒof___ÌÌ God; for He ƒƒshall ƒfight___ ƒthine_Ì ƒen - ƒe - - ƒmies,___ since ƒHe is ƒƒthē ƒAl - ƒmight - - - - ƒy__________Ì ƒƒOne.__________


Slow ApostichaFirst Mode Aposticha #1 88T'w'/ pavqei sou Cristev y Thy P<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒƒ-ƒsi<strong>on</strong> ƒO ƒChrist weƒƒƒwereƒ ƒfreed__Ì̃from <strong>the</strong>__Ì p<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - si<strong>on</strong>s ƒƒand ƒƒby Thy ƒRes - ur - ƒrec - ƒti<strong>on</strong> we ƒƒwere ƒde - ƒlivƒƒ-ƒƒered ƒfrom_____ ƒƒcor - - ƒƒrup___Ì ƒƒti<strong>on</strong>.__ Lord, ƒƒglo - - ry be___________ ƒƒto___________ÌThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Slow Aposticha23Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen T ƒhe Lord ƒƒis king; ƒHe ƒƒis ƒƒclo<strong>the</strong>d with ƒmaj - es - ƒty. ƒThe Lord is clo<strong>the</strong>d ƒƒwith ƒstrength ƒand ƒHe ƒhath girt______̃Him - - - self.Aposticha #2!Agalliavsqw hJ ktivsi" et cre - ƒa - ƒƒti<strong>on</strong> reƒƒ-ƒƒjoice, let ƒ<strong>the</strong> ƒƒheav - ƒƒens be_________ glad, let ƒƒ<strong>the</strong> ƒƒnaƒƒ-ƒƒti<strong>on</strong>s ƒƒclap___ ƒ<strong>the</strong>ir_ÌÌ hands__________Ì with_________Ì ƒjoy. ƒFor Christ ƒour Sav - - ƒiour hath ƒnailed our ƒsins__ ƒto ƒ<strong>the</strong>___Ì ƒCross; ƒƒand ƒƒin slay - ƒƒing__Ì ƒdeath,_________ He________ ƒhath grant - - ƒƒed us__________ ƒƒlife. And <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒ<strong>the</strong> ƒƒFriend____ of__Ì man, ƒƒHe________ƒƒhath__Ì ƒraised__Ì upƒƒ <strong>the</strong> whole race ƒƒof fall - - en___________Ì ƒAd - - - - ƒƒam.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


24First Mode - Slow ApostichaVerse #3Kai; ga;r ejsterewvseF or ƒƒHe ƒƒes - ƒtabƒƒ-ƒƒlished <strong>the</strong> world ƒwhich shall ƒƒnot ƒƒbe shak - - - en.Aposticha #3B<str<strong>on</strong>g>as</str<strong>on</strong>g>ileu;ς uJpavrcwn hough King ƒƒof ƒƒheav - - ƒƒen and_______ÌÌ ƒƒearth, ƒƒO Inƒƒ-ƒƒcom - ƒƒpre - hen - - - - si - ƒble___Ì One, Thou ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒcru - - ci - ƒfied___Ì willƒƒ-ƒƒing - ƒ ƒly ƒƒout____ ƒof___ love__________ÌÌ for_________ÌÌ ƒman. ƒOn ƒmeet - ing ƒThee_ ƒbe - ƒƒlow,___ ƒƒHaƒƒ-ƒƒdesƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> em - - bit - - - - ƒtered ƒwhilst <strong>the</strong> ƒsouls ƒƒof__ ____ÌÌ <strong>the</strong>___Ì ƒƒright - eous, ƒƒ<strong>on</strong> ƒƒre - - ceiv - - - ing ƒƒThee,__Ì were glad - ƒƒ - - ƒdened. ƒAnd Ad -ƒƒam, <strong>on</strong> ƒseeƒ-ƒing ƒƒThee, <strong>the</strong> Cre - a - - ƒtor, ƒƒin ƒ<strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Slow Aposticha25 neth - ƒer - most ƒparts,______ ƒdid ƒƒa - - ƒrise. O ƒƒw<strong>on</strong> - - der! ƒƒHow ƒdid <strong>the</strong> ƒƒLife________________ ƒƒof___all_________Ì ƒt<str<strong>on</strong>g>as</str<strong>on</strong>g>te______ of_________ ƒdeath? ƒƒWere it not that He willed ƒƒto ƒen - ƒlight - - ƒen ƒ<strong>the</strong>___̃ƒ ƒworld that ƒdoth ƒcry ƒout ƒand_________Ì ƒsay: Thou that ƒart ƒƒris - - en ƒƒfrom_____Ì ƒ<strong>the</strong>___Ì ƒdead,__Ì ƒƒLord, ƒglo - - ƒry ƒbe____________________ to___________ ƒThee.HVerse #4Tw'/ oi[kw/ sou prevpei o - li - ƒness ƒbe - ƒƒcom - ƒeth Thy house, ƒO ƒLord, ƒun - to ƒlength_ ƒ_Ì̃of___________Ì ƒƒdays.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


26First Mode - Slow ApostichaAposticha #4Gunai''ke" murofovroi ƒhe myrrhƒ-ƒƒbearƒƒ-ƒing ƒwomƒ-ƒen, ƒcar - ƒryƒ-ƒing ƒƒmyrrh - - - - ƒƒoils reached Thy ƒƒse - pul - - ƒchre with__ ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>te_______ and lam - - ƒƒen - ƒta - - - - - - - ti<strong>on</strong>; ƒƒand ƒnot findƒ-ƒƒingƒƒƒThine im - ƒmac - ƒu - late Bod - - ƒy, ƒ<strong>the</strong>y ƒƒlearned from thēan - gel ƒƒof ƒ<strong>the</strong> ƒƒnew and__Ì strange_ƒƒw<strong>on</strong> - - der and ƒsaid_ _________Ì ƒƒun - - - ƒto ƒƒthē___Ì a - pos - - - ƒtles: ƒRis - ƒ- ƒen is___Ì ƒ<strong>the</strong>___ÌÌ ƒLord who ƒgrantƒƒ-ƒƒeth great mer - cy un - to___________Ì ƒ<strong>the</strong>___ ______ÌÌ world.The psalms ought not to be sung <strong>on</strong>e after <strong>the</strong> o<strong>the</strong>r in <strong>the</strong> <str<strong>on</strong>g>as</str<strong>on</strong>g>semblies,but a reading should be interpolated after each psalm.Can<strong>on</strong> XVII of <strong>the</strong> Council of Laodiceawww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>First Mode 84 !Idou; peplhvrwtai* e - ƒhold, fulƒƒ-ƒƒfilled_____Ì ƒis ƒƒ<strong>the</strong> ƒƒprophƒ-ƒƒe - cy of_____ ƒE - - ƒsai - ƒƒ ƒ- - - - - - -ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>: ƒƒFor ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa ƒƒvir - ƒgin h<str<strong>on</strong>g>as</str<strong>on</strong>g>t thou ƒgivƒ-ƒƒƒen__ ƒƒbirth, ƒand ƒaf - ƒƒter ƒƒgivƒ-ƒing ƒƒbirth, thou_Ì h<str<strong>on</strong>g>as</str<strong>on</strong>g>t re - - mained ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒthou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒbe - ƒƒfore___ÌÌ ______Ì ƒƒchild - - - birth; ƒƒfor ƒHe that w<str<strong>on</strong>g>as</str<strong>on</strong>g> born ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>__ÌÌ ƒGod.ƒƒWhere-ƒfore ƒƒal - ƒso ƒƒHe hath ƒre-ƒnewed ƒall na - - - -ƒƒtures. But, ƒO ƒMothƒƒ-ƒƒer ƒof God ƒdis - ƒdain not <strong>the</strong> ƒƒsup - ƒpli - ƒcaƒ-ƒƒti<strong>on</strong>s of_________ƒƒthy___ ƒƒser - ƒvants,* Alternate text: cy of____Ì I - - sa - - - - - - -ƒƒiah:www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


28First Mode - Aposticha Theotoki<strong>on</strong> ƒthat ƒare of - fered_Ì ƒun - ƒƒto ƒThee___ ƒin___ ƒthy____________ tem - - - - ƒple; ƒbut, ƒƒsince ƒthou ƒƒhold - ƒƒest <strong>the</strong> ƒCom - ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒƒ-ƒƒsi<strong>on</strong>-ƒate One______ ƒin____ thine__ÌÌ arms, ƒshow comƒ-ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - si<strong>on</strong> <strong>on</strong> ƒthy____________________ ƒser - - - ƒ- ƒvants, ƒand ƒin - ter - ƒƒcede__________̃ƒthou that__ ƒƒour ƒsouls________Ì be___ _______ ƒƒsaved._________Ì


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>First Mode 160 Tou' livqou sfragisqevnto" ƒƒƒƒhen ƒ<strong>the</strong> ƒst<strong>on</strong>e w<str<strong>on</strong>g>as</str<strong>on</strong>g> sealed__ ƒby <strong>the</strong> ƒƒJews ƒand ƒƒ<strong>the</strong> sol - - ƒdiers ƒƒƒƒwere ƒƒguard - -ƒing Thine imƒ-ƒmac - u - ƒƒlate bod - - ƒy, Thou didst ƒa - ƒrise___Ì ƒƒƒ<strong>on</strong> <strong>the</strong> ƒthird___ day, O ƒSa - ƒ- viour, grant-ing ƒlife ƒƒun - ƒƒto <strong>the</strong> world. ƒƒFor ƒƒwhich cause <strong>the</strong> ƒpow - - ers ƒƒof ƒƒheav - - ƒƒen cried ƒout ƒto Thee, O Lifeƒ-ƒƒgiv - er: Gloƒ- ƒƒry ƒƒto ƒƒThy res - ƒur - ƒrec - - ƒti<strong>on</strong>, ƒƒO Christ. ƒGloƒ-ƒƒry ƒto____Ì Thy ƒKing - dom.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


30First Mode - Apolytiki<strong>on</strong> ƒƒGloƒ-ƒƒry to ƒƒThy ƒƒdis - pen - sa - - ƒƒti<strong>on</strong>, O ƒƒ<strong>on</strong> - ƒly ƒFriend__ ƒƒof man.Glory...Dovxa PatrivG ƒlo - ry ƒto <strong>the</strong> ƒFa - - - ƒ<strong>the</strong>r, and ƒto <strong>the</strong> S<strong>on</strong>,__Ì̃and to ƒ<strong>the</strong> Ho - ly ƒƒSpir - - it.Both now...Kai; nu'nB ƒoth ƒnow ƒƒand ƒev - - - er, ƒand ƒun - ƒto thē ƒƒag - es ƒof ƒag - - - ƒƒes. ƒA - men.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Apolytiki<strong>on</strong>31Resurrecti<strong>on</strong>al Theotoki<strong>on</strong>Tou' Gabrihvl ƒƒƒhile Ga - ƒbri - el ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒsayƒƒ-ƒƒing Reƒ-ƒƒjoice ƒto <strong>the</strong>e, O ƒƒVir - - ƒƒƒƒgin, at ƒƒhis voice ƒ<strong>the</strong> M<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒter of ƒall___Ì̃things took flesh with-in ƒthy ƒƒpure ƒƒwomb. He ƒdwelt in ƒƒ<strong>the</strong>e <str<strong>on</strong>g>as</str<strong>on</strong>g> His ho - ƒly ƒark ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> spake <strong>the</strong> right-eous Da - ƒvid ƒƒƒƒin ƒ<strong>the</strong> psalms. Thou ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t seen ƒto be ƒmore spa - - cious than all__ƒ<strong>the</strong> Heavƒƒ-ƒƒens since thou didst ƒbear___ ƒthy Cre - ƒa - tor.ƒGloƒƒ-ƒƒry ƒto Him that willed to dwell ƒƒin ƒ<strong>the</strong>e. ƒƒGlo - - ƒƒry to ƒHim___ that came forth from <strong>the</strong>e. ƒƒGlo - - ƒƒry ƒƒto ƒHim ƒthat, through thy ƒgiv - ƒƒing ƒbirth, hath de - ƒƒliv - ered us.________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ƒƒord,_____Ì I ƒhave cried__Ì ƒƒunƒ-ƒƒto Thee, hearkƒ-ƒen ƒun - to me; heark-en ƒƒun - to me, ƒƒO Lord. ƒLord,_____Ì I ƒhave cried_____Ì ƒunƒ-ƒƒto Thee, heark - ƒen ƒun - ƒto ƒme; ƒat - tend___Ì ƒƒto ƒƒ<strong>the</strong> voice of my sup - ƒƒpli - ca - ƒti<strong>on</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Lord I Have Cried 33 when I cry ƒunƒ- to Thee: Heark-en ƒun - to me___Ì ƒƒO___ ƒLord.Let My PrayerKateuqunqhvtwL ƒet ƒmy prayer__ be set ƒƒforth___ <str<strong>on</strong>g>as</str<strong>on</strong>g> in - - - ƒcense be - fore___Ì Thee, ƒ<strong>the</strong> ƒlift - ƒƒing up______Ì ƒof ƒƒmy hands <str<strong>on</strong>g>as</str<strong>on</strong>g> an ƒeveƒ-ƒning ƒsac - ri - ƒƒfice; heark-en ƒun - to ƒƒme,___ O___ Lord.I think it is useful to have diversity andvariety in <strong>the</strong> prayer and psalmody at <strong>the</strong>se appointed times,because somehow <strong>the</strong> soul is frequently bored and distracted by routine,while by change and variety of <strong>the</strong> psalmody andprayer at each hour its desire is renewedand its c<strong>on</strong>centrati<strong>on</strong> restored.—<strong>St</strong>. B<str<strong>on</strong>g>as</str<strong>on</strong>g>il <strong>the</strong> Great


Brief <strong>St</strong>icheraFirst Mode Verse #1!Exavgage ejk fulakh'"B ƒƒring my ƒsoul out ƒof ƒƒpris - ƒƒ<strong>on</strong> ƒƒthat I ƒmay c<strong>on</strong>ƒ-ƒfess ƒThy ƒƒName.<strong>St</strong>ichera #1Ta;" eJsperinav" ƒƒc - ƒƒcept ƒour eve - ning prayers, O ho - ƒlyLord, and ƒƒgrant ƒus ƒ<strong>the</strong> ƒƒre - ƒmis - ƒƒƒ- si<strong>on</strong> ƒƒof ƒƒsins; for ƒƒThou ƒa - ƒl<strong>on</strong>e ƒƒart ƒƒ He ƒƒWho hath shown ƒƒforth ƒ<strong>the</strong> Res - ƒƒur - rec -ƒƒti<strong>on</strong>_ÌÌ un - ƒto____ <strong>the</strong>__Ì ƒƒworld.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Brief <strong>St</strong>ichera35TVerse #2!Eme; uJpomenou'si he right -ƒƒeous ƒƒshall ƒƒwait ƒpa - ƒtient - ƒly for me ƒun - ƒtil Thou shalt ƒre - ƒƒward___ me.<strong>St</strong>ichera #2Kuklwvsate laoiv ƒn - ƒcir - ƒcle ƒƒSi - ƒ<strong>on</strong>, O ye ƒpeo - - ƒƒples, and ƒƒenƒ-ƒcom-ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s her, and give glo - ry <strong>the</strong>reƒ-ƒin ƒƒto ƒHim ƒƒthat is ƒƒa - ris - ƒen from <strong>the</strong> dead; ƒfor ƒHe ƒ is our ƒGod Who hath de - ƒƒlivƒƒ-ƒƒered us from our in - iq - - ƒui - - ƒƒties.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


36First Mode - Brief <strong>St</strong>icheraO ƒutVerse #3!Ek baqevwn of <strong>the</strong> ƒƒdepths ƒƒhave ƒ I ƒ cried ƒƒun - ƒƒto Thee, ƒO ƒƒLord; O ƒLord,__ÌÌ ƒhear ƒmy voice. <strong>St</strong>ichera #3Deu'te laoiv ƒome,_____ÌÌ ƒO ye peo - ples, let us ƒƒƒpraise_ƒand wor - ƒƒship Christ, glo - ƒƒri - fy - - ƒing ƒHis ƒRes - - ƒƒur - ƒƒrec - ƒƒti<strong>on</strong> ƒfrom <strong>the</strong> dead; for ƒƒHe______Ì ƒis ƒour God Who ƒhath deƒƒ-ƒƒliv - ƒered ƒƒ<strong>the</strong> world ƒfrom ƒƒthē ƒer - ror ƒƒof ƒthē ƒƒen - - ƒe - - ƒmy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Brief <strong>St</strong>ichera37LVerse #4Genhqhvtw ta; w\ta sou ƒet Thine ƒƒears ƒƒbe ƒƒat - ten - tive to <strong>the</strong> ƒvoice of my ƒsup - pli - ca - - ƒti<strong>on</strong>.<strong>St</strong>ichera #4Eujfravnqhte oujranoiv ƒe - joice, ƒO ƒye ƒheavƒ-ƒens; sound <strong>the</strong> trumƒ-ƒƒpets, ye ƒƒfounƒ-ƒda-ti<strong>on</strong>s ƒof ƒƒthē earth; ƒƒcry ƒout__ƒwith ƒƒgladƒ-ness, ƒƒO ƒƒye ƒmoun-tains. ƒƒFor, ƒƒbe -ƒƒƒhold, ƒEmƒ-ƒƒman - ƒƒu - el hath nailed ƒour sins___ƒ to ƒ<strong>the</strong> ƒCross, ƒand ƒ<strong>the</strong> ƒƒGiv - ƒer ƒƒof ƒlife ƒhath slain__Ì___ÌÌ ƒdeath, ƒƒand, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> ƒFriend ƒof man, He ƒƒhath ƒraised ƒup ƒƒAd - ƒƒam.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Brief <strong>St</strong>ichera39F ƒorVerse #6$Eneken tou' ojnovmatov" sou ƒƒThy ƒName's ƒsake ƒƒhave ƒƒI ƒƒpa - ƒƒtient - ƒly ƒwait - ƒed for ƒThee, ƒ ƒO ƒLord; ƒmy ƒƒsoul ƒhath ƒwait - ƒƒed paƒƒ-ƒƒtient-ly ƒƒfor ƒThy ƒƒword, ƒƒmy soul hath hoped__Ì in ƒƒ<strong>the</strong> ƒLord.<strong>St</strong>ichera #6Tw'/ zwodovcw/ sou tavfw/ s we ƒƒun - ƒƒwor - ƒthy <strong>on</strong>es ƒƒstand ƒƒbeƒ-ƒfore Thy life - - ƒƒgivƒ-ƒing ƒƒgrave, ƒƒglo - ri - fi - ƒƒca - ti<strong>on</strong> do we ƒof - - ƒfer ƒto ƒThine ƒƒin - ef - ƒfa -ƒƒ ƒƒble ƒcom - ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒsi<strong>on</strong>, O ƒChrist our God; ƒƒfor <strong>the</strong> ƒCross and death h<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou ƒac - ƒceptƒƒ-ƒƒed, ƒO ƒƒSinƒƒ-ƒƒƒless One, ƒƒthat ƒThou ƒmight - ƒest ƒƒgrant ƒƒ<strong>the</strong> Res -ƒƒur - ƒrec - ti<strong>on</strong> ƒƒun - ƒto ƒ<strong>the</strong> world, since Thou ƒƒart <strong>the</strong> Friend__Ì ƒof___ ƒƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


40First Mode - Brief <strong>St</strong>icheraFVerse #7!Apo; fulakh'" prwi?a" ƒrom <strong>the</strong> morn - ing watch ƒun - ƒƒtil night, fromƒ <strong>the</strong> ƒƒmorn - ƒƒing ƒwatch ƒ ƒƒlet ƒIs - ƒƒra - el ƒhope_ÌÌ ƒin ƒƒ<strong>the</strong> ƒLord.<strong>St</strong>ichera #7To;n tw'/ Patri; sunavnarc<strong>on</strong> ƒƒ et us ƒpraise <strong>the</strong> Word Who, with <strong>the</strong> ƒFa - - <strong>the</strong>r, ƒis co - ƒbe - ƒƒ ginƒƒ- ningƒ-ƒless and co - e - ter - nal, ƒƒand ƒWho in - ef - faƒƒ- bly ƒhath come forth from ƒ<strong>the</strong> ƒƒvir - - ƒgin - ƒƒal ƒwomb, ƒand ƒhath ƒƒacƒƒ-ƒcept - - ƒed ƒƒ<strong>the</strong> Cross and ƒƒdeath__ ƒfor ƒus ƒwillƒƒ-ƒƒing - ly, ƒƒand ƒƒhath a - ƒƒris - ƒen in glo - - ry; ƒand ƒƒlet______ÌÌ ƒus say ƒun - ƒƒto Him: ƒO ƒlifeƒ-ƒƒgivƒ-ƒing Lord, glo - ry be ƒto Thee, ƒ<strong>the</strong> ƒƒSavƒ-ƒƒiour of our souls.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Brief <strong>St</strong>ichera41FVerse #8$Oti para; tw'/ Kurivw/ ƒor with <strong>the</strong> Lord ƒ <strong>the</strong>re ƒis ƒƒmerƒ-ƒcy, ƒand ƒwithƒƒ ƒHim ƒis ƒplen - teƒ-ƒous ƒre - ƒdemp-ti<strong>on</strong>; ƒƒand He ƒƒshall re - deem ƒƒIs - ƒra - el ƒ outƒƒ ƒof ƒall ƒhis in - ƒ iq -ui - ƒƒties.OVerse #9Aijnei'te to;n Kuvri<strong>on</strong> ƒ ƒƒpraise ƒ<strong>the</strong> Lord, ƒall ƒƒye na-ti<strong>on</strong>s; ƒpraise Him, all ƒye ƒpeo - ƒ- ples. FVerse #10$Oti ejkrataiwvqh or ƒƒHe hath made ƒHis ƒƒmer - ƒcy ƒto ƒpre - vail ƒƒo - ver ƒus, ƒand ƒƒ<strong>the</strong> ƒƒtruth of ƒ<strong>the</strong> ƒƒLord ƒa - ƒƒƒbid - eth ƒfor ev - - ƒƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


42First Mode - Brief <strong>St</strong>icheraGGlory...Dovxa Patriv lo - ry to ƒ<strong>the</strong> ƒƒFaƒ-ƒƒ<strong>the</strong>r, and to <strong>the</strong> ƒS<strong>on</strong>, ƒand ƒƒto ƒ<strong>the</strong> ƒƒHo - ly Spir - it.Both now...Kai; nu'nB ƒƒoth ƒnow ƒand ƒev - - er ƒand ƒun - to ƒthē a - - - ges ƒofƒƒa - ƒges.A - ƒmen.Dogmatic Theotoki<strong>on</strong>Th;n pagkovsmi<strong>on</strong> dovxan ƒhe ƒu - ni - verƒƒ- sal ƒglo - ƒƒry ƒƒborn of ƒmen, ƒƒwho ƒhath ƒgiv - ƒen ƒbirth unƒ-ƒto ƒ<strong>the</strong> ƒM<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ter, ƒ<strong>the</strong> ƒƒheav-ƒenƒ-ƒƒly gate, ƒƒlet ƒus ƒpraise_ Mar - - -ƒ ƒy ƒƒ<strong>the</strong> Vir - - ƒƒgin, ƒ<strong>the</strong> ƒƒs<strong>on</strong>g_____ÌÌ ƒof <strong>the</strong> ƒbod - - ƒƒi - ƒƒless ƒhosts, ƒandwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaFirst Mode Aposticha #1Tw'/ pavqei sou Cristev 160 y ƒThy ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - si<strong>on</strong>, ƒO Christ, we were freed__̃from ƒ<strong>the</strong> ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - si<strong>on</strong>s, and by Thy Res - ƒur - rec - ƒƒƒ- ti<strong>on</strong> ƒwe were ƒƒde - livƒ-ƒƒered from ƒcor - rup - ƒti<strong>on</strong>. Lord, glo - - ƒrybe___ÌÌ to__ÌÌ Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Brief Aposticha45TVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen he Lord ƒis ƒƒking; ƒƒHe is ƒƒclo<strong>the</strong>d with ƒƒmajƒ-ƒƒes - ƒty. ƒThe Lord ƒƒis clo<strong>the</strong>d with strength and He ƒƒhath ƒgirt Him - ƒƒself.Aposticha #2!Agalliavsqw hJ ktivsi" ƒet cre - a - ti<strong>on</strong> re - ƒjoice, let <strong>the</strong> heav - - ƒens be glad, let <strong>the</strong> na-ti<strong>on</strong>s clap <strong>the</strong>ir hands with joy. ƒFor Christ ƒour ƒSavƒ-ƒƒiour hath nailed our sins_Ì ƒƒto ƒ<strong>the</strong> Cross; ƒƒand in slayƒ-ƒing_Ì̃death, He hath ƒgrant - - ed us life. And ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> ƒFriend of man, He hath raised____Ì ƒup <strong>the</strong> whole_____ƒrace ƒƒof fallƒ-ƒen Ad - - ƒƒam.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


46First Mode - Brief ApostichaFVerse #3Kai; ga;r ejsterevwse ƒor ƒHe es - tabƒ-ƒlished <strong>the</strong> world ƒƒwhich shall not ƒbe ƒshak - ƒen.Aposticha #3B<str<strong>on</strong>g>as</str<strong>on</strong>g>ileu;" uJpavrcwn hough King ƒƒof heav - - ƒen and earth, ƒO Inƒƒ-ƒƒcomƒ-ƒpre-hen - - ƒ si - ble ƒOne, Thou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒcru - - ƒci - fied ƒƒwillƒ-ƒƒing-ƒly out ƒƒof love for__ƒƒman. ƒOn ƒmeetƒ-ƒing Thee ƒbe - low, ƒHa-ƒdes ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> em - bitƒ-ƒtered; ƒƒwhilst ƒ<strong>the</strong> ƒsouls___ ƒƒof <strong>the</strong> ƒrightƒ-ƒeous, ƒ<strong>on</strong> ƒƒre - ceiv -ƒƒing Thee,_̃were ƒgladƒ-ƒdened. And Ad - ƒam, <strong>on</strong> see - - - ƒing ƒThee, <strong>the</strong> Cre - ƒƒa - tor, in ƒ<strong>the</strong> neth - er-ƒmost parts, ƒdid ƒa - rise. O ƒw<strong>on</strong> - - ƒƒder! ƒƒHow ƒƒdid <strong>the</strong> ƒLife ƒof all___̃t<str<strong>on</strong>g>as</str<strong>on</strong>g>te ƒof ƒƒdeath? ƒƒwere ƒƒit ƒnot that He ƒwilled to ƒen - lightƒ-ƒƒen <strong>the</strong> world that doth cry___Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


First Mode - Brief Aposticha47 ƒout and ƒsay: ƒThou______ ƒthat ƒart ris - ƒen from <strong>the</strong> dead, Lord, ƒglo - - ry be_Ì ƒ__ ƒƒto Thee.HVerse #4Tw'/ oi[kw/ sou prevpei o - li - ness ƒƒbe - com - eth Thy ƒhouse, O ƒƒLord, ƒƒun - ƒƒto length of ƒƒdays.<strong>St</strong>ichera #4Gunai'ke" Murofovroi ƒhe myrrh - - ƒbear - ing ƒƒwomƒƒ-ƒƒen, car - - ry - ƒƒing ƒmyrrh -- ƒoils, reached Thy ƒƒƒsep - ƒulƒ-ƒchre with h<str<strong>on</strong>g>as</str<strong>on</strong>g>te and lam-en - ta - ƒti<strong>on</strong>; and ƒnot ƒƒfindƒ-ƒƒing Thine ƒƒim - mac - u - ƒlate ƒƒBod - y, <strong>the</strong>y learned from thē ƒƒan - ƒgel of ƒ<strong>the</strong> ƒnew_ ƒƒ__ ƒƒand strange ƒw<strong>on</strong> - - der, ƒand ƒsaid ƒƒun - ƒƒto ƒthē__Ì a - ƒpos - ƒtles: ƒRis - ƒƒen ƒis <strong>the</strong> ƒƒLord Who ƒgrant - ƒƒ- ƒƒƒeth ƒgreat ƒmer - cy ƒun - ƒto____ƒƒ<strong>the</strong>__Ì ƒƒworld.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


48First Mode - Brief ApostichaGGlory...Dovxa Patriv ƒƒlo - ƒry to ƒ<strong>the</strong> ƒFaƒ-ƒƒ<strong>the</strong>r, and ƒto ƒ<strong>the</strong> S<strong>on</strong>, ƒƒand to <strong>the</strong> ƒƒHo - ly Spir - - ƒit.Both now...Kai; nu'nB oth ƒnow and ƒev - - er, and ƒƒun - ƒto ƒthē ag - - ƒƒes ƒƒof ƒag - - es.ƒƒA - men.Aposticha Theotoki<strong>on</strong>!Idou; peplhvrwtai ƒƒe - ƒhold, ful - ƒfilled___ ƒƒis <strong>the</strong> prophƒƒ-ƒƒe - cy ƒƒof ƒEs - ƒƒa - ƒi - -proph - - ƒe - ƒcy of ƒI - sa - ƒƒ-ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>: ƒFor ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> a vir - gin h<str<strong>on</strong>g>as</str<strong>on</strong>g>t thou giv - en ƒbirth, and af - ƒter ƒgiv-ing birth,ah: thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t re - ƒmained_Ì <str<strong>on</strong>g>as</str<strong>on</strong>g> thou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t be - ƒƒfore__ ƒchild-ƒbirth; ƒfor ƒHe__ ƒƒthatwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d ModeLord, I Have Cried 84Kuvrie ejkevkraxa ƒord,__________ ƒI ƒhave cried_____Ì ƒun - - ƒto___Ì ƒThee, ƒhearkƒƒ-ƒƒen__Ì ƒƒun - ƒto____ me; ƒƒheark - - ƒen__ÌÌ un - ƒƒto ƒƒme,_________Ì O__________ Lord. ƒLord,____ÌÌ ƒƒI ƒhave cried___________ un - - - to____ ƒThee, heark - en_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Lord I Have Cried51 ____ÌÌ ƒƒun - ƒto____ ƒme; at - ƒtend______ ƒto_______ <strong>the</strong> voice________Ì ƒof_ ____Ì my ƒsup - pli - ca - - - - ƒti<strong>on</strong> ƒƒwhen ƒƒI ƒcry______Ì ƒun - - - ƒto___Ì ƒThee: Heark - en ƒun - to me,_________________________________ ƒƒOLord.Let My PrayerLKateuqunqhvtw et ƒƒmy prayer____ be set______ forth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>___ÌÌ in - - - - - - - cense be - - ƒƒfore__________Ì Thee, ƒƒ<strong>the</strong> ƒlift - - ƒing_______ up__ of____ ƒƒmy____________̃hands ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒan eve - - ning sac - - - - ri - ƒfice; ƒƒheark - ƒen ƒun - ƒƒ- ƒƒto ƒme,_________________________________ÌÌ ƒƒO Lord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Sec<strong>on</strong>d ModeS et, 180Qou' Kuvrie ƒO ƒƒLord, a ƒwatch beƒ-ƒfore ƒmy mouth, and ƒa ƒƒdoor ƒof ƒƒen - clo - sure round a - ƒƒbout ƒmy ƒƒlips.2 ƒIn - cline not ƒƒmy ƒheart ƒunƒ-ƒƒto words ƒof e - ƒvil, to make ex - ƒƒcuse___Ì _̃with ƒƒex - ƒcus - - ƒƒes in sins,3 With men ƒthat work in - ƒiq - ui - ty; and I____ÌÌ ƒwill not ƒjoin___Ì ƒƒwith <strong>the</strong>ir ƒƒcho - ƒ- ƒ- ƒsen.4 ƒƒThe ƒƒright - ƒeous man ƒƒwill ch<str<strong>on</strong>g>as</str<strong>on</strong>g>-ƒten ƒme ƒwith ƒmer - ƒcy and ƒƒre - ƒprove_______ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Verses of Psalms53 __ ƒme; <str<strong>on</strong>g>as</str<strong>on</strong>g> for ƒthē ƒƒoil ƒƒof <strong>the</strong> sin - - ƒƒner, let it not ƒƒaƒƒ-ƒƒnoint ƒmyhead. 5 For yet more ƒis ƒmy prayer ƒin <strong>the</strong> ƒƒpres-ƒence of <strong>the</strong>ir ple<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - ures;ƒƒswal-ƒlowed ƒup near ƒby <strong>the</strong> rock___ have <strong>the</strong>ir judg - es ƒbeen.6 ƒThey ƒshall ƒƒhear my ƒwords, for <strong>the</strong>y___ÌÌ be sweet - - - - ened; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> a clod ƒof earth ƒis broƒƒ-ƒƒken upƒ-ƒ<strong>on</strong> thē earth, so have ƒƒ<strong>the</strong>ir b<strong>on</strong>es been scat - tered nigh ƒun - - ƒto ƒƒHa - - - ƒƒdes.7 ƒƒ For ƒun - to Thee, ƒƒO ƒLord, ƒƒO ƒLord, ƒƒare__ƒmine ƒƒeyes, ƒin Thee have I hoped; take___ ƒƒnot ƒƒmy soul a - ƒway.8 Keep_____Ì ƒme from <strong>the</strong> ƒsnare which ƒ<strong>the</strong>y ƒhave ƒlaid ƒfor ƒme, ƒand ƒƒfrom<strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


54Sec<strong>on</strong>d Mode - Verses of Psalms ƒƒstum-blingƒ-ƒƒblocks of ƒƒ<strong>the</strong>m ƒthat work ƒin - ƒiq - ui - ƒty.9 ƒThe ƒsin - ners shall fall ƒin - to ƒƒ<strong>the</strong>ir ƒown_____Ì net; ƒI ƒam a -ƒƒl<strong>on</strong>e ƒun - til ƒI ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s_____ÌÌ ƒby.10 With ƒmy voice un - ƒto ƒ<strong>the</strong> ƒƒLord have_Ì ƒƒI ƒƒcried, ƒƒwith my ƒvoice ƒƒun - ƒto ƒ<strong>the</strong> Lord ƒhave I ƒmade my ƒƒsupƒƒ- pli - ca - ƒƒ- ƒƒ- ti<strong>on</strong>.11 I will ƒƒpour ƒout be - ƒfore Him my ƒƒsupƒ-ƒƒpli - ƒca - ƒti<strong>on</strong>, mine ƒaf - flic - ƒti<strong>on</strong>__ ƒbe - fore Him will ƒIƒƒde - ƒƒclare.12 ƒƒWhen my ƒspir - ƒƒit w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfaintƒƒ-ƒing__with - ƒƒin ƒme, ƒ<strong>the</strong>n Thou knew - ƒƒest ƒmy ƒpaths.13 ƒIn ƒthis way whereƒ-ƒƒin I have walked <strong>the</strong>y ƒƒhid ƒfor ƒme ƒa ƒsnare.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Verses of Psalms5514 ƒƒI looked ƒup - ƒƒ<strong>on</strong> ƒmy right hand, and ƒbe - held, ƒand ƒƒ<strong>the</strong>re ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒn<strong>on</strong>e ƒthat _ ƒƒ_Ì did ƒƒknow_____Ì me.15 ƒFlight ƒƒhath failed ƒme, ƒƒand ƒ<strong>the</strong>re is n<strong>on</strong>e that watch - eth ƒout___ ƒfor my soul.16 ƒI ƒƒhave ƒcried ƒƒun -ƒƒto ƒThee, ƒO ƒLord; I said: Thou art__̃ƒmy ƒhope, my por -ƒƒti<strong>on</strong> ƒart Thou ƒin ƒƒ<strong>the</strong> land___Ì ƒof ƒƒ<strong>the</strong> ƒliv - - - ing.17 At - ƒtend ƒun - ƒto ƒmy ƒsup - ƒpliƒ-ƒca - - ti<strong>on</strong>, for I ƒam brought ver - ƒƒy ƒƒlow.18 ƒDe - liv - er me ƒfrom ƒ<strong>the</strong>m ƒthat per - - ƒse - cute__________ÌÌ me, for ƒ<strong>the</strong>y are str<strong>on</strong>g - er than I.On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 57or with Brief <strong>St</strong>ichera <strong>on</strong> page 89.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


56Sec<strong>on</strong>d Mode - Verses of Psalms1920 ƒBring ƒmy soul ƒout of pris - ƒƒ- ƒ<strong>on</strong> ƒthat ƒƒI ƒmay ƒc<strong>on</strong> - fess Thy Name. ƒThe ƒƒright-eous shall ƒwait ƒpa - tient-ƒly for me ƒun - til ƒThou shalt ƒre - ward_ ____Ì me.21 Out of ƒƒ<strong>the</strong> depths have I ƒcried ƒunƒƒ- to ƒThee, O ƒƒLord; O ƒLord,__ ƒƒhear ƒmy ƒvoice.22 ƒLet ƒThine ƒears be____ at - ten - tive ƒƒto ƒ<strong>the</strong> voice ƒof my ƒsup - ƒƒpli - ca - - - ƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraSec<strong>on</strong>d Mode Verse #1!Exavgage ejk fulakh'"Bring ƒmy ƒƒsoul ƒout of ƒpris - ƒƒ<strong>on</strong> ƒƒthat ƒI may c<strong>on</strong> - fess________Ì Thy Name.<strong>St</strong>ichera #1To;n pro; aijwvnwn ƒƒome, ƒƒlet ƒus ƒƒwor-ƒship God__ÌÌ <strong>the</strong>_̃ƒWord, Who w<str<strong>on</strong>g>as</str<strong>on</strong>g> be - ƒgot - ten of ƒƒ<strong>the</strong> Fa -ƒ<strong>the</strong>r be - fore______ƒƒthē ƒƒa - - -ƒƒges, ƒand w<str<strong>on</strong>g>as</str<strong>on</strong>g> in - ƒƒcar - - nate_ÌÌ ƒƒof ƒ<strong>the</strong> Vir - - gin__Ì ƒMa - - - - ƒƒry; for ƒƒhavƒ-ƒƒing ƒen - - ƒdured ƒƒ<strong>the</strong>__Ì ƒCross,__Ì Heƒ w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒde - ƒƒliv - ƒered o - ver to ƒbur - - i - - - al,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


58Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>_______ He______________̃ƒwilled; ƒand ƒa - ris - - ƒing______ƒfrom <strong>the</strong>___Ì ƒƒdead ƒƒHe___ÌÌ saved_____________Ì me,__________ thē ƒerr - - - - - ƒ- - - - - - - ƒƒing ƒman.Verse #2!Eme; uJpomenou'siT he ƒƒrightƒ-ƒƒeous ƒshall wait ƒƒpa - ƒƒtient - ly ƒƒfor ƒme ƒƒun - til______Thou_ _______Ì shalt______ re - ward_____Ì me.<strong>St</strong>ichera #2 Cristo;" oJ Swth;r hJmw'n av - ƒƒing ƒnailed ƒto ƒƒ<strong>the</strong> Cross <strong>the</strong>_______ÌÌ handƒ-ƒwri - - ting___Ì ƒthat ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>______________Ì a - ƒƒ- ƒgainst__________Ì ƒƒus, ƒƒChrist ƒour ƒƒSavƒ-ƒiour ƒƒhathwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera59 ƒƒblot - - - ƒƒted_______ ƒƒit_________ out, ƒƒand ƒƒhathƒ deƒ-ƒstroyed <strong>the</strong> do - ƒmin - - ƒƒi<strong>on</strong> of ______________ÌÌ ƒdeath. ƒWe ƒwor - - ship_ÌÌ His a - ris - - ing <strong>on</strong>__Ì ƒ<strong>the</strong>__Ì ƒthird_________________ day.Verse #3!Ek baqevwnO ut ƒof ƒ<strong>the</strong> ƒdepths have I ƒƒcried ƒƒun - ƒƒto Thee, ƒO Lord; O Lord,_ ____ÌÌhear my___Ì ƒvoice.<strong>St</strong>ichera #3Su;n !Arcaggevloi" ith ƒƒthē Arch - ƒanƒ-ƒgels let ƒus__Ì praise ƒ<strong>the</strong> Resƒ-ƒƒur - ƒrec - - - - ƒƒti<strong>on</strong>________ ƒƒof_________ Christ; for He ƒƒis ƒ<strong>the</strong> ƒƒRe - - deem - - ƒer____ ƒand_________ ƒSavƒ-ƒiour_ÌÌ of ƒƒour___Ì ƒsouls. And ƒin ƒƒawe - - ƒƒsome glo -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


60Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera - - - - ry ƒƒand ƒmight - - ƒƒy ƒpow - - - - ƒer, He____ comƒƒ-ƒƒeth__ ƒa - ƒƒgain to judge <strong>the</strong> world which_ he__ÌÌ f<str<strong>on</strong>g>as</str<strong>on</strong>g>h - - - - - - i<strong>on</strong>ed. LVerse #4Genhqhvtw ta; w\ta sou ƒet Thine ears be ƒat - ten - tive to <strong>the</strong> voice__Ì of my ƒƒsup - - ƒƒpli - ca - - - - - - ƒƒti<strong>on</strong>.<strong>St</strong>ichera #4Se; to;n staurwqevnta ƒhee, ƒ<strong>the</strong> ƒƒCruƒƒ-ƒƒci -ƒƒfied ƒand__ ƒƒBur - - ƒied, did thē An - gel_Ì̃ƒpro - ƒƒclaim_____Ì ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒM<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒƒter; ƒƒand he ƒsaid un - ƒƒto___ <strong>the</strong>__Ì ƒƒwom - - - en: ƒƒƒCome be - hold where_______ <strong>the</strong> ƒLord_____________ ƒƒlay,___ for <str<strong>on</strong>g>as</str<strong>on</strong>g> thē Al - might - - - ƒƒy,__ÌÌ ƒHe ƒis ris - - en______Ì <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒHe___Ì said.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera61 Where - - - ƒƒfore, ƒwe ƒƒwor - - - - ship______________ÌÌ Thee, ƒWho ƒƒa - ƒl<strong>on</strong>e art___ ƒim - - - ƒƒmor - - - tal.___Ì O Life - ƒgiv - ƒing___Ì ƒChrist, have_ÌÌ ƒƒmer - - - - cy_______ ƒ<strong>on</strong>_________ ƒƒus. IVerse #5!Ea;n ajnomiva" f ƒƒThou shouldƒ-ƒest ƒmark ƒin - ƒiq - ƒƒui - ties, ƒO ƒLord, ƒƒO Lord, ƒƒwho shall ƒƒstand? ƒFor with ƒƒThee <strong>the</strong>re ƒƒis_______ forƒ-ƒgive - - ƒness.<strong>St</strong>ichera #5!En tw'/ staurw'/ sou ƒy thy ƒƒCross Thou didst ƒƒa - - ƒƒbol - - - - ƒish ƒ<strong>the</strong> curse_____ ƒof ƒ<strong>the</strong>___Ì ƒtree; ƒƒby Thy ƒƒbur - - - i - - ƒal ƒƒThou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t slain___ <strong>the</strong> might_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


62Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera ___(t) of________ÌÌ ƒdeath; and ƒby Thine a - ris - - - ing,_ÌÌ ƒƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒen - ƒlight - ƒƒ- ƒƒ- ƒƒ- ƒened <strong>the</strong> ƒrace_______ of_______________Ì ƒman. Where - - ƒfore ƒwe ƒcry______Ì ƒout______ to________ÌÌ ƒThee: O Ben - ƒƒe - ƒƒfac - ƒtor Christ our God, ƒglo - - ƒry__ÌÌ be____________ to__________Ì ƒThee.Verse #6$Eneken tou' ojnovmatov" souF ƒƒor ƒ Thy Name's ƒsake ƒhave ƒƒI pa - ƒtient - ƒƒly ƒƒwait - ƒed ƒfor ƒƒThee, O Lord; my soul hath wait - ƒƒed ƒpa - ƒƒtient - ly for ƒThy ƒƒword, my ƒsoul ƒhath hoped_ƒƒin ƒ<strong>the</strong>___Ì ƒƒLord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera63<strong>St</strong>ichera #6!Hnoivghsavn soi Kuvrie ut of fear, ƒƒ<strong>the</strong>________ gates ƒof___________ÌÌ death oƒƒ-ƒƒpened ƒun - ƒto ƒƒThee,________ ƒƒO ƒƒLord; ƒƒand ƒ<strong>on</strong> ƒƒbe - - ƒholdƒ-ƒing__Ì ƒThee,__Ì ƒ<strong>the</strong> ƒgateƒ-ƒkeep-ƒers ƒof Ha - - - ƒdes trem - - - ƒbled; ƒfor Thou didst ƒƒcrush_____ <strong>the</strong> ƒbraz - - - - ƒen__________̃gates, ƒand didst ƒbreak__ÌÌ ƒthē ƒƒi - - -ƒr<strong>on</strong>________Ì ƒbars. ƒƒAnd Thou didst ƒƒlead___ ƒus__Ì ƒout______ ƒƒof ƒdark - - ƒƒness and <strong>the</strong> ƒshad - - - - ow________Ì ƒƒof_________ death, ƒand ƒdidst ƒbreak ƒƒour ƒb<strong>on</strong>ds__ ƒƒa - - ƒsun - - - - - - der.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


64Sec<strong>on</strong>d Mode - Slow <strong>St</strong>icheraVerse #7!Apo; fulakh'" prwi?a" F rom <strong>the</strong> ƒmorn - ing ƒwatch un - til ƒnight from ƒƒ<strong>the</strong> ƒmorn - ƒƒing watch ƒlet ƒƒIs -- ra -ƒƒel ƒhope_____ÌÌ in ƒƒ<strong>the</strong>___Ì Lord.<strong>St</strong>ichera #7To;n swthvri<strong>on</strong> u{mn<strong>on</strong> hantƒ-ing ƒ<strong>the</strong> hymn of ƒƒsal - - - ƒƒva - - ƒƒti<strong>on</strong>, with our mouths ƒlet ƒus____ ƒsing: Come_______Ì ye___Ì ƒƒall, ƒƒlet__________ÌÌ ƒƒus___ fall ƒpros - - - - trate ƒin ƒ<strong>the</strong> House______Ì ƒof ƒƒ<strong>the</strong> ƒLord,_________Ì say - - - - ƒing: Thou Who w<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒcru - ci - ƒƒ- ƒƒfied ƒƒup - ƒ- ƒ<strong>on</strong> ƒ<strong>the</strong>___Ì ƒTree, ƒand ƒdidst ƒa - rise______Ì from______ƒƒ<strong>the</strong>________Ì ƒdead, ƒand ƒƒart ƒin ƒ<strong>the</strong> ƒƒbos - - om_ _Ì of_______ ƒ<strong>the</strong> Fa - - ƒƒ<strong>the</strong>r, be____ ƒƒgra - cious un - - ƒto____________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera65 ƒour_________Ì ƒsins.F ƒorVerse #8$Oti para; tw'/ Kurivw/ ƒƒwith <strong>the</strong> ƒƒLord ƒ<strong>the</strong>re is mer - cy, and with ƒƒHim ƒis ƒƒplen - ƒƒte - ƒous re - ƒdempƒƒ-ƒti<strong>on</strong>; and He shall ƒƒre - deem ƒƒIs - ƒƒra -ƒƒel out ƒof ƒall______Ì his in - - ƒiq - - - - ui - ƒƒties.Verse #9Aijnei'te to;n Kuvri<strong>on</strong>O ƒƒpraise ƒ<strong>the</strong> ƒLord, ƒƒall ye na - ƒti<strong>on</strong>s; ƒpraise Him,_ ƒall ye ƒƒpeo - - ƒƒples.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


66Sec<strong>on</strong>d Mode - Slow <strong>St</strong>icheraF orVerse #10$Oti ejkrataiwvqh He hath ƒmade ƒƒHis ƒƒmer - ƒƒcy ƒƒto ƒpre - ƒvail o - ver ƒƒus, and ƒ<strong>the</strong> ƒtruth ƒof ƒƒ<strong>the</strong> ƒLord a - bid - - eth for ƒev - - - - - - er. In <strong>the</strong> churches <strong>the</strong>re arevigils, and David is first and middle and l<str<strong>on</strong>g>as</str<strong>on</strong>g>t.In <strong>the</strong> singing of early morning hymns David is firstand middle and l<str<strong>on</strong>g>as</str<strong>on</strong>g>t. In <strong>the</strong> tents at funeral processi<strong>on</strong>s Davidis first and middle and l<str<strong>on</strong>g>as</str<strong>on</strong>g>t. In <strong>the</strong> houses of virgins <strong>the</strong>re is weaving,and David is first and middle and l<str<strong>on</strong>g>as</str<strong>on</strong>g>t. What a thing of w<strong>on</strong>der! Manywho have not even made <strong>the</strong>ir first attempt at reading know all of David byheart and recite him in order. Yet it is not <strong>on</strong>ly in <strong>the</strong> cities and <strong>the</strong> churchesthat he is so prominent <strong>on</strong> every occ<str<strong>on</strong>g>as</str<strong>on</strong>g>i<strong>on</strong> and with people of all ages; even in <strong>the</strong>fields and deserts and stretching into uninhabited w<str<strong>on</strong>g>as</str<strong>on</strong>g>teland, he rouses sacredchoirs to God with greater zeal. In <strong>the</strong> m<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teries <strong>the</strong>re is a holy chorus ofangelic hosts, and David is first and middle and l<str<strong>on</strong>g>as</str<strong>on</strong>g>t. In <strong>the</strong> c<strong>on</strong>vents <strong>the</strong>reare bands of virgins who imitate Mary, and David is first and middle andl<str<strong>on</strong>g>as</str<strong>on</strong>g>t. In <strong>the</strong> deserts men crucified to this world hold c<strong>on</strong>verse with God,and David is first and middle and l<str<strong>on</strong>g>as</str<strong>on</strong>g>t. And at night all men aredominated by physical sleep and drawn into <strong>the</strong> depths, andDavid al<strong>on</strong>e stands by, arousing all <strong>the</strong> servants of Godto angelic vigils, turning earth into heavenand making angels of men.—<strong>St</strong>. Chrysostomwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…Sec<strong>on</strong>d Mode 84Dovxa Patriv...G lo - - - - ry to <strong>the</strong> ƒFa - - ƒƒ<strong>the</strong>r, and__ ƒƒto <strong>the</strong>___Ì S<strong>on</strong>, and ƒto <strong>the</strong> ƒHo - - ly ƒSpir - - - - it.Kai; nu'n ...B oth ƒƒnow___________Ì and ƒev - - - ƒƒer ƒand ƒun - to ƒƒthē ƒa - - ƒgesƒof a - - - ƒƒges. ƒƒA - - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


68Sec<strong>on</strong>d Mode - GloryAlternate MelodiesDovxa Patriv...G lo - - - ƒƒry ƒto <strong>the</strong> ƒFa - - ƒƒ<strong>the</strong>r, and_ÌÌ ƒto__Ì <strong>the</strong>_________ S<strong>on</strong>, ƒƒand to ƒ<strong>the</strong> Ho - ly________Ì ƒSpir - - - it.____Kai; nu'n ...B oth ƒnow_____________Ì ƒƒand ev - - - - er and ƒun - to ƒthē ƒa - - - ges ƒƒof_________ a - ƒƒ- ƒƒ- ƒges. ƒA - men.________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Glory69 Old (Slow) <strong>St</strong>icheraric Melodies Dovxa Patriv...G lo - - - - - ry ƒto ƒ<strong>the</strong> ƒFa - - - - <strong>the</strong>r, and_ to ƒƒ<strong>the</strong>___Ì S<strong>on</strong>,___________ƒ and ƒƒto ƒ ƒƒ<strong>the</strong> Ho - - - - - - - - - - - - ƒƒly ƒƒSpir - - - - - - - - - - - - it.Kai; nu'n ...B ƒoth ƒƒnow and___Ì ƒev - - - - - er_________ ƒand ƒun- to ƒthē__Ì a - - - ges of________ÌÌ ƒa - - ƒges. ƒA - - ƒmen.__________________ ƒ___________________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>Sec<strong>on</strong>d Mode 84Parh'lqen hJ skiav he ƒshad - - - - ow of____Ì <strong>the</strong>_________ Law is___ p<str<strong>on</strong>g>as</str<strong>on</strong>g>sed ƒa - ƒ- ƒway ƒwith ƒ<strong>the</strong> ƒƒcom - - - - ƒing________Ì of_________Ì ƒƒgrace; for ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong> ƒbush_______Ì w<str<strong>on</strong>g>as</str<strong>on</strong>g>___ ƒƒnot___ÌÌ ƒƒc<strong>on</strong> - - - - sumed ƒwhen__ÌÌ ƒit____Ì _____________ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>________ ƒburn - - ing, ƒthus <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒa ƒvir - - ƒƒgin ƒdidst thou__________ÌÌ ƒgive___________ ƒbirth, ƒƒand a ƒƒvir - - - - ƒƒgin ƒdidstwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Dogmatic Theotoki<strong>on</strong> 71 thou_________Ì ƒre - - - ƒmain. In ƒ<strong>the</strong> stead ƒƒof ƒa pil - - - - lar of____Ì ƒfire,_______________ ƒ<strong>the</strong>re hath a - ris - - - - - ƒƒen________ <strong>the</strong> Sun ƒof__Ì ƒRight - - - - - ƒeous - - - ƒness; in ƒƒ<strong>the</strong> stead__ÌÌ of__Ì ƒƒMosƒ-ƒes,___̃ƒƒƒChrist <strong>the</strong> ƒƒSal - ƒva - ti<strong>on</strong>__ ƒƒof____________ our__________ souls.__ÌÌ _______


Slow ApostichaSec<strong>on</strong>d Mode Aposticha #1 88@H !Anavst<str<strong>on</strong>g>as</str<strong>on</strong>g>iv" sou ƒhy ƒRes - ƒur - ƒƒrecƒ-ƒti<strong>on</strong>, ƒO____ƒƒChrist ƒSav - - iour, ƒhath ƒen - light - - ƒƒened_____Ì ƒƒ<strong>the</strong>__ ƒwhole________ÌÌ world; ƒand Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t re - ƒstored____ ƒƒThine_ ƒ____̃own crea - - ƒture. O ƒƒAl - ƒmight - - ƒy___ Lord, ƒglo - ƒry___ ƒbe______Ì ƒ____Ìto_________ÌÌ ƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Slow Aposticha73Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusenT ƒhe ƒLord ƒƒis king; ƒƒHe ƒis ƒclo<strong>the</strong>d ƒƒƒwith ƒmaj - ƒes - ƒƒty. ƒThe ƒLord is clo<strong>the</strong>d ƒwith ƒƒstrength and__Ì He hath girt__________ ƒHim - self.Aposticha #2Dia; xuvlou Sw'ter y ƒƒ<strong>the</strong> ƒTree, O Savƒ-ƒiour, Thou_______ ƒdidst a - - bol - ƒƒ- ƒƒ- ƒish ƒ<strong>the</strong> curse_____Ì ƒof ƒƒ<strong>the</strong>___Ì ƒtree; ƒƒby Thy bur - - - ƒi - - ƒal, Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t slain_ __ <strong>the</strong> ƒmight_____Ì of_________Ì death; and ƒƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒen - - ƒƒlight - - - - ened our race by__̃ƒThine ƒa - ris - - - - - - ƒƒing. ƒWhere - - fore, ƒwe ƒ cry_________ ƒout______Ì ƒto_________ Thee: O____ Lifeƒƒ-ƒgiv - ƒing Christ ƒour ƒGod, glo - ry___ ƒƒbe___________to_________ÌÌ ƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


74Sec<strong>on</strong>d Mode - Slow ApostichaF ƒƒorVerse #3Kai; ga;r ejsterewvse ƒHe ƒƒes - ƒƒtabƒƒ-ƒƒlished ƒ<strong>the</strong> world__ which_ shall________Ì ƒnot______Ì ƒbe shak - - - - - - ƒen.Aposticha #3!En tw'/ <strong>St</strong>aurw'/ Cristev ƒhen ƒƒThou ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t seen___ ƒnailed up - <strong>on</strong> <strong>the</strong>__̃ƒCross, ƒO____ ƒƒChrist, ƒThou ƒdidst change <strong>the</strong> ƒbeau - - ty___Ì ƒƒof ƒcre - ƒƒat - - - - - - ed_____Ì _________ ƒthings. ƒAnd ƒ<strong>the</strong> ƒsol - - ƒƒdiers,_ƒƒshow - - ing <strong>the</strong>ir in - ƒhu - ƒƒman - - i - - - - - ty ƒpierced Thy ƒside___________̃ƒwith ƒa____ spear. ƒAnd ƒƒ<strong>the</strong> Jews_________Ì̃ƒsought to seal_______ ƒThy______________Ì ƒtomb, be - ƒing ig - - - no - - ƒrant________ÌÌ ƒof______ÌÌ Thy pow - - ƒer. But,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Slow Aposticha75 ƒƒThou Who ƒby ƒ<strong>the</strong> mer - cy of ƒƒThy ƒcom - - p<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - ƒsi<strong>on</strong>s didst ƒac - ƒƒcept___ bur - - i - - - - ƒal and ƒdidst ƒa - ƒƒrise___________Ì <strong>on</strong>_ __ <strong>the</strong> third_________ ƒƒday,___ ƒƒLord, ƒglo - ry___ ƒbe____________ ƒto________ __ ƒƒThee.Verse #4Tw'/ oi[kw/ sou prevpeiH o - ƒli - ƒness ƒbe - ƒcom - ƒeth Thy ƒhouse, O ƒƒLord, unƒ-ƒto length of_Ì __ ƒƒdays.Aposticha #4Zwodovta Cristev Christ, Thou ƒGiv - er__Ì of ƒƒlife, ƒThou didst_ ƒun - der - - ƒgo <strong>the</strong> ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - si<strong>on</strong>_______ ƒwill - - - ing - - - - ƒly for ƒƒ<strong>the</strong> ƒsake________ ƒƒof_Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


76Sec<strong>on</strong>d Mode - Slow Aposticha __ mor - - - tal_________ men. ƒIn - ƒto ƒƒHaƒ-ƒdes didst Thou ƒde - ƒscend__Ì ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong> ƒMight - - - y ƒOne; ƒand <strong>the</strong>m that ƒa - ƒwaitƒ-ƒed Thy________ ƒcomƒ-ƒing__ƒƒ<strong>the</strong>re didst___ Thou___ snatch__ a - - - - ƒƒway, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfrom <strong>the</strong> ƒhand_________ ƒof <strong>on</strong>e____ÌÌ ƒpow - - - ƒer - - - - - - ƒful, ƒgrantƒ-ƒing <strong>the</strong>m ƒin Par - aƒ-ƒdise, ƒin - ƒƒstead ƒƒof_________ Ha - - ƒƒdes, ƒto___ÌÌ dwell. Whereƒ-ƒfore ƒƒal - ƒƒso un - - to ƒus, who glo - ri - fy ƒThine ƒa - ris - ing <strong>on</strong> ƒƒ<strong>the</strong>__Ì third_____ÌÌ day, do ƒThou ƒgrant forƒ-ƒgive - - ƒƒness ƒof____ ƒƒsins and ƒƒgreat_Ì ƒmer - - - - - - cy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Sec<strong>on</strong>d Mode 84%W qauvmato" kainou' ƒnew_Ì ƒw<strong>on</strong> - - ƒder, ƒƒsur - - p<str<strong>on</strong>g>as</str<strong>on</strong>g>s - - ing__ ƒƒall thē an - - - cient w<strong>on</strong> - - ders! For who hath known of ƒa___ moth - - - - ƒer with - out___________ ƒƒhus-ƒband giv - - - ƒing______________Ì birth, and______Ì car - ƒƒry - - ing____ in_______ ƒƒher___________ ƒarms ƒHim ƒthat em - ƒbra - ƒceth________ ƒƒall______ÌÌ ƒƒcre - - ƒƒa - - - - ƒƒti<strong>on</strong>? ƒƒHe that__ ƒis ƒƒborn________ƒ is____ of____ ƒGod's_ will.___ In that thou ƒcar - - - - ƒri - ƒest___Ì ƒƒHim in ƒThine arms____________________ <str<strong>on</strong>g>as</str<strong>on</strong>g>_______ÌÌ ƒa__________ babe, Owww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


78Sec<strong>on</strong>d Mode - Aposticha Theotoki<strong>on</strong> ƒall - - - - - - - ƒƒpure__________Ì ƒƒ<strong>on</strong>e, ƒƒand ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t bold-ness_towards Him <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒHis__Ì ƒƒMoth - - - er, ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g>e not ƒfrom ƒen-ƒtreat-ƒing Him ƒƒin ƒƒbeƒ-ƒƒhalf ƒof ƒƒ<strong>the</strong>m that_Ì ƒh<strong>on</strong> - - - - - ƒour___________ ƒƒ<strong>the</strong>e, ƒƒthat He ƒƒhave pit - - - - ƒy ƒand save_________ our__________ ƒsouls.___________The "Quick toHear" (Gorgoypikousa)Panagiaof DocheiariouM<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery <strong>on</strong> <strong>the</strong><strong>Holy</strong> <strong>Mountain</strong>


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>Sec<strong>on</strong>d Mode 160$Ote kath'lqe" hen Thou didst de - scend____Ì ƒun - to ƒdeath, ƒƒOƒƒLife Im-mor - - ƒƒtal, ƒ<strong>the</strong>n didst Thou ƒslay Haƒ-ƒdes with <strong>the</strong> ƒlight-ning of Thy Diƒƒ- vin - ƒƒƒi - ty. ƒAnd when ƒThou_ÌÌ̃didst al - ƒso raise <strong>the</strong> dead ƒout of ƒƒ<strong>the</strong> ƒneth - - ƒer world, ƒall ƒƒ<strong>the</strong> powƒ-ƒers of ƒ<strong>the</strong>___ÌÌ ƒheav-ƒens were cryƒ-ƒing out: ƒƒO Giv - ƒer ƒƒof life, Christ our ƒGod, ƒglo - ry ƒƒbe___________Ì to ƒƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


80Sec<strong>on</strong>d Mode - Apolytiki<strong>on</strong>Glory...Dovxa PatrivG ƒlo - ry to ƒƒ<strong>the</strong> ƒFa - <strong>the</strong>r, and ƒƒto ƒƒ<strong>the</strong> ƒS<strong>on</strong>, ƒand ƒƒto ƒƒ<strong>the</strong> Ho - ƒƒly Spir - - - it.Both now...Kai; nu'nB ƒoth ƒnow and ƒev - - - er, ƒƒand ƒƒun - to thē ƒag - ƒƒ- es ƒƒof ƒag - - ƒƒes.A - men.Resurrecti<strong>on</strong>al Theotoki<strong>on</strong>Pavnta uJpe;r e[nnoian ƒƒll ƒthy mys - ter - ƒies ƒare ƒƒbe - y<strong>on</strong>d com-pre - ƒhen - - - - si<strong>on</strong>; ƒall ƒare ƒƒex - ceed-ing - ƒly ƒglo - ƒriƒ-ƒous, ƒO ƒThe - ƒo - ƒto - - - - - - - - - ƒkos. Sealed ƒƒwith ƒpu - ƒri - ƒƒty ƒand ƒpre-served by vir - ƒƒgin - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Apolytiki<strong>on</strong>81 ƒi - ty, ƒthou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t known ƒto ƒbe a ƒƒtrue moth-ƒer, givƒ-ƒƒing birth un - to <strong>the</strong> ƒƒtrue___̃God.Do ƒthou ƒenƒ-ƒtreat Him that ƒour ƒsouls__Ì ƒƒbe saved._______ÌThis I say, not<strong>on</strong>ly that you may yourselvessing praises, but also that you may teachyour wives and children to do so, not merely tolighten <strong>the</strong> work while weaving, but especially at <strong>the</strong> table.For since Satan is w<strong>on</strong>t to lie in wait at fe<str<strong>on</strong>g>as</str<strong>on</strong>g>ts, and to employ <str<strong>on</strong>g>as</str<strong>on</strong>g>allies drunkenness, glutt<strong>on</strong>y, immoderate laughter, and aninactive mind; <strong>on</strong> <strong>the</strong>se occ<str<strong>on</strong>g>as</str<strong>on</strong>g>i<strong>on</strong>s, both before andafter table, it is especially necessary to fortify<strong>on</strong>eself with <strong>the</strong> protecti<strong>on</strong> of <strong>the</strong> psalmsand, rising from <strong>the</strong> fe<str<strong>on</strong>g>as</str<strong>on</strong>g>t toge<strong>the</strong>rwith <strong>on</strong>e's wife and children,to sing sacred hymnsto God.—<strong>St</strong>. John Chrysostomwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ƒord,___ I ƒhave cried__ ƒƒun - to Thee, ƒheark-en ƒunƒ-ƒƒto ƒƒme; ƒhearkƒ-ƒen un - ƒto me, ƒO Lord. ƒLord,__ ƒƒI ƒhave ƒcried__ ƒun - ƒƒto Thee, ƒheark-ƒen ƒunƒ-ƒƒto ƒ ƒƒme; ƒat - tend__ÌÌ ƒto ƒ<strong>the</strong> voice__Ì of ƒmy ƒsup - pli-ca-ti<strong>on</strong> when I cry_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Lord I Have Cried 83 ƒ_ÌÌ ƒun - ƒƒto ƒƒThee: ƒHeark-en ƒunƒ-ƒƒto ƒƒme ƒO Lord.Let My PrayerKateuqunqhvtwL ƒet ƒmy ƒƒprayer be set forth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - cense__Ì ƒbe - ƒfore Thee, <strong>the</strong> ƒlift - ƒing ƒup___ ƒ ƒof ƒmy hands ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒan ƒeveƒ-ƒning sac - ri-ƒfice; heark-ƒen unƒ-ƒƒto___ ƒƒme, ƒO Lord.ThE PrOphEt JErEmIah


Verses of Psalms140, 141, and 129Sec<strong>on</strong>d Mode (Hard Chromatic)S ƒet, 180Qou' Kuvrie ƒO Lord, ƒa watch beƒ-ƒfore my ƒmouth, and a door ƒof en - clo - sure round a - ƒbout ƒmy lips.2 ƒIn - cline not my heart ƒƒun - ƒto words of ƒƒe - - vil, to make ƒƒex - cuse with__ƒex - ƒcus - ƒƒes ƒin sins,3 With men that work in - ƒƒiq - ƒui - ƒty; and I ƒwill not join_ÌÌ ƒwith <strong>the</strong>ir ƒcho - - ƒsen.4 ƒƒThe right-ƒeous ƒman ƒƒwill ƒƒch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ten ƒƒme with mer-ƒcy ƒand ƒƒre - ƒprove___Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Verses of Psalms85 me; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor ƒthē ƒoil___ÌÌ ƒof <strong>the</strong> sin - ƒner, let ƒit ƒƒnot ƒaƒ-ƒƒnoint my head.5 For ƒƒyet ƒƒmore is ƒmy ƒprayer__Ì in ƒ<strong>the</strong> pres-ence of <strong>the</strong>ir ple<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ures;ƒƒswal-lowed ƒup near by ƒ<strong>the</strong> rock___ƒƒhave <strong>the</strong>ir judg - es been.6 ƒƒThey ƒshall hear my words, for <strong>the</strong>y be ƒsweet-ened; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa ƒclod of earth ƒ is broƒƒ-ƒken up-ƒ<strong>on</strong> thē ƒearth, so ƒhave ƒ<strong>the</strong>ir b<strong>on</strong>es been ƒscat-ƒtered nigh_ÌÌ ƒun - ƒƒto ƒƒHa - des.7 ƒFor ƒƒun - ƒƒto Thee, ƒƒO Lord, O Lord,__̃ƒare ƒmine ƒƒeyes, in Thee have ƒI hoped; ƒtake___Ì not my ƒƒsoul ƒƒaƒ-ƒƒway.8 ƒƒ Keep me from <strong>the</strong> snare which <strong>the</strong>y have laid for ƒƒme, ƒand ƒfrom ƒƒ<strong>the</strong> ƒstum - bling-blocks of <strong>the</strong>m ƒthat work in - - ƒiq - ƒƒuiƒƒ-ƒƒty.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


86Sec<strong>on</strong>d Mode - Verses of Psalms9 ƒƒThe sinƒ-ƒners shall fall in - to <strong>the</strong>ir ƒown___Ì net; I ƒam____ a - ƒl<strong>on</strong>e un - ƒƒtil ƒƒI p<str<strong>on</strong>g>as</str<strong>on</strong>g>s ƒby.10 With ƒƒmy ƒvoice un - ƒto ƒƒ<strong>the</strong> ƒLord__ƒƒhave I cried, ƒwith ƒmy ƒvoice ƒunƒƒ-ƒƒto ƒ<strong>the</strong> ƒLord ƒƒhave I made my ƒƒsup - pliƒ-ƒcaƒ-ƒti<strong>on</strong>.11 ƒI will ƒpour___ ƒƒout ƒƒbe-ƒfore Him my sup - ƒpli - ca - - ti<strong>on</strong>, ƒmine ƒaf - ƒflic - - ƒti<strong>on</strong> ƒƒbeƒƒ-ƒƒfore___ƒHim___ willI ƒƒde-ƒclare.12 When ƒmy spir - ƒƒit ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> faint - - ƒƒing ƒwith - ƒƒin ƒme, ƒ<strong>the</strong>n Thou knew-ƒest my ƒƒpaths.1314 ƒƒIn ƒthis ƒway where-ƒin___Ì ƒƒI have walked <strong>the</strong>y hid for me a ƒƒsnare. ƒI looked ƒup - <strong>on</strong> ƒmy right hand, ƒand be - ƒheld, and ƒƒ<strong>the</strong>re ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> n<strong>on</strong>e_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Verses of Psalms87 that ƒdid ƒknow me.1516 ƒƒFlight hath failed me, and <strong>the</strong>re ƒƒisƒn<strong>on</strong>e ƒthat watch-eth ƒƒout for my ƒsoul. I have cried___ ƒunƒ-ƒto ƒƒThee, ƒO ƒLord; I said:___̃ƒThou ƒƒart my hope, my ƒpor - - ƒƒti<strong>on</strong> ƒƒart ƒThou in <strong>the</strong> land__ ƒof ƒ<strong>the</strong> ƒƒliv - ƒ- ing.17 At - tend unƒ-ƒƒto ƒƒmy ƒsup - ƒpli - ƒca - - ti<strong>on</strong>, ƒfor ƒI____Ì ƒam brought ver - y ƒlow.18 De -ƒliv - ƒer me from <strong>the</strong>m ƒthat per - ƒse - cute ƒme, ƒfor ƒ<strong>the</strong>y are str<strong>on</strong>gƒ-ƒer than ƒƒI.On Saturdays, c<strong>on</strong>tinue with <strong>St</strong>ichera <strong>on</strong> page 89.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


88Sec<strong>on</strong>d Mode - Verses of Psalms19 ƒBring ƒmy ƒsoul out of ƒƒpris - ƒ- ƒƒ<strong>on</strong> that I may c<strong>on</strong> - ƒ- fess ƒThy Name.20 The right-eous shall wait pa-tientƒ-ƒƒly for ƒƒme___Ì un - ƒƒtil ƒThou shalt ƒre - ƒward me.21 ƒOut of <strong>the</strong> depths ƒhave I cried unƒƒ-ƒƒto Thee, ƒO Lord;_̃O ƒLord, hear my voice.22 ƒLet ƒThine ears___Ì be at - ƒten - tive to <strong>the</strong> voice__Ì of my sup - pli - ƒca - ƒti<strong>on</strong>.No o<strong>the</strong>rs are to sing in church, besides <strong>the</strong> can<strong>on</strong>ical cantors,who <str<strong>on</strong>g>as</str<strong>on</strong>g>cend <strong>the</strong> ambo and sing from a parchment.Can<strong>on</strong> XV of <strong>the</strong> Council of Laodiceawww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief <strong>St</strong>icheraSec<strong>on</strong>d Mode Verse #1!Exavgage ejk fulakh'"B ƒring ƒmy soul ƒout ƒƒof ƒpris - ƒƒ<strong>on</strong> ƒƒthat I ƒƒmay ƒc<strong>on</strong> - fess ƒThy Name.<strong>St</strong>ichera #1To;n pro; aijwvnwn ƒome, let ƒus ƒworƒƒ-ƒship God <strong>the</strong> Word, Who ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒbe - got - ten ƒof ƒƒ<strong>the</strong> ƒFaƒƒ-ƒƒ<strong>the</strong>r ƒbe - ƒƒfore ƒthē ag - ƒƒes, and ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> in - carƒ-ƒƒnate of ƒ<strong>the</strong> ƒVir - gin ƒMar - - y; ƒfor ƒhav - - ing en-dured ƒƒ<strong>the</strong> Cross, He___ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒde - ƒƒlivƒƒ-ƒƒered ƒƒoƒ-ƒver ƒto bur - i - ƒƒal, <str<strong>on</strong>g>as</str<strong>on</strong>g> He ƒwilled; and ƒa - ƒƒris - ƒƒƒing from ƒ<strong>the</strong> ƒdead, He ƒsaved___ ƒme, thē ƒƒerr - ƒing ƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


90Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraT heVerse #2!Eme; uJpomenou'si ƒreƒ-ƒward me. ƒƒright -ƒƒeous shall ƒƒwait ƒpa - ƒtient - ly for me ƒunƒ-ƒƒtil Thou ƒshalt<strong>St</strong>ichera #2Cristo;" oJ Swth;r hJmw'n ƒav - ing ƒƒnailed__ to ƒƒ<strong>the</strong> ƒCross <strong>the</strong> hand-writƒ-ƒing ƒƒthat w<str<strong>on</strong>g>as</str<strong>on</strong>g> a - ƒgainst us, ƒChrist our Sav-iour_Ì̃hath ƒblotƒ-ƒted it out, ƒand ƒhath ƒdeƒ-ƒstroyed <strong>the</strong> ƒdo - min - - i<strong>on</strong> ƒƒof ƒdeath. ƒWe ƒƒworƒ-ƒship His__ ƒa - ris - ing <strong>on</strong> <strong>the</strong> third day.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera91O ƒutVerse #3!Ek baqevwn ƒof ƒƒ<strong>the</strong> ƒdepths have ƒƒI ƒ ƒƒcried ƒƒun - ƒto ƒƒThee, O ƒƒLord; O ƒLord, ƒhear my voice. <strong>St</strong>ichera #3Su;n !Arcaggevloi" ith thē____ arch - an - gels let ƒus praise <strong>the</strong> ƒRes - ƒur - rec - - ƒti<strong>on</strong> ƒƒof ƒChrist; ƒƒfor He is <strong>the</strong> Reƒ-ƒƒdeem-er__Ì̃and ƒƒSav - ƒiour ƒof our souls. ƒƒAnd in ƒaweƒ-ƒƒsome ƒƒglo - ƒry ƒƒand ƒmightƒ-ƒƒy ƒpow - - ƒer, ƒƒHe ƒƒcom - eth ƒa - gain ƒto ƒjudge ƒ<strong>the</strong> world_Ì̃ƒwhich ƒƒHef<str<strong>on</strong>g>as</str<strong>on</strong>g>hƒ-ƒi<strong>on</strong>ed.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


92Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraL ƒetVerse #4Genhqhvtw ta; w\ta sou ƒti<strong>on</strong>. Thine ƒƒears be at - ten - tive ƒto ƒƒ<strong>the</strong> voice of ƒmy ƒsup - pliƒ-ƒca -<strong>St</strong>ichera #4Se; to;n staurwqevnta ƒhee, ƒ<strong>the</strong> ƒƒCru - ƒƒciƒ-ƒfied__ ƒand ƒBurƒ-ƒied, ƒdid ƒthē ƒan - - gel ƒpro - claim ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒM<str<strong>on</strong>g>as</str<strong>on</strong>g>-ter; and he ƒsaid ƒƒunƒ-ƒƒto <strong>the</strong> ƒwom-ƒen: Come, ƒbe - ƒhold__Ì̃ƒwhere <strong>the</strong> Lord_ __ ƒlay, for ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>___ ƒƒthē al - might - ƒy, ƒƒHe is ƒris - en ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒHe said. ƒƒWhereƒ- ƒƒfore, ƒwe ƒwor -ƒƒship Thee, Who ƒƒa-ƒl<strong>on</strong>e_ÌÌ art ƒim-mor-tal. ƒO Life - - givƒ- ing ƒChrist, have mer - ƒcy ƒƒ<strong>on</strong> ƒƒus.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera93I fVerse #5!Ea;n ajnomiva" ƒThou should -ƒƒest mark ƒin - iq - ƒui - ƒties, O Lord, ƒO ƒLord, who ƒshall stand? ƒƒFor with Thee ƒ<strong>the</strong>re ƒis ƒfor-give-ness.<strong>St</strong>ichera #5!En tw'/ staurw'/ sou y Thy ƒCross, Thou didst a - ƒbol - - ƒƒish ƒ<strong>the</strong> ƒƒcurse__ of ƒƒ<strong>the</strong> tree; ƒby ƒThy ƒbur - i - al,ƒƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t slain <strong>the</strong>_ÌÌ might of death; and ƒƒby Thine__Ì ƒƒa - risƒ-ƒƒing, Thou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒen - light - ƒ- ened <strong>the</strong> race of ƒman. Where-fore, we cry ƒout ƒƒto ƒThee: ƒO ƒƒBen - ƒƒe - fac-tor, Christ our God,_Ì̃glo - - ƒry be ƒƒto Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


94Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraF ƒorVerse #6$Eneken tou' ojnovmatov" sou ƒThy ƒƒName's ƒsake ƒhave ƒƒI ƒpa - ƒtient - ƒly wait - ƒƒed ƒfor ƒƒThee, O ƒƒLord; ƒmy soul ƒhath wait - ƒed ƒpaƒƒ-ƒƒtient-ƒly for Thy ƒword, ƒmy ƒƒsoul__Ì̃hath hoped in ƒ<strong>the</strong> Lord.<strong>St</strong>ichera #6!Hnoivghsavn soi Kuvrie ƒut of fear, ƒƒ<strong>the</strong> ƒgates of death ƒoƒ-ƒƒpened un - ƒƒto Thee, O Lord; and ƒ<strong>on</strong> ƒbe - ƒƒhold - ing Thee, <strong>the</strong> ƒgate - ƒkeep - ƒers of ƒHa - ƒdes ƒƒtrem-bled; ƒƒfor ƒThou ƒƒdidst crush <strong>the</strong> ƒbraƒƒ- zen gates, and didst ƒbreak ƒthē iƒ-ƒƒr<strong>on</strong> bars. ƒƒƒAnd Thou ƒdidst ƒlead ƒƒus ƒƒout ƒof dark -ƒƒness and ƒ<strong>the</strong> ƒshad - - ƒƒow ƒƒof ƒdeath, ƒand ƒdidst break our ƒb<strong>on</strong>ds aƒƒ-ƒƒsun-ƒder.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera95F ƒromVerse #7!Apo; fulakh'" prwi?a" ƒ<strong>the</strong> ƒmorn - ƒing ƒƒwatch un - til night, fromƒ ƒ<strong>the</strong> morn - ƒƒing ƒƒwatch ƒ let Is - ra - - el hope ƒƒin ƒ<strong>the</strong> ƒLord. <strong>St</strong>ichera #7To;n swthvri<strong>on</strong> u{mn<strong>on</strong>ƒƒ ƒhantƒƒ-ƒƒing ƒ<strong>the</strong> ƒhymn ƒof___ ƒƒsal - ƒvaƒƒ-ƒƒti<strong>on</strong>, with our mouths let us ƒsing: ƒCome ye all, let us ƒƒfall pros-trate in <strong>the</strong> ƒƒHouse_̃ƒof ƒƒ<strong>the</strong> Lord,__ÌÌ ƒsay-ing: ƒThou Who ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒcru - ƒci - fied ƒupƒ-ƒ<strong>on</strong> <strong>the</strong> ƒƒTree, and didst ƒƒa - ƒrise ƒƒfrom <strong>the</strong> dead, and art ƒin ƒ<strong>the</strong> bosƒ-ƒom of <strong>the</strong> ƒFa - - <strong>the</strong>r, ƒbe ƒƒgra - - ƒcious un - ƒto our ƒsins.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


96Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraFVerse #8$Oti para; tw'/ Kurivw/ ƒor ƒwith ƒ<strong>the</strong> Lord <strong>the</strong>re ƒis ƒƒmer - ƒcy, ƒƒand ƒwithƒƒ Him ƒis plen - te - ƒous reƒ-ƒƒdemp-ti<strong>on</strong>; and He shall ƒƒre - deem ƒƒIs - ƒƒra -ƒƒel ƒ ƒƒoutƒƒ ƒƒof ƒ all____ hisin -iq -ƒuiƒ-ƒties. Verse #9 Aijnei'te to;n Kuvri<strong>on</strong>O ƒ praise ƒ<strong>the</strong> ƒƒLord, ƒƒall ye na - ƒƒti<strong>on</strong>s; praise Him, ƒƒall ƒye peoƒ-ƒples. FVerse #10$Oti ejkrataiwvqh or ƒƒHe hath made ƒƒHis ƒmer - cy to pre - ƒvail ƒƒoƒ-ƒver ƒus, ƒƒand ƒƒ<strong>the</strong> ƒtruth ƒƒof ƒ<strong>the</strong> ƒƒLord ƒƒaƒ-ƒbid - - ƒeth ƒƒfor ƒevƒ-ƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera97GGlory...Dovxa Patriv lo - ry ƒƒto ƒ<strong>the</strong> ƒƒFaƒ-ƒƒ<strong>the</strong>r, and to ƒ<strong>the</strong> S<strong>on</strong>, ƒand to ƒ<strong>the</strong> ƒHo - ƒƒly ƒƒSpir - ƒƒ-ƒƒit.Both now...Kai; nu'nB ƒƒoth now ƒand ev - - er and un - ƒƒto ƒthē aƒƒ-ƒƒges__Ì of ƒƒa - ƒƒges. A -men.Dogmatic Theotoki<strong>on</strong>Parh'lqen hJ skiav ƒhe shad-ow of ƒ<strong>the</strong> Law ƒis p<str<strong>on</strong>g>as</str<strong>on</strong>g>sed a-way with <strong>the</strong> com-ing ƒƒof ƒgrace; ƒƒfor ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong> ƒƒbush ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒnot c<strong>on</strong>-sumed when it____ƒƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> burn-ing, thus ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> a ƒvir - ƒƒ- ƒƒgin didst thou give birth, ƒƒand a ƒvir - - ƒgin__ÌÌ ƒdidst ƒƒthou ƒƒre-ƒmain. ƒƒInwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


98Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera ƒƒ<strong>the</strong> stead___ of ƒa ƒƒpil - - ƒƒlar of ƒfire, ƒ<strong>the</strong>re ƒhath a - ris - ƒƒen__ÌÌ <strong>the</strong> ƒƒSun ƒof Right-eous-ness; ƒin ƒ<strong>the</strong> ƒstead of ƒƒMosƒƒ- ƒes, Christ, <strong>the</strong> Sal - ƒƒvaƒƒ-ƒƒti<strong>on</strong> ƒof ƒ our ƒsouls.______www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaSec<strong>on</strong>d Mode Aposticha #1@H !Anavst<str<strong>on</strong>g>as</str<strong>on</strong>g>iv" sou 160 ƒ hy ƒƒRes - ur - recƒ-ƒƒti<strong>on</strong>, O Christ Savƒ-ƒiour, ƒhath en-light - ƒ-ƒƒened ƒ<strong>the</strong> whole world; and Thou ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t re - stored Thine_ ƒown crea-ture. ƒO ƒƒAl - ƒƒmightƒ-ƒƒy Lord,_ glo - ƒƒry be ƒto Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


100Sec<strong>on</strong>d Mode - Brief ApostichaVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen Tƒƒhe Lord ƒis ƒking; ƒƒHe ƒis ƒclo<strong>the</strong>d with maj - ƒes - ƒƒty. ƒƒThe ƒLord is clo<strong>the</strong>d with strengthand___Ì He ƒhath ƒƒgirt ƒƒHimƒ-ƒself.Aposticha #2Dia; xuvlou Sw'ter y <strong>the</strong> Tree, O ƒSav - - ƒƒiour, ƒThou didst ƒa - ƒƒbolƒƒ-ƒƒish__ÌÌ <strong>the</strong> curse ƒof ƒƒ<strong>the</strong> tree; ƒby ƒThy ƒƒbur - i - al, ƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t slain_ ƒƒ<strong>the</strong> might of death; ƒƒand Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒen - light-ened_ƒour ƒrace ƒby ƒThine ƒƒaƒƒ-ƒƒris-ing. ƒWhereƒ-ƒfore, ƒƒwe cry ƒout to ƒThee: ƒO ƒƒLifeƒƒ-ƒƒgiv - ing ƒChrist our God,__ ƒƒglo - ry ƒbe ƒƒto Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Brief Aposticha101FVerse #3 Kai; ga;r ejsterevwse ƒor ƒHe es - tabƒƒ-ƒƒlished <strong>the</strong> ƒƒworld ƒƒwhich shall ƒƒnot ƒƒbe shak-en. Aposticha #3!En tw'/ <strong>St</strong>aurw'/ Cristev hen ƒThou ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒseen nailed up - ƒƒ<strong>on</strong> <strong>the</strong> Cross, ƒƒO Christ, Thou ƒƒdidst change <strong>the</strong> beau-ƒty ƒof cre - - ƒat - ƒed things. And ƒƒ<strong>the</strong> sol - ƒƒdiers, ƒshow - - ƒƒing ƒ<strong>the</strong>ir ƒƒin - ƒhu - ƒman - i - ty, pierced Thy side with a spear. And ƒ<strong>the</strong> Jews___Ì ƒsought to ƒseal ƒƒThy ƒtomb, beƒƒ-ƒing ig - - ƒƒnoƒƒ- rant of Thy pow-er. ƒBut, Thou Who by <strong>the</strong> ƒmer -ƒƒƒcy ƒof ƒƒThy ƒcom - ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒƒsi<strong>on</strong>s didst acƒ-ƒcept ƒƒbur - i - al ƒƒand ƒdidst ƒa - ƒrise <strong>on</strong> ƒ<strong>the</strong> ƒthird___ day, Lord,_Ì glo - ƒƒry be ƒto Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


102Sec<strong>on</strong>d Mode - Brief ApostichaHVerse #4Tw'/ oi[kw/ sou prevpei o - ƒƒli - ness ƒƒbe - com - ƒeth ƒƒThy ƒƒhouse, O Lord,__ÌÌ unƒ-ƒƒto___ƒlength ofdays.Aposticha #4Zwodovta Cristev ƒƒChrist, ƒThou ƒGiv - - er of ƒƒlife, ƒThou didst un - ƒder - go <strong>the</strong> ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒƒsi<strong>on</strong> ƒwillƒƒ-ƒingƒ-ƒly for ƒƒ<strong>the</strong> sake ƒof mor-tal men. ƒIn - ƒƒto ƒHa - ƒƒ- ƒƒdes didst ƒThou ƒƒdeƒƒ-ƒƒscend_ÌÌ <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong>__Ì̃ƒMightƒƒ-ƒy One; ƒand ƒƒ<strong>the</strong>m__Ì ƒƒthat a - wait - - ƒed Thy ƒcom - ing <strong>the</strong>re didst Thou snatch aƒ-ƒway, <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfrom ƒ<strong>the</strong> hand__ÌÌ ƒof___ <strong>on</strong>e ƒpow-er-ful, grant-ing <strong>the</strong>m ƒƒin Par - a-dise, ƒin - stead of ƒƒHa - - des, to ƒƒdwell. ƒWhereƒ-fore al - so ƒunƒ-ƒto ƒƒus who ƒƒglo - ƒri - ƒ- fy Thine__ a - ƒris - ƒƒing <strong>on</strong> <strong>the</strong> third day, do ƒThou grant for - give-ness of sins__Ì ƒƒand ƒgreat ƒƒmer - - cy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Sec<strong>on</strong>d Mode - Brief Aposticha103GGlory...Dovxa Patriv ƒƒlo - ƒƒry ƒto ƒƒ<strong>the</strong> ƒFaƒ - - ƒƒ<strong>the</strong>r, and to ƒ<strong>the</strong> S<strong>on</strong>, and ƒto ƒ<strong>the</strong> Ho - ƒƒly Spir - it.Both now...Kai; nu'nB oth ƒnow ƒand ev - - ƒer, and ƒƒun - ƒƒto ƒthē ƒag - ƒes__ÌÌ of ag - es. ƒƒA - men.Aposticha Theotoki<strong>on</strong>%W qauvmato" kainou' ƒƒnew ƒƒw<strong>on</strong>ƒ-ƒder, surƒ-ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s -ƒƒing all thē ƒƒan - cient w<strong>on</strong>ƒ-ƒders! For who ƒhath ƒknown of ƒa moth - - ƒer with-ƒout ƒƒhus - ƒband ƒgivƒ-ƒing birth, ƒand car - - ƒƒryƒ-ƒing ƒin her arms Him that em-braƒ-ƒƒceth ƒall ƒƒcreƒƒ- aƒ-ƒti<strong>on</strong>?www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


104Sec<strong>on</strong>d Mode - Brief Aposticha ƒHe that is born ƒis ƒƒof God's will. ƒIn ƒthat ƒƒthou ƒcar - - ri - est Him ƒƒin Thine ƒƒarms ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒa ƒƒbabe,_Ì ƒƒO ƒƒall - pure___Ì ƒ<strong>on</strong>e, and ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒbold-ness towards ƒHim ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>__Ì ƒHis Moth-ƒer, ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g>e not ƒƒfrom ƒenƒ-ƒtreatƒ-ƒing___ Him ƒƒin ƒbe - ƒƒhalf ƒof ƒ<strong>the</strong>m that ƒƒh<strong>on</strong>-ƒour <strong>the</strong>e, that ƒƒHe have ƒpit - - ƒy ƒƒand save our souls.______We believe that Godis present everywhere and that"<strong>the</strong> eyes of <strong>the</strong> Lord look up<strong>on</strong> good menand evil in every place"; but we must believe withouta shadow of doubt that this is especially so when we <str<strong>on</strong>g>as</str<strong>on</strong>g>sist at<strong>the</strong> Divine Office. Therefore, let us always be mindful of what <strong>the</strong>prophet says: "Serve <strong>the</strong> Lord in fear"; and again, "Sing psalms wisely";and, "I will sing to Thee in <strong>the</strong> sight of <strong>the</strong> angels." Hence we must c<strong>on</strong>siderhow we are to behave ourselves in <strong>the</strong> sight of <strong>the</strong> Divinity and of His angels,and let us so stand to sing, that our mind may be in harm<strong>on</strong>y with our voice.—Rule XIX of <strong>St</strong>. Benedict (d. ca. 547)www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third ModeLord, I Have Cried 84Kuvrie ejkevkraxa ƒord,______ I ƒhave ƒcried_____________Ì un - - ƒto_________Ì ƒThee,_ __ ƒheark - ƒ ƒ- ƒƒ- ƒƒ- ƒƒ- en__ÌÌ ƒun - - to_________Ì me; ƒƒheark - - en un - - to_____ ƒme,_______Ì ƒO____________Ì ƒLord.___ ƒLord,__ I ƒhavewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


106Third Mode - Lord I Have Cried ƒƒcried________Ì un - - - - ƒto_______________ÌÌ Thee, ƒheark - ƒƒ- ƒƒ- ƒƒ- ƒƒ- ƒen ƒƒun - - - to___ ƒme;___ at - tend___ ƒƒto ƒ<strong>the</strong> ƒvoice_____________ of my_ __ ƒsup - - pli - ƒƒca - - - - ƒti<strong>on</strong>___ÌÌ when I ƒcry_________Ì un - - - to_________ ƒThee: Heark - - en ƒun - to ƒƒme,_________________Ì ƒƒO____ ƒƒLord.Let My PrayerKateuqunqhvtwL ƒƒet ƒmy__Ì prayer__ ƒbe set____________ÌÌ ƒƒforth <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - - - - - - ƒƒcense_____Ì__ be - fore________ÌÌ Thee,__ÌÌ ƒ<strong>the</strong> lift - ing up ƒof___ ƒƒmy___ÌÌ ƒƒhands__ <str<strong>on</strong>g>as</str<strong>on</strong>g>_______ÌÌ ƒan___ ƒeve - ƒning___ ƒsac - - - - ƒri - - - fice; heark - - ƒen ƒƒun - ƒƒto ƒme,________________Ì O____ Lord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Third ModeS et, 180Qou' Kuvrie ƒO ƒLord, ƒƒa ƒƒwatch ƒbe-ƒfore ƒmy mouth, and ƒa door_____ÌÌ ƒof ƒen - cloƒ- sure ƒroundƒƒa - ƒƒbout my lips.2 In - cline___ ƒnot my ƒheart ƒƒun - ƒto ƒwords ƒof ƒe - ƒvil, ƒƒto ƒƒmake ex - ƒcuse__ ƒwi<strong>the</strong>x - cus - ƒ- es ƒin sins,3 With men that ƒwork ƒƒin - iq - ƒui - ƒƒty; ƒand I will not ƒjoin with_ƒƒ<strong>the</strong>ir ƒƒcho - sen.4 ƒƒTheright - ƒƒeous man will ch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒƒten me ƒƒwith merƒƒ-ƒƒcy and re - ƒƒprove me;www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


108Third Mode - Verses of Psalms <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor ƒthē oil of__ÌÌ <strong>the</strong> ƒsin - - ƒner, ƒlet ƒƒit ƒƒnot ƒƒa - noint my head.5 ƒ For ƒyet more is ƒmy ƒƒprayer____ÌÌ ƒƒin ƒ<strong>the</strong> presƒ-ƒence ƒof <strong>the</strong>ir ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒures; ƒswal-ƒlowed up ƒnear by <strong>the</strong>ƒrock__ ƒhave ƒƒ<strong>the</strong>ir judgƒƒ-ƒƒes been.6 ƒƒThey ƒƒshall hear my words, for ƒ<strong>the</strong>y be ƒsweet-ened; ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> a ƒclod ƒof earth ƒis broƒ-ƒƒken upƒƒ-ƒƒ<strong>on</strong> thē earth, so ƒƒhave ƒƒ<strong>the</strong>ir ƒƒb<strong>on</strong>es been scat-ƒtered ƒnigh___Ì unƒ-ƒ ƒto ƒHa - ƒdes.7 For un - ƒƒto ƒThee, ƒO Lord, ƒO ƒLord, ƒƒare mine ƒƒeyes, ƒƒin Thee ƒhave_ _Ì I ƒhoped; take__ ƒnot my soul ƒƒƒaƒ-ƒway.8 Keep me_ÌÌ ƒfrom ƒƒ<strong>the</strong> snare which <strong>the</strong>y have laid ƒfor me, ƒƒand ƒfrom ƒ<strong>the</strong>stumƒ- bling-blocks ƒof ƒ<strong>the</strong>m__Ì̃that ƒwork ƒƒin - ƒiq - ƒƒuiƒ- ty.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Verses of Psalms1099 ƒƒThe ƒƒ sin - - ƒners ƒshall ƒfall in - - to <strong>the</strong>ir ƒown ƒƒnet; ƒI ƒam ƒa - ƒ l<strong>on</strong>e ƒƒunƒ-ƒƒtil ƒI p<str<strong>on</strong>g>as</str<strong>on</strong>g>s by.10 With my ƒƒvoice unƒƒ-ƒƒto <strong>the</strong> ƒƒLord ƒƒhave I ƒcried, with ƒmy ƒƒvoice un - to___ƒƒ<strong>the</strong> Lord have Imade my supƒƒ- pli - ca - ƒti<strong>on</strong>.11 ƒI will ƒpour out ƒbe - fore Him my supƒ-ƒƒpli - ƒ ca - ti<strong>on</strong>, ƒmine ƒaf - flic - - - ƒti<strong>on</strong> ƒƒbe - fore__ Him will I deƒ-ƒclare.12 ƒWhen ƒmy ƒspir - ƒit w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfaintƒ-ƒing__̃with - ƒin___________ÌÌ me, <strong>the</strong>n Thou knew - - ƒƒest my paths.1314 ƒƒIn ƒƒthis way where-in___ÌÌ I ƒhave walkedÌÌ<strong>the</strong>y hid for me ƒa snare. ƒI ƒlooked up-ƒ<strong>on</strong> my ƒright__̃hand, and ƒƒbe - ƒheld, ƒand ƒ<strong>the</strong>re ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒn<strong>on</strong>ewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


110Third Mode - Verses of Psalms that_ÌÌ did ƒƒknow ƒme.15 ƒƒFlight hath failed_____Ì me, ƒand ƒ<strong>the</strong>re ƒƒis ƒƒn<strong>on</strong>e that watch - eth ƒout___ÌÌ ƒƒfor my ƒƒsoul.16 ƒI have cried__Ì un - to ƒThee, ƒO ƒƒLord; I ƒƒsaid: ƒThou art__ÌÌ my ƒhope, my por - - - - ti<strong>on</strong> ƒart ƒThou ƒin <strong>the</strong> ƒƒland of___Ì <strong>the</strong> ƒliv - ing.17 ƒAt - ƒƒtend ƒunƒ-ƒƒto ƒƒmy ƒƒsup - pli - ƒcaƒƒ-ƒƒti<strong>on</strong>, for I___ÌÌ ƒƒam brought ƒver - ƒƒy ƒlow.18 ƒDe - liv - ƒƒer ƒƒme ƒfrom <strong>the</strong>m that per - ƒse - ƒcute me, ƒƒfor ƒ<strong>the</strong>y are str<strong>on</strong>g - - ƒer ƒthan ƒƒI.On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 112or with Brief <strong>St</strong>ichera <strong>on</strong> page 138.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Verses of Psalms11119 Bring ƒmy ƒsoul ƒout__Ì ƒƒof ƒpris - - - - ƒ<strong>on</strong> ƒƒthat___Ì I ƒmay ƒƒc<strong>on</strong>ƒ- fess ƒƒThy Name.20 The right-eous shall ƒwait pa-tient - ƒly ƒƒfor ƒƒme ƒun - til Thou shalt ƒreƒƒƒƒward_ÌÌ̃me.21 Out ƒof ƒ<strong>the</strong> ƒdepths have_ I ƒcried__ÌÌ un - ƒto ƒThee, ƒƒO Lord; O ƒƒLord,__Ì hear my ƒvoice.22 ƒƒLet ƒThine ƒƒears___ÌÌ ƒbe at - ƒtenƒƒ- tive to <strong>the</strong> ƒƒvoice ƒƒof ƒƒmy ƒsup - ƒƒpli - ƒ ƒca - ƒƒƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraThird Mode Verse #1!Exavgage ejk fulakh'"B ƒring ƒmy soul ƒout ƒof ƒƒpris - ƒ<strong>on</strong> that ƒI___Ì ƒmay c<strong>on</strong> - - fess_ __ ƒThy___Ì ƒName.__<strong>St</strong>ichera #1Tw'/ Sw'/ <strong>St</strong>aurw'/ y Thy Cross, ƒO__Ì ƒƒChrist__Ì our ƒSav - ƒiour, ƒ<strong>the</strong> ƒƒdo - ƒƒmin - ƒ- ƒi<strong>on</strong> ƒof death hath_Ì ƒbeen______ÌÌ de - - - stroyed,_ ƒand <strong>the</strong> de - cepƒ-ti<strong>on</strong> of ƒ<strong>the</strong>___Ì ƒƒdev - - ƒil hath_Ì been_ ƒa - - bol - - - - ished; ƒƒand <strong>the</strong> race of man, hav - - - ƒing___Ì ƒbeen_ ƒsaved________ÌÌ by_________ faith,___www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Slow <strong>St</strong>ichera113 ƒdoth ƒev - - - er ƒƒof - - fer____ ƒpraise___________________________ to____Ì Thee.Verse #2!Eme; uJpomenou'siT he rightƒƒ-ƒƒeous ƒshall ƒƒwait ƒpa - ƒtient - ly ƒƒfor ƒme ƒƒun - ƒtil________Ì ƒƒThou shalt ƒre - ward________Ì ƒme.___Ì<strong>St</strong>ichera #2Pefwvtstai ta; suvmpanta ll ƒƒthings ƒhave_Ì been___ en - ƒlight - - - - ƒened by Thy__ Res - - - ur - - ƒƒrec - - - ti<strong>on</strong>, O_________ Lord,__ÌÌ ƒƒand___Ì ƒƒPar - - aƒ-ƒdise__ is___ ƒƒoƒ-ƒƒpened a - gain;___ and,_____̃whilst ƒƒac - ƒclaim - - ƒ- - ƒƒing ƒThee, <strong>the</strong> whole______________Ì ƒof_________Ì cre - ƒƒa - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


114Third Mode - Slow <strong>St</strong>ichera ƒ- - - ti<strong>on</strong>___ ƒƒdoth ƒev - ƒƒ- ƒƒ- er of - ƒƒfer__Ì ƒƒpraise__ ƒto___ Thee.O utVerse #3!Ek baqevwn of ƒ<strong>the</strong> depths have ƒI cried ƒƒun - ƒƒto Thee, ƒƒO Lord;______ ƒO ƒLord,_ ƒhear_________ÌÌ my_________ ƒvoice.__Ì<strong>St</strong>ichera #3Doxavzw tou' Patrov" glo - ri - - ƒfy____ ƒƒ<strong>the</strong>___Ì̃ƒmight_______Ì ƒof____Ì ƒƒ<strong>the</strong> ƒFa - - <strong>the</strong>r____̃and________ÌÌ ƒ<strong>the</strong>________ÌÌ ƒƒS<strong>on</strong>,___ ƒƒand <strong>the</strong> pow - ƒƒ- er of ƒƒ<strong>the</strong> Ho - ƒƒly___ Spir - - ƒƒit___Ì ƒƒdo__________ I___________________ praise,__Ì e - ven thē in - - ƒdi - vis - - - - i - ƒble, un - - - cre - ƒ- ƒat - ed___Ì ƒGod - ƒƒ- ƒƒ- ƒhead,__Ì <strong>the</strong> ƒTrin - - - - - i - ty____ ƒ<strong>on</strong>e___ ƒinwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Slow <strong>St</strong>ichera115 es - - - - sence,__Ì reign - - - - ing ƒun - ƒƒto ƒe - ter - - - - ƒni - - - - - ƒƒty___ ƒfor ƒƒev - ƒer.__ÌLVerse #4Genhqhvtw ta; w\ta sou et ƒThine ears ƒbe ƒat - ƒtenƒƒ-ƒƒtive ƒto ƒƒ<strong>the</strong> ƒvoice____________Ì of ƒmy_Ì ƒ__ sup - - pli - ƒƒca - - - - ti<strong>on</strong>.___<strong>St</strong>ichera #4To;n <strong>St</strong>aurovn Sou hy pre - ƒ- cious Cross_ ƒƒdo____ ƒƒwe ƒwor - - - - ƒship,__ ƒO____ ƒChrist, ƒand ƒThy ƒRes - ƒƒur - ƒƒrec - - - - ti<strong>on</strong> ƒdo____Ì ƒwe ƒpraise__Ì ƒand__Ì ƒƒglo - - - - ƒƒri - - - - ƒƒfy;____ ƒƒfor by ƒƒThy ƒwound - - - - - - - ing ƒƒare we_________Ì ƒƒall________ ƒhealed.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


116Third Mode - Slow <strong>St</strong>icheraIVerse #5!Ea;n ajnomiva" f Thou shouldƒ-ƒƒest ƒmark ƒin - iq - ui - ties, O Lord, O ƒLord, ƒwho ƒshall stand? For ƒwith Thee______ÌÌ ƒ<strong>the</strong>re__ÌÌ is______Ì ƒƒfor - ƒƒgive - - - - - -ƒ ness.__ÌÌ<strong>St</strong>ichera #5@Umnou'men to;n Swth'ra e praise__ƒ<strong>the</strong>___ÌÌ ƒSav - - - - -ƒƒiour, ƒWho__ ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒin - - ƒcar - - - nate___Ì ƒƒof_________ <strong>the</strong> ƒƒVir - - - - ƒƒgin,___ ƒfor ƒƒHe ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒcru - ci - fied_______________Ì ƒƒfor___Ì ƒour______ƒsake and ƒƒa - rose___ ƒ<strong>on</strong>_________ ƒ<strong>the</strong> ƒthird_________ day,___Ì grant - ƒ- ing ƒus_______ great ƒƒmer - cy.__www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Slow <strong>St</strong>ichera117F orVerse #6$Eneken tou' ojnovmatov" sou ƒThy Name's ƒsake have I ƒƒpa - ƒƒtient - ƒly wait - ƒed for Thee, ƒO ƒƒLord; my soul ƒhath ƒwait - ƒƒed pa - ƒtient - ƒƒly ƒƒfor ƒƒThy word, my soul hath_Ì̃ƒhoped_____ÌÌ in__ÌÌ ƒ<strong>the</strong>_Ì Lord.___<strong>St</strong>ichera #6Toi'" ejn $A/dh/ ƒo - ing down ƒto__ those__ÌÌ ƒƒin Ha - - - - ƒdes, Christ ƒƒpro - - - ƒƒclaimed____ ƒ<strong>the</strong>________ glad___Ì ƒtid - - - ƒƒings, ƒsay - ƒ- ƒ- - - - ing:___Ì ƒƒTake ƒƒcour-ƒage,_Ì ƒI___Ì ƒƒhave c<strong>on</strong>-quered now;__ÌÌ ƒI ƒam ƒ<strong>the</strong> ƒƒRes - - ur - ƒƒrec - - - - ti<strong>on</strong>; havƒƒ- ing de - stroyed <strong>the</strong> gates_ ƒof____Ì ƒ____Ì death,I_________ƒƒshall lead_________________________̃ƒƒyou___ ƒup.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


118Third Mode - Slow <strong>St</strong>icheraVerse #7!Apo; fulakh'" prwi?a"F ƒrom <strong>the</strong> ƒƒmorn - ing ƒwatch ƒƒun - ƒƒtil ƒnight from <strong>the</strong> mornƒƒ-ƒƒing ƒwatch ƒƒlet Is - - - ƒƒraƒ-ƒƒel___ hope_________Ì ƒƒin__ÌÌ ƒƒ<strong>the</strong> Lord.___<strong>St</strong>ichera #7OiJ ajnaxivw" eJstw'te" e who ƒƒstand un - wor - thiƒ-ƒly ƒin Thine ƒun - - - - - de - ƒfiled_____Ì̃house sing ƒƒan ƒeve-ning_̃ƒhymn, cry - ƒ- ƒ- ƒ- ƒƒing__ÌÌ ƒƒfrom___ _____Ì ƒ<strong>the</strong>_________ depths:__ O____̃Christ God, Who didst ƒƒen-ƒlight - - - - ƒen___ÌÌ ƒƒ<strong>the</strong>__ ƒƒworld__Ì by Thy_Ì ƒRes - - ur - ƒrec - - - - - - - ƒƒti<strong>on</strong> <strong>on</strong> ƒ<strong>the</strong> ƒthird_________ ƒƒday,___ res - cue__________̃Thy peo - - - ƒƒple___ÌÌ out ƒof <strong>the</strong> ƒ ƒhand ƒof Thine ƒƒen - ƒƒe - - - mies, O___Ì Friend_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Slow <strong>St</strong>ichera119 _____________________(nd) of______̃ƒman.________ÌVerse #8$Oti para; tw'/ Kurivw/F ƒƒ ƒor ƒƒwith <strong>the</strong> ƒLord ƒ<strong>the</strong>re is mer - ƒƒcy, and ƒwith ƒƒHim is ƒƒplen - ƒƒte - ƒƒƒous reƒƒ-ƒdemp-ti<strong>on</strong>; and He ƒshall re - ƒƒdeem ƒIs - raƒ-ƒƒel ƒout ƒof all_______Ì his ƒƒin - - iq - ƒƒ- ƒƒ-ƒ ƒ- ui - - - - ƒƒties.___ÌO ƒpraiseVerse #9Aijnei'te to;n Kuvri<strong>on</strong> <strong>the</strong> ƒLord, ƒƒall ye ƒna - ti<strong>on</strong>s; ƒpraise______Ì ƒHim,______Ì ƒ_______Ì ƒƒall_________ ƒye ƒpeo - ƒƒ- ƒƒ- ƒƒ- ples.___www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


120Third Mode - Slow <strong>St</strong>icheraF orVerse #10$Oti ejkrataiwvqh ƒƒHe ƒhath ƒmade His ƒmer - ƒcy ƒƒto ƒƒpre -ƒ vail ƒƒo - ƒver us, ƒƒand <strong>the</strong> ƒtruth ƒof <strong>the</strong> ƒƒLord a - ƒbid - - - - - - eth ƒfor ƒev - - -ƒer.____Since human nature rejectsand avoids what is difficult, even if beneficial,and accepts virtually nothing unless it seems to offer ple<str<strong>on</strong>g>as</str<strong>on</strong>g>ure,through David <strong>the</strong> Lord prepares from men this poti<strong>on</strong> which is sweetby re<str<strong>on</strong>g>as</str<strong>on</strong>g><strong>on</strong> of its melody and effective in <strong>the</strong> cure of dise<str<strong>on</strong>g>as</str<strong>on</strong>g>e by re<str<strong>on</strong>g>as</str<strong>on</strong>g><strong>on</strong> of itsstrength. For a psalm is sweet to <strong>the</strong> ear, it penetrates <strong>the</strong> soul when it givesple<str<strong>on</strong>g>as</str<strong>on</strong>g>ure, it is e<str<strong>on</strong>g>as</str<strong>on</strong>g>ily remembered when sung often, and what <strong>the</strong> harshnessof <strong>the</strong> Law cannot force from <strong>the</strong> minds of man it excludes by <strong>the</strong>suavity of s<strong>on</strong>g. For whatever <strong>the</strong> Law, <strong>the</strong> Prophets andeven <strong>the</strong> Gospels teach is c<strong>on</strong>tained <str<strong>on</strong>g>as</str<strong>on</strong>g> a remedyin <strong>the</strong> sweetness of <strong>the</strong>se s<strong>on</strong>gs.—<strong>St</strong>. Niceta of Remesianawww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…Third Mode 84 Dovxa Patriv...G ƒlo - ry_____ to <strong>the</strong> ƒƒFa - ƒ-ƒ - ƒ- ƒ<strong>the</strong>r ƒƒand to____ ƒ<strong>the</strong>___ÌÌ ƒ____ ƒƒS<strong>on</strong>, ƒƒand______ÌÌ to ƒ<strong>the</strong>___Ì ƒHo - - - ly ƒSpir - - - - it.____BKai; nu'n ... oth ƒnow__ and___ ƒev - ƒƒ- ƒƒ- ƒƒ- ƒƒ- er and un - to ƒƒthē ƒƒa - - ƒƒ- ges of____ a - - - ƒges. ƒƒA - - - - ƒmen.__ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


122Third Mode - GloryAlternate MelodiesDovxa Patriv...G ƒlo - ƒry___ ƒto____Ì ƒ<strong>the</strong> ƒ ƒFa - ƒƒ- ƒƒ- ƒƒ- ƒƒ- <strong>the</strong>r ƒand ƒto_________ÌÌ <strong>the</strong>_ ƒ_______ƒƒS<strong>on</strong>,_______ ƒƒand______ÌÌ ƒto________ ƒƒ<strong>the</strong>___ÌÌ ƒƒHo - - ly Spir - - - - - - ƒƒit.BKai; nu'n ... oth ƒnow_______________Ì and__Ì ƒev - - - - - - - - er ƒƒand ƒƒun - ƒƒto____________ thē__Ì ƒa - - - - ƒges ƒof___ a - - ges. ƒA - - - - - - - men.___www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Glory123Old (Slow) <strong>St</strong>icheraric MelodiesDovxa Patriv...G ƒlo - - - - - ƒƒry____ ƒto <strong>the</strong> ƒFa - - - - - - - <strong>the</strong>r and_ÌÌ ƒto ƒƒ<strong>the</strong>______ÌÌ ƒS<strong>on</strong>,_______Ì and____ ƒƒto__ÌÌ ƒƒ<strong>the</strong> Ho - - - - - - ƒƒly_ ƒ______Ì ƒSpir - - - - - - - - - - - - - - - - ƒƒit.BKai; nu'n ... ƒƒoth___Ì now______ ƒand__Ì ev - - - - ƒer ƒand_______Ì ƒun - - ƒto ƒthē___ÌÌ ƒa - - - - - - - ges___Ì ƒof_____________ ƒƒa - ƒƒ- ƒƒ- ges.__Ì ƒ_____________________ÌA - - men.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>Third Mode 84Pw'" mh; qaumavswmen ow______ƒƒcan__ ƒwe___Ì ƒnot ƒmar - - - - ƒvel at________ ƒthy__Ì <strong>the</strong> - - an - - - ƒdric___ ƒƒOff - - - spring,_____ O____ ƒall - - - - ƒre - vered________Ì ƒ<strong>on</strong>e?___Ì ƒ For ƒwith - - ƒout ex - ƒpe - ƒƒri - - ence___Ì ƒof wed - - - - ƒlock, ƒƒthou, ƒO__ all - - ƒblame - - less________Ì ƒ <strong>on</strong>e, h<str<strong>on</strong>g>as</str<strong>on</strong>g>t brought_____ ƒforth_____Ì in___ ƒ<strong>the</strong>________ÌÌ flesh_____ÌÌ ƒa___ ƒfa - <strong>the</strong>r - - - ƒless________ÌÌ ƒƒS<strong>on</strong>,___ ƒƒWho w<str<strong>on</strong>g>as</str<strong>on</strong>g> born___ ƒƒmothƒ-ƒer - - ƒless ofwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Dogmatic Theotoki<strong>on</strong>125 ƒ<strong>the</strong> Fa - - - <strong>the</strong>r_______Ì ƒbe - ƒ- fore______ ƒthē a - - - - - - ges,___ÌÌ ƒand ƒWho in ƒno way ƒƒsuf - - ƒfered__̃ƒchange or in - ter - min - ƒ- ƒgling_Ì ƒor___ ƒƒdi - ƒƒ- ƒƒ- vi - - - - si<strong>on</strong>, ƒbut ƒpreƒ-ƒƒserved in__Ì <strong>the</strong>ir en - ti - - ƒre - ƒty ƒ<strong>the</strong> ƒprop - - er - - - ƒties___ÌÌ of_________ ƒƒeach es - - - sence.__Ì Where-fore, O La - ƒdy,__ ƒVirƒ-ƒƒgin ƒƒMoth - - - - - - ƒƒer, ƒdo ƒƒthou en - treat___ ƒHim_ÌÌ that___ ƒƒ<strong>the</strong>__Ì ƒsouls______Ì ƒƒof_________ <strong>the</strong>m__ÌÌ ƒthat, in ƒOr - - - - - tho - dox ƒman - - - ƒner,___ ƒpro - ƒfess________Ì ƒ<strong>the</strong>e_ÌÌ ƒto____ be_________Ì God's Birth - - - giv - ƒer____ ƒmay________________ ƒbe__________ ƒsaved.______Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow ApostichaThird ModeAposticha #1 88@O tw'/ pavqei sou ƒƒƒChrist ƒWho_____ÌÌ ƒƒby ƒThy___ÌÌ ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - si<strong>on</strong>______ÌÌ didst___ dark - - - ƒen ƒ<strong>the</strong>_________ ƒsun,___ and_____Ì̃Who_Ì by ƒ<strong>the</strong>___Ì ƒƒlight ƒof________ ƒƒThy__Ì Res - ur - rec - - - ƒƒti<strong>on</strong>___ didst ƒmake____Ì all____Ì things ƒra - ƒƒ- ƒƒdi - - ant__________ with________ joy,___Ì ac - ƒcept ƒour ƒƒeve - - ƒ- ƒning hymn, ƒO ƒƒFriend_______________ÌÌ ƒƒof____ man.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Slow Aposticha127T heVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen ƒƒLord ƒis ƒking; ƒƒHe ƒƒis ƒƒclo<strong>the</strong>d with ƒmaj -ƒƒesƒ-ƒty.ƒƒThe Lord is clo<strong>the</strong>d with strengthƒƒand_Ì He___ hath_Ì girt_______Ì Him - - - - - - self.___ Aposticha #2@H zwodovco" sou hy____ ƒƒlifeƒ-ƒbring-ƒing ƒa - ris - ƒƒ- ƒƒ- ing, ƒO____ ƒLord, ƒhath_______ ƒil - - lu - - - - mined__ ƒƒ<strong>the</strong>_________Ì whole________ÌÌ world, ƒand__ hath ƒre - - stored Thy ƒcor - ƒ- ƒrupt - - - - - -ƒƒed__Ì cre - ƒƒa - ƒ- ƒ- ƒ- ti<strong>on</strong>.___ Whereƒ-ƒfore, ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>___ <strong>on</strong>es___ÌÌ de - - ƒƒliv - - ƒƒered ƒfrom <strong>the</strong> ƒcurse of_ ƒ_ÌÌ ƒƒAd - - - - - - ƒƒam,________ ƒwe cry________ÌÌÌ ƒout:___Ì ƒO Al - might - ƒƒy_______ÌÌ ƒLord, glo - ry__ÌÌ ƒƒbe____ ƒƒto__ÌÌ ƒƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


128Third Mode - Slow ApostichaF ƒorVerse #3Kai; ga;r ejsterevwse He ƒes - tab - ƒlished ƒ<strong>the</strong> world_______ which______ÌÌ shall___Ì not______ ƒƒbe shak - - - - - ƒƒen. Aposticha #3Qeo;" uJpavrcwn ajnalloivwto" ƒe - ing ƒƒGod, not ƒƒsub - - - ject___Ì ƒto____ change, ƒThou_______ÌÌ h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒun - ƒ- derƒ-ƒg<strong>on</strong>e__Ì ƒchange ƒwhile suf - - - fer - ƒ- ing ƒin_________Ì ƒƒ<strong>the</strong>__Ì ______ ƒflesh.__ÌÌ ƒNot ƒƒenƒ-ƒƒdurƒ-ƒƒing to ƒƒsee___̃Thee________Ì sus - pend - - ƒed, cre - - ƒa - - - - - - ƒƒti<strong>on</strong> w<str<strong>on</strong>g>as</str<strong>on</strong>g> shak - - - - ƒƒen_______ by___Ì ƒƒfear, ƒand with groanƒ- ƒ-ƒƒings ƒƒpraised_____ƒƒThy l<strong>on</strong>g - - ƒƒsuf - - - - ƒƒfer - - - - - - - ƒing.___ Hav - ƒƒing ƒƒde -ƒƒscendƒ-ƒed_ÌÌ ƒin - ƒƒto ƒƒHa - - - ƒdes,___www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Slow Aposticha129 ƒThou ƒdidst a - rise_____ÌÌ <strong>on</strong>___________Ì <strong>the</strong>__Ì third__________Ì ƒƒday, ƒƒgrant - ing ƒto <strong>the</strong>_______ÌÌ ƒworld ƒƒlife______ ƒƒand______Ì ƒgreat ƒmer - cy.__HVerse #4Tw'/ oi[kw/ sou prevpei o - li - ƒness ƒbe - com - eth ƒƒThy house, O Lord,_____Ì ƒunƒ-ƒto___ƒlength_ ƒƒ________ of_________ÌÌ ƒƒdays.___Aposticha #4$Ina to; gevno" hJmw'n ƒhou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t un - - - ƒƒder - ƒ- g<strong>on</strong>e___ death ƒthat ƒthou might - - - - ƒ est___ÌÌ ƒre - ƒƒ- deem our__ race__ ƒƒfrom ƒdeath, O ƒƒChrist;__Ì <strong>on</strong> ƒ<strong>the</strong> ƒƒthird day ƒThou______________ÌÌ ƒƒdidst a - ƒƒrise_______Ì ƒƒfrom_Ì <strong>the</strong>__Ì ƒƒdead, ƒand with_ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


130Third Mode - Slow Aposticha ƒƒThy - - - ƒself,__Ì̃didst raise up__Ì̃<strong>the</strong>m that__ know_________Ì ƒƒThee__________ÌÌ ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>____Ì ƒƒGod;___ ƒand Thou ƒdidst ƒƒen - ƒlight - - en ƒ<strong>the</strong>___ÌÌ ƒworld. ƒƒLord,_____ÌÌ glo - ƒry ƒbe_________ÌÌ to____Ì Thee.The Merciful Onewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Third Mode!Aspovrw" ejk qeivou Pneuvmato" 84 eedƒ-ƒless-ƒly ƒƒand___ ƒof ƒ<strong>the</strong>__ ƒƒDi - - ƒƒvine Spir - - - - ƒit, and_ ƒ_____________Ì ƒby ƒ<strong>the</strong> ƒwill ƒof____________ <strong>the</strong>___Ì ƒFa - - - - <strong>the</strong>r, didst__ ƒƒthou___ÌÌ c<strong>on</strong>-ƒceive__ÌÌ <strong>the</strong>__ÌÌ ƒƒS<strong>on</strong> ______ÌÌ ƒƒof_________ÌÌ God,___ ƒWho, from___ ƒ<strong>the</strong> ƒFa - - - - ƒƒ<strong>the</strong>r, ƒex - ist - ƒƒed__Ì ƒbe - ƒƒfore ƒthē__ ƒƒag - - - es____Ì ƒwith - - out ƒƒmoth - - - - - - - er.___ÌÌ ƒƒAnd ƒƒthou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t brought forth ƒin <strong>the</strong>___ÌÌ ƒƒflesh ƒƒHim ƒWho, for__Ì ƒour___________ ƒsakes, came_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


132Third Mode - Aposticha Theotoki<strong>on</strong> ƒforth______________Ì from_________Ì ƒƒ<strong>the</strong>e ƒwith - - - ƒout______ fa - - - ƒƒ<strong>the</strong>r;___ ƒand ƒthou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t suck - - - ƒƒled__Ì Him ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒa ƒbabe.__ÌÌ Where - ƒfore, ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e__ not to__ in - - ter - - cede that________________ÌÌ ƒour__ souls_ _________ ƒbe ƒde - ƒliv - ƒered______̃ƒfrom ƒper - ƒƒils.__________This I say, not <strong>on</strong>ly that you may yourselves sing praises, but also that you mayteach your wives and children to do so, not merely to lighten <strong>the</strong> work whileweaving, but especially at <strong>the</strong> table. For since Satan is w<strong>on</strong>t to lie in waitat fe<str<strong>on</strong>g>as</str<strong>on</strong>g>ts, and to employ <str<strong>on</strong>g>as</str<strong>on</strong>g> allies drunkenness, glutt<strong>on</strong>y, immoderatelaughter, and an inactive mind; <strong>on</strong> <strong>the</strong>se occ<str<strong>on</strong>g>as</str<strong>on</strong>g>i<strong>on</strong>s, both beforeand after table, it is especially necessary to fortify <strong>on</strong>eselfwith <strong>the</strong> protecti<strong>on</strong> of <strong>the</strong> psalms and, rising from <strong>the</strong>fe<str<strong>on</strong>g>as</str<strong>on</strong>g>t toge<strong>the</strong>r with <strong>on</strong>e's wife and children,to sing sacred hymns to God.—<strong>St</strong>. John Chrysostom


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>Third Mode 160Eujfrainevsqw ta; oujravnia ƒ ƒ et <strong>the</strong> heav - - ens re - ƒƒjoice, ƒand let things ƒƒ<strong>on</strong> earth be__Ì̃glad, ƒfor ƒ<strong>the</strong> Lord___ hath wrought might_̃ƒwith ƒƒHis arm; He hath ƒtram - - pled ƒupƒ-ƒ<strong>on</strong>_____ death__Ì by__Ì̃death; ƒƒHe ƒƒƒhath ƒbe-come <strong>the</strong> ƒƒfirst-ƒborn of <strong>the</strong> dead. From <strong>the</strong> bowels of Ha-ƒdes ƒhath ƒƒHe ƒde - liv - ƒƒered us, and hath ƒƒgrant - ƒ ƒƒ- ƒƒed great merƒƒ-ƒƒcy ƒto ƒƒ<strong>the</strong> world.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


134Third Mode - Apolytiki<strong>on</strong>GGlory...Dovxa Patriv ƒlo - ƒry___ ƒto <strong>the</strong> ƒƒFa - ƒƒ<strong>the</strong>r, and to ƒ<strong>the</strong> ƒS<strong>on</strong>, ƒand ƒto ƒ<strong>the</strong> Ho - ƒly ƒ Spir - - - ƒit.Both now...Kai; nu'nB ƒoth now and ƒƒev - ƒer, ƒand un - ƒto thē ƒag - - ƒƒes ƒƒof ƒag - ƒes. ƒƒAƒ-ƒmen.Resurrecti<strong>on</strong>al Theotoki<strong>on</strong>Se; th;n mesiteuvs<str<strong>on</strong>g>as</str<strong>on</strong>g>an ƒe ƒpraise <strong>the</strong>e, <strong>the</strong> Me - di - ƒa - tress ƒfor <strong>the</strong> ƒsal - ƒƒva - ti<strong>on</strong> ƒƒof_ _Ì̃our ƒrace, ƒO ƒVirƒƒ- gin ƒThe - o - ƒƒto - ƒƒ- kos; ƒƒfor in ƒƒ<strong>the</strong> ƒƒflesh tak - - ƒƒen from ƒ<strong>the</strong>e, ƒthy ƒƒS<strong>on</strong> and_Ì̃ƒour God hath deigned to__ÌÌ en - ƒdure <strong>the</strong> p<str<strong>on</strong>g>as</str<strong>on</strong>g> -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Apolytiki<strong>on</strong>135 si<strong>on</strong> through <strong>the</strong> Cross, ƒƒand hath re -ƒƒdeemed us ƒƒfrom cor - rup-ti<strong>on</strong>, since He ƒƒis_ ƒ_Ì̃<strong>the</strong> Friend ƒof man._________ÌÌPanagia"The Ger<strong>on</strong>dissa"Pantokrator M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery<strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ƒord,___ ƒI ƒhave cried un - ƒto ƒƒThee, hearkƒ-ƒen ƒunƒƒ-ƒƒto me; ƒhearkƒ-ƒen_ ƒ_Ì ƒun - - to me, ƒO Lord. ƒLord, I have cried_____Ì un - ƒto ƒƒThee, heark-en ƒun - ƒ ƒƒto ƒme; ƒat - ƒtend ƒto__ÌÌ <strong>the</strong> ƒvoice ƒof my ƒƒsup - pli - ƒca - - ƒti<strong>on</strong> ƒƒwhenwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Lord I Have Cried 137 ƒƒI ƒƒcry___Ì ƒun - - ƒto Thee: Heark - ƒen un - ƒto ƒme___ÌÌ O___ ƒLord.Let My PrayerKateuqunqhvtwL ƒet ƒmy prayer be ƒset forth ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - - ƒcense ƒƒbe - ƒƒfore_____Ì̃Thee, ƒ <strong>the</strong> ƒƒlift - ing up___Ì ƒof ƒƒmy ƒhands <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒan ƒ eve - ning ƒƒsac - ƒƒri-ƒfice; ƒƒheark - en un - to ƒme,___Ì ƒƒO___ ƒƒLord.When, <strong>the</strong>refore, <strong>the</strong>y [<strong>the</strong> m<strong>on</strong>ks of Egypt]come toge<strong>the</strong>r to c<strong>on</strong>duct <strong>the</strong> aforementi<strong>on</strong>ed services,which <strong>the</strong>y call synaxes, all maintain such silence that eventhough so great a number of brethren <str<strong>on</strong>g>as</str<strong>on</strong>g>semble, <strong>on</strong>e would believeno man to be present except he who rises in <strong>the</strong>ir midst to sing <strong>the</strong> psalm.—<strong>St</strong>. John C<str<strong>on</strong>g>as</str<strong>on</strong>g>sian


Brief <strong>St</strong>icheraThird Mode Verse #1!Exavgage ejk fulakh'"B ƒring ƒmy ƒsoul out ƒof ƒƒpris - ƒƒ<strong>on</strong> ƒƒthat I ƒmay c<strong>on</strong> - -ƒfess Thy__ƒName.<strong>St</strong>ichera #1Tw'/ Sw'/ <strong>St</strong>aurw'/ y ƒThy Cross, ƒƒO Christ our Sav - ƒƒiour, ƒ<strong>the</strong> do - ƒmin - - - ƒi<strong>on</strong> of ƒƒdeath hath been_̃deƒ-ƒstroyed, ƒƒand <strong>the</strong> de - cepƒƒ-ƒƒti<strong>on</strong> ƒof ƒ<strong>the</strong> dev - - - ƒil ƒhath ƒƒbeen ƒƒa - bol - ƒished; ƒand ƒ<strong>the</strong> race of ƒman, hav - ƒƒ- ƒing ƒbeen ƒsaved ƒby ƒfaith, ƒdoth ƒev - ƒ- er ƒof - ƒfer praise__ÌÌ ƒto___ ƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief <strong>St</strong>ichera139T heVerse #2!Eme; uJpomenou'si ƒright - eous ƒshall wait ƒpa - ƒƒtient - ƒly ƒfor ƒme ƒunƒƒ- til Thou shalt ƒre - ward_ÌÌ ƒme. <strong>St</strong>ichera #2Pefwvtistai ta; suvmpanta ll ƒthings ƒhave been en - light - ened ƒƒby Thy ƒRes - ur - recƒ-ƒƒti<strong>on</strong>,_ _ÌÌ ƒO Lord, ƒand Par - ƒƒaƒ-ƒƒdise is oƒ-ƒpened ƒaƒ-ƒƒgain; and, whilst ac - ƒƒclaim - ƒing Thee, ƒ<strong>the</strong> whole__ÌÌ ƒƒof cre - ƒa - ti<strong>on</strong> ƒƒdoth ƒev - ƒer ƒof - fer ƒpraise___ ƒƒto___ Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


140Third Mode - Brief <strong>St</strong>icheraO ƒutVerse #3!Ek baqevwn of <strong>the</strong> ƒƒdepths ƒhave ƒ I ƒ cried ƒun - ƒƒto ƒThee, ƒO Lord; ƒO ƒƒLord, hear my voice. <strong>St</strong>ichera #3Doxavzw tou' Patrov" glo - ƒri - fy ƒƒ<strong>the</strong> might of ƒ<strong>the</strong> Fa - <strong>the</strong>r and <strong>the</strong> ƒƒS<strong>on</strong>, and ƒƒ<strong>the</strong> powƒƒ-ƒƒer ƒof <strong>the</strong> ƒHo - ƒly Spir - ƒit ƒdo ƒI praise, ƒƒe - ven thē ƒin - ƒƒdi - ƒvis - ƒiƒƒ-ƒƒble, ƒun - ƒcreƒ-ƒƒat - ƒed ƒGod -ƒƒhead, <strong>the</strong> ƒTrin - - ƒƒi - ƒty ƒƒ<strong>on</strong>e in es - - sence, reign - ƒƒing ƒunƒ-ƒto e - ter - ni - ty for ƒev - er.__Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief <strong>St</strong>ichera141LVerse #4Genhqhvtw ta; w\ta sou et ƒThine ƒƒears be at - ten -ƒƒtive ƒto ƒƒ<strong>the</strong> ƒvoice ƒof ƒmy ƒƒsup - ƒpliƒ- ca - - ti<strong>on</strong>.<strong>St</strong>ichera #4To;n <strong>St</strong>aurovn Sou hy pre - cious ƒƒCross ƒdo we ƒwor - ƒƒship, O ƒChrist, ƒand ƒƒThy ƒRes - ƒur - ƒƒrecƒƒ- ti<strong>on</strong> ƒƒdo we praise and__ ƒƒglo - ƒri - ƒƒ- ƒƒfy; for ƒby ƒƒThy wound - ƒƒing ƒƒare we____ all___ healed.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


142Third Mode - Brief <strong>St</strong>icheraI fVerse #5!Ea;n ajnomiva" ƒThou should -ƒƒest mark ƒƒin - ƒƒiq - ui - ƒƒties, O Lord, ƒO ƒLord, ƒƒwho ƒshall stand? For with Thee <strong>the</strong>re ƒƒis for - give - - ness.<strong>St</strong>ichera #5@Umnou'men to;n Swth'ra e ƒƒpraise <strong>the</strong> Sav-iour, Who w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - car-ƒnate_Ì ƒof ƒ<strong>the</strong> Vir - ƒƒgin, ƒƒfor ƒƒHe ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> cru - ƒ- ci - ƒfied ƒƒfor ƒour__̃sake ƒand ƒƒa - ƒrose ƒƒ<strong>on</strong>__̃ƒ<strong>the</strong> ƒƒthird________ÌÌ day, grant-ing ƒus__Ì̃great ƒmer - ƒƒcy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief <strong>St</strong>ichera143F ƒorVerse #6$Eneken tou' ojnovmatov" sou ƒƒThy Name's ƒsake have ƒƒI ƒƒpa - ƒtient - ƒƒly wait - ƒed for ƒƒThee, ƒ O ƒƒLord; ƒ ƒƒmy ƒƒsoul ƒƒhath wait - ƒed paƒƒ- tient-ly ƒƒfor ƒThy ƒword, ƒƒmy ƒsoul__Ì̃hath ƒhoped ƒƒin ƒ<strong>the</strong> ƒLord.<strong>St</strong>ichera #6Toi'" ejn $A/dh/ ƒƒo - ing down ƒƒto those ƒƒin ƒHa - ƒdes, Christ pro-claimed <strong>the</strong> ƒglad ƒtid - ƒƒings, ƒƒsayƒ-ƒƒing: ƒTake courƒ-ƒage, ƒƒI ƒhave c<strong>on</strong>-quered_ now; ƒƒI ƒam <strong>the</strong> Res - ƒur - rec - ti<strong>on</strong>; ƒƒhavƒ-ƒing ƒƒde - stroyed <strong>the</strong> ƒgates ƒƒof ƒƒdeath,_Ì I ƒƒshall lead_ ƒ__ you__Ì up.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


144Third Mode - Brief <strong>St</strong>icheraF ƒromVerse #7!Apo; fulakh'" prwi?a" ƒ<strong>the</strong> ƒƒmorn - ƒing ƒƒwatch un - til ƒƒnight, fromƒ ƒ<strong>the</strong> morn - ing ƒƒwatch ƒ ƒƒlet Is - - ƒra - el___ hope in ƒ<strong>the</strong> Lord. <strong>St</strong>ichera #7OiJ ajnaxivw" eJstw'te" e who ƒstand unƒ-ƒƒworƒƒ-ƒƒthiƒ-ƒly ƒin ƒƒThine un - de - ƒfiled house sing an eveƒ-ning hymn, cryƒ-ƒƒing from ƒ<strong>the</strong> depths:O ƒChrist God, Who didst ƒƒen - light - en <strong>the</strong> world ƒƒby Thy ƒRes - ƒurƒ-ƒrecƒ-ƒti<strong>on</strong> <strong>on</strong> ƒ<strong>the</strong> ƒthird______ƒday, res - cue_ ƒƒ_̃Thy ƒƒpeo - - - ƒple out of <strong>the</strong> hand ƒƒof Thine ƒen - - e - ƒƒmies, ƒƒO ƒFriend__Ì̃of___Ì man.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief <strong>St</strong>ichera145FVerse #8$Oti para; tw'/ Kurivw/ ƒor ƒƒwith ƒƒ<strong>the</strong> ƒLord ƒ <strong>the</strong>re is ƒmer - cy, and ƒƒwithƒƒ ƒƒHim ƒƒis plen - te - ous re - ƒdemp-ti<strong>on</strong>; and ƒHe ƒshall re - ƒdeem ƒIs - ƒraƒƒ-ƒƒel ƒoutƒƒ of ƒƒall_ ƒ_ÌÌ his in -- ƒƒiq - ƒƒui - ƒ- ƒƒties.Verse #9Aijnei'te to;n Kuvri<strong>on</strong> O ƒ praise ƒƒ<strong>the</strong> ƒLord, ƒƒall ƒƒye naƒ-ƒti<strong>on</strong>s; praise Him, ƒƒall ye ƒpeo - ƒƒ- ples.FVerse #10$Oti ejkrataiwvqh or He hath ƒmade ƒHis mer - ƒcy ƒto ƒpre - ƒvail ƒo - ƒver us, ƒand ƒ ƒ<strong>the</strong> ƒƒtruth ƒof <strong>the</strong> ƒLord ƒaƒ-ƒƒbid - - eth ƒfor ev - ƒƒ- er.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


146Third Mode - Brief <strong>St</strong>icheraGGlory...Dovxa Patriv ƒƒlo - ƒƒry to <strong>the</strong> ƒƒFaƒ- ƒƒ<strong>the</strong>r, and to <strong>the</strong> ƒS<strong>on</strong>, ƒƒand ƒto ƒƒ<strong>the</strong> ƒHo - ƒly ƒSpir - - it.Both now...Kai; nu'nB ƒƒoth ƒnow and ev - - - - -ƒƒer ƒƒand un - ƒƒto thē ƒƒa - - ƒges ƒƒof a - ƒ- ƒges. ƒƒAƒ-ƒƒmen.Dogmatic Theotoki<strong>on</strong>Pw'" mh; qaumavswmen ow ƒcan we ƒƒnot ƒmar - ƒvel ƒat ƒƒthy <strong>the</strong> - ƒƒan - dric Off-spring, O ƒall - ƒre - ƒvered_ÌÌ<strong>on</strong>e? ƒFor with - out ƒex - pe - ri - ence ƒof ƒƒwed-lock, thou,_ ƒ_ÌÌ ƒO ƒall - ƒblameƒƒ-ƒless <strong>on</strong>e, ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t brought forth ƒin___ƒ<strong>the</strong> flesh ƒa ƒƒfaƒ-ƒ<strong>the</strong>r-lesswww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief <strong>St</strong>ichera147 S<strong>on</strong>, ƒƒWho ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒborn ƒmothƒ-ƒƒerƒ-ƒƒless of ƒƒ<strong>the</strong> ƒFa - <strong>the</strong>r ƒƒbeƒ-ƒfore ƒƒthē ƒag - ƒes, ƒand ƒƒWho ƒin ƒno way ƒsuf-fered change or ƒƒin - ƒter - ƒminƒƒ-ƒgling or di - ƒvi - - - si<strong>on</strong>, ƒƒbut preƒ-ƒserved in ƒƒ<strong>the</strong>ir ƒƒen - ti - re - ƒty <strong>the</strong> ƒprop - - - - ƒer - ties ƒƒof each es - - sence. Where-fore, ƒO ƒƒLa - ƒƒdy, ƒVir-ƒgin Moth-ƒer, ƒdo thou en - treat ƒƒHim that ƒƒ<strong>the</strong> ƒƒsouls ƒof <strong>the</strong>m that, in ƒOr - tho - ƒdox man - - ner, pro - fess <strong>the</strong>e to ƒbe God's______̃ƒBirth - ƒgiv - ƒer ƒmay___Ì be_____ƒsaved.________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaThird Mode Aposticha #1@O tw'/ pavqei sou 160 ƒChrist, Who by ƒƒThy ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒƒsi<strong>on</strong> didst darkƒ-ƒƒen ƒƒ<strong>the</strong> sun, ƒƒand Who ƒby ƒ<strong>the</strong> light ƒƒof Thy Res - ƒƒur - ƒrec - ti<strong>on</strong> didst make ƒƒall things ra - diƒƒ-ƒƒant with ƒƒjoy, ac - ƒcept ƒƒour eve - ƒning hymn, O ƒFriend__Ì ƒof___ man.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief Aposticha149Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen Tƒƒhe ƒƒLord is ƒking; ƒHe is ƒƒclo<strong>the</strong>d with ƒmajƒ-ƒƒes - ty. The ƒLord is clo<strong>the</strong>d ƒƒwithstrength and He hath girt Him - ƒƒ- self.Aposticha #2@H zwodovco" sou ƒhy life - ƒƒbring-ƒing a - ƒƒris - ing, O Lord, ƒhath il - lu-mined_ ƒ_Ì̃<strong>the</strong> whole world, and hath ƒƒre - stored__̃Thy cor-rupt - - ed cre - ƒƒa - - ƒti<strong>on</strong>. ƒWhere - fore, <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>on</strong>es ƒƒde - ƒƒliv - ered ƒfrom ƒ<strong>the</strong> ƒcurse ƒƒof Ad - - ƒam, ƒwe ƒƒcry_______ ƒ_Ì̃out: ƒO ƒAl - ƒƒmight -ƒƒy Lord,_Ì ƒglo - ry be ƒto ƒƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


150Third Mode - Brief ApostichaFVerse #3Kai; ga;r ejsterevwse ƒor ƒƒHe es - tabƒ-ƒƒlished <strong>the</strong> ƒƒworld ƒwhich shall ƒnot ƒbe shak - ƒen. Aposticha #3Qeo;" uJpavrcwn ajnalloivwto" ƒƒe - ƒing God, not ƒsub - ƒject ƒto ƒchange, Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t un - der - ƒg<strong>on</strong>e__ÌÌ change while suf - - ƒfer-ing ƒƒin ƒƒ<strong>the</strong>__̃flesh. ƒNot ƒen - ƒƒdurƒƒ-ƒƒing ƒƒto ƒsee__ÌÌThee ƒsus - ƒpend - ed, ƒƒcre - ƒƒa - - ti<strong>on</strong> w<str<strong>on</strong>g>as</str<strong>on</strong>g> shak - en____ by ƒfear, ƒand ƒƒwith ƒƒgroan-ings praised__ƒƒThy l<strong>on</strong>g - - ƒsuf - fer - - ing. ƒHavƒ-ƒing ƒde - ƒscend-ƒed ƒƒin - to ƒƒHa - des,ƒƒThou ƒdidst ƒa - ƒƒrise ƒ<strong>on</strong>__̃ƒ<strong>the</strong> third_____Ì day, ƒgrant-ƒing ƒƒto <strong>the</strong> ƒƒworld life and_̃ƒgreat ƒmer - ƒƒcy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief Aposticha151HVerse #4Tw'/ oi[kw/ sou prevpei o - ƒƒli - ƒness ƒƒbe - comƒ-ƒeth ƒThy house, O ƒLord,___ ƒƒunƒ-ƒƒto__Ì̃ƒlength of_ ƒ__ days.Aposticha #4$Ina to; gevno" hJmw'n ƒhou ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t unƒ-ƒƒder - ƒg<strong>on</strong>e ƒƒdeath ƒƒthat ƒThou might-ƒest reƒ-ƒƒdeem ƒour race from__ ƒdeath, O___̃Christ; ƒ<strong>on</strong> ƒ<strong>the</strong> ƒƒthird ƒday Thou didst ƒa - ƒrise ƒfrom <strong>the</strong> ƒdead, ƒƒand ƒƒwith Thy - self, ƒdidst raise up <strong>the</strong>m that know Thee <str<strong>on</strong>g>as</str<strong>on</strong>g> God; ƒand ƒƒThou didst en - ƒlight - ƒen <strong>the</strong> world. ƒƒLord,__ÌÌ ƒƒglo - ry be ƒto ƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


152Third Mode - Brief ApostichaGGlory...Dovxa Patriv ƒlo - ƒry ƒto ƒ<strong>the</strong> Faƒ-ƒ<strong>the</strong>r, and to <strong>the</strong> ƒƒS<strong>on</strong>, ƒƒand to ƒƒ<strong>the</strong> ƒƒHo - ƒƒly Spir - ƒ- ƒƒit.Both now...Kai; nu'nB oth now and ƒƒev - - - er, ƒƒand un - ƒto ƒƒthē ƒag - ƒ- ƒes ƒof___ ƒag - ƒes. ƒƒƒAƒ-ƒmen.Aposticha Theotoki<strong>on</strong>!Aspovrw" ejk qeivou Pneuvmato" ƒeed - lessƒ-ƒƒly ƒƒand ƒof <strong>the</strong> Di - ƒvine ƒƒSpir - ƒit, ƒand ƒby ƒ<strong>the</strong> ƒwill of ƒ<strong>the</strong> Faƒƒ-ƒƒ<strong>the</strong>r, ƒdidst thou ƒc<strong>on</strong>-ceive ƒƒ<strong>the</strong> S<strong>on</strong> of God, Who, from ƒ<strong>the</strong> ƒƒFa - <strong>the</strong>r, ƒƒex - ist - ƒ- ƒed ƒbe - ƒfore thē ag - ƒes ƒwith - ƒout moth - - er.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Third Mode - Brief Aposticha153 And ƒƒthou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t brought forth in <strong>the</strong> flesh ƒHim Who, forour sakes, came forth from <strong>the</strong>e ƒwith - out ƒƒfa - - <strong>the</strong>r; ƒand thou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t suck - ƒƒled Him__ ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa___̃ƒbabe. Where-fore, ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e ƒnot to in - ƒƒter - cede ƒthat ƒƒour ƒsouls___ ƒƒbe de - ƒliv - ƒƒ- ƒƒered ƒƒfrom ƒper - ils.__________It w<str<strong>on</strong>g>as</str<strong>on</strong>g> explained to <strong>the</strong> blessed Epiphanios, bishop of Cyprus, by <strong>the</strong> abbot of<strong>the</strong> m<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery he had in Palestine: "In accordance with your instructi<strong>on</strong>s wehave not neglected our rule, but diligently discharge Third, Sixth, andNinth Hours." However, Epiphanios corrected <strong>the</strong>m and made itclear to <strong>the</strong>m, saying: "You obviously neglect <strong>the</strong> o<strong>the</strong>r hoursof <strong>the</strong> day when you refrain from prayer, for <strong>the</strong> truem<strong>on</strong>k must have prayer and psalmodyin his heart without ce<str<strong>on</strong>g>as</str<strong>on</strong>g>ing."—Apoph<strong>the</strong>gmata Patrumwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


fourth modeLord, I Have Cried 84Kuvrie ejkevkraxa ord,___ƒI have ƒcried______ un - ƒto_______Ì Thee,_____ ƒƒheark - ƒƒen___Ì ____Ì ƒun - ƒto__Ì ƒme;__ heark-ƒen un - - ƒto__ÌÌ me,________ÌÌ ƒƒO_________ÌÌ ƒLord. ƒ ƒƒLord,_____ ƒI ƒhave cried_____Ì ƒun - ƒƒto____ Thee, ƒheark - - - ƒen ƒun - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Lord I Have Cried155 - ƒƒto_________ me; ƒƒat - ƒtend___Ì to ƒ<strong>the</strong> voice_____Ì ƒƒof_____ƒ my ƒsup - ƒpli - ƒca - ƒƒ- ƒƒ- ƒƒ- ti<strong>on</strong> when I ƒƒcry______ un - to______ÌÌ Thee:____ÌÌ Heark - en un - ƒƒto____Ì me ƒO___ ƒƒLord.___Let My PrayerKateuqunqhvtwL ƒet my prayer_____ be ƒset___________Ì ƒƒforth <str<strong>on</strong>g>as</str<strong>on</strong>g>____________ in - ƒ- - - cense_ be - fore_________Ì ƒThee, <strong>the</strong> lift - ƒing___Ì up______Ì _Ì__ÌÌ ƒƒof_______ƒmy________Ì ƒhands ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒan eveƒƒ- ƒ- ƒning sac - - - ƒri - - - ƒfice; ƒheark - - - - - ƒen ƒun - - ƒto____Ì me, O___ ƒƒLord.__ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Fourth ModeS et, 180Qou' KuvrieƒO ƒƒLord, ƒƒa ƒwatch ƒƒbe-ƒfore ƒmy ƒƒmouth, ƒand ƒa door___Ì ƒƒof en -ƒcloƒƒ-ƒƒsure round a - bout ƒmy ƒlips.2 ƒIn - ƒƒcline_____Ì ƒnot ƒƒmy ƒheart___Ì ƒƒun - to words ƒƒof ƒe - - ƒƒvil, to make ex - ƒcuse ƒwith ƒex - ƒcus - ƒes ƒin ƒsins,3 With ƒmen that ƒwork in - ƒiq - ui - ty; ƒand ƒI ƒwill not join ƒwith_Ì̃<strong>the</strong>ir ƒƒcho - sen.4 ƒƒThe right-eous man ƒwill ch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ten ƒme with ƒmer-cy ƒƒand re - ƒprove__Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Verses of Psalms157 ƒƒme; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor thē oil___ÌÌ ƒof <strong>the</strong> sin - ƒner, ƒlet___ÌÌ ƒit not ƒa - ƒƒnoint my head.5 ƒFor ƒƒyet ƒmore ƒis___ƒmy ƒprayer_____ in ƒ<strong>the</strong> pres - ence ƒƒof <strong>the</strong>ir ple<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ures; swal-lowed ƒƒup near ƒƒby <strong>the</strong> rock have <strong>the</strong>ir judg - ƒes ƒƒbeen.6 They shall ƒhear my words, for <strong>the</strong>y__ÌÌ ƒbe ƒsweet-ened; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> a ƒclod ƒƒof earth ƒis ƒbro - ƒƒken upƒ-ƒƒ<strong>on</strong> ƒƒthē earth, ƒƒso have <strong>the</strong>ir b<strong>on</strong>es ƒƒbeen ƒscat-tered nigh______Ì̃un -ƒtoƒHa -- des. 7 ƒFor un - to ƒThee, ƒO Lord, ƒO Lord,_ÌÌ ƒare ƒmine ƒƒeyes, ƒin ƒThee___Ì have ƒI hoped; take not my soul aƒ-ƒway.8 Keep me from ƒ<strong>the</strong> ƒsnare which <strong>the</strong>y ƒƒhave ƒlaid for me, and from <strong>the</strong> ƒstum - ƒƒbling-blocks of ƒ<strong>the</strong>m ƒƒthat work in - ƒƒiq - ui - ƒty.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


158Fourth Mode - Verses of Psalms9 The sin - - - ners ƒshall fall ƒƒin - ƒto ƒ<strong>the</strong>ir ƒown___ ƒnet; ƒI ƒƒam ƒƒa - l<strong>on</strong>e ƒunƒ-ƒƒtilI p<str<strong>on</strong>g>as</str<strong>on</strong>g>s___ ƒƒby.10 ƒƒWith my voice ƒun - to ƒƒ<strong>the</strong> ƒƒLord___Ì have ƒƒI ƒcried, with my ƒvoice un - ƒƒto ƒƒ<strong>the</strong> ƒLord have ƒIƒƒmade my sup-pli - ca - - ƒti<strong>on</strong>.11 ƒI will ƒpour_____ÌÌ ƒout ƒƒbe - ƒfore____ Him my sup - ƒƒpli - ca - - ƒti<strong>on</strong>, mine af - flic - ti<strong>on</strong> beƒ-ƒƒfore Him will ƒƒI ƒde-clare.12 ƒWhen my ƒƒspir - ƒit w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒfaint-ƒing with - in____ ƒƒme, <strong>the</strong>n Thou knewƒ-ƒƒest ƒmy paths.1314 In ƒthis way where - ƒƒin I ƒhave walked <strong>the</strong>y ƒhid ƒfor me ƒƒa snare. I ƒlooked up - ƒƒ<strong>on</strong> ƒmy ƒright_ƒƒhand, and be - held, ƒƒand <strong>the</strong>re w<str<strong>on</strong>g>as</str<strong>on</strong>g> n<strong>on</strong>e__ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Verses of Psalms159 ƒthat___̃did ƒƒknow ƒme.1516 ƒƒFlight hath failed__Ì ƒƒme, ƒand ƒƒ<strong>the</strong>re ƒisn<strong>on</strong>e that watch-eth out ƒfor my soul. I ƒhave cried___ un -ƒƒto ƒThee, O Lord; ƒI ƒsaid: Thou_ÌÌ art my ƒƒhope, my ƒpor - - ƒƒti<strong>on</strong> art ƒThou ƒin ƒ<strong>the</strong> land____Ì ƒof <strong>the</strong> ƒƒliv - ing.17 ƒƒAt - tend ƒun - to ƒmy ƒsup - ƒpli - ƒca - - ti<strong>on</strong>, ƒƒfor ƒƒI am ƒƒbrought verƒ-ƒy ƒlow.18 De - ƒƒliv - ƒƒer ƒƒme ƒfrom <strong>the</strong>m that ƒƒper - ƒse - ƒƒcute ƒme, for <strong>the</strong>y are str<strong>on</strong>g - ƒƒer ƒthan I.On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 161or with Brief <strong>St</strong>ichera <strong>on</strong> page 190.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


160Fourth Mode - Verses of Psalms19 ƒBring my soul_____ÌÌ out ƒƒof ƒƒpris - - ƒƒ<strong>on</strong> ƒƒthat ƒƒI___Ì may ƒc<strong>on</strong> - ƒfess Thy Name.20 ƒƒThe ƒright-ƒeous ƒshall wait pa -ƒƒtient-ly ƒfor ƒme un - til ƒThou shalt re - ward_ ƒ__ ƒme.21 ƒOut of <strong>the</strong> ƒdepths ƒƒhave ƒI cried ƒun - ƒ- ƒƒto Thee, O Lord; O Lord, hear my voice.22 Let ƒThine ears___Ì ƒbe at - tenƒƒ-ƒƒtive ƒto ƒ<strong>the</strong> voice_____Ì ƒof my ƒƒsup - ƒpli - ƒƒca - ƒƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraFourth Mode B ringVerse #1!Exavgage ejk fulakh'" my soul out ƒof ƒpris - ƒ<strong>on</strong> ƒƒthat ƒI ƒƒmay c<strong>on</strong> - - ƒfess_ ƒ____̃Thy________Ì ƒƒName.<strong>St</strong>ichera #1To;n zwopoiovn sou <strong>St</strong>aurovn n ƒworƒƒ-ƒƒship-ping Thy lifeƒƒ-ƒƒcre - ƒƒ- at - ing_______ ƒCross_____Ì un - ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - ƒƒing - ƒƒly,______Ì Oƒ Christ_________ ƒƒGod, we glo - ƒri - ƒfy Thy ƒRes - ƒur - ƒƒrecƒ-ƒti<strong>on</strong> <strong>on</strong> ƒ<strong>the</strong>______ ƒƒthird______________ÌÌ day; ƒfor ƒ<strong>the</strong>re-ƒby h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒThou re - - newed <strong>the</strong> ƒcor - rupt - ed ƒnaƒ-ƒture ƒƒof ƒman, ƒO__ Al - ƒ- ƒƒmight - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


162Fourth Mode - Slow <strong>St</strong>ichera - - ƒy___________Ì ƒƒOne. And Thou ƒƒdidst ƒshow unƒƒ-ƒƒto us <strong>the</strong>___ÌÌ ƒƒway ƒup ƒun - ƒ- to________ ƒ<strong>the</strong> ƒHeav - - - ens, ƒƒsince Thou ƒa-l<strong>on</strong>e art ƒƒgood_ ________ and ƒ<strong>the</strong>____ƒFriend ƒƒof_______Ì man.Verse #2!Eme; uJpomenou'si Tƒhe ƒƒright - eous shall ƒƒwait pa - ƒƒtient - ƒƒly ƒƒfor ƒme ƒun - til ƒThou shalt ƒƒre - - - ward______________Ì ƒme.<strong>St</strong>ichera #2Tou' xuvlou th'" parakoh'" ƒhou ƒdidst ƒan - ƒƒnul ƒ<strong>the</strong> ƒsen - -ƒtence of <strong>the</strong>_______Ì tree______Ì of dis - ƒƒo - - ƒbe - ƒƒ- ƒƒ- diƒƒ-ƒence, O ƒƒSav - - - - ƒiour, ƒby ƒbe - ing nailed__ will -ƒƒing - - ly_________ ƒto____ <strong>the</strong> ƒTree_________Ì ƒof________ ƒ<strong>the</strong>_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Slow <strong>St</strong>ichera163 ƒ_______ ƒCross. And ƒby de - scend - ƒing inƒƒ-ƒƒƒto ƒHa - - - - des,___Ì O ƒMight - - - - - - - y_____________Ì ƒƒOne, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒGod Thou didst rend a - ƒƒsun - ƒƒder ƒƒ<strong>the</strong>______ ƒƒb<strong>on</strong>ds______ ƒof_________ÌÌ death. Where-fore, we ƒwor - ship Thy ƒƒRes - ƒur - ƒƒrec - - ti<strong>on</strong>__Ì from <strong>the</strong>_______Ì ƒdead,_____ ƒwhile ƒcry - ƒ- - ing out______ÌÌ ƒƒin glad - - - - ness: ƒO Al - ƒƒmightƒ-ƒy Lord,__ÌÌ _____ ƒglo - - ƒry____Ì ƒbe ƒto__ Thee.___O utVerse #3!Ek baqevwn of ƒ<strong>the</strong> depths have ƒƒI cried ƒun - to ƒƒThee, ƒO Lord; ƒƒO ƒƒLord,_ ƒ_______̃hear______Ì̃ƒmy________ÌÌ voice. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


164Fourth Mode - Slow <strong>St</strong>ichera<strong>St</strong>ichera #3Puvla" a{/dou sunevtriya" he ƒƒgates ƒof Ha - des ƒƒdidst Thou ƒƒshat - - - - ƒƒter,______Ì O_______ ƒ_ÌÌ Lord, ƒand ƒƒby ƒƒThy______Ì ƒdeath_____ ƒThou didst ƒƒde - stroy <strong>the</strong> ƒking - - - dom of__________ÌÌ ƒdeath. And Thou ƒdidst free ƒ<strong>the</strong>________ race of___ man_________̃from_ÌÌ ƒcor - - - rup - - - - - ƒti<strong>on</strong>, ƒgrant - ƒing life_______Ì and__Ì ƒƒin - ƒƒcor - - ƒrup - - - ƒƒti<strong>on</strong>___Ì ƒƒand ƒƒgreat__________Ì ƒƒmer - ƒcy____Ì to <strong>the</strong>_Ì world.__ÌLVerse #4Genhqhvtw ta; w\ta sou et ƒThine ears be at - ƒtenƒƒ-ƒƒtive ƒƒto <strong>the</strong> voice ƒof ƒƒmy ƒƒsup - ƒƒpli - ƒ - - ƒƒca - - - - - ti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Slow <strong>St</strong>ichera165<strong>St</strong>ichera #4Deu'te ajnumnhvswmen laoiv v ƒome,_____Ì ƒƒO___ ye_____Ì peoƒ-ƒƒples,__ ƒlet us____ ƒƒpraise ƒ<strong>the</strong>____ ƒSav - - ƒiour's a - - - - - ris - - ƒing <strong>on</strong> ƒƒ<strong>the</strong> ƒƒthird_________ day, ƒwhere - ƒby ƒƒwe were de - ƒƒliv - - ƒered ƒƒfrom ƒthē ƒin - dis - sol - ƒu -ƒƒble b<strong>on</strong>ds ƒof_Ì ƒ____ Ha - - - - - ƒƒdes. And ƒƒwe all ƒreƒƒ-ƒceived______________Ì ƒin - - ƒcor - - ƒƒƒrup - - ƒƒƒti<strong>on</strong> ƒand___ life, ƒƒƒwhile_________Ì ƒƒƒƒcry - - - - ƒƒing: ƒƒƒThou Who w<str<strong>on</strong>g>as</str<strong>on</strong>g>t cru - ci-fied ƒƒand bur - - - ƒied and_ ƒdidst ƒa - - rise, ƒƒsave ƒƒus___ÌÌ ƒby ƒThy Res - - ur - - - rec - - - - - ƒti<strong>on</strong>, ƒO________Ì ƒ<strong>on</strong> - ƒƒly____Ì Friend ƒƒof___Ì̃man.___www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


166Fourth Mode - Slow <strong>St</strong>icheraIVerse #5!Ea;n ajnomiva" ƒƒf ƒThou shouldƒƒ-ƒƒest mark ƒƒin - iq - ui - ties, ƒƒO Lord, O Lord, ƒwho v shall stand? ƒFor ƒwith Thee ƒƒ<strong>the</strong>re ƒis for - - - give - - - - - ness.<strong>St</strong>ichera #5#Aggeloi kai; a[nqrwpoi n - ƒgels and men, O ƒƒSav - - -ƒiour, praise Thine a - ƒƒris - ing ƒ<strong>on</strong>_______________̃ƒ<strong>the</strong>___ÌÌ third___________ day, where - by ƒthē ends___ of ƒƒ<strong>the</strong> world___________ were__Ì en - light - - - - ƒƒened. ƒAnd ƒwe were all freed ƒƒfrom ƒslav - ƒer - - ƒy to thē ƒƒen - ƒe - ƒmy, while____ÌÌ ƒcry - - - - - - ing: O ƒCre - ƒa - ƒƒtor of____ ƒlife, ƒom - nip - o - ƒtent Sav - - ƒiour, save_______Ì us___ ƒƒby Thy___Ì Res - - ur - - ƒƒrec - - - ti<strong>on</strong>,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Slow <strong>St</strong>ichera167 O_________Ì ƒƒ<strong>on</strong> - - ƒƒly____Ì ƒFriend ƒof___ man.___F orVerse #6$Eneken tou' ojnovmatov" sou ƒThy Name's sake ƒhave I pa - ƒtient - ƒly wait - ed ƒfor Thee, O Lord; ƒmy ƒsoul ƒhath ƒwait - ed ƒpa - ƒƒtient - ƒly for Thy word, ƒƒmy ƒƒsoul ƒƒhath hoped_______ÌÌin_______Ì <strong>the</strong>________Ì ƒLord.<strong>St</strong>ichera #6Puvla" calka'" sunevtriya" hou didst ƒcrush <strong>the</strong> ƒƒbraƒ-ƒƒzen__ƒƒgates ƒand ƒshatƒƒ-ƒƒter ƒ<strong>the</strong> bars, ƒƒO______Ì ƒƒChrist_____________Ì ƒGod, ƒand ƒƒThou didst ƒraise___ ƒƒ<strong>the</strong>__Ì ƒfall - ƒƒ- ƒen ƒrace_ __________________ of____________ man; for ƒƒthis ƒcause ƒƒdo we cry______Ì ____Ì out with ƒ<strong>on</strong>e______Ì ac - - - ƒƒcord: ƒThou Who didst a - rise___ ƒƒfrom <strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


168Fourth Mode - Slow <strong>St</strong>ichera dead, ƒLord,_________ ƒƒglo - ƒƒry____Ì ƒbe ƒto_ÌÌ ƒThee.___Verse #7!Apo; fulakh'" prwi?a"F ƒrom ƒƒ<strong>the</strong> morn - ƒing watch ƒun - ƒƒtil ƒƒnight from ƒ<strong>the</strong> ƒmorn - ƒƒing ƒƒwatch ƒlet ƒIs - ƒra - el ƒhope_________Ì in_______Ì̃ƒ<strong>the</strong>________ÌÌ ƒLord. <strong>St</strong>ichera #7Kuvrie hJ ejk Patrov" sou Lord, ƒƒThy ƒbirth from <strong>the</strong>__Ì ƒFa - - - <strong>the</strong>r is ƒƒtime-less and_ ____ƒfrom ev - er - ƒl<str<strong>on</strong>g>as</str<strong>on</strong>g>t - - - -ƒing; ƒƒThine in - ƒcar - ƒƒna - ƒƒti<strong>on</strong> ƒof <strong>the</strong> Vir - - gin ƒƒis ƒin - ex - press - ƒƒi - ƒƒ- ƒble ƒƒand____________ ƒin - - ƒƒex - - pli - ca - - ƒƒble ƒto____ ƒmen. ƒƒAnd Thy ƒƒde - scent inƒ-ƒƒto Ha - ƒdes ƒƒis ƒter - ƒri - ble un - ƒƒto ƒƒ<strong>the</strong>__Ì ƒƒdev - - - ƒil____Ì ƒand ƒhis an - - - -ƒƒgels; ƒƒfor hav - ingwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Slow <strong>St</strong>ichera169 tram - - - pled <strong>on</strong>___ÌÌ death, Thou__Ì̃ƒdidst ƒa - ƒƒrise___________Ì <strong>on</strong>__Ì ƒƒ<strong>the</strong>___ÌÌ ____Ì ƒthird______________ÌÌ day, ƒƒgrant-ing ƒin - ƒcor - ƒƒrupƒƒ- ti<strong>on</strong> ƒand__Ì ƒƒgreat__ ƒƒmer -- ƒcy____Ì un - ƒto______ ƒƒmen.Verse #8$Oti para; tw'/ Kurivw/ F ƒƒ ƒor ƒƒwith <strong>the</strong> ƒLord ƒ<strong>the</strong>re is mer-ƒcy, and with ƒHim ƒis ƒplen - ƒte - ous ƒƒreƒ-demp-ti<strong>on</strong>; and ƒHe ƒshall re - ƒdeem Is - ƒƒra - ƒƒel ƒout ƒƒof ƒall ƒhis ƒin - - - ƒiq - - - ƒƒui - - - -ƒties.O ƒpraiseVerse #9Aijnei'te to;n Kuvri<strong>on</strong> ƒ<strong>the</strong> ƒLord, ƒall ƒƒye ƒna-ti<strong>on</strong>s; ƒpraise Him, ƒall ye ƒƒpeo - ƒƒ- ƒƒ- - - - - ples. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


170Fourth Mode - Slow <strong>St</strong>icheraF orVerse #10$Oti ejkrataiwvqh ƒHe hath made ƒƒHis merƒ-ƒcy ƒto ƒpre -ƒ ƒƒvail o - ver ƒus, ƒand ƒ<strong>the</strong> truth ƒƒof ƒ<strong>the</strong> Lord ƒa - bidƒƒ-ƒƒeth ƒfor_____ÌÌ ev - - - - er. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…Fourth Mode 84Dovxa Patriv...G lo - ƒry to ƒ<strong>the</strong> ƒƒFa - ƒ<strong>the</strong>r, and to <strong>the</strong>______ÌÌ ƒS<strong>on</strong>,_____Ì ƒand ƒto <strong>the</strong> Ho - - ƒƒly ƒƒSpir - - - - ƒit.Kai; nu'n ...B oth ƒnow and ƒev - - - ƒer ƒand ƒun - ƒto thē ƒa - ƒges of ƒa - ƒges._ ƒ____ ƒƒA - - - - - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


172Fourth Mode - GloryAlternate MelodiesDovxa Patriv...G ƒƒlo - - ƒƒry____Ì ƒto <strong>the</strong> Fa - - <strong>the</strong>r,________ ƒand to____________ <strong>the</strong>___________Ì ƒS<strong>on</strong>, ƒand ƒto <strong>the</strong> ƒHo - ly______Ì ƒSpir - - - - -it. Kai; nu'n ...B ƒoth now and__ ƒƒev - - - ƒer ƒand ƒƒun - ƒto ƒthē ƒƒa - - ƒges ƒof___Ì a - ƒ- ƒges. ƒA - - - - ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Glory173Old (Slow) <strong>St</strong>icheraric MelodiesDovxa Patriv...G ƒlo - - ry____ to ƒ <strong>the</strong> ƒFa - - - - - ƒƒ<strong>the</strong>r, and ƒƒto ƒƒ<strong>the</strong>___̃ ƒS<strong>on</strong>, ƒ ƒand________________ ƒto______̃ <strong>the</strong> ƒHo - - ƒly___ ƒ ƒSpir - - - - - - - - - - - it.Kai; nu'n ...B ƒoth ƒnow _____ÌÌ ƒand ƒev - - - - - er and ƒun - ƒto ƒƒthē___ÌÌ ƒa - ƒƒges__Ì of___Ì ƒa - - - - ƒges.____________________________ ƒA - - ƒƒmen.____ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>Fourth Mode 84@O dia; se; qeopavtwr e______ ƒthat___ ƒ<strong>on</strong> ƒƒthine ac - - ƒcount is ƒnow ƒGod's____ÌÌ ƒan - ƒ- ƒ- ces - ƒ- ƒ- ƒ- ƒtor, ƒƒ<strong>the</strong> Proph - ƒƒet ƒƒDa - vid, ƒdid ƒa - ƒƒfore - - ƒtime in mel - ƒ - ƒ - ƒ - ƒ - ƒo - dy ƒƒsay_________Ì ƒof____________Ì ƒ<strong>the</strong>e ƒto Him ƒthat ƒhath ƒd<strong>on</strong>e__ ƒƒgreat_Ì ƒthings________ to__________ ƒ<strong>the</strong>e: ƒƒThe queen____________ƒƒstood__________ ƒƒat___Ì Thy_________ÌÌ ƒƒright________________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Dogmatic Theotoki<strong>on</strong>175 hand. ƒƒFor Christ__________Ì̃God, Who ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>___Ì ple<str<strong>on</strong>g>as</str<strong>on</strong>g>ed____________ to ƒbe - - - ƒcome_____Ì in - carƒƒ-ƒƒnate__ of_____ÌÌ <strong>the</strong>e with - - out________ÌÌ ƒfa - - - - - - ƒƒ<strong>the</strong>r ƒthat ƒƒHe ƒƒmight ƒsave ƒ<strong>the</strong>__Ì ƒƒworld,__ƒƒhath shown <strong>the</strong>e__ÌÌ ƒforth <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> ƒƒmoth - - - - - - ƒer__________ and ƒƒcause__________Ì ƒof____ ƒ_______ Life, ƒthat ƒHe ƒƒmight ƒƒre - ƒstore_____Ì His im - - - - age cor - - ƒrupt -ƒƒed ƒƒby <strong>the</strong>__ p<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - si<strong>on</strong>s;__ÌÌ and ƒhav - ƒƒing found ƒ<strong>the</strong>__ÌÌ ƒstray______Ì sheep lost____________Ì ƒin_______Ì ƒƒ<strong>the</strong> moun - - - ƒtains, ƒand ƒtak - ƒen___ÌÌ it ƒup - ƒ<strong>on</strong> His________ shoul - - - ƒders,___ ƒHe bringƒƒ- ƒƒeth__Ì ƒƒit_____Ì ƒƒun - ƒto____ ƒƒHis Fa - - - - - ƒ<strong>the</strong>r, and by____________Ì ___ÌÌ ƒƒHis___ÌÌ own____Ì ƒwill ƒƒu - - ƒƒnitƒƒ-ƒƒeth___Ì ƒit ƒwith ƒ<strong>the</strong> ƒHeav - - ƒenƒƒ-www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


176Fourth Mode - Dogmatic Theotoki<strong>on</strong> ly pow - - ers, ƒƒO The - ƒo - - ƒto - - - ƒkos;___Ì for ƒHe______Ì hath great_________ and___Ì ƒa - ƒƒbun - - dant__ ƒƒmer - - cy.______________ÌA religious hymn is a great blessingfor every<strong>on</strong>e. It c<strong>on</strong>stitutes praise to <strong>the</strong> Most High,h<strong>on</strong>or for His holy people, worldwide harm<strong>on</strong>y, an eloquentproof of <strong>the</strong> Church's unity. It expresses <strong>the</strong> voice of <strong>the</strong> Church,its c<strong>on</strong>fessi<strong>on</strong>. It brings about a complete spiritual uplifting andabsolute peace and joy in redeemed hearts, with <strong>the</strong> triumphalhymn and s<strong>on</strong>g of happiness. It drives away hardness ofheart. It ch<str<strong>on</strong>g>as</str<strong>on</strong>g>es away disturbance. It dissolves anddissipates desp<strong>on</strong>dency. . . The voice sings<strong>the</strong> soul's joy, while <strong>the</strong> spirit delvesinto <strong>the</strong> mysteries of <strong>the</strong> faith.—<strong>St</strong>. Ambrose of Milanwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow ApostichaFourth Mode Aposticha #1 88Kuvrie ajnelqwvn ƒƒLord, when Thou didst <str<strong>on</strong>g>as</str<strong>on</strong>g> - cend ƒup - - ƒ<strong>on</strong> <strong>the</strong>___Ì Cross, Thou didst ƒƒut - ter - - ly ƒo - blit - ƒer - - ate__________Ì ƒour ƒan - - - - ces - - tral________ÌÌ ƒcurse. ƒAnd ƒgo - ƒing ƒƒdown__Ì ƒƒin - ƒto__Ì ƒƒHa - - - ƒƒdes,_ ƒ__ ƒƒThou didst ƒset ƒfree_____Ì̃those ƒin fet - ƒ- ƒters from__ ƒƒall__ÌÌ ƒag -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


178Fourth Mode - Slow Aposticha - - - ƒes_________ÌÌ ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>t, grant - ƒƒing un - ƒƒto ƒ<strong>the</strong> race of___ÌÌ ƒƒman in - ƒƒcor - rup - - - - ti<strong>on</strong>__ ƒƒfor - ƒev - - - - ƒer; hence, ƒfor ƒthis cause with hymns do ƒwe ƒƒglo - ƒƒri - - ƒfy Thy life - ƒcre - ƒat - - ƒing ƒand ƒsav - - ing Ris - - ing____ ƒfrom ƒƒ<strong>the</strong>__ÌÌ dead.___TVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen ƒhe ƒLord ƒƒis ƒƒking; ƒHe ƒis ƒclo<strong>the</strong>d with ƒmaj - esƒ-ƒty. The Lord ƒƒis clo<strong>the</strong>d ƒ with ƒstrength ƒƒand ƒHe ƒhath_____ girt_______ƒƒHim - - - self.Aposticha #2Kremavmeno" ejpi; xuvlou ƒƒhile ƒhang - ƒ- ƒing ƒup - ƒ<strong>on</strong> <strong>the</strong>____ ƒTree, O ƒOn - ƒƒ- ƒƒ- - ƒƒly Might - y____Ì ƒOne, Thou didst ƒcause all____ ƒof cre - a - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Slow Aposticha179 ti<strong>on</strong>__ ƒƒto_________Ì trem - - - - - ble. And when Thou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t_ ƒlaid______ __ ƒin________̃ƒ<strong>the</strong>_________Ì grave, ƒThou ƒdidst ƒraise <strong>the</strong>m_ that__Ì ƒdwelt___ ___________Ì in_______̃<strong>the</strong>_________̃ƒgraves, ƒgrant - ƒƒing ƒƒin - ƒcor - ƒrupƒ-ƒti<strong>on</strong> ƒand ƒƒlife ƒƒun - to______ÌÌ ƒ<strong>the</strong>_________Ì ƒrace_______Ì of_________ÌÌ ƒman; ƒƒƒfor ƒthis cause,_̃with hymns ƒwe glo - ƒri - - fy ƒƒThine ƒa - ris - - ing <strong>on</strong> ƒ<strong>the</strong>____ ƒthird______ƒday.___ÌF ƒorVerse #3Kai; ga;r ejsterevwse ƒHe es - ƒƒtab -ƒƒlished ƒ<strong>the</strong> world which shall ƒnot ƒbe______ ƒshak - - - - - - en. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


180Fourth Mode - Slow ApostichaAposticha #3Lao;" paravnomo" Cristev ƒƒhen ƒ<strong>the</strong>__ÌÌ ƒlaw - - less ƒpeo - - - - ƒƒple,_______ ƒƒO_______ __ƒChrist, sur - ƒren-dered Thee ƒƒto__ÌÌ Pi - - -ƒƒlate, ƒ<strong>the</strong>y c<strong>on</strong>-demned_̃Thee_Ì to___Ì ƒƒbe ƒƒcru - - - - ƒci - - - - ƒfied, ƒshow - ƒing <strong>the</strong>m-selves un - ƒƒ- ƒƒgrate - - - ƒƒful ƒun - ƒƒto_______ƒ<strong>the</strong>ir ƒBen - - - e - ƒfac - - - - ƒtor; ƒbut___ÌÌ will - ƒing - - ly ƒƒThou didst_ ƒen - ƒ- ƒƒdure________Ì ƒƒbur - - ƒi - ƒƒ- ƒƒ- ƒƒ- ƒƒal, and, of Thine ƒƒown ƒpow - - ƒer, ƒdidst_______ ƒƒa - rise___________Ì ƒƒ<strong>on</strong>___ <strong>the</strong>_________Ì ƒƒthird______________ ƒƒday, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒGod___Ì grant-ing____Ì ƒun - ƒto_______ us______Ì ƒun - ƒendƒƒ-ƒƒing life__________Ì ƒand ƒgreat___ mer - - - cy.____www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Slow Aposticha181HVerse #4Tw'/ oi[kw/ sou prevpei o - ƒli - ƒness ƒƒbe - ƒcom - ƒƒeth ƒThy house, ƒO Lord, ƒun - to______ÌÌ ƒƒlength______ ƒƒof_________Ì days.Aposticha #4Meta; dakruvwn gunai'ke" raw - ƒing nigh ƒun - - to <strong>the</strong>___ÌÌ tomb, ƒƒ<strong>the</strong>__ÌÌ wom - - en___ÌÌ sought____ÌÌ Thee_____̃with________ ƒƒtears; but ƒƒ<strong>on</strong> ƒƒnot findƒ-ƒing__ƒThee, ƒƒ<strong>the</strong>y_ __ were__ ƒo - - ƒƒver - come________Ì ƒwith___________ ƒgrief. ƒAnd ƒƒcryƒ-ƒƒing ƒout ƒwith ƒƒlamƒ-ƒen - - ƒta - - - ti<strong>on</strong>, <strong>the</strong>y___ ƒsaid:__ÌÌ Woe______ÌÌ ƒun - ƒto_______ us, ƒƒO our ƒSav - ƒƒiour,__ÌÌ ƒƒO____ ƒƒKing ƒof___ ƒƒall,_______Ì __ƒhow_________ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t__ ƒƒThou ƒsto - ƒƒ- ƒƒ- ƒƒ- ƒƒlen? ƒƒWhat place_ ƒhold - - ethwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


182Fourth Mode - Slow Aposticha ƒƒThy ƒlife - - - - bear - - - ƒing ƒBod - - - - ƒy? ƒAnd___ÌÌ ƒan_ ___ÌÌ ƒanƒ-ƒgel__Ì ƒan-swered_ÌÌ <strong>the</strong>m: Weep_______ÌÌ ƒnot,______Ì he________Ì ƒƒsaid, but ƒƒgo ƒforth ƒand pro - - ƒclaim that ƒƒ<strong>the</strong> Lord___Ì is__________ ƒris - - - - - - ƒƒen, ƒgrant - - - - ƒing us_______Ì ƒjoy,_____ÌÌ ƒsince He___Ì a - l<strong>on</strong>e___Ì ƒis___ ƒmer - - ƒci - - ful.___ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Fourth Mode 84Neu's<strong>on</strong> paraklhvsesi ƒn - cline ƒto ƒƒthē ƒen - ƒƒtrea - - ƒty ƒof ƒthy ƒƒsup - ƒƒpli - - ƒants, ƒO_ÌÌ ƒall - ƒƒ-ƒblame - - - - - less_________Ì <strong>on</strong>e. Make ƒto ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e ƒƒthē up - ris - ƒing ƒƒof af - - ƒflic - - ƒƒti<strong>on</strong>s_____Ì ƒthat ƒcome__________Ì ƒup - ƒƒ<strong>on</strong>__________ ƒus, and ƒde - ƒliv - er____Ì ƒus ƒfrom_ all___ ƒman - - - ƒner___Ì of_Ì ƒ_______ ƒgrief. ƒFor ƒƒ<strong>the</strong>e ƒa - ƒl<strong>on</strong>e___Ì ƒƒdo__ÌÌ ƒwe____ ƒhave ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa ƒƒse - ƒcure___ÌÌ ƒƒand ƒƒsure__ an - ƒƒ- ƒƒ-ƒƒchor, ƒƒand ƒwe ƒƒhave___________ ƒthy__Ì ƒƒpro - - - - ƒƒtec - - - - - ti<strong>on</strong>. ƒLet ƒus not___Ì ƒƒbe__Ì ƒƒput to___ÌÌ ƒshame, ƒOwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


184Aposticha Theotoki<strong>on</strong> - Fourth Mode ƒLa - - - - ƒƒdy, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒwe call___ÌÌ ƒup - ƒ<strong>on</strong>__________Ì ƒƒ<strong>the</strong>e. ƒH<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒten ƒƒat ƒthē ƒƒen - - trea - - - - ƒty ƒƒof ƒƒthose ƒwho ƒƒfaith - - ƒƒful - - - ƒƒly cry___________Ì ƒto____________Ì ƒ<strong>the</strong>e: ƒRe - ƒƒjoice, O ƒƒLa - - - - ƒdy,___________Ì ƒthou________Ì ƒƒhelp______ÌÌ ƒof__________Ì ƒall, ƒthou___ ƒjoy ƒand_______ÌÌ ƒshel - - ter ƒƒand________ ƒsal - ƒva - - ti<strong>on</strong> ƒof____ ƒour__________ souls.___________ÌPsalmody in a crowded c<strong>on</strong>gregati<strong>on</strong>is accompanied by captivity and wanderingof <strong>the</strong> thoughts; but in solitude, this does not happen.However, those in solitude are liable to be <str<strong>on</strong>g>as</str<strong>on</strong>g>sailed by desp<strong>on</strong>dency,where<str<strong>on</strong>g>as</str<strong>on</strong>g> in c<strong>on</strong>gregati<strong>on</strong> <strong>the</strong> brethren help each o<strong>the</strong>r by <strong>the</strong>ir zeal.—<strong>St</strong>. John of <strong>the</strong> Ladder


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>Fourth Mode 160To; faidrovn ƒav - ƒƒing ƒlearned ƒƒ<strong>the</strong> joy - ƒƒful ƒproc -ƒƒla - ma - - ƒti<strong>on</strong> ƒƒof ƒƒ<strong>the</strong> ƒRes - ur - ƒrec-ƒti<strong>on</strong> from ƒƒ<strong>the</strong> ƒƒan - - ƒgel, ƒand hav - ƒing ƒƒc<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒoff ƒƒ<strong>the</strong> an - ces - ƒƒtral ƒƒc<strong>on</strong>ƒ-ƒdemƒ-ƒna - - ti<strong>on</strong>, ƒ<strong>the</strong> ƒƒwom - ƒen dis - ƒciƒ-ƒƒples spake to <strong>the</strong> A - pos - ƒtles tri - um-phant-ly: Death is de - spoiled_ƒand Christ God is ƒris - ƒ- en, ƒgrant - ing ƒƒgreat mer - cy un - to____ <strong>the</strong> ƒworld.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


186Fourth Mode - Apolytiki<strong>on</strong>GGlory...Dovxa Patriv ƒlo - ƒƒry ƒƒto <strong>the</strong> Fa - <strong>the</strong>r, and ƒƒto ƒ<strong>the</strong> ƒS<strong>on</strong>, ƒand ƒto <strong>the</strong> ƒHo - ƒly Spir - - - it.Both now...Kai; nu'nB oth now and ƒƒev - - - ƒer, and ƒun - ƒƒto thē ƒƒag - es ƒof ƒag - ƒes. A - ƒmen.Resurrecti<strong>on</strong>al Theotoki<strong>on</strong>To; ajp! aijw'no" ƒhe mysƒ-ƒƒter - y ƒhid-ƒden from ƒƒe - ƒter - ƒni - ty ƒand un - known ƒƒto_ ƒ_Ì̃thē ƒanƒ-ƒgels ƒis made ƒman - iƒ- ƒƒfest through <strong>the</strong>e, ƒO The - o - to - kos, to those <strong>on</strong> earth. God ƒbeƒ-ƒƒcame ƒin - carƒ-ƒnate ƒin an ƒƒunƒ-ƒmin-gled ƒƒun - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Apolytiki<strong>on</strong>187 - ƒi<strong>on</strong> ƒand ƒfor ƒour sake ƒhath ƒsubƒƒ-ƒƒmit - ƒted ƒƒwill - ƒing - ly ƒto <strong>the</strong> ƒCross, ƒwhere - ƒƒby ƒHe ƒhath raised ƒup <strong>the</strong> first - ƒf<str<strong>on</strong>g>as</str<strong>on</strong>g>hƒƒ-ƒi<strong>on</strong>ed ƒman and hath saved ƒour souls_ƒfrom ƒƒdeath.________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ƒord, I ƒhave cried__ÌÌ ƒƒun - to ƒThee, ƒheark - ƒen ƒƒunƒ-ƒto me; hearkƒ-ƒƒen un - ƒƒto ƒme, O__Ì̃ƒLord. ƒƒLord,_____Ì I ƒhave cried__ÌÌ ƒƒun - to ƒƒThee, heark-ƒen ƒunƒ-ƒƒto ƒƒme; at - ƒtend ƒƒto__Ì̃ƒ<strong>the</strong> ƒƒvoice_____ of my ƒsup - ƒƒpli - ƒƒca - - ƒƒti<strong>on</strong> when I ƒƒcrywww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Lord I Have Cried 189 unƒ- to Thee:ƒHearkƒ-ƒen ƒunƒ-ƒƒto ƒƒme ƒO Lord.Let My PrayerKateuqunqhvtwL ƒƒet ƒmyƒ prayer____ ƒbe ƒƒset ƒƒ forth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - - cense ƒƒbe - ƒfore Thee, ƒƒ<strong>the</strong> ƒ liftƒ-ƒƒing up___ÌÌ ƒof ƒmy hands ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒan eve - ƒning sac - ri-ƒfice; heark - ƒƒen un - ƒto me, ƒƒO Lord.Psalmody—bringing about choral singing,a b<strong>on</strong>d, <str<strong>on</strong>g>as</str<strong>on</strong>g> it were, toward unity, and joiningpeople into a ham<strong>on</strong>ious uni<strong>on</strong> of <strong>on</strong>e choir—produces also <strong>the</strong> greatest of blessings: love.—<strong>St</strong>. B<str<strong>on</strong>g>as</str<strong>on</strong>g>il <strong>the</strong> Great


Brief <strong>St</strong>icheraFourth Mode Verse #1!Exavgage ejk fulakh'"B ƒring my ƒsoul ƒout ƒof ƒƒpris - ƒ<strong>on</strong> that___ ƒI ƒƒmay c<strong>on</strong> - ƒƒfess Thy Name.<strong>St</strong>ichera #1To;n zwopoiovn sou <strong>St</strong>aurovn n ƒƒworƒ-ƒship-ping ƒThy ƒƒlife - ƒƒcre - at - ƒing ƒƒCross un - ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g> - ing -ƒƒly, ƒƒO ƒChrist God, we ƒglo - ƒri - ƒƒ- ƒfy Thy ƒRes - ƒur - recƒƒ- ti<strong>on</strong> <strong>on</strong> <strong>the</strong> third day; for ƒ<strong>the</strong>re - ƒby h<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou re - newed ƒ<strong>the</strong> ƒcor - ƒƒrupt - ed na - ƒ- ƒ- ƒƒture of ƒƒman, ƒƒO Al - might - y ƒOne. And Thou ƒdidst show unƒƒ-ƒƒto ƒƒus <strong>the</strong> way ƒƒup ƒunƒ-ƒƒto ƒ<strong>the</strong> Heav - - ens, since Thouƒa - l<strong>on</strong>e ƒƒart ƒgood and <strong>the</strong> ƒFriend ƒƒof man.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief <strong>St</strong>ichera191Verse #2!Eme; uJpomenou'si T ƒƒhe ƒƒright - eous shall wait ƒpaƒ-ƒƒtient - ly ƒƒfor ƒme un - ƒƒtil Thou shalt ƒreƒƒ-ƒƒward ƒme.<strong>St</strong>ichera #2Tou' xuvlou th'" parakoh'" ƒhou didst ƒan - nul <strong>the</strong> sen - ƒtence ƒƒof ƒ<strong>the</strong> ƒtree ƒƒof ƒdis - ƒo - be - ƒƒdiƒ-ƒence, ƒO ƒƒSavƒ-ƒƒiour, by ƒbe - ƒing nailed__Ì ƒƒwill-ƒingƒ-ƒly to ƒ<strong>the</strong> ƒTree ƒof ƒ<strong>the</strong> ƒCross. ƒƒAnd ƒby de - scend - ƒing ƒin - ƒƒto ƒƒHa - des, ƒO Mightƒ-ƒƒy One, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> God ƒThou ƒdidst rend a - sunƒ-ƒder <strong>the</strong> b<strong>on</strong>ds of death. ƒWhere-fore,_ we ƒƒwor - ƒƒ- ƒƒ-ƒƒship ƒƒThy Res - ur - ƒrec - ti<strong>on</strong> ƒfrom <strong>the</strong> dead, ƒwhile ƒcryƒƒ-ƒing ƒout ƒin glad-ƒness: ƒO ƒAl - ƒmightƒƒ-ƒƒy Lord,______ÌÌ ƒgloƒ-ƒƒry be to Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


192Fourth Mode - Brief <strong>St</strong>icheraO ƒutVerse #3!Ek baqevwn ƒof <strong>the</strong> depths ƒhave I ƒcried ƒun - ƒƒto Thee, ƒO ƒLord; ƒƒO ƒLord, ƒƒhear ƒmy ƒvoice. <strong>St</strong>ichera #3Puvla" a{/dou sunevtriya" he ƒƒgates ƒof Ha - - - ƒƒdes ƒƒdidst Thou ƒshat - - ter, ƒO ƒLord, and ƒƒbyƒƒThy death Thou didst deƒ-ƒƒstroy ƒ<strong>the</strong> kingƒ-ƒƒdom of death. ƒAnd Thou didst ƒfree ƒƒ<strong>the</strong> race ƒƒof ƒman____Ì ƒfrom__Ì̃ƒcor - ƒrup - ti<strong>on</strong>, grantƒ-ƒing life ƒand in - ƒƒcorƒƒ-ƒrupƒƒ- ƒti<strong>on</strong>ƒand ƒgreat mer - ƒƒcy ƒto ƒ<strong>the</strong> world.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief <strong>St</strong>ichera193L ƒetVerse #4Genhqhvtw ta; w\ta sou ƒƒThine ƒears be ƒat - ƒtenƒ-ƒtive to ƒƒ<strong>the</strong> ƒvoice ƒof my ƒƒsup - ƒpli - ƒca - ti<strong>on</strong>.<strong>St</strong>ichera #4Deu'te ajnumnhvswmen laoiv ome,______Ì ƒƒO ƒƒye peo - ples, let us ƒƒpraise ƒ<strong>the</strong> ƒSav - iour's a - ƒƒris - ing ƒƒ<strong>on</strong> ƒƒ<strong>the</strong> third day, ƒƒwhere - ƒƒby we ƒwere__ de - liv - - - ƒƒered ƒfrom ƒthē in - ƒƒdis - ƒƒsol - - ƒƒu - ble b<strong>on</strong>ds ƒof ƒHa - des. ƒAnd ƒwe ƒƒall re - ƒceived ƒin - ƒcor - ƒrup - ti<strong>on</strong> ƒƒand life, ƒwhile cry - ing: ƒThou__Ì ƒWho ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒcru - ƒciƒ-ƒfied and burƒ-ƒƒied ƒand didst ƒa - rise, ƒsave ƒus ƒby Thy Res - ur - rec - ƒ- ti<strong>on</strong>, O ƒ<strong>on</strong> -ly ƒFriend of man.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


194Fourth Mode - Brief <strong>St</strong>icheraI ƒƒfVerse #5!Ea;n ajnomiva" Thou ƒshould -ƒƒest ƒƒmark ƒin - ƒƒiq - ui - ƒties, O ƒƒLord, ƒO Lord, ƒwho ƒshall ƒƒstand?ƒƒ ƒƒFor ƒƒwith ƒThee ƒ<strong>the</strong>re is ƒfor - giveƒƒ- ness.<strong>St</strong>ichera #5#Aggeloi kai; a[nqrwpoi n - - - ƒgels and men, ƒƒO Sav - ƒiour, praise_____ÌThine ƒƒa - ris - ƒing ƒ<strong>on</strong> ƒƒ<strong>the</strong> ƒƒthird___ ƒday, whereƒƒ-ƒƒby ƒƒthē ends of ƒ<strong>the</strong> world___Ì ƒwere ƒƒen - ƒlightƒ-ƒƒened. ƒAnd ƒwe____Ì ƒwere ƒall freed from ƒslav - - - er - ƒy ƒto thē ƒen - e - my, while ƒcry - - ƒing: ƒO ƒCre - ƒa - ƒƒtor ƒƒof life, ƒom - nip - ƒ- ƒoƒ-ƒtent Sav - - iour, ƒsave us ƒby Thy Res - ur - ƒrec - ƒ- ƒti<strong>on</strong>, O ƒƒ<strong>on</strong> - ly Friend of ƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief <strong>St</strong>ichera195F ƒorVerse #6$Eneken tou' ojnovmatov" sou Thy Name's sake have ƒI ƒpa - ƒtient - ƒly wait - ed ƒfor Thee, O ƒ ƒƒLord; ƒƒmy ƒsoul hath ƒwait - ƒed paƒƒ- ƒƒtient-ƒly for ƒThy word, ƒƒmy ƒsoul hath ƒhoped in ƒƒ<strong>the</strong> Lord.<strong>St</strong>ichera #6Puvla" calka'" sunevtriya" ƒhou didst crush <strong>the</strong> ƒbra - ƒzen gates ƒand ƒƒshat -ƒƒter__Ì <strong>the</strong> ƒƒbars, ƒO Christ ƒƒGod, and Thou didst raise <strong>the</strong> ƒfall - ƒen ƒrace of ƒman; ƒfor this cause do ƒwe ƒƒcry ƒƒout with <strong>on</strong>e ƒac - ƒ- cord:ƒThou Who didst ƒa - ƒrise__ÌÌfrom <strong>the</strong> ƒƒdead, Lord,__Ì glo - ƒƒry be to Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


196Fourth Mode - Brief <strong>St</strong>icheraF romVerse #7!Apo; fulakh'" prwi?a" ƒƒletƒ<strong>the</strong> morn - ing watch unƒ-ƒtil ƒƒnight, ƒfromƒ ƒ<strong>the</strong> ƒmorn - ƒing watch ƒƒIs - ƒƒra - ƒel hope ƒƒin ƒ<strong>the</strong> ƒLord. <strong>St</strong>ichera #7Kuvrie hJ ejk Patrov" sou ƒLord, Thy ƒƒbirth from <strong>the</strong> ƒFa - - ƒ<strong>the</strong>r is ƒtimeƒ-ƒless and ƒfrom ƒƒev - ƒƒer - ƒl<str<strong>on</strong>g>as</str<strong>on</strong>g>t - ing; Thine ƒin - ƒcar - na - ƒti<strong>on</strong> ƒof <strong>the</strong> ƒƒVirƒƒ-ƒƒgin ƒis in - ƒƒex - ƒƒpress - ƒi - ƒ- ble and ƒin - ex - pli - ƒca - ƒble ƒto men. And Thy ƒde - scent ƒin - to Ha - ƒdes ƒƒis ter - ƒƒriƒƒ-ƒƒble un - ƒto ƒƒ<strong>the</strong> ƒƒdev - ƒil ƒand his ƒan - ƒƒgels; ƒfor ƒhav-ing tram - pled ƒƒ<strong>on</strong> death, Thou ƒdidst ƒa - ƒrise___Ì ƒ<strong>on</strong> ƒ<strong>the</strong> third___ ƒday, grant - ƒƒingin - ƒƒcor - ƒƒrup - ti<strong>on</strong> and ƒgreat ƒmer - ƒƒcy ƒƒun - ƒto men.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief <strong>St</strong>ichera197FVerse #8$Oti para; tw'/ Kurivw/ ƒor with ƒ<strong>the</strong> Lord <strong>the</strong>re is ƒƒmer - cy, ƒƒand ƒwithƒƒ ƒHim is ƒplen - te - ƒous re -ƒƒdemp-ti<strong>on</strong>; ƒƒand He ƒshall ƒƒre - ƒdeem Is - ra - ƒƒel ƒ ƒƒoutƒƒ ofƒall____ his ƒƒin - ƒiq - ƒƒuiƒ-ƒties.Verse #9Aijnei'te to;n Kuvri<strong>on</strong> O ƒ ƒpraise <strong>the</strong> Lord, ƒall ƒƒye ƒƒna - ti<strong>on</strong>s; ƒƒpraise Him, all ye ƒpeo -ƒƒples.FVerse #10$Oti ejkrataiwvqh or He ƒhath made ƒƒHis ƒƒmer - ƒƒcy to ƒpre - vail ƒƒoƒƒ-ƒver ƒus, and <strong>the</strong> ƒtruth ƒof <strong>the</strong> ƒƒLord ƒƒa - ƒbid - - eth for ev - ƒƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


198Fourth Mode - Brief <strong>St</strong>icheraGGlory...Dovxa Patriv ƒƒlo - ry to ƒ<strong>the</strong> Faƒ- ƒ<strong>the</strong>r, and to ƒ<strong>the</strong> ƒS<strong>on</strong>, ƒand ƒƒto <strong>the</strong> ƒƒHo - ƒly ƒƒSpir - - ƒit.Both now...Kai; nu'nB ƒoth ƒƒnow ƒand ƒev - - - ƒer ƒƒand un - to ƒthē a - - ƒƒges of ƒƒa - ƒges. ƒAƒ-ƒmen.Dogmatic Theotoki<strong>on</strong>@O dia; se; qeopavtwr ƒe ƒƒthat ƒƒ<strong>on</strong> thine ƒac - count ƒis ƒnow God's ƒan - ƒcesƒ-ƒtor, <strong>the</strong> Proph - et Da - vid, did a - ƒfore - - ƒƒtime in ƒƒmel - ƒƒoƒƒ-ƒdy ƒsay of <strong>the</strong>e ƒto ƒƒHim that__hath ƒƒd<strong>on</strong>e great ƒthings to <strong>the</strong>e: ƒƒThe queen____ƒƒstood_Ì ƒatThy ƒright__Ì̃hand.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief <strong>St</strong>ichera199 ƒƒFor ƒChrist God, Who ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g>ed ƒto ƒbeƒƒ-ƒcome ƒƒin - ƒcar - nate ƒof ƒƒ<strong>the</strong>e with - ƒ- ƒout ƒfa - - <strong>the</strong>r ƒthat__Ì ƒƒHe ƒmight save ƒ<strong>the</strong> world, ƒƒhath shown ƒ<strong>the</strong>e ƒforth <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒ<strong>the</strong> ƒmothƒ-ƒer ƒƒand cause ƒof___Ì Life, ƒthat ƒƒHe might re - store ƒƒHis im - age ƒcor -ƒƒrupt -ƒƒed ƒby ƒ<strong>the</strong> ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - si<strong>on</strong>s; ƒƒand ƒƒhav - ing found ƒƒ<strong>the</strong> stray ƒsheep ƒƒlost___ÌÌ ƒƒin <strong>the</strong> ƒmoun - -ƒtains, and ƒƒtak - en it ƒƒup - ƒ<strong>on</strong> ƒHis ƒshoul-ders, ƒƒHe ƒbring - ƒeth it ƒun - ƒto ƒƒHis ƒƒFa - ƒƒ<strong>the</strong>r, ƒƒand ƒby His ƒƒown will__Ì ƒƒu - nit - eth it ƒƒwith ƒƒ<strong>the</strong> Heavƒƒ-ƒƒen - - ƒƒly ƒƒpow - - ƒƒers, ƒO ƒƒThe - - o - ƒto - ƒƒkos; for He ƒhath ƒgreat ƒand aƒƒ-ƒbun-dant ƒmer - - - - ƒƒcy._____________O chant unto our God, chant ye;chant unto our King, chant ye. . .O chant ye with understanding.Psalm 46:6-7www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaFourth Mode Aposticha #1Kuvrie ajnelqwvn 160 Lord, when Thou ƒdidstƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒcend upƒ-ƒ<strong>on</strong> ƒƒ<strong>the</strong> ƒCross, ƒƒThou didst ut - ƒter - ƒly ƒƒo - blit - ƒer - ƒate___ our an - ces - tral curse. ƒAnd ƒgo - ƒƒing ƒdown ƒƒin - to ƒHa - ƒƒdes, Thou ƒdidst ƒset ƒƒfree those ƒƒin ƒfetƒ-ƒters ƒƒfrom ƒall ƒag - ƒƒes p<str<strong>on</strong>g>as</str<strong>on</strong>g>t, ƒƒgrant - ing ƒƒun - ƒƒto <strong>the</strong> ƒƒrace ƒof ƒman ƒin - ƒƒcor - rupƒƒ-ƒƒti<strong>on</strong>_ ƒ_Ì̃for - ev - er; ƒƒhence, for ƒƒthis cause with hymns do we ƒgloƒƒ- ri - ƒ- ƒfy ƒƒThywww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief Aposticha201 life - cre - ƒat - ƒing ƒƒand sav - ƒƒing ƒƒRisƒ-ƒing ƒfrom <strong>the</strong> dead.Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen Tƒhe Lord ƒis ƒƒking; ƒƒHe ƒis ƒclo<strong>the</strong>d with ƒmaj - ƒes - ƒty. ƒThe ƒƒLord ƒis clo<strong>the</strong>d with strength and ƒHe hath ƒgirt ƒHim-self.Aposticha #2Kremavmeno" ejpi; xuvlou ƒƒhile hang-ƒing up-ƒ<strong>on</strong> ƒƒ<strong>the</strong> ƒTree, ƒO ƒƒOn - ƒly ƒMight-ƒy One, ƒThou ƒdidst cause all ƒof cre - a - - ti<strong>on</strong> ƒto ƒtrem - ble. And when Thou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t laid in ƒ<strong>the</strong> grave, Thou ƒdidst ƒraise <strong>the</strong>m that dwelt___ ƒin <strong>the</strong> graves, ƒgrant-ing in - cor - rup - - ti<strong>on</strong> ƒƒand ƒlife ƒun - to ƒƒ<strong>the</strong> ƒrace ƒƒof man; for ƒƒthis cause, ƒwith ƒƒhymns we ƒglo - ƒri - ƒƒfy ƒƒThine ƒa - ƒris - ƒing <strong>on</strong> <strong>the</strong> ƒthird ƒday.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


202Fourth Mode - Brief ApostichaFVerse #3Kai; ga;r ejsterevwse ƒor ƒƒHe es - ƒtabƒ-ƒlished <strong>the</strong> ƒƒworld ƒwhich shall not ƒbe shak - ƒen. Aposticha #3Lao;" paravnomo" Cristev ƒƒhen <strong>the</strong> ƒlaw-less ƒpeo - ƒple, O ƒChrist, sur - ƒren-ƒdered Thee to Pi - ƒlate, ƒ<strong>the</strong>y ƒƒc<strong>on</strong>-demned Thee ƒƒto ƒbe cru - ƒƒciƒ-ƒƒfied, showƒƒ-ƒƒing ƒ<strong>the</strong>m-ƒselves ƒun - ƒgrate - - ƒful ƒƒun - ƒto <strong>the</strong>ir Ben - e - fac - - ƒtor; ƒƒbut willƒƒ-ƒƒingƒ-ƒƒly ƒThou ƒdidst ƒenƒ-ƒdure ƒburƒƒ- i - al, ƒand, ƒof Thine own pow - - ƒƒer, ƒdidst ƒa - rise_ ƒ__ ƒ<strong>on</strong> ƒƒ<strong>the</strong> ƒthird day, <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒGod_______ grant-ing ƒun - to ƒus un - ƒƒendƒƒ-ƒƒing ƒlife____ÌÌ ƒand___ƒgreat mer - ƒƒcy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief Aposticha203HVerse #4Tw'/ oi[kw/ sou prevpei ƒo - li - ness ƒƒbe - ƒcomƒ-ƒƒeth ƒThy ƒhouse, ƒƒO ƒLord, un - ƒto ƒlength of days.Aposticha #4Meta; dakruvwn gunai'ke" raw - ing ƒnigh unƒ-ƒto ƒƒ<strong>the</strong> ƒtomb, ƒƒ<strong>the</strong> ƒƒwom-ƒen sought Thee with tears; but ƒ<strong>on</strong> not ƒƒfind -ƒƒing ƒThee, ƒ<strong>the</strong>y were ƒƒoƒƒ-ƒƒver-ƒcome with grief. And ƒƒcryƒ-ƒƒing__ÌÌ out with ƒlam - ƒen - ƒƒta - ƒƒ- ƒƒti<strong>on</strong>, <strong>the</strong>y said: Woe___ ƒun - ƒto us, ƒƒO our ƒSavƒ-ƒiour,_ ƒƒ__ O ƒKing of ƒall, how ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou sto - ƒlen? What place ƒholdƒƒ-ƒƒƒeth Thy life - - ƒbear - ƒing ƒBod - ƒy? ƒAnd ƒan ƒƒan - ƒƒgel anƒ-ƒswered <strong>the</strong>m: Weep__ÌÌ ƒnot, he ƒsaid, ƒbut go forth__ÌÌ and ƒpro-ƒclaim that <strong>the</strong> Lord is ƒris - en, grant -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


204Fourth Mode - Brief Aposticha ing ƒƒus joy, since He aƒƒ-ƒƒl<strong>on</strong>e is mer - ci -ƒƒful.Glory...Dovxa PatrivG lo - ƒry to <strong>the</strong> ƒFa - - - ƒ<strong>the</strong>r, and to ƒ<strong>the</strong> ƒƒS<strong>on</strong>, ƒand ƒƒto ƒƒ<strong>the</strong> ƒƒHo - ƒly ƒSpir - ƒit.Both now...Kai; nu'nB oth ƒnow and ev - - ƒer, ƒand ƒun - ƒƒto ƒthē ag - es of ƒag - ƒes. ƒA-men.Aposticha Theotoki<strong>on</strong>Neu's<strong>on</strong> paraklhvsesi ƒn - ƒcline ƒƒto ƒthē en - ƒƒtrea - ƒty of ƒƒthy ƒsup - ƒƒ- pli-ƒants, O all - blame-less <strong>on</strong>e. ƒMake ƒto ƒƒce<str<strong>on</strong>g>as</str<strong>on</strong>g>e ƒthē ƒup - ƒ- risƒƒ-ƒing of ƒƒaf - flic - - ƒƒti<strong>on</strong>swww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Fourth Mode - Brief Aposticha205 ƒthat come up - ƒ<strong>on</strong> ƒƒus, ƒand de - liv - er___Ì ƒus from all ƒman - ƒner ƒƒof ƒgrief. ƒƒFor <strong>the</strong>e ƒƒa - l<strong>on</strong>e ƒdo ƒwe ƒƒhave <str<strong>on</strong>g>as</str<strong>on</strong>g> a se - ƒcure ƒand_ ƒ_̃sure anƒ-ƒchor, and we have____ÌÌ ƒthy pro - ƒƒtec - ti<strong>on</strong>. ƒLet ƒus ƒnot be put ƒƒto shame, ƒO ƒƒLa - - dy, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> we ƒƒcall upƒ-ƒƒ<strong>on</strong> <strong>the</strong>e. H<str<strong>on</strong>g>as</str<strong>on</strong>g> -ƒƒten at thē en - ƒtrea - - - ƒty ƒof ƒthose ƒƒwho ƒƒfaithƒ-ƒfulƒ-ƒƒly cry to <strong>the</strong>e: Re - ƒƒjoice, O ƒLa - - - ƒdy, thou help ƒƒof all,ƒƒƒƒthou ƒƒjoy and ƒshel - - ƒƒter ƒand sal - va - ƒti<strong>on</strong> ƒof ƒƒour souls._____________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


plagal first modeLord, I Have Cried 84Kuvrie ejkevkraxa ord,_____Ì ƒƒI have ƒƒcried_______________ÌÌ un - - ƒto____ ƒƒThee, ƒhearkƒ-ƒen ƒun - ƒƒ- ƒƒto_________ me; heark-en ƒun - - ƒto me,______ ƒƒƒO______Ì _ÌÌ Lord. Lord,___Ì ƒƒI have ƒƒcried________ÌÌ un - ƒƒ- ƒƒ- ƒto_________Ì Thee,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Lord I Have Cried207 ƒƒheark - - - - - ƒƒen ƒƒun - to____ me;___Ì ƒat - tend______ ƒto <strong>the</strong> ƒvoice_ ƒ____ÌÌ ƒof_____Ì ƒmy sup - - - ƒpli - ca - - - - ti<strong>on</strong> when I ƒcry_ ƒ_______Ì ƒƒun - - -ƒƒto_________ƒƒThee:__Ì Heark - ƒen ƒun - - - ƒto ƒ me___ O__ÌÌ ƒLord.Let My PrayerKateuqunqhvtwL et ƒmy ƒprayer__Ì ƒbe ƒƒset____________________ÌÌ ƒforth ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>___ ƒin - - ƒ- ƒcense_____ ƒbe - fore_________Ì Thee, ƒ<strong>the</strong> ƒƒƒlift - - ing ƒƒup_________Ì ƒ____ of ƒmy____________ÌÌ ƒƒhands_ <str<strong>on</strong>g>as</str<strong>on</strong>g> an ƒƒeveƒƒ-ƒƒning_ÌÌ sac - - ri - - ƒƒfice; ƒƒƒheark - ƒen ƒun - - - to me,__ÌÌ ƒO___ Lord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Plagal First ModeS ƒƒ 180Qou' Kuvrieet, ƒO ƒƒLord, ƒa ƒwatch be-ƒfore my mouth, ƒƒand a ƒdoor ƒƒof ƒen - clo -ƒsure_̃round a - bout my ƒƒlips.2 ƒIn - ƒcline ƒƒnot my ƒheart ƒun - to words of ƒe - vil, to make ƒƒex - ƒƒcuse_ ƒƒ__ ƒƒwith ex - ƒƒcus - ƒƒes ƒƒin sins,3 ƒƒWith men ƒthat ƒƒwork in - ƒƒiq - ƒuiƒƒ-ƒƒty; ƒand I will not ƒjoin with_Ì̃<strong>the</strong>ir ƒƒcho - ƒ- ƒƒsen.4 ƒThe ƒƒright - eous man ƒwill ƒch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒten ƒme ƒƒwith mer - cy ƒƒand__ÌÌ ƒre -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Verses of Psalms209 ƒprove__Ì me; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒfor ƒthē ƒoil ƒƒof ƒ<strong>the</strong> ƒsinƒƒ-ƒƒner, ƒƒlet it__Ì̃ƒnot a - ƒnoint my ƒhead.5 For ƒƒyet more_____Ì is ƒmy prayer in <strong>the</strong> presƒƒ-ƒƒence of <strong>the</strong>ir ple<str<strong>on</strong>g>as</str<strong>on</strong>g>-ures; swal - lowed up near ƒby <strong>the</strong> rock have_ƒ<strong>the</strong>ir judg - ƒƒesƒbeen.6 ƒƒThey shall ƒhear ƒmy words, for <strong>the</strong>y ƒbe sweet-ened; ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> a ƒclod ƒof ƒƒearth ƒis broƒ-ƒken upƒ-ƒ<strong>on</strong> thē earth, so have <strong>the</strong>ir ƒƒb<strong>on</strong>es been scat-tered ƒƒnigh un - - ƒƒto Ha - ƒ- ƒdes.7 For un - to ƒThee, O Lord, ƒƒO Lord, are mine eyes, ƒin ƒƒThee have ƒI hoped; ƒƒtake__ ƒnot my soul ƒƒa - ƒway.8 Keep me from <strong>the</strong> snare which <strong>the</strong>y have ƒlaid ƒfor me, ƒƒand from ƒ<strong>the</strong> ƒstum-bling-www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


210Plagal First Mode - Verses of Psalms blocks of <strong>the</strong>m that_̃work ƒƒin - ƒƒiq - ƒui - ty.9 ƒƒThe ƒsin - ƒƒners__ ƒshall ƒƒfall in - ƒto <strong>the</strong>ir own___Ì ƒƒnet; ƒI ƒƒam a - l<strong>on</strong>e ƒun - - ƒtil ƒƒI ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s___Ì ƒƒby.10 ƒƒWith ƒƒmy voice ƒun - ƒto ƒ<strong>the</strong> Lord have_ÌÌ ƒI cried, ƒƒwith ƒmy ƒƒvoice unƒƒ-ƒƒto <strong>the</strong> Lord ƒƒhave I ƒmade ƒmy ƒsupƒ-ƒpli - ca - - - ƒti<strong>on</strong>.11 ƒƒI ƒƒwill ƒpour_____Ì ƒout ƒƒbe - ƒfore Him my sup - ƒpli - ca - ti<strong>on</strong>, ƒƒmine af - ƒflicƒƒ- ƒti<strong>on</strong> beƒ-ƒfore ƒHim__̃will ƒƒI ƒƒde - ƒclare.12 When my ƒspir - ƒit ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> faintƒ-ƒing__ƒwith - ƒƒin___ÌÌ ƒme, <strong>the</strong>n Thou knew - ƒest ƒmy paths.13 ƒIn ƒthis ƒway whereƒ-ƒƒin I have walked <strong>the</strong>y ƒhid ƒƒfor me ƒa snare.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Verses of Psalms21114 ƒI looked up - ƒƒ<strong>on</strong> my right ƒhand, and beƒ-ƒheld, and <strong>the</strong>re ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> n<strong>on</strong>e that_ _̃did ƒƒknow___ ƒme.1516 ƒƒFlight hath ƒfailed ƒme, and ƒ<strong>the</strong>re ƒƒis ƒn<strong>on</strong>e that watch-eth out ƒfor ƒmy soul. ƒI ƒhave ƒƒcried_____Ì ƒun - to ƒThee, O ƒLord; ƒƒI said: Thou_Ì ƒart ƒmy hope, my por - ƒƒti<strong>on</strong> art Thou in ƒƒ<strong>the</strong> land_ÌÌ ƒof <strong>the</strong> liv-ƒing.1718 At - ƒtend un - ƒƒto my supƒƒ-ƒƒpli - ƒca - - ti<strong>on</strong>, forƒI am brought ver-ƒy ƒlow. ƒDe - ƒliv - ƒer me ƒfrom ƒ<strong>the</strong>m ƒthat ƒƒper - ƒƒse - ƒcute me, ƒfor ƒƒ<strong>the</strong>y are str<strong>on</strong>g - ƒer than I.____On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 213or with Brief <strong>St</strong>ichera <strong>on</strong> page 246.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


212Plagal First Mode - Verses of Psalms19 ƒBring my ƒsoul ƒout ƒof pris - - - <strong>on</strong> that ƒƒI___ƒƒmay c<strong>on</strong> - ƒƒfess ƒƒThy ƒƒName.20 ƒƒThe right-eous shall ƒwaitƒpa - ƒƒtient -ƒƒly for me un - til Thou shalt re - ƒward_ __ ƒƒme.21 ƒOut of ƒƒ<strong>the</strong> depths____Ì̃ƒhave ƒI cried unƒ-ƒƒto ƒƒThee, O Lord; ƒO ƒLord,___ hear my ƒvoice.22 ƒLet Thine ƒƒears be ƒat - ƒƒtenƒ-ƒƒtive ƒto ƒ<strong>the</strong> voice of ƒmy supƒƒ-ƒpli - ca - - ƒƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraPlagal First ModeB ringVerse #1!Exavgage ejk fulakh'" ƒƒmy soul ƒƒout of ƒƒpris - <strong>on</strong> ƒthat I may ƒƒc<strong>on</strong> - ƒƒfess______Ì ƒThy___________Ì Name.<strong>St</strong>ichera #1Dia; tou' timivou sou <strong>St</strong>aurou' ƒƒy ƒThy ƒpre - cious Cross,__ ƒƒO________ƒƒChrist, ƒƒThou_Ì ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t_____ÌÌ ƒput___ ƒ<strong>the</strong> dev - - - - - - - -ƒil________ ƒto_________ÌÌ ƒshame; and ƒby ƒƒThy ƒRes - ƒur - ƒrec - - - - ti<strong>on</strong>, ƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒblunt - - - ƒƒed____ <strong>the</strong> sting_____ÌÌ of_________Ì sin; and ƒThou ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t__ saved__________________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


214Plagal First Mode - Slow <strong>St</strong>ichera ƒus ƒfrom <strong>the</strong> ƒgates________ÌÌ ƒƒof____________ death. We glo - ƒƒri - fy ƒƒThee, O ƒOn - ly - - - be - ƒgot - - - ten ƒOne.Verse #2!Eme; uJpomenou'si T ƒhe ƒƒrightƒƒ-ƒƒeous ƒshall ƒwait ƒpa - ƒtient - ƒly for ƒme un - til ƒƒThouƒshalt_ ƒ_ÌÌ ƒƒre - ward_________Ì me.<strong>St</strong>ichera #2@O th;n ajnavst<str<strong>on</strong>g>as</str<strong>on</strong>g>in ƒƒe that ƒƒgrant - ed ƒ<strong>the</strong> Resƒ-ƒur - ƒƒrec -ƒƒti<strong>on</strong> un-ƒto <strong>the</strong> ƒƒrace____Ì ƒof_________ ƒƒman ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒled_______ ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa sheep_____Ì ƒto slaugh - - - ƒter; <strong>the</strong> prin - - -ƒƒces_______Ì ƒof____Ì ƒƒHa - - ƒdes ƒwere ƒƒter - ƒƒri - ƒfied_ ƒ_________ ƒof___________Ì ƒHim, and ƒƒ<strong>the</strong> griev-ƒous__ƒgates were lift - - ƒed___Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Slow <strong>St</strong>ichera215 ƒ_______Ì ƒup; for ƒChrist, <strong>the</strong> ƒKing ƒof ƒƒGlo - ƒry,__ÌÌ ƒhath__Ì en - - - - ƒƒtered, say - - ƒing to those__ÌÌ in___Ì b<strong>on</strong>ds:_________________ÌÌ ƒGo_______ÌÌ ƒ_ÌÌ ƒƒforth; and ƒto ƒƒthose ƒin dark-ness: ƒƒRe - ƒƒveal___ your - - selves.O utVerse #3!Ek baqevwn of ƒ<strong>the</strong> ƒdepths have ƒƒI ƒcried ƒun - ƒto ƒƒThee, ƒƒO ƒLord; O ƒLord,_________ ƒƒhear______ my_________ ƒƒvoice.<strong>St</strong>ichera #3Mevga qau'ma ƒgreat w<strong>on</strong> - ƒƒ-ƒƒ -ƒƒ -ƒƒder! ƒƒhavƒƒ-ƒƒing sufƒ-ƒfered_ÌÌ ƒin___ ƒƒ<strong>the</strong>_Ì ƒ_______ ƒflesh out______Ì ƒƒof ƒlove ƒfor___ÌÌ man, <strong>the</strong> Cre - a - - - ƒƒtorwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


216Plagal First Mode - Slow <strong>St</strong>ichera ƒof ƒthings_____ÌÌ ƒin - ƒƒvis - - - - - ƒi - - - - - ƒble, thē ƒƒim - - ƒƒmor - ƒ- - ƒƒtal ƒOne,__ÌÌ ƒhath ris - - - - ƒƒen. Come, O ye kin - ƒdreds ƒof <strong>the</strong>__ÌÌ ƒna - - - - ti<strong>on</strong>s, ƒlet us ƒƒwor - - - - - ƒship___________ Him; ƒfor ƒƒde - ƒliv - - - - ƒered ƒfrom ƒƒer - - - - ƒror ƒby ƒHis ƒcom - - p<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - ƒsi<strong>on</strong>,__Ì ƒƒwe ƒhave learned ƒto ƒpraise <strong>the</strong>__Ì ƒ<strong>on</strong>e______ God ƒin ƒƒthree_____ ƒHy - ƒƒpos - - ta - - ses.L etVerse #4Genhqhvtw ta; w\ta sou ƒThine ears ƒbe ƒat - tenƒƒ- tive ƒto ƒƒ<strong>the</strong> voice ƒof my ƒƒsup - - ƒpli - ƒ ƒca - - - - ƒƒti<strong>on</strong>. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Slow <strong>St</strong>ichera217<strong>St</strong>ichera #4@Esperinh;n proskuvnhsin ƒve - ƒƒning ƒworƒ-ƒship do ƒwe ƒof - ƒfer ƒThee, thē un - ƒƒwan - - ƒing_ ƒ_______Ì ƒLight, Who ƒin ƒthē end ƒof ƒthē__Ì ƒag - - - ƒes, ƒƒthrough <strong>the</strong> ƒƒflesh ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>_ ƒ__ ƒƒin___Ì ƒa____Ì mir - - ƒror, h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒshined____ÌÌ ƒƒup - ƒƒ<strong>on</strong>_______ <strong>the</strong>_________ ƒworld; ƒand h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒde - ƒscend - - ƒed__ÌÌ e - ƒƒven ƒun - - ƒƒto Ha - ƒ- ƒ- ƒ- des, and dis -ƒƒpelled____Ì ƒƒ<strong>the</strong> dark - - ƒƒness_______ÌÌ ƒ<strong>the</strong>re, ƒƒand ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t shown <strong>the</strong> ƒƒlight of <strong>the</strong> Res - ur - - ƒrec - - -ƒti<strong>on</strong> ƒƒun - to_____ ƒ<strong>the</strong>__Ì ƒna - - - - - - ƒti<strong>on</strong>s. ƒO__ÌÌ Giv - ƒ- ƒ- ƒer__ÌÌ ƒƒof_________ÌÌ light, ƒƒLord, ƒglo - - - ƒƒry be_______Ì ƒto ƒƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


218Plagal First Mode - Slow <strong>St</strong>icheraIVerse #5!Ea;n ajnomiva" f ƒThou shouldƒ- est ƒmark ƒin - ƒiq - ui - ties, O ƒƒLord, O ƒƒLord, who shall ƒstand? ƒFor with Thee <strong>the</strong>re is____Ì ƒfor - ƒƒgive - - - ƒness.<strong>St</strong>ichera #5To;n ajrchgo;n th'" swthriva" et ƒƒus ƒƒglo - ri - ƒfy ƒChrist, ƒƒthē ƒau - ƒƒthor of our ƒƒsal - - ƒva - - - - - - - ƒƒti<strong>on</strong>; ƒfor ƒwhen ƒHe ƒƒa - rose______ ƒfrom__Ì <strong>the</strong>___Ì ƒdead, <strong>the</strong>__ ƒworld_____Ì ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒsaved__Ì ƒfrom er - - - - ƒƒror. ƒThe ƒchoir ƒof thē ƒan - ƒgels______Ì re - - joic - - ƒeth; <strong>the</strong> ƒde - ƒcep - - - - ƒti<strong>on</strong> ƒof ƒƒ<strong>the</strong> ƒƒde - ƒƒm<strong>on</strong>s doth_________ ƒflee; Ad - am, who w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfall - en, is ƒris - - en; ƒ<strong>the</strong> dev - il ƒƒis_______Ì ƒƒde - - stroyed.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Slow <strong>St</strong>ichera219F orVerse #6$Eneken tou' ojnovmatov" sou Thy Name's sake ƒhave ƒƒI ƒƒpa - ƒtient - ly wait - ed for Thee, ƒO ƒLord; my soul ƒhath wait - ed ƒƒpaƒ-ƒƒtientƒ-ƒly ƒfor Thy ƒword, my ƒsoul hath hoped_ ________ƒƒin_______ ƒ<strong>the</strong>________ÌÌ ƒLord.<strong>St</strong>ichera #6OiJ th'" koustwdiva" he ƒguards were in - ƒƒstruct - ed by ƒ<strong>the</strong>__ÌÌ ƒlaw - - - - ƒless: ƒƒC<strong>on</strong> - ceal <strong>the</strong> Res - ƒur - ƒrec - - - - - - - ti<strong>on</strong>_______ ƒof_________Ì ƒƒChrist; ƒand ƒtake ƒye piec - - - - ƒƒes___Ì ƒof____Ì sil - - - - - ver,______ and_ ƒ_______Ì ƒsay: ƒWhile we ƒwere sleep -ƒƒing, ƒ<strong>the</strong> corpse w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒsto - - - len from_ ƒ____Ì <strong>the</strong>_________Ì tomb. Who hath seen, who hath__Ì ev - - ƒer____Ì heard ƒofwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


220Plagal First Mode - Slow <strong>St</strong>ichera ƒa corpse__ ƒbe - ƒƒing__Ì ƒƒsto - - - - - - len? es - ƒƒpe - ƒcialƒ-ƒly ƒ<strong>on</strong>e ƒaƒƒ-ƒnoint - - ƒƒed_____Ì ƒƒwith myrrh____Ì ƒand ƒna - - - ƒked, ƒwith ƒƒ<strong>the</strong> ƒfu - ƒnerƒ-ƒal shrouds be - ƒing ƒa - ban - - d<strong>on</strong>ed ƒin_______ƒƒ<strong>the</strong>________ÌÌ grave. Be ƒƒnot de-ceived,____ÌÌ ƒO____ ƒye___ÌÌ Jews. ƒƒLearn <strong>the</strong>_Ì ƒsay - - ƒings ƒof_ ƒ_ÌÌ ƒƒ<strong>the</strong> ƒƒProph - - - ets, ƒand ƒƒknow ƒƒthat He ƒƒis tru - ly ƒ<strong>the</strong> ƒRe - ƒdeem - ƒƒer of_______ƒƒ<strong>the</strong>________ÌÌ ƒworld and ƒƒthē_____ÌÌ ƒƒal - ƒmight - - y ƒOne.F ƒromVerse #7!Apo; fulakh'" prwi?a" ƒ<strong>the</strong> ƒƒmorn - ing ƒwatch un - til ƒnight from <strong>the</strong> ƒƒmornƒƒ- ing watch ƒƒlet ƒIs - ƒraƒƒ-ƒƒel hope________ÌÌin_______ƒƒ<strong>the</strong>________Ì ƒLord. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Slow <strong>St</strong>ichera221<strong>St</strong>ichera #7Kuvrie oJ to;n a{/dhn Lord, Who h<str<strong>on</strong>g>as</str<strong>on</strong>g>t de-ƒspoil - ed__Ì ƒHa - - - - - - des ƒand h<str<strong>on</strong>g>as</str<strong>on</strong>g>t_Ì ƒƒtram - - - - ƒpled___Ì up - ƒ<strong>on</strong>__________ ƒƒdeath; ƒO ƒour ƒƒSav - ƒiour, ƒWho ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t____ en - - ƒƒlight - - - - ƒened______ <strong>the</strong>_________ ƒƒworld ƒƒby Thy ƒpre - - - ƒcious__ ƒƒCross; have ƒƒmer - - - - ƒcy ƒƒ<strong>on</strong>__Ì us.Verse #8$Oti para; tw'/ Kurivw/ F ƒƒ ƒor ƒƒwith <strong>the</strong> ƒLord ƒ<strong>the</strong>re is ƒmer - ƒƒcy, and ƒƒwith ƒƒHim is ƒplen - ƒte - ous ƒƒreƒƒ-ƒ demp-ti<strong>on</strong>; and He ƒshall ƒƒre - ƒdeem ƒƒIs - ƒƒra - el out ƒƒof all ƒhis in - ƒƒiq - - - ui - - - - ƒies.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


222Plagal First Mode - Slow <strong>St</strong>icheraO ƒpraiseVerse #9Aijnei'te to;n Kuvri<strong>on</strong> ƒƒ<strong>the</strong> ƒLord, ƒall ye na-ƒti<strong>on</strong>s; praise Him, ƒƒall___ÌÌ ƒƒye peo - ƒ ƒ- - - ples.F orVerse #10$Oti ejkrataiwvqh ƒƒHe ƒhath ƒmade His merƒƒ-ƒƒcy to ƒpreƒ-ƒƒvail o - ƒver ƒus, ƒand ƒ<strong>the</strong> ƒƒtruth ƒof <strong>the</strong> Lord ƒƒa - ƒbid - eth ƒfor ƒev - - - - ƒer. The dem<strong>on</strong> of fornicati<strong>on</strong>,in <strong>the</strong> manner of a licking puppy,is w<strong>on</strong>t to cling to <strong>the</strong> <strong>on</strong>e he tempts,so <str<strong>on</strong>g>as</str<strong>on</strong>g> not to be c<str<strong>on</strong>g>as</str<strong>on</strong>g>t out. But it is possiblefor you—it is a matter of your prerogative andintenti<strong>on</strong>—ei<strong>the</strong>r to nourish him with <strong>the</strong> work ofdish<strong>on</strong>or or vigorously to put him to flight with prayer andpsalmody, with f<str<strong>on</strong>g>as</str<strong>on</strong>g>ting and vigils, and with sleeping <strong>on</strong> <strong>the</strong> ground.—Nilus of Ancyrawww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…Plagal First Mode 84Dovxa Patriv...G lo - ry ƒƒto ƒ<strong>the</strong> Fa - - ƒ<strong>the</strong>r, and ƒto____ ƒ<strong>the</strong> S<strong>on</strong>, ƒand ƒƒto ƒƒ<strong>the</strong> ƒƒHo - ƒƒ- ƒƒly________ÌÌ Spir - - - - ƒƒit.Kai; nu'n ...B oth ƒnow and ev - - - ƒƒer ƒƒand ƒunƒƒ-ƒƒto ƒƒthē ƒa - - ges ƒof a - - - ges. ƒƒA - - - - men.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


224Plagal First Mode - GloryAlternate MelodiesDovxa Patriv...G lo - - - - - - - ry___ ƒto <strong>the</strong> ƒƒFa - <strong>the</strong>r, and to____Ì ƒƒ<strong>the</strong>____ ƒƒS<strong>on</strong>, and to <strong>the</strong> ƒHo - - - ƒly ƒƒSpir - - - - it.Kai; nu'n ...B ƒoth ƒnow and___ ƒev - - - - - - - er and ƒƒun - ƒto ƒthē____ ƒa - - - ƒges___Ì of ƒƒa - - - - - ƒges.______Ì ƒA - ƒ- ƒ - ƒ-ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Glory225Old (Slow) <strong>St</strong>icheraric MelodiesDovxa Patriv...G ƒlo - - - - - - - - - ƒry__ÌÌ to <strong>the</strong> ƒFa - - - - ƒƒ<strong>the</strong>r, and_ ƒ__ ƒto____ ƒ<strong>the</strong>__Ì ƒS<strong>on</strong>,___ ƒand ƒƒto ƒ<strong>the</strong> Ho - - - - - - ƒly______ÌÌ ƒ____ÌÌ ƒƒSpir - - - - - - - - - - - - - - - - ƒit.Kai; nu'n ...B ƒoth ƒnow ƒand__Ì ev - - - er and un - to ƒthē a - - - - - - - - ƒges______ÌÌ ƒof____ ƒƒa - - - ƒƒges._________________________ ƒA - -ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>Plagal First Mode 84!En th'/ !Eruqra'/ Qalavssh/ n ƒ<strong>the</strong> Red___________ ƒSea ƒ<strong>the</strong>re__ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>___ƒƒ<strong>on</strong>ce ƒƒde - - ƒpict - - - - - - ed ƒƒan ƒƒim - - age ƒƒof______________ÌÌ thē___ un - ƒ- ƒwed - - - - - ƒded_________ ƒƒBride. There,__Ì ƒƒMos -ƒƒes ƒdi - ƒvid - ƒƒ- ƒed ƒ<strong>the</strong>___Ì ƒƒwa - - ƒter; here,_Ì ƒGa - - - bri - - ƒel ƒƒdoth_ ƒmin - - - ƒis - ƒter___ÌÌ <strong>the</strong> w<strong>on</strong> - - - - ƒder. ƒThen <strong>the</strong> deep ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> trod-ƒden ƒdryƒƒ-ƒƒshod ƒby___ Is - - - - ƒra - - - - el; ƒƒnow Christ is born_Ì seed-less - - ly of <strong>the</strong>___Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Dogmatic Theotoki<strong>on</strong> 227 ƒVir - - - ƒgin.___Ì ƒƒThe sea, af - ƒter ƒ<strong>the</strong> p<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒsage ƒof ƒƒIs - ra - el, ƒre - mained_________________ un - - ƒtrod - - - - ƒden; ƒƒ<strong>the</strong> blame - ƒ- - - - - - - - ƒless__________Ì ƒ<strong>the</strong> ƒblame - - ƒƒƒless___Ì ƒ<strong>on</strong>e,________Ì ƒ_________________(n)_______________________Ì af - ƒƒter ƒƒ<strong>the</strong> ƒƒbirth ƒƒof ƒEm - ƒƒman - - - ƒƒu - - - el, re - mained___________Ì un - - -ƒƒde - - - filed. ƒO ƒThou ƒƒWho___Ì ƒart, ƒand__ÌÌ ev - - ƒer ƒbe - - ƒƒfore___________ÌÌ ƒƒdidst___ÌÌ ƒ_Ì ex - - - -ƒist, ƒand ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒapƒƒ-ƒpeared <str<strong>on</strong>g>as</str<strong>on</strong>g>__ÌÌ ƒman,____ ƒO__ÌÌ ƒGod: have ƒƒmer - - - - ƒcy ƒ<strong>on</strong>___ us._________________________Ì


Slow ApostichaPlagal First ModeAposticha #1 88Se; to;n sarkwqevnta hee, ƒO Christ ƒour Sav - ƒiour, Who w<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒin - - ƒƒcar - - - - - - - ƒnate and yet ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒnot ƒpartƒ-ƒƒed ƒƒfrom <strong>the</strong>__Ì Heav - - ens, ƒƒdo ƒwe ƒƒmag - - - ƒni - fy_______Ìwith___ƒ ƒvoic - - - - - ƒes_______Ì ƒof_________Ì s<strong>on</strong>g. ƒFor <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒ<strong>the</strong> Lord Who lovƒƒ-ƒƒeth__Ì ƒman,___ Thou didst ac - ƒceptwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Slow Aposticha229 ƒ <strong>the</strong> Cross________ and___ death for_______ <strong>the</strong>___Ì sake____________________Ì of_ÌÌ ƒ_____ƒour_________Ì ƒrace. ƒƒDe - spoilƒƒ- ing ƒ<strong>the</strong> ƒƒgates_______________ÌÌ ƒƒof Ha - - - - - des,__ ƒThou didst ƒa - ƒƒrise ƒ<strong>on</strong> <strong>the</strong>__ ƒthird_____ÌÌ ƒƒday, ƒƒsav - - - ƒƒ- ing ƒƒour__Ì souls.TVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen ƒhe ƒƒLord ƒƒis ƒƒking; ƒƒHe ƒƒis ƒƒclo<strong>the</strong>d with ƒƒmaj - es - ƒƒƒty. ƒThe ƒLord is clo<strong>the</strong>d ƒƒwith ƒstrength ƒand ƒHe ƒƒhath ƒgirt______Ì ƒHim - - - - ƒself.Aposticha #2Nugeivsh" sou ƒhen Thy ƒside ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒpierced, ƒƒO ƒƒGiv - - - - ƒer____Ì of____Ì ƒlife, ƒThou didst ƒpour ƒforth streams of for - ƒ- ƒgive - - - ƒness,__ÌÌ ƒlife ƒand__Ì sal -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


230Plagal First Mode - Slow Aposticha va - - - - - - - ƒƒti<strong>on</strong>_______ƒƒfor_________ÌÌ ƒall. ƒThou ƒƒdidst ac - cept___ ƒƒdeath______ in <strong>the</strong>___ÌÌ ƒflesh, <strong>the</strong>re - ƒby ƒgrantƒ-ƒing ƒƒus ƒƒim - ƒƒmor - - tal - - - - - ƒƒi - - - - ty. ƒAnd, whilst dwell-ing__Ì ƒin__ÌÌ ƒƒ<strong>the</strong>_________ÌÌ ƒgrave, Thou ƒdidst ƒƒfree__________ ƒus, ƒand ƒglo - ƒriƒ-ƒous - ƒƒly___Ì ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>____ God, ƒdidst raise________ÌÌ us____ ƒƒup ƒƒto - ƒƒgeth - - - ƒƒer ƒƒwith______̃Thy - - - self. Where - ƒ- ƒfore, we____ ƒcry______________________________________ƒƒout:_ ƒ___________ÌÌ O Friend of ƒƒman, Lord, glo - ƒry__ÌÌ be ƒƒto__Ì ƒƒThee.____________ÌÌ ƒ____Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Slow Aposticha231F ƒorVerse #3Kai; ga;r ejsterevwse ƒƒHe es - tab - ƒlished ƒ<strong>the</strong> world ƒwhich shall ƒnot____ ƒƒbe ƒƒshak - ƒ- - - en.Aposticha #3Xevnh sou hJ stauvrwsi" trange is Thy ƒcru - ci - ƒfix - - ƒi<strong>on</strong> ƒand ƒƒde - scent inƒ-ƒƒto__ÌÌ ƒHa - - ƒ- ƒƒdes, ƒO ƒFriend____________ ƒof___________ ƒman. ƒFor ƒƒThou didst deƒ-ƒspoil_ _ÌÌ it ƒand ƒƒdidst ƒglo - - - - ƒƒriƒƒ-ƒous - - ƒƒly ƒƒraise up with Thyƒ-ƒself ƒƒ<strong>the</strong> ƒƒcap - - - - ƒtives______Ì ƒof_________Ì ƒold, ƒsince ƒThou ƒart God; Thou ƒdidst ƒoƒƒ-ƒƒpen Par - ƒa - - ƒdise,___ ƒand______________Ì make__ us___ÌÌ ƒwor - - - - - thy_ ____ƒ<strong>the</strong>re - - - of. Where - - ƒfore,______ÌÌ ƒdo____ Thou___ ƒgrant ƒƒfor - ƒgive - - -ƒness of____Ì sins ƒal - - - so ƒun - - - - - to____________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


232Plagal First Mode - Slow Aposticha us ƒwho_ÌÌ ƒglo - ƒri - ƒƒfy Thine a - - ƒris - - - ing <strong>on</strong>_______Ì ƒƒ<strong>the</strong> third___ __ ƒƒday;___Ì ƒand ƒƒdeem us ƒwor - ƒthy ƒto ƒdwell__ÌÌ in___ ƒƒPar - - - - a - - - - dise, ƒƒsince Thou ƒa - l<strong>on</strong>e art______Ì ƒƒcom - ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - si<strong>on</strong>ƒƒƒate.HVerse #4Tw'/ oi[kw/ sou prevpei ƒƒo - li - ƒness be - ƒcom - ƒƒeth Thy house, O Lord, ƒƒun - ƒto length_____ ƒƒof____________ ƒdays.Aposticha #4@O di! hJma'" sarkiv Thou Who didst ac - cept ƒƒ<strong>the</strong> ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒƒsi<strong>on</strong> ƒin <strong>the</strong> ƒƒflesh______Ì for___ÌÌ our___Ì ƒsake,__Ì ƒand ƒdidst ƒƒa - rise <strong>on</strong> <strong>the</strong>__ third_____Ì day: dowww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Slow Aposticha233 ƒThou ƒheal <strong>the</strong> ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒƒsi<strong>on</strong>s ƒƒof_______ƒour________ÌÌ ƒƒflesh; ƒand ƒraise ƒus_ _ÌÌ ƒup ƒƒfrom_ÌÌ ƒgriev - - - ƒous___Ì ƒtrans - gres - - - si<strong>on</strong>s, O Friend of man, ƒƒand ƒƒsave_____̃ƒus.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Plagal First Mode 84Nao;" kai; puvlh ƒƒtemƒƒ-ƒƒple ƒƒand___ÌÌ ƒgate___Ì ƒart________ÌÌ thou, ƒa ƒƒpal - ƒƒace and thr<strong>on</strong>e___________________ ƒof________̃<strong>the</strong>_________ King, ƒO______ÌÌ _______Ì ƒall - ƒ- ƒrev - - ƒered____________________Ì ƒVir - - - - ƒƒgin, ƒthrough whom ƒmy Re - ƒdeem - - ƒƒer, ƒChrist <strong>the</strong>___Ì ƒLord,__ÌÌ ƒhath ƒƒapƒƒ-ƒƒpeared__ƒ ƒto_ __ ƒ<strong>the</strong>m that ƒƒslept___ ƒƒin dark - - - ƒness, ƒsince ƒHe ƒƒis ƒ<strong>the</strong> ƒSun_____Ì ƒƒof ƒƒRight - - ƒeous - - - ƒƒness; ƒfor He ƒwilled to ƒenƒƒ-ƒƒlightƒƒ-ƒƒen ƒƒthose whomwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Aposticha Theotoki<strong>on</strong> 235 He ƒhad ƒf<str<strong>on</strong>g>as</str<strong>on</strong>g>h-i<strong>on</strong>ed_Ì by___̃ƒHis___Ì ƒƒown___Ì hand, ƒac -ƒƒcord - - ƒing____ÌÌ ƒto ƒHis_ _____ own ƒim - - - - ƒage. ƒƒWhere-fore, ƒƒO____ all - hymned <strong>on</strong>e, ƒsince ƒthou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t boldƒ-ƒness toward Him___________ ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> His ƒƒmoth - - - ƒer, in - ter - ƒƒcede thou ƒƒun - ce<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - ƒing - - ly ƒthat____ÌÌ ƒƒour ƒƒsouls__ÌÌ be ƒƒsaved._ _______________________


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>Plagal First Mode 160To;n sunavnarc<strong>on</strong> Lovg<strong>on</strong> et ƒus ƒworƒ-ƒƒship <strong>the</strong> Word,ƒƒWho ƒis un - or - ƒƒig - ƒƒiƒ-ƒnate ƒƒwith <strong>the</strong> ƒFa - <strong>the</strong>r and <strong>the</strong> ƒSpir - ƒit, ƒƒand from ƒƒa ƒƒvir - - - gin ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒborn for ƒour ƒsal - ƒƒva - ti<strong>on</strong>, O beƒ-ƒliev-ƒƒers, and ƒƒlet ƒƒus sing His praise. ƒƒFor ƒin ƒHis goodƒ-ƒness He w<str<strong>on</strong>g>as</str<strong>on</strong>g> ple<str<strong>on</strong>g>as</str<strong>on</strong>g>ed ƒƒto <str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒcend <strong>the</strong> Cross_Ì in <strong>the</strong> ƒƒflesh, ƒƒand ƒƒto un - ƒƒder - ƒgo death, and to raise up those___ƒƒwho had died, by His glo - riƒ-ƒous Resƒ-ƒƒur -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Apolytiki<strong>on</strong> 237 rec - - - - - ƒti<strong>on</strong>.Glory...Dovxa PatrivG ƒlo - ry ƒƒto ƒƒ<strong>the</strong> ƒFaƒƒ-ƒƒ<strong>the</strong>r, and ƒto ƒƒ<strong>the</strong> ƒS<strong>on</strong>, and__ ƒƒto <strong>the</strong> ƒƒHo - ly ƒƒƒSpirƒ-ƒƒit.Both now...Kai; nu'nB oth ƒnow ƒƒand ƒƒev - - - er, ƒƒand ƒun - to ƒthē ƒ ag - es ƒƒof ƒƒag - ƒ- ƒes. ƒA - ƒƒmen.


238Plagal First Mode - Apolytiki<strong>on</strong>Resurrecti<strong>on</strong>al Theotoki<strong>on</strong> Cai're puvlh Kurivou ƒim - p<str<strong>on</strong>g>as</str<strong>on</strong>g>s - a - ƒƒƒble ƒƒgate of____ƒ<strong>the</strong> ƒƒLord, ƒdo ƒƒthou ƒre-joice. ƒƒReƒ-ƒjoice, ƒƒO ramƒƒ-ƒƒpart and shel - - ƒter for ƒ<strong>the</strong>m that ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g> - ten ƒto ƒ<strong>the</strong>e. Tran - ƒƒquil ƒƒhaƒƒ-ƒƒven and pure ƒMaid-ƒen who didst ƒnot know man ƒand who ƒƒbar - est in ƒ<strong>the</strong> flesh thy Cre - a - tor and thy ƒGod, re - joice; and ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g>e ƒnot ƒto pray Him, ƒƒmakƒ-ƒing ƒƒen - ƒƒtrea - ƒƒty for <strong>the</strong>m ƒthat ƒwor - - ƒƒship ƒand ƒpraise__Ì ƒHim__Ì that w<str<strong>on</strong>g>as</str<strong>on</strong>g> born of <strong>the</strong>e.______________When <strong>the</strong> day is over, <strong>the</strong> vendor sits down and counts his profits;but <strong>the</strong> worker of virtue does so when <strong>the</strong> psalmody is over.—<strong>St</strong>. John of <strong>the</strong> Ladder


Plagal First Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ƒƒord,___ I have ƒcried___ ƒun - to ƒThee, heark-en un - to ƒme; heark - ƒen ƒun - ƒƒto ƒƒme, ƒO ƒLord. Lord, ƒI ƒhave cried_ÌÌÌ un - to ƒThee, heark - en ƒƒun - to me; ƒat - ƒtend ƒƒto ƒ<strong>the</strong> voice of my ƒƒsup - ƒpli - ƒca-ti<strong>on</strong> ƒwhenwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


240Plagal First Mode - Lord I Have Cried I ƒcry ƒunƒ-ƒƒto ƒƒThee: Heark-ƒen ƒun - to ƒƒme O____ ƒƒLord.Let My PrayerKateuqunqhvtwL ƒƒet my ƒprayer__Ì ƒƒbe set ƒforth ƒƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒin - cense_ƒƒƒbe - ƒfore ƒThee, ƒ<strong>the</strong> ƒƒ lift -ƒƒing up_______ ƒof ƒmy hands ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>____ ƒan ƒƒeve - ning sac - ƒri-ƒfice; ƒhearkƒ-ƒƒen un - ƒto ƒme, ƒO____Ì Lord.


Verses of Psalms140, 141, and 129Plagal First ModeS et, clo-sure round 180Qou' KuvrieƒO ƒLord, a watch beƒ-ƒƒfore my ƒmouth, and ƒƒa ƒƒdoor_____Ì of en -ƒa - ƒbout ƒmy ƒlips.2 ƒIn - cline___ ƒnot my ƒheart ƒƒunƒƒ- to words ƒof ƒe - ƒ- ƒvil, ƒƒto ƒƒmake ex - ƒcuse ƒƒwith ƒex - ƒƒcus - es ƒƒin ƒsins,3 With men ƒƒƒthat work ƒin - ƒiq - ƒƒui - ƒty; ƒand I ƒƒwill ƒnot join_____ ƒwith ƒ<strong>the</strong>ir ƒchoƒ-ƒƒsen.4 ƒThe ƒrightƒ-ƒeous man ƒwill ch<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒƒ-ƒƒten ƒƒme with mer - ƒcy and ƒre - ƒƒprove__ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


242Plagal First Mode - Verses of Psalms me; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor thē ƒƒoil___ÌÌ ƒof ƒ<strong>the</strong> ƒsin - - ƒner, let___Ì it ƒnot ƒƒa - ƒƒnoint my head.5 For yet ƒƒmore__ÌÌ ƒƒis ƒmy ƒƒprayer__Ì ƒin ƒ<strong>the</strong> ƒpresƒ-ƒence of <strong>the</strong>ir ƒƒple<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ures; swal-lowed ƒƒup ƒnear by <strong>the</strong> rock________Ì ƒhave ƒ<strong>the</strong>ir ƒjudg - ƒes ƒbeen.6 ƒƒThey shall ƒhear my words, for ƒ<strong>the</strong>y ƒbe sweet-ened; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa ƒclod ƒƒof ƒearth ƒis ƒƒbroƒ-ƒken up-<strong>on</strong> thē ƒearth, ƒso have ƒ<strong>the</strong>ir b<strong>on</strong>es been scat-tered nigh__Ì un - ƒtoƒHaƒ-ƒdes.7 ƒƒFor ƒƒun - ƒƒto Thee, ƒƒO ƒLord, ƒO ƒƒLord,__ƒƒare mine ƒƒeyes, ƒin ƒƒThee___ have_Ì ƒƒI ƒhoped; take__ ƒnot ƒmy soul ƒƒa-ƒway.8 ƒƒKeep me from ƒ<strong>the</strong> ƒƒsnare which <strong>the</strong>y ƒƒhave ƒlaid ƒƒfor ƒƒme, ƒƒand ƒƒfrom ƒ<strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Verses of Psalms243 ƒƒstumƒƒ-ƒbling-ƒblocks of ƒƒ<strong>the</strong>m that ƒwork ƒƒin - ƒƒiq - ƒuiƒƒ-ƒty.9 ƒThe ƒsinƒƒ-ƒƒners shall ƒfall ƒƒinƒ-ƒƒto <strong>the</strong>ir ƒƒown___Ì net; ƒƒI ƒƒam aƒ-ƒl<strong>on</strong>e un - ƒtilI ƒƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s ƒby.10 With ƒƒmy ƒvoice unƒƒ-ƒto ƒ<strong>the</strong> Lord__ ƒhave I cried, ƒƒƒwith my ƒvoice ƒƒunƒ-ƒƒto ƒ<strong>the</strong> Lord have ƒIƒ ƒmade myƒƒsup - pli -ƒ ƒcaƒ-ƒti<strong>on</strong>.11 ƒI ƒwill ƒpour ƒout ƒƒbeƒ-ƒƒfore ƒƒHim ƒmy ƒsup - pli - ca - - ti<strong>on</strong>, ƒmine ƒƒaf - ƒflicƒƒ-ƒti<strong>on</strong> be - fore_________ Him ƒwill ƒƒI ƒƒdeƒ-ƒclare.12 When ƒmy ƒspir - ƒƒit w<str<strong>on</strong>g>as</str<strong>on</strong>g> faint - - ing ƒwith - ƒƒin____ ƒƒme, <strong>the</strong>n Thou knew - ƒest ƒmy paths.13 ƒIn ƒthis ƒƒway whereƒ-ƒƒin____ I have walked <strong>the</strong>y ƒƒhid ƒfor me ƒa ƒsnare.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


244Plagal First Mode - Verses of Psalms14 ƒI ƒlooked up - ƒƒ<strong>on</strong>my ƒƒright ƒhand, and ƒƒbe - held, ƒand ƒ<strong>the</strong>re w<str<strong>on</strong>g>as</str<strong>on</strong>g> n<strong>on</strong>e___ÌÌ that ƒdid know__ÌÌ ƒme.15 Flight ƒhath failed___ me, ƒƒand ƒ<strong>the</strong>re isƒƒn<strong>on</strong>e ƒƒthat watch-eth ƒout___Ì ƒfor ƒmy ƒƒƒsoul.16 ƒI ƒhave ƒcried___ un - ƒto ƒƒThee, ƒO ƒLord; ƒI ƒsaid: Thou_ÌÌÌ ƒart ƒmy ƒƒhope, ƒmy por - - ƒti<strong>on</strong> ƒart ƒThou__ÌÌ ƒin <strong>the</strong> land_Ì of <strong>the</strong> liv-ƒing.1718 At - ƒtend ƒunƒ-ƒto ƒmy ƒƒsup - ƒpli - ƒca - ti<strong>on</strong>, forI___Ì̃ƒam brought verƒ-ƒƒy ƒlow. ƒDe - ƒliv - ƒer ƒme ƒfrom <strong>the</strong>m that per - ƒse - ƒcute_____ÌÌ ƒme, ƒfor ƒ<strong>the</strong>y are str<strong>on</strong>g - er ƒthan I.On Saturdays, c<strong>on</strong>tinue with <strong>St</strong>ichera <strong>on</strong> page 246.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Verses of Psalms2451920 ƒBring my ƒƒsoul out ƒof ƒƒpris - - <strong>on</strong> ƒƒthat ƒI___ ƒmay c<strong>on</strong> - ƒfess Thy Name. ƒThe ƒright-ƒeous ƒshall wait ƒƒpaƒƒ-ƒƒtient-ƒly ƒfor ƒme un - til ƒThou ƒshalt re - ƒƒward ƒme.21 ƒOut ƒƒof ƒƒ<strong>the</strong> ƒƒdepths__Ì have ƒƒI ƒƒcried unƒƒ-ƒƒto Thee, O ƒLord;__ÌÌ O ƒLord, hear my ƒvoice.22 Let ƒThine ƒears ƒbe ƒat - ƒƒtenƒ-ƒƒtive ƒto ƒ<strong>the</strong> voice ƒof my sup - pli - ca - ƒ- ƒti<strong>on</strong>.Virtually all know <strong>the</strong> words of this psalm and <strong>the</strong>y c<strong>on</strong>tinue to sing itat every age, without knowing, however, <strong>the</strong> sense of what h<str<strong>on</strong>g>as</str<strong>on</strong>g> beensaid. This is not a small charge, to sing something every day,putting forth words from <strong>the</strong> mouth, without searchingout <strong>the</strong> meaning of <strong>the</strong> thoughts residing in <strong>the</strong> words.—<strong>St</strong>. John Chrysostomwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief <strong>St</strong>icheraPlagal First ModeVerse #1!Exavgage ejk fulakh'"B ƒring ƒmy soul ƒƒout ƒof ƒƒpris - ƒ<strong>on</strong> ƒƒthat I_________ÌÌ may ƒc<strong>on</strong> -fess ƒ ƒƒThy Name.<strong>St</strong>ichera #1Dia; tou' timivou sou <strong>St</strong>aurou' ƒy ƒThyƒpre -ƒƒcious Cross, O Christ, Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t put ƒ<strong>the</strong> ƒƒdev - ƒƒil ƒƒto shame; ƒand ƒƒby ƒƒThy ƒƒRes - ƒƒur - rec - - ƒti<strong>on</strong>, Thou ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒblunt-ed <strong>the</strong> sting ƒƒof sin; ƒƒand Thou ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t saved__Ì ƒus ƒƒfrom ƒƒ<strong>the</strong> gates ƒof death. ƒWe glo - ƒri - fy ƒThee, O On - - - ƒƒly - ƒƒbe - ƒgot - ten___ÌÌ ƒOne.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief <strong>St</strong>ichera247Verse #2!Eme; uJpomenou'siT ƒhe ƒrightƒƒ-ƒƒeous ƒshall wait paƒƒ-ƒtientƒƒ-ƒƒly for me un - til Thou ƒshalt ƒre - ward me. <strong>St</strong>ichera #2@O th;n ajnavst<str<strong>on</strong>g>as</str<strong>on</strong>g>in ƒe ƒthat grant - ed ƒ<strong>the</strong> ƒƒRes - ur - ƒrecƒ-ƒƒti<strong>on</strong> unƒƒ-ƒƒto ƒ<strong>the</strong> ƒrace ƒof ƒman w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒled ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa sheep ƒƒto slaugh - - ƒter; <strong>the</strong> ƒprinƒ-ƒces ƒƒof ƒHa - ƒ- ƒdes were ter - ri-fied of ƒƒHim, and ƒƒ<strong>the</strong> griev - ƒous gates were ƒƒlift - ƒed up; ƒƒfor ƒƒChrist, <strong>the</strong> ƒKing ƒof ƒGlo -ƒƒry, hath ƒƒen - - ƒtered, ƒƒsay - ƒing__Ì ƒto those ƒin ƒb<strong>on</strong>ds: Go forth; and ƒto those in ƒƒdarkƒ- ƒƒ-ƒƒness: ƒƒRe - ƒveal your - ƒ- ƒselves.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


248Plagal First Mode - Brief <strong>St</strong>icheraVerse #3!Ek baqevwnO ut of ƒƒ<strong>the</strong> depths ƒhave ƒI ƒ cried un - to ƒThee, ƒƒO ƒƒLord; ƒOƒLord, hear ƒmy ƒvoice. <strong>St</strong>ichera #3Mevga qau'ma ƒgreat ƒƒw<strong>on</strong>-der! ƒhav-ƒing ƒƒsuf-fered in ƒ<strong>the</strong> ƒflesh__̃out of ƒlove ƒƒfor ƒman, <strong>the</strong> ƒCre - ƒa - tor of ƒthings in - ƒvis - ƒi - ƒble, ƒthē imƒƒ-ƒƒmor - ƒtal One, hath ƒris - - - en. Come, ƒO ye ƒkin - dreds of ƒƒ<strong>the</strong> ƒƒna - ti<strong>on</strong>s, ƒlet ƒus worƒ-ƒship Him; ƒfor ƒde - liv - ƒered ƒfrom ƒer - ror ƒby His ƒƒcom - ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - si<strong>on</strong>, ƒwe ƒhave learned to ƒƒpraise ƒ<strong>the</strong> ƒ<strong>on</strong>e God ƒƒin three Hy - ƒƒpos - ƒƒta - - ƒses.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief <strong>St</strong>ichera249L etVerse #4Genhqhvtw ta; w\ta sou caƒ-ƒƒti<strong>on</strong>. ƒƒThine ƒears be ƒat - tenƒƒ-ƒƒtive to <strong>the</strong> voice ƒof ƒmy ƒƒsup - pli -<strong>St</strong>ichera #4@Esperinh;n proskuvnhsin ƒve - ƒƒning ƒwor - ƒƒship ƒƒdo we ƒof - ƒfer Thee,___ thē ƒƒun - ƒwanƒ-ƒƒing Light, ƒƒWho ƒƒin ƒthē ƒƒend of ƒƒthē ag - ƒƒes, ƒthrough <strong>the</strong> flesh ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin ƒa ƒmir-ƒror, ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t shined up - ƒ<strong>on</strong> <strong>the</strong> world; and ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒde - ƒscend - ƒƒed ƒe - ven un - to ƒHa - ƒƒ- ƒdes, ƒand dis-pelled ƒƒ<strong>the</strong> ƒƒdark-ƒness <strong>the</strong>re, ƒand ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒshown <strong>the</strong> ƒlight ƒof ƒ<strong>the</strong> Resƒur- ƒrec - ƒƒti<strong>on</strong> ƒun - ƒƒto ƒƒ<strong>the</strong> ƒna-ti<strong>on</strong>s. ƒƒO ƒGivƒƒ-ƒƒer ƒof light,___ Lord, gloƒ- ƒry ƒbe ƒƒtoƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


250Plagal First Mode - Brief <strong>St</strong>icheraI fVerse #5!Ea;n ajnomiva" ƒƒThou shouldƒƒ-ƒest ƒmark ƒƒin - iq - ƒƒui - ƒties, ƒƒO ƒƒLord, ƒƒO Lord, ƒwho shall ƒstand? For ƒwith Thee <strong>the</strong>re ƒƒis ƒforƒƒ- giveƒ-ƒness.<strong>St</strong>ichera #5To;n ajrchgo;n th'" swthriva" ƒ et ƒus glo - ƒƒri -ƒƒfy ƒChrist, thē ƒau - thor ƒof ƒour sal - va - - ƒƒti<strong>on</strong>;for ƒƒwhen ƒHe a - rose__Ì̃from ƒ<strong>the</strong> dead, <strong>the</strong>__̃world ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> saved ƒfrom ƒƒer-ror. The ƒchoir ƒƒof ƒƒthē ƒanƒƒ-ƒƒgels re - ƒjoic - - eth; ƒ<strong>the</strong> ƒƒde - cepƒ-ƒti<strong>on</strong> of ƒ<strong>the</strong> de - ƒƒm<strong>on</strong>s doth flee; ƒAdƒƒ-ƒƒam, who w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒfall - - ƒen, ƒƒis ƒris - ƒƒ- en; <strong>the</strong> ƒdev - ƒil ƒis de -- stroyed.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief <strong>St</strong>ichera251Verse #6 $Eneken tou' ojnovmatov" souF ƒor Thy Name's sake have ƒƒI ƒƒpa - tient - ƒly wait - ƒƒƒed ƒƒfor Thee, O ƒ ƒLord; my ƒsoul hath wait - ƒed ƒƒpa - ƒtient - ƒƒly ƒfor Thy word, my soul ƒhath ƒhoped____ÌÌ in__Ì ƒ<strong>the</strong> ƒƒLord.<strong>St</strong>ichera #6OiJ th'" koustwdiva" ƒhe guards__Ì ƒwere ƒƒin - ƒstructƒ-ƒƒed by ƒ<strong>the</strong> law - ƒ- less: C<strong>on</strong> - ceal ƒ<strong>the</strong> Res-ur - ƒƒrecƒ-ƒƒti<strong>on</strong> of Christ; ƒand take ye ƒpiecƒƒ-ƒƒes ƒof sil - - ƒƒver, and ƒsay: ƒWhile we ƒwere ƒƒsleep - ƒ- ing, <strong>the</strong> corpse_̃w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒsto - ƒlen from <strong>the</strong> tomb. Who hath seen, who hath ƒƒev - er ƒƒheard of a ƒcorpse____Ì̃ƒbe - ƒing sto - ƒ- len? ƒes - ƒpeƒ-ƒcialƒ-ƒly <strong>on</strong>e a - ƒnoint - ƒ- ƒed with myrrh and ƒƒna - - ked, with ƒ<strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


252Plagal First Mode - Brief <strong>St</strong>ichera ƒfu - ƒner - ƒal ƒƒshrouds be - ƒing a - ban - ƒƒd<strong>on</strong>ed ƒƒin ƒ<strong>the</strong> grave.ƒBe not ƒde-ceived,_ ƒ_ÌÌ ƒO ƒƒye ƒJews. ƒLearn <strong>the</strong> ƒƒsay-ings ƒof ƒƒ<strong>the</strong> ƒProph-ets, ƒand ƒknow that He ƒƒis ƒtru - - ƒƒly <strong>the</strong> ƒRe - deemƒ-ƒƒer of ƒ<strong>the</strong> world and thē al - ƒƒmight - ƒy____Ì One.Verse #7!Apo; fulakh'" prwi?a" F ƒrom ƒ<strong>the</strong> ƒƒmorn - ing ƒƒwatch un - ƒtil ƒƒnight, ƒƒfromƒ <strong>the</strong> morn - ing ƒƒwatch ƒ ƒƒlet Is - ƒ- ra - el hope ƒin ƒ<strong>the</strong> ƒLord.<strong>St</strong>ichera #7Kuvrie oJ to;n a{/dhn Lord, Who h<str<strong>on</strong>g>as</str<strong>on</strong>g>t de - spoil-ƒed Ha - - des and h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒtram - pled ƒupƒ-ƒ<strong>on</strong> death; ƒO ƒour ƒSav - - ƒiour, Who ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒen -ƒƒlight - - ƒened <strong>the</strong> ƒƒworld ƒby Thy pre-cious Cross; ƒhave mer - cy<strong>on</strong> ƒƒus.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief <strong>St</strong>ichera253FVerse #8$Oti para; tw'/ Kurivw/ ƒor with ƒƒ<strong>the</strong> Lord ƒ ƒ<strong>the</strong>re is ƒƒmer - cy, and ƒƒwithƒƒ ƒƒHim ƒis ƒƒplen - te - ƒous re - demp-ti<strong>on</strong>; ƒƒand ƒHe ƒshall re - ƒƒdeem Is - ƒra - ƒƒel ƒ outƒƒ ƒƒof all_ ƒ_ÌÌ ƒƒhis ƒin - ƒƒiq - ƒƒuiƒƒ-ƒƒties.OVerse #9Aijnei'te to;n Kuvri<strong>on</strong> ƒ praise ƒ<strong>the</strong> Lord, all ye ƒƒna - ƒƒti<strong>on</strong>s; praise ƒHim, ƒƒall ƒƒye ƒpeo-ples.Verse #10$Oti ejkrataiwvqh F ƒƒor He ƒƒhath ƒƒmade ƒHis ƒmer - cy to pre - vail o -ƒƒver us, ƒƒand <strong>the</strong> ƒtruth of ƒƒ<strong>the</strong> ƒƒLord ƒa - ƒbid - - ƒƒeth for ƒƒevƒƒ-ƒƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


254Plagal First Mode - Brief <strong>St</strong>icheraGGlory...Dovxa Patriv ƒlo - ry ƒƒto <strong>the</strong> ƒƒFa - ƒƒ<strong>the</strong>r, and to <strong>the</strong> ƒƒS<strong>on</strong>, and__ to ƒ<strong>the</strong> ƒHo - ƒly ƒSpir - ƒit.Both now...Kai; nu'nB ƒoth now ƒand ev - - ƒer ƒƒand un - ƒto thē ƒa - ƒges ƒƒof ƒa - ges. ƒA - men.Dogmatic Theotoki<strong>on</strong>!En th'/ !Eruqra'/ Qalavssh/ n <strong>the</strong> ƒƒRed___Ì Sea ƒ<strong>the</strong>re ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>on</strong>ce ƒƒde - ƒƒpict - ƒed ƒan ƒim -ƒƒage of thē ƒun - wedƒ-ƒƒƒded Bride. There,__Ì Mos - ƒes ƒƒdi - vid - ed ƒƒ<strong>the</strong> wa - ter; here, Ga - ƒƒbri - ƒel ƒdoth min - ƒis - ƒƒter <strong>the</strong> w<strong>on</strong>-der. ƒƒThen <strong>the</strong> ƒdeep w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒtrod-den ƒdry - shodwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief <strong>St</strong>ichera255 by Is - ƒƒra - el; ƒƒnow ƒChrist ƒƒis born seed - less - ly ƒof ƒ<strong>the</strong> Virƒ-ƒgin. The sea, afƒƒ-ƒƒter <strong>the</strong> p<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒsage ƒƒof Is - ra - el, ƒƒre-mained ƒun - trod - - ƒƒden; ƒ<strong>the</strong> blame-less <strong>on</strong>e, af - ƒter ƒ<strong>the</strong> birth of Emƒƒ-ƒman - ƒƒu -ƒƒel, ƒre-mained un-ƒdeƒƒfiled.ƒƒO ƒThou Who art, ƒand ƒev - ƒer ƒbeƒ-ƒfore__̃didst ƒƒex - ƒƒist, ƒƒand h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒapƒƒ-ƒpeared <str<strong>on</strong>g>as</str<strong>on</strong>g> man, ƒƒO God: have mer - ƒ- ƒcy ƒƒ<strong>on</strong> us.______________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaPlagal First ModeAposticha #1Se; to;n sarkwqevnta 160 hee, ƒƒO Christ ƒƒour Savƒ-ƒƒiour, Who w<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒin - ƒcar - - ƒƒnate ƒand ƒyet ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t not ƒƒpartƒƒ-ƒƒed from <strong>the</strong> ƒƒHeav-ens,ƒdo ƒƒwe ƒmag - ni - fy ƒƒwith voicƒ-ƒes ƒƒof ƒƒs<strong>on</strong>g. ƒFor <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> ƒLord ƒWho ƒlov - eth ƒman,ƒƒThou didst ac - ƒcept <strong>the</strong> Cross and death for <strong>the</strong> sake of our race. ƒƒDeƒ-ƒƒspoil - ƒing ƒ<strong>the</strong> gates of Ha - - -ƒƒdes, ƒThou didst ƒa - ƒrise <strong>on</strong> ƒƒ<strong>the</strong> third ƒday, ƒsav - ƒƒing our souls.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief Aposticha257Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen Tƒhe Lord ƒis ƒƒking; He ƒis ƒclo<strong>the</strong>d ƒwith ƒmaj - es - ƒty. ƒThe ƒƒLord ƒ ƒƒis clo<strong>the</strong>d with strength and He hath ƒƒgirt ƒHim-self.Aposticha #2Nugeivsh" sou ƒhen ƒThy side w<str<strong>on</strong>g>as</str<strong>on</strong>g> pierced, O ƒƒGiv - - - ƒer ƒof life, ƒThou didst pour forth streams of ƒƒfor - give-ƒness, ƒlife ƒƒand sal - ƒƒvaƒƒ-ƒƒti<strong>on</strong> for ƒall. Thou didst ƒac - ƒcept ƒƒdeath__ÌÌ in <strong>the</strong> flesh, ƒ<strong>the</strong>reƒƒ-ƒby ƒgrant - - ƒing___ÌÌ us ƒim - mor - ƒtal - ƒƒi - ƒty.ƒAnd, whilst ƒƒdwell-ing in ƒƒ<strong>the</strong> grave,ƒƒThou ƒdidst ƒfree___ÌÌ ƒƒus, ƒand ƒglo - ƒƒriƒ-ƒous - ly ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒGod, didst ƒraise ƒus ƒƒup ƒƒtoƒƒ-ƒgeth - ƒƒer ƒwith Thyƒ-ƒself. Where-fore, we ƒcry______Ì ƒout: ƒO ƒƒFriend of man, Lord, ƒgloƒ-ƒry be to Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


258Plagal First Mode - Brief ApostichaVerse #3Kai; ga;r ejsterevwseF ƒor He es - tab-lished <strong>the</strong> ƒƒworld which shall ƒƒnot ƒbe shak-en. Aposticha #3Xevnh sou hJ stauvrwsi" ƒƒtrange ƒis ƒThy ƒcru - ƒci - fix - ƒi<strong>on</strong> and deƒ-ƒƒscent ƒƒin -ƒƒto ƒHa - - - - ƒdes, O Friend ƒof ƒman. ƒƒFor ƒƒThou didst ƒde - ƒspoil___Ì ƒit ƒand didst ƒƒglo - ri - ƒousƒ-ly raise up with ƒThy - ƒself ƒ<strong>the</strong> ƒcap-ƒtives of old, ƒsince ƒƒThou ƒart God;ƒThou ƒdidst ƒo - ƒpen Par - a - dise, ƒand ƒmake us ƒworƒƒ-ƒƒthy <strong>the</strong>re - of. ƒWhere-fore, ƒdo ƒThou ƒgrant ƒfor - ƒgive-ness of ƒƒsins al - ƒso ƒun - to us ƒwho ƒglo - ri - fy ƒƒThine a - ƒris - ing <strong>on</strong> <strong>the</strong> third day; and deem us worƒ-ƒƒthy ƒto dwell ƒin Par - ƒa - ƒdise, ƒsince ƒThou a-ƒl<strong>on</strong>e_ÌÌ art ƒcom - ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> -si<strong>on</strong> - - ƒƒate.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief Aposticha259HVerse #4Tw'/ oi[kw/ sou prevpei ƒƒo - li - ness ƒƒbe - ƒƒcom - ƒeth ƒƒThy ƒhouse, ƒO ƒLord, ƒƒƒun - ƒto length ƒof ƒdays.Aposticha #4@O di! hJma'" sarkiv ƒƒThou Who didst ƒƒac - ƒƒcept ƒ<strong>the</strong> p<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒsi<strong>on</strong> ƒin ƒ<strong>the</strong> flesh__Ì for our ƒsake, and ƒdidst a - ƒƒrise___Ì ƒ<strong>on</strong> ƒƒ<strong>the</strong> ƒƒthird ƒƒday: do Thou heal___̃ƒ<strong>the</strong> p<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒƒsi<strong>on</strong>s of ƒour ƒflesh; and ƒraise ƒus up from grievƒ-ƒƒous trans-gres - - ƒsi<strong>on</strong>s, ƒO ƒFriend of ƒƒman, and ƒƒsave_____________Ì̃us.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


260Plagal First Mode - Brief ApostichaGGlory...Dovxa Patriv ƒlo - ƒƒry to ƒ<strong>the</strong> ƒFa - - ƒ<strong>the</strong>r, ƒand ƒto <strong>the</strong> ƒƒS<strong>on</strong>, and__Ì to ƒ<strong>the</strong> Ho - ly Spirƒ-ƒit.Both now...Kai; nu'nB ƒoth now and ev - - er, and un - to ƒthē ƒƒag - - ƒes ƒof ag - ƒƒes. ƒAƒƒ-ƒƒmen.Aposticha Theotoki<strong>on</strong>Nao;" kai; puvlh tem - ƒple and ƒgate ƒƒart ƒƒthou, ƒƒa pal - ƒace and thr<strong>on</strong>e of ƒƒ<strong>the</strong> ƒKing, ƒƒO all - rev-ered ƒVir - - - ƒgin, through ƒƒwhom__ÌÌ ƒmy Re - ƒdeem - ƒer, Christ ƒ<strong>the</strong> ƒLord, hath ƒapƒƒ-ƒƒpeared to ƒ<strong>the</strong>m ƒthat ƒslept in ƒdark - - ƒness, sincewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal First Mode - Brief Aposticha261 He ƒƒis ƒ<strong>the</strong> ƒSun ƒof ƒRight-eous-ness; ƒfor ƒƒHe ƒwilled ƒto en - light - - en ƒthose whom He had ƒf<str<strong>on</strong>g>as</str<strong>on</strong>g>h-i<strong>on</strong>ed ƒƒby His ƒƒown___ hand, ƒac-ƒcord -ƒƒing to ƒHis own im-age. ƒWhere-fore, ƒƒOƒƒallƒƒ- hymned <strong>on</strong>e, since ƒƒthou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t bold-ƒness toward Him____Ì ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒHis mothƒ-ƒer, in - ter - ƒcede thou unƒ-ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒingƒ-ƒly ƒthat our souls ƒƒbe saved._ ____________We must think of what we sing ra<strong>the</strong>r than allow our mind, seized by extraneousthoughts <str<strong>on</strong>g>as</str<strong>on</strong>g> is often <strong>the</strong> c<str<strong>on</strong>g>as</str<strong>on</strong>g>e, to lose <strong>the</strong> fruit of our labor. One must singwith a manner and melody befitting holy religi<strong>on</strong>; it must notproclaim <strong>the</strong>atrical distress but ra<strong>the</strong>r exhibit Christiansimplicity in its very musical movement; it mustnot remind <strong>on</strong>e of anything <strong>the</strong>atrical,but ra<strong>the</strong>r create compuncti<strong>on</strong>in <strong>the</strong> listeners.—<strong>St</strong>. Niceta of Remesianawww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


plagal sec<strong>on</strong>d modeLord, I Have Cried 84Kuvrie ejkevkraxa ord,_______ ƒI have ƒcried_____Ì ƒun - - - to____ Thee, heark - ƒen ƒun - - ƒƒto___ÌÌ ƒme; ƒƒheark-en ƒun - - - - to ƒme,______Ì ƒO__________Ì ƒƒLord. Lord,__Ì ƒƒI ƒhave ƒƒcried___________Ì ƒun - ƒto____ ƒƒThee,__Ì heark - - - ƒenwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Lord I Have Cried263 ƒƒƒun - - ƒto____ ƒme; ƒƒat - ƒƒtend___Ì ƒƒto ƒ<strong>the</strong> ƒvoice_________ of_____̃ my ƒƒsup - - pli - ƒƒca - ƒƒ- ƒƒ- ƒƒ- ti<strong>on</strong> ƒƒwhen I ƒcry_____________Ì ƒƒun - to___ÌÌ ƒThee:__ÌÌ ƒHeark-ƒen ƒun - ƒto ƒƒme______________Ì ƒO__________Ì Lord.Let My PrayerKateuqunqhvtwLet ƒmy ƒprayer____Ì ƒƒbe__Ì ƒƒset___Ì ƒforth <str<strong>on</strong>g>as</str<strong>on</strong>g>__ÌÌ in - - - ƒcense ƒbe - ƒƒfore_ _________ÌÌ Thee, <strong>the</strong> liftƒƒ- - ing ƒup___ÌÌ ƒƒof____Ì ƒmy_______ƒ hands ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ an eveƒ-ƒning__Ì ƒƒsac - - - ƒri - ƒ- ƒfice; hearkƒ-ƒƒen un - - to ƒme,_________ ƒ____ƒO___________ ƒƒLord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Plagal Sec<strong>on</strong>d ModeS et, 180Qou' Kuvrie O ƒLord, ƒƒa ƒƒwatch ƒbeƒ-ƒfore my ƒmouth, and ƒƒa ƒdoor___ ƒof ƒen - ƒcloƒ-ƒsure ƒƒƒround ƒa - ƒƒbout ƒmy lips.2 ƒIn - ƒƒcline ƒnot my ƒheart ƒun - ƒto ƒƒwords of e - ƒƒvil, to ƒmake ƒƒex - ƒcuse ƒwith_ÌÌ ex - cus - ƒes ƒin sins,3 With ƒƒmen ƒthat work in - ƒiq - ui - ƒty; and ƒƒI ƒwill not join__Ì ƒƒwith ƒƒ<strong>the</strong>ir ƒcho - ƒsen.4 ƒThe right - eous man will ƒƒch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒten ƒƒme with mer - ƒƒcy ƒƒand__ ƒre - ƒprove_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Verses of Psalms265 ƒƒ_ÌÌ me; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor thē oil___ÌÌ ƒƒof ƒƒ<strong>the</strong> ƒƒsin - ƒƒner, ƒƒlet it not ƒaƒƒ-ƒnoint ƒmy head.5 ƒFor yet more ƒis my ƒprayer__ ƒin ƒ<strong>the</strong> ƒƒpres-ence ƒof ƒ<strong>the</strong>ir ple<str<strong>on</strong>g>as</str<strong>on</strong>g> - -ƒƒures; swal - ƒƒlowed up ƒƒnear ƒby <strong>the</strong> rock___Ì ƒƒhave ƒ<strong>the</strong>ir ƒjudg - ƒes ƒbeen.6 They ƒƒshall hear my ƒƒwords, ƒƒfor <strong>the</strong>y be sweet - - ƒened; <str<strong>on</strong>g>as</str<strong>on</strong>g> a ƒclod ƒƒof earth ƒis ƒbroƒ-ƒken up-<strong>on</strong> thē earth, so ƒhave <strong>the</strong>ir b<strong>on</strong>es been scat-tered nigh__Ì ƒƒun - ƒto ƒHa - ƒdes.7 ƒFor ƒƒun - ƒto Thee, ƒO Lord, ƒO ƒƒLord,_____Ì̃ƒare mine eyes, in ƒThee have ƒI ƒhoped; take___Ì ƒnotmy ƒsoul ƒƒaƒ-ƒƒway.8 Keep me__ ƒƒfrom <strong>the</strong> snare which <strong>the</strong>y have ƒƒlaid ƒfor me, and from ƒƒ<strong>the</strong> stum - ƒƒbling-blocks of ƒ<strong>the</strong>m ƒƒthat work in - ƒƒiq - ui - ƒty.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


266Plagal Sec<strong>on</strong>d Mode - Verses of Psalms9 ƒƒThe ƒsinƒ-ƒners ƒshall ƒfall in - ƒto____ƒ<strong>the</strong>ir ƒown___Ì net; ƒƒI ƒƒam a - l<strong>on</strong>e ƒunƒƒ-ƒƒtil ƒI ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s ƒby.10 ƒWith my ƒƒvoice ƒun - ƒto <strong>the</strong> ƒLord ƒhave I ƒƒcried, with ƒmy voice un - ƒto ƒ<strong>the</strong> ƒLord have ƒI ƒmade my ƒƒsup - ƒpli - caƒ-ƒti<strong>on</strong>.11 ƒIƒwill pour ƒout be - ƒfore ƒHim ƒmy ƒsup-pli - ca - - ƒƒti<strong>on</strong>, mine af - ƒƒflicƒ-ƒti<strong>on</strong> beƒƒ-ƒƒfore___̃ƒHim willƒƒI ƒƒƒƒdeƒ-ƒclare.12 When ƒƒmy ƒspir - - it ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> faint - - ƒing with - in me, ƒ<strong>the</strong>n Thou knew-ƒest my paths.1314 ƒIn ƒthis ƒway whereƒ-ƒƒin____ I have walked <strong>the</strong>y ƒhid ƒƒfor ƒme ƒƒa ƒƒsnare. ƒIlooked upƒ-ƒ<strong>on</strong> my ƒright hand, and be - held, and <strong>the</strong>re w<str<strong>on</strong>g>as</str<strong>on</strong>g> n<strong>on</strong>e_ ƒthat ƒƒdidwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Verses of Psalms267 ƒknow ƒƒme.1516 ƒƒFlight hath failed__ÌÌ ƒme, ƒand ƒƒ<strong>the</strong>re ƒisƒn<strong>on</strong>e ƒƒthat watch-eth ƒƒout for ƒmy soul. ƒI have cried_ ƒun - to ƒƒThee, O Lord; ƒI said: ƒThou_____Ì ƒart ƒmy ƒhope, my por - - ƒti<strong>on</strong> ƒƒart ƒThou ƒƒin ƒ<strong>the</strong> ƒland ƒƒof__Ì̃ƒ<strong>the</strong>ƒƒliv - ƒing.17 At - ƒtend un - ƒto my sup - ƒpli - ƒca - ti<strong>on</strong>, ƒfor ƒƒI____ ƒam ƒbrought verƒ-ƒƒy ƒlow.18 ƒDe - ƒƒliv - ƒƒer ƒƒme from <strong>the</strong>m ƒƒthat ƒper - -ƒƒse - ƒcute___Ì ƒƒme, ƒfor ƒƒ<strong>the</strong>y ƒare str<strong>on</strong>g - - er ƒthan I.On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 269or with Brief <strong>St</strong>ichera <strong>on</strong> page 300.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


268Plagal Sec<strong>on</strong>d Mode - Verses of Psalms1920 Bring ƒmy soul out ƒƒof pris - ƒ<strong>on</strong> that I____Ì ƒmay ƒc<strong>on</strong> - fess ƒThy Name. ƒƒThe right-eous shall waitƒƒpa - tientƒ-ƒly for ƒme un - til ƒThou ƒshalt ƒre - ƒƒward me.21 Out ƒof ƒ<strong>the</strong> ƒdepths have I cried ƒƒun -ƒƒto Thee, ƒO Lord;_Ì ƒO Lord, hear my ƒvoice.22 ƒLet Thine ears be at - ƒten - ƒtive ƒƒto <strong>the</strong> ƒvoice_____ÌÌ ƒƒof my sup - pli - ƒƒcaƒƒ-ƒƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraPlagal Sec<strong>on</strong>d ModeB ƒƒringVerse #1!Exavgage ejk fulakh'" my ƒƒsoul out ƒof ƒpris - <strong>on</strong> ƒthat ƒI may ƒƒc<strong>on</strong> - ƒfess______Ì Thy___________Ì ƒName.<strong>St</strong>ichera #1Nivkhn e[cwn ƒ<strong>on</strong> - quer-ing Ha - des, O____Ì ƒChrist, ƒThou___Ì ƒdidst________ ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> - cend______ ƒ<strong>the</strong>_________ÌÌ Cross, ƒthat with ƒThy - self ƒThou might-ƒest ƒƒraise_ ƒ____Ì ƒ<strong>the</strong>m ƒƒthat ƒƒsat___________ in ƒƒ<strong>the</strong>_____Ì ƒƒdark - - ness__ ƒof___ death, ƒƒO ƒThou__̃ Who ƒart ƒfree___Ì ƒƒa - ƒƒm<strong>on</strong>g_____̃ƒ<strong>the</strong>________ÌÌ ƒƒdead. ƒƒThou Whowww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


270Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera ƒdost ƒƒpour ƒforth ƒƒlife ƒfrom__Thine__ own___Ì light, ƒO ƒom - ƒƒnip - ƒo - ƒ- ƒtent___Ì ƒSav - - -ƒiour,__ƒƒhave mer - - - - ƒƒcy_______ <strong>on</strong>_________ ƒƒus.Verse #2!Eme; uJpomenou'siT he ƒƒright - eous ƒƒshall ƒƒwait ƒpa - ƒtient - ƒƒly ƒƒfor ƒme ƒun - ƒƒtil ƒThou ƒshalt______ re - ƒƒward_________Ì me.<strong>St</strong>ichera #2Shvmer<strong>on</strong> oJ Cristov" ƒav -ƒƒing ƒtramƒ-ƒƒpled ƒ<strong>on</strong> death,__̃Christ ƒis ƒƒris - - - ƒen ƒto - ƒday,_ ƒ____Ì <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒHe_________ÌÌ ƒsaid, ƒƒand ƒhath ƒgrant -ƒƒed ƒƒjoy ƒun - - ƒƒto ƒƒ<strong>the</strong>_ ƒ_ÌÌ world; ƒƒthat while cry - - - ƒƒing___Ì ƒout, ƒƒwe ƒall_________ may ƒthus______ chant_____Ì <strong>the</strong>________ÌÌ hymn: ƒO Well-spring ƒof life, ƒO ƒUn - ap-proachƒ-www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera271 a - ƒble___ÌÌ ƒƒLight, O ƒom - ƒƒnip - ƒo - - ƒtent___ÌÌ Sav - ƒ- ƒ- ƒiour,__ƒƒhave mer - - - - cy_______Ì <strong>on</strong>_________Ì us.O utVerse #3!Ek baqevwn ƒƒof ƒƒ<strong>the</strong> depths have ƒƒI cried ƒƒunƒ-ƒƒto Thee, O ƒƒLord; O Lord,__ÌÌ ƒ____ÌÌ ƒhear______̃ƒmy_________ ƒƒvoice.<strong>St</strong>ichera #3Se; Kuvrie ƒrom___ÌÌ ƒThee, ƒƒO___Ì ƒƒLord, Who art ƒin_________Ì ƒall_______ ƒƒcre - - ƒa - - - - ƒti<strong>on</strong>, whithƒ-ƒƒer ƒƒshall__ÌÌ we ƒƒsin - - - - - - - - - ƒƒners flee? ƒƒTo ƒHeav - - en? ƒbut ƒƒThou____ÌÌ Thy - ƒself_____ ƒdwell - - est________ÌÌ ƒ<strong>the</strong>re. ƒƒTo ƒƒHa - des? ƒbut Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t tram - - pled_____ÌÌ <strong>on</strong>______Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


272Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera ƒ_ÌÌ ƒƒdeath. ƒƒTo <strong>the</strong> depths_____Ì ƒof <strong>the</strong>___ÌÌ sea? but ƒThy ƒƒhand is ƒƒ<strong>the</strong>re,__Ì O ƒM<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - ƒter. Un - to ƒƒThee ƒdo we flee ƒfor refƒ-ƒuge; ƒƒfall - ing_________Ì down_____ÌÌ ƒƒbe - - fore Thee, ƒƒwe ƒmake en - - trea - - - - ƒty: ƒThou Who didst ƒrise_________Ì from_______ƒƒ<strong>the</strong>_________ ƒdead,_Ì̃ƒƒhave mer - - - - - ƒcy_______ ƒ<strong>on</strong>_________Ì us.L etVerse #4Genhqhvtw ta; w\ta sou ƒThine ƒears ƒƒbe ƒat - ƒten - ƒtive to <strong>the</strong> voice ƒƒof my ƒƒsup - - ƒpli - ca - - - - ti<strong>on</strong>.<strong>St</strong>ichera #4 !En tw'/ <strong>St</strong>aurw'/ sou ƒn ƒThy ƒCross,__Ì ƒO__ÌÌ Christ,__________Ì ƒdo________ ƒwe___ÌÌ bo<str<strong>on</strong>g>as</str<strong>on</strong>g>t,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera273 ƒand ƒƒThy ƒRes - - - ur - ƒrec - - - - ƒti<strong>on</strong> do we ƒƒpraise ƒand glo - - ri - - - - ƒfy; ƒfor Thou___________ÌÌ art___̃our___Ì ƒƒGod; be - ƒside_ ƒƒ_________ƒƒThee____Ì ƒwe ƒƒknow_____ ƒƒn<strong>on</strong>e ƒƒoth - - - - - - ƒƒer.Verse #5!Ea;n ajnomiva"I ƒƒf Thou shouldƒ- est mark ƒƒin - ƒiq - ui - ƒties, ƒƒO ƒLord, ƒO ƒLord, ƒwho shall stand? For with ƒƒThee <strong>the</strong>re ƒis______ÌÌ ƒfor - give - - - ƒness.<strong>St</strong>ichera #5Dia; panto;" eujlogou'nte" v - er ƒblessƒƒ-ƒƒing <strong>the</strong>___Ì ƒƒLord, ƒwe__Ì̃ƒpraise______ÌÌ His__ÌÌ ƒRes - ur - ƒƒrec - - - ƒti<strong>on</strong>;___ ƒfor ƒHe______ÌÌ en - dured________Ì ƒ<strong>the</strong>___________ÌÌ Cross, ƒƒand______Ì ƒƒby__________ ƒƒdeath__Ì ƒde - stroyed____________Ì ƒƒdeath.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


274Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>icheraF ƒƒorVerse #6$Eneken tou' ojnovmatov" sou ƒThy ƒName's ƒsake have I ƒpa - ƒƒtient - ƒly ƒƒwait - ed for ƒThee, O ƒƒLord; my soul ƒhath wait - ƒƒed ƒpa - ƒtientƒ-ƒly ƒfor ƒƒThy ƒword, my soul ƒhath hoped_ ________ƒƒin_______ <strong>the</strong>_________ Lord.<strong>St</strong>ichera #6Dovxa th'/ dunavmei sou ƒƒlo - ƒƒry ƒƒto ƒƒThy ƒƒmight, O___ Lord;___ ƒfor ƒƒThou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t______Ì ƒƒde - - ƒƒstroyed______Ì ƒhim that ƒƒhad <strong>the</strong>_______Ì ƒƒdo - ƒƒmin - - - i<strong>on</strong>______Ì ƒƒof_______ ƒ_ÌÌ ƒdeath. ƒƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒre - ƒnewed ƒus___ ƒby________Ì Thy___Ì ƒƒCross, ƒƒgrant - - - ƒƒing ƒƒus___ ƒƒlife____ÌÌ and in - ƒƒcor - rup - - - - ƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera275Verse #7!Apo; fulakh'" prwi?a" F rom <strong>the</strong> ƒƒƒmorn - ing watch ƒun - ƒtil night ƒfrom <strong>the</strong> morn - ƒing watch ƒlet ƒƒIs - ƒra - el ƒƒhope_________ ƒƒin_______ <strong>the</strong>________ÌÌ ƒLord.<strong>St</strong>ichera #7@H tafhv sou hy bur - - - i - al, ƒƒO____ ƒLord, ƒƒrent a - ƒƒsun - - - - - - - der_______ ƒ<strong>the</strong>________Ì̃ƒƒb<strong>on</strong>ds of___ ƒƒHa - - - - des,___ and ƒƒcrushed_ ƒ_________Ì <strong>the</strong>m. ƒƒThy res - ƒƒur - ƒrec-ƒti<strong>on</strong>_Ì̃ƒfrom ƒƒ<strong>the</strong>___Ì dead enƒ-ƒƒlight - - - ƒ- ƒƒened__ <strong>the</strong>___̃world. Lord, glo - - ry be__________ ƒƒto_________ÌÌ Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


276Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>icheraVerse #8$Oti para; tw'/ Kurivw/ F ƒƒ ƒor ƒwith ƒ<strong>the</strong> ƒLord <strong>the</strong>re ƒis ƒƒmer - ƒcy, ƒand with ƒHim ƒis ƒplen - ƒte - ƒous reƒ - ƒdemp-ƒti<strong>on</strong>; ƒand ƒƒHe ƒƒshall ƒƒre - ƒƒdeem ƒIs - ƒƒra -ƒƒel out ƒƒof all ƒhis ƒƒin - iq - - - ƒƒui - - - - ƒƒties.O ƒpraiseVerse #9Aijnei'te to;n Kuvri<strong>on</strong> ƒ<strong>the</strong> ƒLord, all ye ƒƒna-ƒti<strong>on</strong>s; praise__ƒHim, ƒall___ÌÌ ƒƒye ƒƒpeo - ƒ - - - - ples.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Slow <strong>St</strong>ichera277F ƒorVerse #10$Oti ejkrataiwvqh ƒHe ƒhath ƒƒmade ƒHis ƒmer - ƒƒcy ƒƒto pre -ƒƒvail ƒƒo - ƒƒver us, ƒƒ and <strong>the</strong> ƒƒtruth ƒƒof ƒƒ<strong>the</strong> ƒƒLord a - ƒƒbid - ƒƒ- ƒƒ- ƒƒ- eth__Ì ƒfor ev - - - ƒ- ƒer.RighteousSyme<strong>on</strong>The God-Receiverwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…Plagal Sec<strong>on</strong>d Mode 84Dovxa Patriv...G lo - - - ry ƒto ƒ<strong>the</strong> ƒƒFa - ƒ<strong>the</strong>r, and to_________ ƒƒ<strong>the</strong> S<strong>on</strong>, and ƒto ƒ<strong>the</strong> ƒHo - - ƒƒly ƒƒSpir - - - - ƒit.Kai; nu'n ...B ƒƒoth now ƒand__Ì ƒƒev - - er ƒand ƒun - to ƒƒthē___Ì ƒa - - - ges ƒƒof___ ƒ a - - ges. ƒƒA - - - - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Glory279Alternate MelodiesDovxa Patriv...N ƒeh____ Glo - - - - - - ƒry ƒto ƒƒ<strong>the</strong> Fa - - ƒƒ<strong>the</strong>r, and to___Ì ƒ____ ƒƒ<strong>the</strong>___ÌÌ ƒƒS<strong>on</strong>, and ƒto ƒƒ<strong>the</strong> ƒƒHo - ly ƒSpir - - - - - ƒƒit.____Kai; nu'n ...B oth ƒnow____________ƒand___Ì ƒev - - er ƒand ƒun - ƒƒto ƒthē a - ƒ- - ƒges___ÌÌ of ƒa - - - - - ƒges.______ÌÌ A - - - ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


280Plagal Sec<strong>on</strong>d Mode - GloryOld (Slow) <strong>St</strong>icheraric MelodiesDovxa Patriv...N eh____ÌÌ ƒGlo - - - - ry ƒto ƒ<strong>the</strong> ƒƒFa - - <strong>the</strong>r,__ ƒand_______Ì ƒƒto <strong>the</strong>ƒ ƒS<strong>on</strong>,_____________________ ƒand to ƒ<strong>the</strong> ƒHo - - - - ly_________________Ì ƒSpir - - - - - - - - - - ƒit.Kai; nu'n ...B ƒoth ƒnow______________Ì̃and___Ì ƒev - - - - -ƒƒer ƒƒand_______ÌÌ un - - to ƒƒthē___Ì a - - - - ƒges__ÌÌ ƒ of a - - - ƒƒƒges.________ ________________ƒƒA -ƒ - ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>Plagal Sec<strong>on</strong>d Mode 84Tiv" mh; makarivsei se ƒho would ƒnot ƒcall ƒ<strong>the</strong>e ƒƒblest, O ƒall - ƒho - - - ƒƒly___Ì Vir - - - - gin? ƒWho ƒwould__Ì ƒnot______ƒƒpraise ƒthine ƒun - ƒtra - vail - - ing ƒƒgiv - ƒƒ- - ƒƒing ƒƒof__________ ƒbirth? ƒFor ƒƒthē <strong>on</strong>ƒƒ-ƒƒƒly - be - ƒgot - ƒƒten__Ì ƒƒS<strong>on</strong>, Who ƒƒsh<strong>on</strong>e_____ ƒƒforth from <strong>the</strong> Fa - - ƒ<strong>the</strong>r___ÌÌ ƒƒtime - ƒless - - - - ly, ƒhath ƒƒcome ƒƒforth ƒƒfrom________ <strong>the</strong>e,_____ÌÌ ƒ<strong>the</strong>__ÌÌ ƒpure________ <strong>on</strong>e, ƒhav - ƒƒ- ƒƒ- ƒƒ- ƒ- - - - ing_______Ì ƒbe - - - ƒcome in - - ƒef - - -ƒƒfa - bly ƒƒin - car -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


282Plagal Sec<strong>on</strong>d Mode - Dogmatic Theotoki<strong>on</strong> - - - ƒnate, ƒƒbe - - ƒƒing________Ì ƒƒGod______Ì ƒby ƒƒna - - - - ture and be - com - - - ƒing___Ì ƒman ƒby na - - ture ƒfor_______ƒour_________ sake; ƒƒnot___Ì ƒthat______ He__ÌÌ ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒdi - ƒvid - - - ƒed in - ƒto_______ two__ÌÌ ƒper -ƒƒs<strong>on</strong>s, ƒbut ƒƒthat ƒƒHe_________ ƒƒis_________ ƒknown ƒin___ ƒtwo____Ì ƒun - ƒmin - - ƒgled ƒƒna - ƒ- ƒ- ƒ- ƒƒtures. Him___Ì ƒƒdo__ÌÌ ƒthou be - -ƒƒseech, O ƒau - ƒƒgust ƒƒand________Ì ƒall - ƒbless - - - - ed___________Ì ƒƒ<strong>on</strong>e, ƒto ƒhave mer - ƒ- ƒcy <strong>on</strong>__________Ì our_________ ƒsouls._______________ÌThe value of prayercan be inferred from <strong>the</strong> way<strong>the</strong> dem<strong>on</strong>s attack us during services in church.—<strong>St</strong>. John of <strong>the</strong> Ladder


Slow ApostichaPlagal Sec<strong>on</strong>d ModeAposticha #1 88Th;n ajnavst<str<strong>on</strong>g>as</str<strong>on</strong>g>ivn sou n - ƒgels in ƒƒ<strong>the</strong> ƒƒHeavƒ-ƒens, ƒO ƒƒChrist our__Ì Sav - - iour, ƒpraise Thy Res - ur - ƒrec - - - -ƒti<strong>on</strong>______̃with_______Ì̃hymns; deem us ƒƒal - - - so ƒƒwho ƒƒare ƒ<strong>on</strong>___Ì ƒearth___ ƒwor-ƒthy__Ì ƒƒto_________Ì ƒglo - - - ri - - ƒƒfy____________ ƒTheeƒwith__ÌÌ ƒa ƒpure__________________Ì ƒheart.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


284Plagal Sec<strong>on</strong>d Mode - Slow ApostichaTVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen he ƒLord ƒƒis ƒƒking; He is ƒclo<strong>the</strong>d with maj - es - ƒty. ƒThe ƒLord is clo<strong>the</strong>d with ƒ strength and He______ ƒhath ƒgirt______̃ƒHim - - - self.Aposticha #2Puvla" suntrivya" ƒƒav - ƒing ƒcrushed <strong>the</strong> bra - - - - ƒƒzen___________ ƒgates and shat-ƒtered ƒ<strong>the</strong> bars ƒƒof ƒƒHa - ƒdes, <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒom - ƒnip - o - tent___ ƒƒGod ƒƒThou didst ƒraise___________Ì up___ÌÌ <strong>the</strong> fall - - ƒen__Ì ƒrace__ÌÌ of____ man. ƒWhere-ƒfore al - - ƒso,_______Ì ƒwe___ cry out_________Ì ƒƒwith <strong>on</strong>e______Ì ƒƒac - - - - cord: Thou Who ƒart ƒƒris - - ƒen ƒfrom_____Ì̃ƒ<strong>the</strong>________Ì ƒdead, ƒLord, ƒglo - - ƒƒry be__________ÌÌ ƒto__________Ì Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Slow Aposticha285F ƒorVerse #3Kai; ga;r ejsterevwse - - - en. ƒHe es - tab - lished ƒ<strong>the</strong> ƒƒworld which shall not___ÌÌ be shak -Aposticha #3@Reuvsew" hJma'" ish -ƒƒing to ƒset a - ƒƒright ƒƒour ƒƒfor - - - mer__Ì ƒmu - ƒta - bil - - i - - ƒƒty, ƒƒChrist ƒƒis ƒnailed ƒto <strong>the</strong>___ÌÌ ƒƒCross and ƒlaid_____________ÌÌ ƒƒin_______Ì̃<strong>the</strong>________ÌÌ ƒƒgrave. Seek-ing ƒHim with ƒtears, <strong>the</strong> ƒmyrrh - bear - - ing___Ì ƒƒwom - - ƒƒen______ƒƒspake___ ƒƒwith ƒlam - - ƒƒen - ƒƒta - - - ƒti<strong>on</strong>: Woe ƒun - to us, O_________ ƒSav - - - - ƒiour__ÌÌ ƒof____ ƒall. How_ ƒƒ__________________ÌÌ didst______̃Thou_______ÌÌ deign ƒto dwell__________Ì inwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


286Plagal Sec<strong>on</strong>d Mode - Slow Aposticha <strong>the</strong>___Ì ƒgrave? ƒAnd ƒhav - ƒing deigned ƒto ƒƒdwell_____<strong>the</strong>re - - - ƒin, how__Ì ƒ ƒ__ ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒThou sto - - ƒƒlen? ƒHow w<str<strong>on</strong>g>as</str<strong>on</strong>g>t_Thou re - - moved? What place hath_ hid - ƒ - ƒƒ- ƒden ƒThy ƒƒlife - bear - - - ƒƒing ƒBod - - - - - ƒy?___ÌÌ ƒBut, O ƒM<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒƒter, ƒre - veal_________ Thy - - - ƒƒself_______Ì ƒto_________Ì ƒus, <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒThou_____Ì ƒdidst_ÌÌ ƒprom - - ise,ƒƒand cause our ƒƒtearƒƒ-ƒƒful_______ÌÌ ƒlaƒ-ƒment_____ÌÌ ƒto__________Ì ƒƒce<str<strong>on</strong>g>as</str<strong>on</strong>g>e. And ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒ<strong>the</strong>y___ grieved, an ƒƒAn - ƒgel cried_______ÌÌ _____ out ƒto____ <strong>the</strong>m: Ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e your ƒƒlam - - en - - - - ta - - - ƒƒti<strong>on</strong>_ __ ƒƒand tell__________Ì ƒƒthē______ ƒa - ƒƒpos - - - -ƒƒtles ƒthat ƒ<strong>the</strong> Lord______ ƒƒis___Ì ris - ƒƒen, ƒgrant - ƒing________Ì ƒun - ƒƒto___________̃ƒ<strong>the</strong>________ÌÌ _ÌÌ ƒworld ƒƒƒfor - -ƒgive - - ƒƒness ƒƒand___Ì great mer - - - - cy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Slow Aposticha287HVerse #4Tw'/ oi[kw/ sou prevpei ƒƒo - li - ness be - ƒcom - ƒeth Thy ƒhouse, O Lord, ƒƒun - to ƒlength____ÌÌ ƒƒof____________ ƒdays.Aposticha #4<strong>St</strong>aurwqei;" wJ" hjboulhvqh" ƒe - ƒing ƒƒcru - ƒƒci-ƒfied <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒThou didst_Ì will,_______Ì O____ ƒChrist, ƒand ƒde - ƒƒspoil - - - ing___Ì death by Thy ƒƒbur - - i - ƒƒal,_______ ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>_________ÌÌ God, ƒƒThou ƒƒdidst___ ƒƒrise <strong>on</strong> <strong>the</strong> ƒƒthird ƒday__ÌÌwith glo - - - - - ry,_Ì _ÌÌ grant - - ƒing un - ƒƒto________Ì <strong>the</strong>___Ì ƒworld ƒƒun - - ƒƒend - - - - - - - - - ƒing___________ÌÌ ƒlife ƒƒand______Ì ƒgreat mer - - - - ƒƒcy.__ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Plagal Sec<strong>on</strong>d Mode 84@O poihth;" kai; lutrwthv" mou y Cre - ƒƒa - tor and ƒRe - ƒdeem - - ƒƒer,____ ƒChrist ƒ<strong>the</strong>___ ƒLord,__ÌÌ came ƒƒforth ƒfrom thy womb,___ÌÌ ƒƒO all - - ƒƒpure________ ƒƒ<strong>on</strong>e. ƒ ƒBeƒ-ƒing enƒ-ƒclo<strong>the</strong>d with__ me, He freed_Ì ƒAd - - -ƒƒam ƒfrom________ thē ƒan - - - cient_________Ì curse. Where-fore, O ƒƒall - - - ƒƒpure__ÌÌ <strong>on</strong>e, ƒƒto <strong>the</strong>e, ƒ<strong>the</strong> ƒtrue___̃ƒMoth-ƒer__ÌÌ ƒƒof_________ÌÌ God______ ƒand__ ƒVir - ƒƒgin, do ƒƒwe ƒun - ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g> - ing - - - ƒly_________ ƒcry______Ì ƒout___ÌÌ thē ƒƒan -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Aposticha Theotoki<strong>on</strong> 289 gel's greet - - ƒƒing:______ ƒRe - - - ƒƒjoice! Re - ƒjoice,__Ì ƒƒO La - - - dy, ƒpro - tec - ƒti<strong>on</strong>______ÌÌ and__Ì shel - - - - ter ƒand ƒƒsal - ƒƒva - ƒ- ti<strong>on</strong> of_ ƒ_________ÌÌ our__________ souls.________________Ì


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>Plagal Sec<strong>on</strong>d Mode 160!Aggelikai; Dunavmei" ƒhen <strong>the</strong> ƒan - ƒgel - ic ƒpow - - - ers ƒƒwere ƒat Thy tomb, <strong>the</strong>n <strong>the</strong>y that guard-ƒed Thee be-came <str<strong>on</strong>g>as</str<strong>on</strong>g> dead. ƒAnd Ma - ƒry ƒstood be-side <strong>the</strong> ƒgrave__Ì seek-ing Thine im - mac - uƒ- - ƒlate bodƒ- y. ƒThou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t de - spoiled_Ì ƒHa - des ƒand ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒnot ƒtried <strong>the</strong>re-by. ƒƒThou ƒƒdidst ƒmeet <strong>the</strong>ƒƒVir-gin and didst grant life to us. O ƒThou ƒWho ƒƒart ƒris - en from_Ì <strong>the</strong> dead, Lord,_ÌÌ glo - ry ƒƒbewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Apolytiki<strong>on</strong>291 toThee.__ÌÌGlory...Dovxa PatrivG ƒlo - ry to <strong>the</strong> Fa - ƒ<strong>the</strong>r, and to ƒƒ<strong>the</strong> S<strong>on</strong>, and ƒƒto <strong>the</strong> Ho - - ly ƒSpir - it.Both now...Kai; nu'nB oth ƒƒnow ƒand ev - - - ƒer, ƒand un - to thē ƒag - ƒƒes ƒof ag - ƒes. ƒƒAƒ-ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


292Plagal Sec<strong>on</strong>d Mode - Apolytiki<strong>on</strong>Resurrecti<strong>on</strong>al Theotoki<strong>on</strong>@O th;n eujloghmevnhn ƒhou, ƒWho didst ƒcall Thy ƒMoth - - er ƒbless-ƒed, ƒƒcam - est ƒof ƒThine own free ƒwill ƒun - ƒto___̃ƒ<strong>the</strong> p<str<strong>on</strong>g>as</str<strong>on</strong>g>-si<strong>on</strong>, shinƒ-ƒing forth up-<strong>on</strong> <strong>the</strong> Cross, wish - ƒing ƒƒto ƒƒseek__̃out ƒAdƒ-ƒam, ƒand say -ƒƒing ƒun - ƒto____ ƒƒthē ƒƒanƒ-ƒgels: ƒRe - ƒjoice with ƒMe, for <strong>the</strong> ƒƒdrach-ƒma ƒthat w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒlost is found. Thou Who h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒwise - ƒly ƒor - ƒ-ƒdered ƒall_________ÌÌ things, ƒgloƒƒ-ƒƒry be___ÌÌ ƒƒto ƒThee.________ÌWhen you stand in church, be careful not to look here and <strong>the</strong>reor curiously examine how each <strong>on</strong>e of <strong>the</strong> brethren standsor sings. Ra<strong>the</strong>r, pay attenti<strong>on</strong> <strong>on</strong>ly to yourselfand to <strong>the</strong> chanting and to your sins.—<strong>St</strong>. Syme<strong>on</strong> <strong>the</strong> New Theologianwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ord,______ I have cried ƒunƒ-ƒƒto Thee,_ƒƒheark-ƒen ƒunƒ-ƒto me; heark - en ƒƒun - ƒ- ƒto ƒme, O Lord. ƒLord, ƒI have ƒcried ƒun - -ƒƒto ƒƒThee, hearkƒ-ƒen ƒun - ƒ ƒto ƒme; ƒat - ƒtend ƒƒto ƒ<strong>the</strong> ƒvoice of ƒƒmy ƒƒsup - ƒƒpli - ƒcaƒƒ-ƒti<strong>on</strong> ƒwhen Iwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


294Plagal Sec<strong>on</strong>d Mode - Lord I Have Cried ƒcry ƒun - ƒto Thee: Heark - ƒen un - ƒto ƒme ƒƒO___ ƒLord.___Let My PrayerKateuqunqhvtwL ƒet my prayer be ƒset forth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒinƒ-ƒcense_ÌÌ ƒbeƒƒ-ƒfore Thee, <strong>the</strong> ƒliftƒƒ-ƒƒing ƒup ƒƒof___ƒƒmy hands ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> an ƒeve - ƒning sacƒƒ-ƒriƒ-fice; hearkƒ-ƒƒen un - ƒtome,ƒO___ ƒƒLord.___Saint Olga


Verses of Psalms140, 141, and 129Plagal Sec<strong>on</strong>d Mode (Soft Chromatic)S 180Qou' Kuvrie et, ƒO Lord, ƒƒa watch ƒƒbe-fore my mouth, ƒƒand a door ƒof en - ƒƒclo-ƒsure ƒroundƒƒa - ƒbout ƒmy ƒlips.2 In - ƒcline ƒnot ƒƒmy ƒheart ƒƒun - to ƒƒwords_Ì ƒofe - ƒvil, to ƒmake ƒƒex - cuse ƒwith ex -ƒƒcus -ƒƒes ƒƒin sins,3 With men ƒƒthat ƒwork ƒin - iq - uiƒƒ-ƒty; ƒƒand ƒI ƒƒwill not join ƒwith_Ì̃<strong>the</strong>ir ƒcho -sen.4 ƒThe ƒright-eous ƒƒman will ƒch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒten ƒme ƒƒwith ƒmerƒƒ-ƒƒcy and re -ƒƒprove_______Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


296Plagal Sec<strong>on</strong>d Mode - Verses of Psalms __ me; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor ƒthē ƒƒoil ƒof____ƒƒ<strong>the</strong> ƒsin - ner, ƒlet ƒit ƒnot ƒƒa -ƒnoint myƒƒhead.5 For ƒƒyet ƒmore ƒƒis my prayer in ƒ<strong>the</strong> pres-ence of___̃<strong>the</strong>ir ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g>-ures; ƒswal-lowed up ƒnear ƒby <strong>the</strong> ƒrock________ÌÌ ƒhave ƒ<strong>the</strong>ir judg-ƒes ƒbeen.6 ƒƒThey shall hear my words, for ƒ<strong>the</strong>y__Ì ƒbe ƒsweet-ened; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒa clod ƒƒof earth ƒis broƒƒ-ƒƒken ƒupƒ-ƒ<strong>on</strong> ƒthē earth, so ƒhave <strong>the</strong>ir ƒƒb<strong>on</strong>es ƒbeen ƒscat - tered ƒƒnigh un - - ƒto Haƒ-ƒdes.7 For ƒun - to Thee, O ƒLord, O ƒƒ ƒLord, are mine eyes, ƒƒin ƒThee have_ I ƒhoped; take not my soul ƒƒaƒƒ-ƒway.8 Keep me ƒƒfrom <strong>the</strong> ƒsnare which <strong>the</strong>y ƒhave laid for ƒme, and ƒƒfrom <strong>the</strong> ƒstum -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Verses of Psalms297 ƒƒbling-blocks ƒof ƒ<strong>the</strong>m that ƒwork ƒƒin - ƒƒiqƒƒ-ƒƒuiƒ-ƒƒty.9 ƒThe ƒƒsin - - ƒƒners shall ƒƒfall ƒƒin - ƒto ƒƒ<strong>the</strong>ir own ƒƒnet; ƒI__________ am ƒƒa - ƒl<strong>on</strong>e ƒunƒ-ƒtil___ I p<str<strong>on</strong>g>as</str<strong>on</strong>g>s by.10 ƒƒWith ƒmy ƒƒvoice un - ƒƒto <strong>the</strong> Lord have ƒƒI ƒcried, with my ƒvoice_un - ƒto <strong>the</strong> Lord have ƒI ƒƒmade ƒmy sup - ƒƒ-ƒƒpli - ƒƒcaƒƒ-ƒti<strong>on</strong>.11 ƒI will ƒpour_____Ì out ƒbe - ƒfore Him my sup - - pli - ƒƒcaƒ-ƒƒti<strong>on</strong>, mine af - ƒflicƒƒ-ƒƒti<strong>on</strong>__ƒƒbe - ƒƒfore_________ ƒƒHim ƒƒwill ƒƒI ƒ deƒ-ƒclare.12 ƒWhen my ƒƒspir - it w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfaintƒ-ƒƒing__̃ withƒ-ƒƒin ƒme, ƒ<strong>the</strong>n Thou ƒknew-ƒest ƒƒmy ƒƒpaths.13 ƒIn ƒthis ƒƒway ƒƒwhere - in ƒI have walked <strong>the</strong>y ƒhid ƒfor ƒme ƒƒa ƒsnare.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


298Plagal Sec<strong>on</strong>d Mode - Verses of Psalms14 ƒI looked up - ƒ<strong>on</strong> ƒƒmy ƒright hand, and_Ì̃be -ƒƒheld, ƒƒand ƒƒ<strong>the</strong>re w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒn<strong>on</strong>e ƒƒthat__Ì̃ƒdid know me.1516 ƒFlight hath failed me, and <strong>the</strong>re ƒƒis ƒn<strong>on</strong>e__̃ƒthat watchƒƒ-ƒƒeth out ƒƒfor my soul. ƒI have ƒcried ƒƒun - to ƒThee, ƒO ƒLord; ƒƒI said: ƒƒThou ƒƒart my ƒƒhope, ƒƒmy por - ƒti<strong>on</strong>__ art Thou in <strong>the</strong> land of___Ì̃<strong>the</strong> ƒlivƒ-ƒƒing.1718 ƒƒAt - ƒtend un - ƒto ƒmy sup - - ƒƒpli - ƒcaƒ-ƒƒti<strong>on</strong>, for ƒI am brought verƒ-ƒy low. De - ƒliv - ƒƒer ƒme ƒfrom <strong>the</strong>m ƒthat ƒper-ƒseƒƒ-ƒcute me, ƒfor ƒ<strong>the</strong>y ƒare ƒƒstr<strong>on</strong>g-er ƒthan ƒƒI.On Saturdays, c<strong>on</strong>tinue with <strong>St</strong>ichera <strong>on</strong> page 300.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Verses of Psalms2991920 ƒBring ƒƒmy soul______ out ƒƒof ƒƒprisƒƒ-ƒƒ<strong>on</strong> that ƒI may c<strong>on</strong>ƒ-ƒfess Thy Name. ƒThe right-ƒeous ƒshall wait pa - ƒtientƒ-ƒƒly ƒfor ƒme ƒun - ƒƒtil ƒƒThou shalt_Ì ƒƒre - ƒward me.21 Out of ƒ<strong>the</strong> ƒƒdepths ƒhave I ƒƒcried unƒƒ-ƒƒto ƒThee, ƒƒO ƒLord; ƒƒO Lord, hear myƒvoice.22 ƒLet ƒThine ƒears ƒƒbe ƒat - ƒƒtenƒ-ƒƒtive ƒto ƒƒ<strong>the</strong> ƒvoice ƒof my ƒƒsup - ƒpli - ca - ƒƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief <strong>St</strong>icheraPlagal Sec<strong>on</strong>d ModeVerse #1!Exavgage ejk fulakh'"Bƒring my ƒsoul ƒout ƒƒof ƒpris - <strong>on</strong> ƒthat I ƒmay c<strong>on</strong>ƒ-ƒfess ƒThy ƒName. <strong>St</strong>ichera #1Nivkhn e[cwn <strong>on</strong>ƒ-ƒquerƒ-ing ƒHaƒ-ƒƒdes,ƒƒO Christ, Thou ƒdidst___Ì ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>- cend ƒ<strong>the</strong> Cross, that with ƒThy - ƒself Thou might-ƒest raise <strong>the</strong>m ƒthat sat ƒin ƒ<strong>the</strong> ƒƒdark-ƒness ƒƒof death, ƒƒO ƒThou________ Who ƒƒart ƒfree aƒƒ-ƒm<strong>on</strong>g <strong>the</strong> dead. Thou Who_dost ƒƒpour_____Ì ƒƒforth life ƒƒfrom Thine own__________Ì ƒlight, O ƒom - ƒnip - ƒo - - tent Sav - iour, have mer - cy <strong>on</strong> us.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera301Verse #2!Eme; uJpomenou'si T ƒhe ƒƒrightƒƒ-ƒeous ƒshall ƒwait ƒƒpa - ƒtient - ly ƒƒfor ƒƒme ƒƒun - ƒtil Thoushalt_ ƒ_ÌÌ ƒƒreƒ-ƒward me.<strong>St</strong>ichera #2Shvmer<strong>on</strong> oJ Cristov" ƒav - ƒing tram-ƒpled <strong>on</strong> death, Christ is ris - ƒƒen to - day, ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒHe said, and ƒhath ƒƒgrant-ed joy ƒƒun - ƒto ƒ<strong>the</strong> world; that ƒƒwhile ƒƒcry - - ing out, we ƒall____ ƒmay ƒthus chant ƒ<strong>the</strong> hymn: O ƒWell-spring_ƒof ƒƒlife, O ƒUn-ap-proachƒ-ƒa - ƒble ƒLight, ƒO om - nip - ƒƒo - - ƒƒtent Sav-ƒiour, have mer - cy <strong>on</strong> ƒƒus.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


302Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraVerse #3!Ek baqevwnO ut ƒof ƒ<strong>the</strong> ƒdepths ƒhave ƒI ƒƒcried ƒƒun - to ƒThee, ƒƒO Lord; ƒO Lord, ƒƒhear___ my ƒvoice. <strong>St</strong>ichera #3Se; Kuvrie ƒrom ƒThee, O Lord, Who ƒƒart ƒƒin ƒƒall___̃cre - aƒƒ-ƒƒti<strong>on</strong>, whithƒƒ-ƒƒer shall_ ƒ__ ƒƒwe ƒsin-ners flee? ƒTo Heavƒ-ƒƒen? but Thou ƒThy - self ƒdwell-est ƒ<strong>the</strong>re. ƒƒTo Haƒƒ-ƒƒdes? but ƒƒThou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t tram-pled <strong>on</strong> death. ƒTo ƒ<strong>the</strong> depths_____ of ƒƒ<strong>the</strong> sea? but Thy ƒƒhand is <strong>the</strong>re,_Ì O ƒM<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒter. Un - ƒto ƒThee___Ì do ƒwe flee for ƒref - ƒƒ- ƒuge; ƒfall-ƒing down__ be - ƒfore ƒThee, we make_ÌÌ en - ƒtreaƒ-ƒƒty: Thou Who ƒdidst ƒƒrise from ƒ<strong>the</strong> dead, have merƒƒ-ƒƒcy ƒƒ<strong>on</strong> us.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera303L etVerse #4Genhqhvtw ta; w\ta sou ƒca -ƒƒti<strong>on</strong>. Thine ƒƒears ƒbe ƒƒat - ƒƒten - tive ƒto <strong>the</strong> ƒvoice ƒof ƒmy ƒƒsup - ƒƒ- ƒpli -<strong>St</strong>ichera #4!En tw'/ <strong>St</strong>aurw'/ sou n ƒThy Cross, ƒO ƒChrist, do ƒwe bo<str<strong>on</strong>g>as</str<strong>on</strong>g>t, ƒand ƒƒThy ƒRes - ur - ƒrec-ƒti<strong>on</strong> ƒdo ƒwe ƒpraise and gloƒ-ƒƒriƒ-ƒƒfy; ƒfor Thou_____Ì ƒƒart ƒour God; ƒƒbeƒ-ƒƒside ƒThee ƒwe know_ __ƒƒn<strong>on</strong>e oth - ƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


304Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraI fVerse #5!Ea;n ajnomiva" ƒThou shouldƒƒ-ƒest mark ƒin - ƒƒiq - ƒƒui - ties, O ƒLord, O ƒƒLord, ƒwho ƒshall ƒƒstand? ƒƒ ƒFor with ƒThee ƒƒ<strong>the</strong>re ƒƒis___Ì for - ƒgiveƒ-ness.<strong>St</strong>ichera #5Dia; panto;" eujlogou'nte" ƒƒv - ƒƒer bless-ƒing ƒƒ<strong>the</strong> Lord, ƒwe ƒpraise His ƒƒRes - - ur - ƒrec-ƒti<strong>on</strong>; ƒfor ƒƒHe______Ì ƒen - dured ƒ<strong>the</strong> Cross, ƒand by ƒƒdeath__Ì de-ƒstroyed death.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera305Verse #6 $Eneken tou' ojnovmatov" souF ƒor Thy Name's ƒsake ƒƒhave ƒI ƒpa - ƒtient - ly wait - ed ƒfor Thee, O ƒLord; ƒmy ƒƒsoul hath wait - ƒed ƒpaƒ-tientƒƒ-ƒly for ƒƒThy ƒword, my ƒsoul___ƒhath ƒƒhoped ƒƒin___Ì̃ƒ<strong>the</strong> Lord.<strong>St</strong>ichera #6Dovxa th'/ dunavmei sou ƒƒlo - ry to Thy might, O ƒLord; ƒƒfor Thou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t___ deƒ-ƒstroyed him ƒthat ƒhad ƒƒ<strong>the</strong> doƒƒ-ƒƒmin-ƒi<strong>on</strong> ƒƒof death. ƒƒThou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒre-newed____Ì ƒus ƒƒby Thy Cross, ƒgrant-ing ƒusƒlife ƒand in - - ƒcor - ƒrupƒ-ƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


306Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraVerse #7!Apo; fulakh'" prwi?a" F ƒrom ƒ<strong>the</strong> ƒƒmorn - ƒing ƒwatch ƒun - ƒtil ƒnight, ƒfromƒ ƒ<strong>the</strong> morn - ƒing ƒwatch ƒ let ƒIs - ƒ- ra - ƒƒel hope ƒƒin___ÌÌ <strong>the</strong> Lord.<strong>St</strong>ichera #7@H tafhv sou hy bur - ƒi - ƒal,__Ì ƒO ƒƒLord, ƒƒrent ƒa - ƒƒsunƒ-ƒƒder <strong>the</strong> b<strong>on</strong>ds ƒƒof ƒHa - des,_ ƒ ƒ_̃and crushed <strong>the</strong>m. ƒƒThy ƒres - ƒƒurƒ-ƒrec - ti<strong>on</strong> ƒfrom ƒƒ<strong>the</strong> ƒdead en - ƒƒlight-ened <strong>the</strong> world. ƒLord,__ ƒƒglo - ƒƒry ƒƒbe ƒto___ Thee.___www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera307FVerse #8$Oti para; tw'/ Kurivw/ or ƒƒwith ƒ<strong>the</strong> ƒLord ƒƒ<strong>the</strong>re ƒis ƒmer - ƒƒcy, and ƒwithƒƒ ƒHim ƒis ƒƒplen - te - ous ƒƒre - demp-ti<strong>on</strong>; ƒand ƒHe shall ƒƒre - ƒdeem Is - ƒraƒ-ƒƒel outƒƒ ƒof ƒƒall___ÌÌ ƒhis ƒƒin - ƒƒiq -ui - ties.Verse #9Aijnei'te to;n Kuvri<strong>on</strong> O ƒ ƒƒpraise <strong>the</strong> ƒLord, ƒall ƒye ƒƒna - ti<strong>on</strong>s; ƒ praise Him, all__Ì ƒƒye ƒƒpeoƒ-ƒples.Verse #10$Oti ejkrataiwvqh F ƒƒor ƒHe ƒƒhath ƒmade ƒHis ƒmer - cy to ƒpre - ƒvail o - ƒver us, ƒand ƒƒ<strong>the</strong> ƒtruth of ƒƒ<strong>the</strong> ƒLord a - ƒƒbid -ƒƒeth__Ì for ƒƒev - er.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


308Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>icheraGGlory...Dovxa Patriv lo - ƒry to <strong>the</strong> ƒFa - - ƒ<strong>the</strong>r,_Ì̃and to ƒ<strong>the</strong> ƒS<strong>on</strong>, and ƒto <strong>the</strong> ƒƒHo - ƒly Spir - - - - it.Both now...Kai; nu'nB oth ƒƒnow and ƒev - - - - -ƒƒer ƒand un - ƒƒto thē a - ƒges ƒof a - ges._ÌÌ A - ƒmen.Dogmatic Theotoki<strong>on</strong>Tiv" mh; makarivsei se ƒho ƒƒwould not call ƒ<strong>the</strong>e blest, ƒƒO ƒall - ho - - ƒly ƒVirƒ-ƒgin? ƒWho would not praise thine ƒƒun - ƒƒtra - ƒvail-ƒing ƒƒgivƒ-ƒƒing of birth? ƒFor ƒƒthē <strong>on</strong> - - - - ƒƒly - be - ƒgot - ten ƒS<strong>on</strong>, Who sh<strong>on</strong>e ƒƒforth from ƒƒ<strong>the</strong> Faƒƒ- ƒ<strong>the</strong>r time-less - ly, ƒƒhath comewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief <strong>St</strong>ichera309 ƒƒforth from <strong>the</strong>e,__ÌÌ ƒ<strong>the</strong> ƒpure <strong>on</strong>e, ƒhav-ƒing be - come in - ƒƒef - fa - ƒƒbly in - car - ƒƒnate, ƒbeƒ-ƒƒing God__ÌÌ by naƒ-ƒture ƒƒand ƒƒbe - ƒƒcomƒ-ƒing man ƒby na - ture__Ì ƒfor our sake; ƒnot ƒthat He w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒdi - ƒvid - ƒed ƒin - ƒƒto two ƒper - - - ƒƒs<strong>on</strong>s, but that ƒHe is ƒƒknown ƒin ƒƒtwo ƒƒunƒƒ-ƒƒmin - - ƒgled ƒƒna-ƒtures. ƒƒHim ƒdo ƒthou ƒbe-seech, O ƒau - ƒgust ƒand allƒ-ƒblessƒ-ƒed <strong>on</strong>e, to have ƒmerƒ-ƒcy <strong>on</strong>___̃ƒour ƒsouls._ ƒ_______ÌÌJust <str<strong>on</strong>g>as</str<strong>on</strong>g> swine run to a place where <strong>the</strong>re is mireand bees dwell where <strong>the</strong>re are fragrances and incense,likewise dem<strong>on</strong>s ga<strong>the</strong>r where <strong>the</strong>re are carnal s<strong>on</strong>gs and <strong>the</strong> graceof <strong>the</strong> <strong>Holy</strong> Spirit settles where <strong>the</strong>re are spiritualmelodies, sanctifying both mouth and soul.—<strong>St</strong>. John Chrysostomwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaPlagal Sec<strong>on</strong>d ModeAposticha #1Th;n ajnavst<str<strong>on</strong>g>as</str<strong>on</strong>g>ivn sou 160 ƒn - ƒgels in <strong>the</strong> ƒƒHeav-ƒens, O ƒƒChrist__ÌÌ our Sav-iour, ƒpraise ƒThy ƒRes-ƒur - ƒrecƒ-ƒti<strong>on</strong> with hymns; ƒdeem ƒus al - so ƒwho are <strong>on</strong> earth___ worƒ-ƒthy ƒƒto ƒglo - ƒri - ƒƒfy Thee with__Ì apure heart.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief Aposticha311Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen Tƒhe ƒƒLord is ƒking; ƒHe ƒƒis clo<strong>the</strong>d ƒwith maj - es - ty. ƒThe Lord ƒis clo<strong>the</strong>d withƒstrength and ƒƒHe___ƒhath girt ƒHimƒ-ƒself.Aposticha #2Puvla" suntrivya" av - ƒing ƒcrushed <strong>the</strong> ƒƒbraƒ-ƒzen ƒgates ƒand ƒshatƒ-ƒƒtered <strong>the</strong> bars___ ƒof ƒHa-ƒdes, <str<strong>on</strong>g>as</str<strong>on</strong>g> omƒ-ƒƒnip - ƒoƒ-ƒtent God ƒThou ƒdidst ƒraise ƒup <strong>the</strong> ƒfall - ƒen ƒrace ƒƒof ƒman. Where-fore ƒƒal - - - - ƒso, we ƒcry ƒout with ƒ<strong>on</strong>e ƒacƒ-ƒcord: Thou Who art ƒƒris - ƒen from_Ì<strong>the</strong> ƒƒdead, ƒLord,_Ì ƒƒglo - ry be to___ƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


312Plagal Sec<strong>on</strong>d Mode - Brief ApostichaVerse #3Kai; ga;r ejsterevwseF ƒor ƒHe ƒƒes - ƒtabƒƒ-ƒƒlished <strong>the</strong> ƒworld which ƒshall ƒƒnot___Ì ƒbe ƒshak-ƒen. Aposticha #3@Reuvsew" hJma'" ƒish - ing ƒƒto set ƒƒa - ƒright ƒour for - mer ƒmu - ƒƒta - ƒbil - i - ty, Christ ƒis ƒƒnailed ƒto ƒ<strong>the</strong> Cross and ƒlaid ƒƒin <strong>the</strong> grave. Seek - ƒing ƒHim with tears, ƒƒ<strong>the</strong> myrrhƒ-ƒbearƒ-ƒing womƒ-ƒƒen spake with ƒlam - - ƒen - taƒ-ƒti<strong>on</strong>: ƒƒWoe unƒƒ-ƒƒto us, ƒƒO ƒSav-iour__ ƒƒof ƒƒall. ƒHow didst Thou deign ƒto ƒdwell in ƒ<strong>the</strong> grave? ƒAnd ƒhav - ƒƒing ƒdeigned to dwell <strong>the</strong>re - ƒƒin, ƒƒhow ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t__ƒThou ƒstoƒ-ƒlen?ƒHow w<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou ƒre-moved? What place hath hidƒ-ƒƒden ƒƒThy ƒƒlifeƒƒ-ƒbear - -ƒing ƒƒBodƒƒ-ƒƒy? But, ƒƒO M<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - ter, ƒƒre - ƒveal Thy - self ƒto ƒƒus, <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒThou didst prom - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief Aposticha313 ƒƒise, ƒƒand cause ƒour ƒƒtear - - - ful ƒla -ƒƒment to ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e. And ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong>y ƒgrieved, ƒan ƒAnƒƒ-ƒƒgel cried out ƒƒto <strong>the</strong>m: ƒƒCe<str<strong>on</strong>g>as</str<strong>on</strong>g>e your ƒƒlam - en - ƒta - - ƒƒti<strong>on</strong> ƒƒand ƒtell thē ƒƒa - ƒƒposƒ-ƒtles ƒthat ƒ<strong>the</strong> ƒƒLord___ ƒƒis ris - en, ƒgrant - ƒing ƒun - ƒto <strong>the</strong> world for - ƒgive-ƒness and__ÌÌ ƒgreat ƒmer -ƒƒcy.Verse #4 Tw'/ oi[kw/ sou prevpeiH ƒƒo - ƒƒli - ness ƒbe - ƒcom - eth Thy ƒhouse, O Lord, ƒƒunƒ-ƒto ƒlength of ƒdays. Aposticha #4<strong>St</strong>aurwqei;" wJ" hjboulhvqh" e - ƒing cru - ƒci - ƒƒfied <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒThou didst will, ƒO ƒƒChrist, ƒand ƒde - ƒspoil - ing death by Thy ƒbur - i - ƒal, <str<strong>on</strong>g>as</str<strong>on</strong>g> God, ƒThou didst ƒrise <strong>on</strong> <strong>the</strong> ƒƒthird ƒday__Ì̃withwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


314Plagal Sec<strong>on</strong>d Mode - Brief Aposticha ƒƒglo -ƒƒry, ƒgrant - ƒƒing ƒunƒƒ-ƒto ƒ<strong>the</strong> ƒworld_̃un - ƒend - ƒing ƒlife ƒand__ÌÌgreat mer - ƒƒcy.GGlory...Dovxa Patriv lo - ƒry ƒƒto ƒƒ<strong>the</strong> ƒFaƒƒ-ƒƒ<strong>the</strong>r, and to <strong>the</strong> ƒƒS<strong>on</strong>, ƒand ƒƒto ƒƒ<strong>the</strong> Ho - ly Spirƒ-ƒit.Both now...Kai; nu'nB ƒoth ƒnow ƒand evƒƒ-ƒƒer, and un - ƒto thē ƒƒag - - - ƒes ƒof ag - ƒƒes.ƒ ƒƒA - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Sec<strong>on</strong>d Mode - Brief Aposticha315Aposticha Theotoki<strong>on</strong>@O poihthv" y ƒƒCre - a - tor and ƒReƒ-deemƒ-ƒer, Christ <strong>the</strong> Lord, ƒcame ƒforth ƒfrom thy ƒwomb, ƒO ƒallƒ-pure <strong>on</strong>e. ƒBe - - - - ƒing ƒƒen-clo<strong>the</strong>d with me, He freed ƒƒAdƒ-ƒam ƒfrom___ ƒƒthē an-cient curse. ƒƒWhere-fore, O ƒall - pure <strong>on</strong>e, ƒto <strong>the</strong>e, ƒƒ<strong>the</strong> true Moth-ƒer ƒof ƒGod___ and Virƒ-ƒƒgin, ƒdo we ƒun - ƒce<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒƒ- ƒƒing - ƒƒly ƒƒcry out ƒƒthē anƒ-ƒƒgel's greet-ing: Re-joice! Re - ƒjoice, O ƒLa - dy, ƒƒpro - tec - ƒti<strong>on</strong>__Ì̃and ƒƒshel - ter and ƒsal - ƒvaƒ-ƒƒti<strong>on</strong> of___Ì̃ƒour ƒsouls.________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


grave modeLord, I Have Cried 84Kuvrie ejkevkraxa ƒord, ƒI ƒhave ƒƒcried_____Ì ƒun - ƒto____Ì Thee,________ ƒƒheark - en___ un - ƒƒto___ me;___Ì heark - - ƒƒen ƒƒun - ƒ- ƒto ƒƒme, ƒO ƒƒLord.__ÌÌ ƒLord, I ƒhave cried___ ƒƒunƒ-ƒto Thee,__Ì heark - - - ƒen___Ì unƒƒ-ƒto___ ƒme;__ÌÌ at - ƒtend_______Ì ƒto ƒƒ<strong>the</strong> ƒƒvoice_________Ì ƒƒof ƒmy sup - ƒpli - ƒƒca - - - - ti<strong>on</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Lord I Have Cried317 ƒƒwhen ƒI ƒcry____ ƒun - - ƒƒto ƒƒThee:__Ì ƒHeark - - ƒen unƒ-ƒto___ ƒme____________Ì ƒ_Ì ƒƒO_________ Lord.Let My PrayerKateuqunqhvtwL et ƒmy__ƒƒprayer__ be ƒƒset_______________________Ì ƒƒforth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - ƒ- ƒƒ- ƒƒ- ƒcense____ ƒbe - ƒƒfore___________ ƒƒThee,__ÌÌ <strong>the</strong> ƒƒlift - ƒing ƒup ƒof___ ƒmy___Ì _ÌÌ hands__Ì ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒan eveƒƒ- ƒ- ƒƒning__ ƒƒsac - ƒri - ƒ- ƒfice;________ÌÌ heark - ƒ- ƒƒen ƒunƒ- ƒto___Ì ƒme,______ O________Ì ƒLord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Grave Mode 180Qou' KuvrieS ƒet, ƒO ƒƒLord, ƒa watch be-fore ƒƒmy ƒmouth, and ƒa ƒƒdoor of ƒenƒƒ-ƒƒclo-ƒsure rounda - ƒbout ƒƒmy lips.2 In -ƒƒcline ƒnot ƒmy heart ƒun - ƒto ƒwords ƒof e - ƒvil, ƒƒto make ex - cuse ƒƒwith ex - ƒcus - ƒƒ- ƒƒes ƒƒin ƒsins,3 With men that ƒwork in - ƒiq - ƒui - ty; and ƒI____Ì ƒƒwill not ƒjoin___Ì ƒwith <strong>the</strong>ir ƒcho - - - ƒsen.4 ƒThe ƒƒright - eous man will ƒch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒtenƒme ƒƒwith mer - ƒcy ƒand__ ƒre - ƒprove_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Verses of Psalms319 _ÌÌ me; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> for ƒthē oil____ ƒof ƒ<strong>the</strong> sin -ƒƒner, ƒlet ƒƒit ƒƒnot ƒa - noint my head.5 For ƒyet ƒmore ƒƒis ƒmy prayer in ƒƒ<strong>the</strong> ƒƒpres - ence ƒƒof____ƒ<strong>the</strong>ir ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒ- ures; ƒswal-lowed ƒƒup near by ƒ<strong>the</strong> rock_____Ì̃have <strong>the</strong>ir judg - ƒes been.6 They shall hear ƒmy ƒwords, for ƒ<strong>the</strong>y be sweet - - ƒened; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa ƒclod ƒƒof earth is ƒbroƒ-ƒƒken upƒ-ƒ<strong>on</strong> ƒthē earth, ƒso have ƒ<strong>the</strong>ir ƒb<strong>on</strong>es been scat-tered nigh___ ƒunƒƒ-ƒto ƒƒHa - - -ƒƒdes.7 ƒFor un - to ƒThee, ƒO ƒLord, ƒƒO ƒLord,__ÌÌ are ƒƒmine ƒeyes, in ƒThee_Ì ƒhave I ƒhoped; ƒtake______ not my soul aƒ-ƒway.8 Keep me_ÌÌ ƒfrom ƒƒ<strong>the</strong> ƒsnare which <strong>the</strong>y ƒhave ƒƒlaid ƒƒfor ƒƒme, ƒƒand ƒfrom ƒƒ<strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


320Grave Mode - Verses of Psalms stum-bling-blocks ƒƒof ƒ<strong>the</strong>m that work ƒin - ƒiq - ƒƒuiƒƒ-ƒƒty.9 ƒThe ƒsin - - - ƒners shall ƒfall__Ì ƒin - to ƒƒ<strong>the</strong>ir ƒƒown ƒnet; I_____ ƒam ƒa - ƒƒl<strong>on</strong>e un - til____ ƒIƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s______ ƒƒby.10 With my voice ƒun - ƒƒto ƒ<strong>the</strong> ƒLord ƒhave__Ì ƒƒI cried, with ƒmy ƒƒvoice ƒƒun - to___ƒƒ<strong>the</strong> Lord___Ì ƒƒhave ƒI ƒmade ƒƒmy ƒsupƒ-ƒpli - ƒca - - - ti<strong>on</strong>.11 ƒI ƒƒwill ƒpour ƒout ƒbe - ƒƒfore___ Him ƒƒmy ƒsupƒ-ƒpli - ƒca - - - ƒti<strong>on</strong>, mine af - flic - ƒ- ƒƒti<strong>on</strong> ƒbe - ƒƒfore______ƒHim ƒwill I de-clare.12 When my ƒƒspir - ƒƒit ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> faint-ing ƒwith - in____________ me, <strong>the</strong>n Thou knew-ƒest ƒƒmy ƒƒpaths.13 ƒIn ƒthis way where-in__ ƒI ƒhave walked <strong>the</strong>y hid for ƒme ƒa ƒsnare.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Verses of Psalms32114 ƒI looked up - ƒ<strong>on</strong> my right_Ì̃hand, and be - ƒheld, ƒand ƒƒ<strong>the</strong>re w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒn<strong>on</strong>e___ ƒƒthat did know_____ ƒƒme.15 Flight hath ƒfailed_____Ì me, and <strong>the</strong>re ƒƒis ƒn<strong>on</strong>e that watch-eth out__ÌÌ for ƒƒmy ƒsoul.16 ƒI have cried_____Ì un - ƒto Thee, ƒO Lord; ƒƒI said: Thou___ ƒart my ƒhope, my ƒpor - - ti<strong>on</strong> ƒart ƒThou___ in ƒ<strong>the</strong> ƒƒland___ of ƒƒ<strong>the</strong> liv - - - ing.17 ƒƒAt - ƒƒtend ƒƒun - ƒto ƒmy ƒsup - ƒpli - ca - ƒƒ- ƒti<strong>on</strong>, ƒfor I ƒƒam brought verƒ-ƒƒy ƒlow.18 ƒDe - liv - er ƒme ƒfrom ƒ<strong>the</strong>m that per - - ƒse - cute___ me, for ƒ<strong>the</strong>y ƒƒare ƒstr<strong>on</strong>gƒƒƒƒ-ƒƒer than ƒƒI.On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 323or with Brief <strong>St</strong>ichera <strong>on</strong> page 352.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


322Grave Mode - Verses of Psalms1920 ƒBring ƒmy ƒsoul out of pris - <strong>on</strong> that I_______̃ƒmay ƒc<strong>on</strong> - ƒƒfess Thy Name. ƒThe rightƒƒ-ƒƒeous shall wait ƒpaƒ-ƒƒtient-ƒly ƒƒfor ƒƒme un - ƒtil ƒƒThou shalt ƒreƒƒ-ƒƒward_ ____Ì me.21 ƒƒOut of ƒ<strong>the</strong> ƒdepths ƒhave ƒƒI ƒcried un - - to ƒThee, O ƒLord; O ƒƒLord, hear ƒmy voice.22 ƒLet ƒThine ƒƒears be atƒƒ-ƒten - ƒƒtive to <strong>the</strong> voice of ƒmy sup-pli - ca - - - ƒƒti<strong>on</strong>.<strong>St</strong>. Athan<str<strong>on</strong>g>as</str<strong>on</strong>g>ios<strong>the</strong> Ath<strong>on</strong>itewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraGrave Mode Verse #1!Exavgage ejk fulakh'"B ƒƒring ƒƒmy soul out ƒƒof pris - ƒƒ<strong>on</strong> that ƒI_______Ì̃may c<strong>on</strong> - -ƒfess___Ì ƒ_ÌÌ Thy__________ƒName.__Ì<strong>St</strong>ichera #1Deu'te ajgalli<str<strong>on</strong>g>as</str<strong>on</strong>g>wvmeqa ƒome, let us re - ƒjoice________ÌÌ ƒƒin_______Ì ƒ<strong>the</strong>________ÌÌ Lord Who ƒcrushed <strong>the</strong> ƒƒdo-min - - - - ƒi<strong>on</strong> ƒof___ÌÌ ƒdeath, and en - ƒƒlight - ƒ- ƒ- ƒ ƒƒened <strong>the</strong>__Ì ƒƒrace______________Ì of_________Ì man. ƒLet us ƒcry ƒƒout ƒwithwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


324Grave Mode - Slow <strong>St</strong>ichera ƒƒ<strong>the</strong> ƒbod - - - - ƒi - - - ƒƒless________Ì hosts: O ƒour ƒCre - a - tor and ƒSav - iour, glo - ry___Ì be____ to___ ƒƒThee.Verse #2!Eme; uJpomenou'siT ƒhe right - ƒƒeous ƒƒshall ƒƒwait ƒƒpa - tient - ƒly for me un - ƒtil____Ì ƒThou shalt______ ƒƒre - ƒƒward___________ me.<strong>St</strong>ichera #2<strong>St</strong>auro;n uJpevmeina" ƒheƒƒCross and ƒƒbur - ƒƒi - - ƒal h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒThou__Ì ƒen - ƒƒ-ƒƒdured for ƒus,______Ì ƒƒO Sav - - - - iour; ƒand, <str<strong>on</strong>g>as</str<strong>on</strong>g> God, Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒslain__________Ì death_Ì ƒƒby____ ƒƒdeath. Where - - fore, ƒwe__ÌÌ ƒwor - - - ƒship___ ƒƒThy ƒƒRes - ƒur - ƒrec - ti<strong>on</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Slow <strong>St</strong>ichera325 <strong>on</strong> ƒ<strong>the</strong> ƒthird_____________Ì ƒƒday. ƒƒLord,______Ì ƒƒglo - ƒ- ry___ ƒbe_________Ì ƒ____ÌÌ ƒto_________Ì Thee.O utVerse #3!Ek baqevwn of ƒ<strong>the</strong> ƒdepths ƒƒhave ƒI cried un - to ƒThee, O Lord; ƒƒO__ÌÌ ƒƒƒLord,______ÌÌ ƒhear my___Ì ƒƒvoice.<strong>St</strong>ichera #3!Apovstoloi ijdovnte" n ƒsee - ing thē ƒa - ris - - - - ƒing ƒof__ ƒ<strong>the</strong>___Ì Cre - ƒa - - - - - - - - tor, ƒthē a - ƒpos - ƒƒtles__ ƒƒmar - - - - - velled,_ __ ƒcry - ƒƒing ƒout___________Ì with ƒan - gel - - ic___ ƒpraise:__Ì This___ is ƒ<strong>the</strong> ƒƒglo - - ƒry_________ÌÌ of_______̃ƒ<strong>the</strong>________̃Church; this____ iswww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


326Grave Mode - Slow <strong>St</strong>ichera ƒ<strong>the</strong> ƒwealth_Ì ƒƒof ƒƒ<strong>the</strong>__Ì ƒKing - - - ƒdom!___ ƒƒO ƒƒThou Who didst suf - - - ƒ- ƒ- ƒfer for___Ì us, ƒLord,_____Ì gloƒ-ƒry___ be______Ì ƒto__________Ì ƒƒThee._ __Verse #4Genhqhvtw ta; w\ta sou L et Thine ears be at - ƒten - tive ƒƒto ƒƒ<strong>the</strong> voice________Ì of___Ì ƒmy ƒ ƒsup - - pli - ƒca - - - - ti<strong>on</strong>._ÌÌ<strong>St</strong>ichera #4Ka]n sunelhvfqh" ƒhough Thou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒtak - - ƒen__Ì ƒcap - - - - ƒtive by ƒlaw-less__Ì ƒƒmen, O____ƒChrist, yet ƒThou ƒart my ƒGod, and I____Ì ƒam_________ ƒƒnot____www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Slow <strong>St</strong>ichera327 ƒ_Ì ƒa - - - shamed. Thou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t smit - ƒ - ƒƒten ƒƒ<strong>on</strong> <strong>the</strong> ƒback;________Ì ƒƒI ƒdo ƒnot ƒde - ny____________ ƒƒit. Thou ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t nailed ƒto <strong>the</strong> Cross,_ÌÌ ƒand ƒI c<strong>on</strong> - - ceal it___Ì not.___Ì In Thine ƒƒa - ƒƒris - ing___ do ƒƒI____Ì ƒbo<str<strong>on</strong>g>as</str<strong>on</strong>g>t, for Thy ƒƒdeath________ is________ƒmy________ÌÌ life. ƒO ƒom - ƒnip - oƒ-ƒtent and ƒƒman - be - - ƒfriend-ƒing__Ì ƒLord,______Ì ƒƒglo - ƒ- ƒry___Ì ƒbe_______________Ì to_________Ì Thee.I fVerse #5!Ea;n ajnomiva" ƒThou shouldƒ-ƒƒest mark ƒin - ƒiq - ƒƒui - ties, ƒƒO Lord, O ƒƒLord, who shall stand? ƒFor___Ì with_Ì̃Thee_Ì <strong>the</strong>re is_______ ƒfor - ƒƒgive - - - - ƒness._Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


328Grave Mode - Slow <strong>St</strong>ichera<strong>St</strong>ichera #5Daui>tikh;n profhteivan n ƒful - ƒfill - ƒƒment ƒof Da - vid's___ ƒƒprophƒ-ƒƒe - - - ƒcy,___ÌÌ in ƒƒSi - - - ƒƒ<strong>on</strong> ƒƒChrist ƒun - ƒƒ- ƒƒveiled ƒƒHis maj - - ƒes - - ƒty___ ƒto His______ÌÌ dis - ƒƒci - ƒ- - - - ƒƒples,___ re - ƒvealƒƒ-ƒƒing Him-self__ <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong>___Ì ƒƒOne____________ÌÌ ƒƒWho ƒis_______ƒƒpraised___Ì̃ƒand ev - ƒer____ ƒƒglo - ƒƒri - - fied ƒƒwith <strong>the</strong> ƒƒFaƒ-ƒ<strong>the</strong>r__ ƒƒand <strong>the</strong> ƒHo - ƒly ƒSpir - - - - it;__Ì ƒ<strong>on</strong>ce,__ÌÌ be - ing with - ƒƒout ƒflesh_ _________ <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒ<strong>the</strong>__Ì ƒWord, ƒbut ƒƒnow______Ì ƒfor___ÌÌ ƒus_______Ì ƒbe - - ƒcom - ƒƒƒing_________ ƒƒin - car - - - -ƒƒnate, be -ƒƒing ƒput ƒto___ death <str<strong>on</strong>g>as</str<strong>on</strong>g>___ ƒman,_ ƒƒ_ÌÌ and ƒa - ris - - - - - - - - ing acƒ-ƒcord -ƒƒing ƒto ƒHis___Ì pow - - - er,_______ <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong>__Ì Friend_____________Ì ƒof_________Ì ƒƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Slow <strong>St</strong>ichera329F ƒorVerse #6$Eneken tou' ojnovmatov" sou Thy Name's sake have I pa - tient - ƒly ƒƒwait - ed for Thee, ƒƒO ƒLord; my ƒsoul ƒƒhath wait - ed ƒpa - ƒƒtient - ly ƒfor Thy word, my ƒƒsoul_______Ì hath ƒhoped_____ÌÌ in<strong>the</strong>____ Lord.<strong>St</strong>ichera #6Kath'lqe" ejn tw'/ a{/dh/ hou didst de - ƒƒscend___ in - to___ Ha - - - - - - ƒƒdes,___Ì ƒO Christ,__Ì ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>____________Ì ƒThou__ didst__ ƒƒwill. ƒThou ƒdidst ƒdeƒƒ-ƒƒspoil___Ì ________Ì death since_ÌÌ ƒThou ƒart___ ƒƒGod______̃ƒand ƒƒM<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - - ter;_ ƒ_ÌÌ ƒand Thou didst ƒrise___ƒƒ<strong>on</strong> <strong>the</strong> ƒƒthird______________________ day, ƒƒand_ ƒ__________ƒƒfrom <strong>the</strong>___ÌÌ b<strong>on</strong>ds ƒof ƒƒHa - ƒdes ƒand ƒcor - - ƒƒrup - - - ƒƒti<strong>on</strong>___̃ƒdidstwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


330Grave Mode - Slow <strong>St</strong>ichera ƒThou ƒƒal - so___ ƒƒraise up ƒƒAd - - - am, who ƒcried________ÌÌ ƒout_______Ì and_ ƒƒ______ÌÌ ƒsaid: Glo - ry ƒto Thy ƒRes - ur - - ƒrec - - ti<strong>on</strong>, O <strong>on</strong>ƒ-ƒƒly__Ì̃Friend__Ì ƒ_________ÌÌ ƒof_________Ì ƒƒman.Verse #7!Apo; fulakh'" prwi?a"F rom <strong>the</strong> ƒƒmorn - ƒing watch ƒƒun - ƒtil ƒnight ƒfrom ƒ<strong>the</strong> ƒmornƒƒ- ƒing ƒwatch ƒƒlet ƒƒIs - - ƒra - - ƒel___ ƒƒhope______________ ƒƒin ƒ<strong>the</strong>___Ì ƒLord.<strong>St</strong>ichera #7!En tavfw/ katetevqh" n ƒƒ<strong>the</strong> grave w<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou ƒlaid___Ì ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>________ ƒ<strong>on</strong>e ƒƒthat__Ì ƒƒsleep - - eth, O____ Lord; ƒand Thou ƒdidst rise ƒƒ<strong>on</strong>_____ <strong>the</strong>____ ƒƒthird__________Ì ƒday ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> One ƒmight - - y ƒin strength,_Ì ƒƒrais - ƒing___Ì ƒƒup____ ƒAd - am with__www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Slow <strong>St</strong>ichera331 Thy - - - self out of ƒ<strong>the</strong> cor - rup - - ƒƒti<strong>on</strong> ƒof_______Ì ƒƒdeath,____ÌÌ since ƒThou______ ƒart ƒom - - ƒƒnip - - - - - o - - - -ƒtent.Verse #8$Oti para; tw'/ Kurivw/ F ƒ ƒor ƒƒwith ƒƒ<strong>the</strong> Lord ƒ<strong>the</strong>re ƒƒis ƒƒmer - ƒcy, and ƒwith ƒHim is ƒƒplen - ƒƒte - ƒƒƒous ƒƒreƒ-ƒdempƒ-ƒti<strong>on</strong>; ƒƒand ƒHe shall ƒre - ƒƒdeem ƒIs - ƒra -ƒƒel out_______Ì of_Ì ƒ_______ ƒall his____ ƒin - iq - - ƒƒui - - ƒƒties.___O ƒpraiseVerse #9Aijnei'te to;n Kuvri<strong>on</strong> <strong>the</strong> ƒLord, all ye na - ti<strong>on</strong>s; praise__Ì Him,_Ì ƒall______ÌÌ ye ƒpeo - - - - -ƒƒples.___ www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


332Grave Mode - Slow <strong>St</strong>icheraF orVerse #10$Oti ejkrataiwvqh ƒƒHe ƒhath ƒmade His mer - ƒcy to ƒƒpre -ƒ ƒƒvail ƒo - ƒƒver ƒƒus, ƒƒand <strong>the</strong> truth of ƒƒ<strong>the</strong> ƒLord_________ ƒa - - ƒbid - - eth_______ ƒfor ev - - - - - ƒƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…Grave Mode 84Dovxa Patriv...G lo - ƒƒry ƒto ƒƒ<strong>the</strong> ƒFa - - ƒ<strong>the</strong>r, ƒƒand to ƒƒ<strong>the</strong>___Ì ƒƒS<strong>on</strong>, and to ƒ<strong>the</strong> ƒHo - ƒ - ly__________ Spir - - - - - it.Kai; nu'n ...B oth ƒƒnow_____Ì̃and ƒƒev - ƒ- ƒ- er and ƒƒun - to thē a - - - ƒƒges ƒƒƒof___Ì ƒa - - - ges. ƒA - - men.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


334Grave Mode - GloryAlternate MelodiesDovxa Patriv...G lo - - - ƒry___ÌÌ ƒto <strong>the</strong>__Ì Fa - - - - - ƒƒ<strong>the</strong>r,___ and_Ì ƒto ƒƒ<strong>the</strong>___Ì S<strong>on</strong>, and__Ì ƒƒto___Ì ƒ<strong>the</strong> ƒHo - - ly ƒƒSpir - - - - - ƒƒit.____Kai; nu'n ...B oth ƒnow_____Ì̃ƒand__Ì ƒev - - - - er and______Ì un - ƒƒto____ ƒƒthē ƒa - - - - ƒƒges ƒof ƒa - - - - ƒges._______ ƒA - ƒ-ƒ - ƒ- ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Glory335Old (Slow) <strong>St</strong>icheraric MelodiesDovxa Patriv...G ƒlo - - - - - - - - ry___ ƒto <strong>the</strong>__ÌÌ ƒFa - - - - - - - ƒƒ- <strong>the</strong>r, and___________Ì ƒƒto ƒƒ<strong>the</strong>___̃ ƒS<strong>on</strong>, ƒƒand_______________Ì to <strong>the</strong> ƒHo - ƒƒ- ƒ- ly ƒ Spir - - - - -ƒƒit.__________________(n)_________________Kai; nu'n ...B ƒoth now __________________Ì ƒƒand___Ì ƒev - - - - - - - - ƒer and______ ƒƒun - ƒƒto ƒthē a - - - - -ƒges___Ì ƒof ƒa - - - - - ƒƒges.___ ƒƒA - - - - men.________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>Grave Mode 84Mhvthr me;n ejgnwvsqh" ƒƒhou ƒart known to__ be___ÌÌ a ƒmoth - - - - er ƒsur - p<str<strong>on</strong>g>as</str<strong>on</strong>g>s-ing na - ƒ- ƒ- ƒ- ƒture,_Ì O ƒThe - - o - ƒto - - - - ƒƒkos; ƒƒand sur - ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s-ing ƒƒrea - - - ƒƒs<strong>on</strong> ƒand un - - der - - ƒstand - - - - - ing, ƒƒthou__________ÌÌ ____ƒdidst re - main_____ÌÌ ƒƒa vir - - - - - gin. ƒAnd ƒno ƒƒt<strong>on</strong>gue______ÌÌ _____ ƒƒcan ex - ƒ- ƒƒƒplain <strong>the</strong> mir - - - - ƒƒa - - ƒcle of__________Ì ƒthy ƒchild - - - - birth;___ for ƒƒe - ven <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong> ƒƒc<strong>on</strong> - ƒcep - - ƒƒti<strong>on</strong> ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>___Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Dogmatic Theotoki<strong>on</strong> 337 strange, ƒƒO ƒƒpure____________________________ÌÌ ƒ<strong>on</strong>e, ƒso ƒ<strong>the</strong> ƒman - - - - ƒner____ ƒƒof____ ƒbirth ƒis in - com - - ƒƒpre - - - -ƒƒhen - - si - - - - ƒble. For ƒwhere - so - ƒev - ƒƒer God__ will - - - eth,___Ì thē or - ƒƒ- ƒder ƒof ƒƒna - - - - - ƒƒture___Ì ƒis ƒo-ƒver - ƒcome.__Ì ƒWhere - - fore, ƒƒknow - - -ƒing___Ì ƒ<strong>the</strong>e ƒƒto ƒbe <strong>the</strong> ƒMoth - - - - er____ ƒof____ God, ƒwe ƒƒall be - ƒseech___________________Ì ƒ<strong>the</strong>e___Ì fer - ƒvent - - ƒly:___________ÌÌ __ ƒIn - - - ƒƒter - ƒƒcede___ƒƒthou that our souls________________Ì ƒbe____ÌÌ saved.____Ì ____ÌWhen it happens to methat <strong>the</strong> s<strong>on</strong>g moves me more than <strong>the</strong> thing which is sung,I c<strong>on</strong>fess that I have sinned blamefully and <strong>the</strong>n prefer not to hear <strong>the</strong> singer.—Blessed Augustine


Dogmatic Theotoki<strong>on</strong>Diat<strong>on</strong>ic Grave ModeGlory... 84Dovxa PatrivG lo - ƒƒry ƒto ƒ<strong>the</strong> ƒFa - - ƒƒ<strong>the</strong>r,______Ì and__Ì to ƒƒ<strong>the</strong>___Ì ƒS<strong>on</strong>, ƒƒƒand_ ƒ____ÌÌ to ƒƒ<strong>the</strong> Ho - - - - - ly ƒƒSpir - - - - - - - - ƒƒit.Both now...Kai; nu'nB ƒoth ƒnow______ and__ÌÌ ev - - - - - - - ƒer ƒand ƒƒun - ƒto thē a - - - es______Ì of____ ƒa - - - - - - -ƒƒges.______ÌÌ ƒA - ƒ- ƒ - ƒ- ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Diat<strong>on</strong>ic Grave Mode - Dogmatic Theotoki<strong>on</strong>339Dogmatic Theotoki<strong>on</strong>Mhvthr me;n ejgnwvsqh" ƒhou ƒart known to____ ƒƒbe ƒa____Ì moth - - - ƒer____ sur - p<str<strong>on</strong>g>as</str<strong>on</strong>g>s - - - - - - ƒƒing___Ì ƒna - - - ture,___ ƒO The - ƒƒo - ƒto - - - - ƒkos; ƒand_______Ì sur - p<str<strong>on</strong>g>as</str<strong>on</strong>g>s - ing____Ì rea - - - - - ƒs<strong>on</strong>___Ì and un - ƒƒƒder - - ƒstand - - - - - - - ƒing, ƒthou_ ƒdidst ƒre - - ƒƒmain a vir - - - - - - - ƒgin. ƒAnd no t<strong>on</strong>gue______ ƒcan ƒex - - ƒƒplain___ ƒƒ<strong>the</strong>___ÌÌ ƒƒmir - - - - ƒƒa - - ƒcle ƒof_______ƒƒthy___ ƒchild - - - - birth;__Ì ƒfor e - ƒƒ- ƒƒ- ƒƒven ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> c<strong>on</strong> - - ƒƒcep - - - - ƒti<strong>on</strong>_______Ì ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>______ƒƒstrange, ƒO ƒƒpure________ÌÌ ƒƒ<strong>on</strong>e, so___̃ƒ<strong>the</strong>___Ì ƒman - - - -ƒƒner___ÌÌ ƒƒof____ ƒƒbirth ƒƒis_ ƒ__ƒƒin - com - - - ƒpre - - ƒhen - ƒsi - - ble.___Ì ƒƒFor ƒwhere - - -ƒso -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


340Diat<strong>on</strong>ic Grave Mode - Dogmatic Theotoki<strong>on</strong> ƒev - - - - - er ƒƒGod__Ì ƒwill - - - ƒƒeth,___Ì ƒƒthē ƒƒor - ƒƒder___ÌÌ of____ na - - - -ƒƒture___Ì is__________ ƒo - - ƒver - - - ƒcome.__ÌÌ Where - - - - fore, ƒknow-ing_ÌÌ ƒƒ<strong>the</strong>e___ ƒƒto___ ƒbe___ÌÌ ƒ<strong>the</strong>__Ì̃ƒMoth - ƒ- ƒ- - - ƒƒer_______Ì ƒƒof_________Ì God, ƒƒwe_______________Ì all be - ƒ- seech ƒƒ<strong>the</strong>e___Ì ƒƒfer - - ƒƒvent - - ly:_______ ƒIn - ƒter - - ƒcede______ ƒƒthou_____Ì̃ƒthat___Ì oursouls ƒbe______ÌÌ saved._____________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow ApostichaGrave Mode Aposticha #1 88!Anevsth" ejk tou' tavfou ƒhou ƒdidst ƒrise ƒfrom ƒ<strong>the</strong> ƒƒgrave,__Ì O_____________ ƒSav - - iour___Ì ƒ____Ì ƒƒof_______Ì̃ƒ<strong>the</strong>________ÌÌ world; ƒƒand ƒto - ƒƒgeth - - - er ƒwith Thy_ __ ƒƒflesh, Thou didst ƒal - ƒƒso____ ƒƒraise ƒup__̃ƒman. ƒLord,_____ÌÌ glo-ry__ÌÌ be______Ì ƒto___________ÌThee.__ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


342Grave Mode - Slow ApostichaTVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen he ƒƒLord ƒƒis ƒƒking; ƒHe is clo<strong>the</strong>d with maj - es - ƒty. ƒƒThe ƒLord ƒƒis clo<strong>the</strong>d ƒƒwith ƒƒstrength andHe____ hath ƒgirt Him - self.___ÌAposticha #2To;n ajn<str<strong>on</strong>g>as</str<strong>on</strong>g>tavnta ejk nekrw'n ƒome,_____Ì let us____Ì ƒwor - - ƒƒship__ Him___Ì ƒWho is ris - en__ from ƒƒ<strong>the</strong>___Ì dead,ƒ ƒƒand ƒWho hath en - - ƒlight - ƒ- ƒ- ened ƒall___ÌÌ things. ƒFor He hath freed_____Ì ƒƒus ƒfrom ƒ<strong>the</strong> tyr - ƒan-ƒny ƒƒof__ÌÌÌ ƒƒHa - - - - - ƒƒdes by His ƒa - ƒris - - - - ƒing ƒ<strong>on</strong> <strong>the</strong> ƒƒthird___________________Ì day, ƒƒgrant-ing__ÌÌ us___Ì ƒlife ƒƒand______ƒƒgreat ƒƒmer - - - - ƒƒcy.__Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Slow Aposticha343F ƒorVerse #3Kai; ga;r ejsterevwse - - ƒen. ƒHe es - ƒtab-lished <strong>the</strong> ƒworld which__Ì ƒshall_Ì not______ ƒƒbe ƒshak -Aposticha #3@Upo; to;n a{/dhn katelwvn ƒƒhen ƒThou__Ì̃ƒdidst ƒƒdeƒ-ƒƒscend__Ì to ƒƒHa - - - - des be - ƒƒlow, ƒO__Ì̃ƒChrist, Thou__ÌÌ ƒdidst______̃ƒde - ƒspoil__________̃death; ƒand a - ƒƒrisƒƒ- ing <strong>on</strong> ƒ<strong>the</strong>__ÌÌ ƒƒthird___________ ƒƒday, ƒThou didst ƒƒal - so ƒraise___________ ƒus ƒƒwho glo - ƒƒ- ri - - ƒƒfy____̃Thine ƒom - ƒƒnip - ƒo - ƒ- tent a - ris - - - ƒƒing, ƒO_______Ì Lord,___ƒThou_Ì̃Friend_____ ƒof________ÌÌ ƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


344Grave Mode - Slow ApostichaHVerse #4Tw'/ oi[kw/ sou prevpei o - ƒli - ƒness ƒƒbe - ƒcom - ƒeth ƒThy ƒhouse, O Lord, ƒƒunƒ-ƒƒto ƒlength_______ÌÌ ƒ____Ì of_________Ì days.Aposticha #4Fobero;" w[fqh" hou didst ap - pear___ ƒƒawe - - ƒƒsome, O_______ Lord,_____ while ly - ƒing ƒin ƒƒ<strong>the</strong>__Ì ƒƒgrave ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>___ <strong>on</strong>e ƒthat ƒsleep - - - -ƒeth; ƒƒand a - ƒƒris - ing ƒ<strong>on</strong> ƒ<strong>the</strong>__ÌÌ ƒthird________________Ì day <str<strong>on</strong>g>as</str<strong>on</strong>g> One ƒmight - - - - - - - y, ƒThou didst ƒal -ƒƒso__ÌÌ raise_Ì ƒƒAd - ƒam______̃who ƒcried__________Ì ƒƒout:__ ƒGlo - - - - - - - - ƒry ƒƒto ƒThy Res - - ur - ƒƒrec - - - - ti<strong>on</strong>, ƒO <strong>on</strong> -- ly___̃Friend_____________Ì ƒof_________Ì man.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Grave Mode 84@Upo; th;n shvn ƒƒlee -ƒƒing for____ÌÌ ƒƒref - - - - - - - - - ƒuge ƒun - - ƒder ƒƒthy shel - - - - ter, O___ ƒƒLa - - - ƒdy,___Ì ƒƒall ƒwe, ƒthē ƒearth-ƒborn, ƒƒcry______ out to <strong>the</strong>e:___ ƒO ƒThe - o - to - - - ƒkos,__ our__Ì hope, de - - liv - er____ us ƒfrom ƒour ƒcount-less ƒƒof - ƒfen - - - ƒces and save_____________ÌÌ ƒ_ÌÌ our_____ ƒsouls.__________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Diat<strong>on</strong>ic Grave Mode 84@Upo; th;n shvn ƒƒlee - ing for__ÌÌ ƒƒref - - - - - - - ƒuge ƒƒun - - - ƒƒder ƒthy____ ƒ_________________ÌÌ ƒshel - - ƒter,___ O_________Ì ƒƒLa - - - - - ƒƒdy, ƒall ƒƒwe,______Ì thē ƒƒearth - - - born, ƒƒcry_________Ì out_______Ì ƒto_________Ì ƒ<strong>the</strong>e: ƒO___ ƒThe - - - - ƒo - to - - - - kos, ƒƒour__Ì hope,__Ì ƒde - liv - ƒƒer ƒƒus from our ƒcount - - ƒless__________________ ƒƒof - - fen - - ƒƒces______________̃and___save our___ÌÌ souls.______________________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>Grave Mode 160Katevlusa" tw'/ staurw'/ sou ƒƒy ƒƒThy ƒCross Thou didst a - ƒbol - - ish ƒdeath; ƒto ƒ<strong>the</strong> thief ƒƒThou didst ƒƒo - - pen Par - aƒ-ƒƒdise; ƒThou didst transƒ-ƒƒform <strong>the</strong> myrrh - - bearƒ-ƒers' lam-en - ta - - ƒti<strong>on</strong>,ƒƒand ƒdidst or - ƒder Thine A - ƒpos - - ƒtles to preach that ƒThou ƒart ris - - - ƒen, ƒƒO ƒƒChrist our__Ì God, beƒƒ-ƒƒstowƒ-ƒing great mer - - ƒcy up - ƒƒ <strong>on</strong>___Ì̃<strong>the</strong>__Ì ƒworld.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


348Grave Mode - Apolytiki<strong>on</strong>GGlory...Dovxa Patriv ƒlo - ƒƒry ƒƒto ƒƒ<strong>the</strong> ƒƒFa -ƒƒ<strong>the</strong>r, and ƒto ƒ<strong>the</strong> ƒS<strong>on</strong>, ƒand__ to____ ƒ<strong>the</strong> Ho - - ly Spir - - - it.Both now...Kai; nu'nB oth ƒƒnow ƒand ƒev - - ƒer, and ƒunƒƒ-ƒƒto ƒƒthē ag - ƒes of ƒƒag - - ƒes. ƒƒA - ƒmen.Resurrecti<strong>on</strong>al Theotoki<strong>on</strong>@W" th'" hJmw'n ajn<str<strong>on</strong>g>as</str<strong>on</strong>g>tavsew" s ƒƒ<strong>the</strong> ƒtre<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒur - ƒƒy ƒof ƒour sal - ƒvaƒ-ƒti<strong>on</strong>, O ƒallƒ-ƒhymned <strong>on</strong>e, ƒdo thou ƒlead ƒup from ƒƒ<strong>the</strong> ƒpit and a - ƒbyss ƒof__ÌÌ ƒof - ƒfen-ƒces ƒ<strong>the</strong>m thatwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Apolytiki<strong>on</strong>349 hope ƒƒin <strong>the</strong>e; ƒfor ƒ<strong>the</strong>m_____Ì ƒthat ƒwere li - aƒƒ-ƒble__Ì be -ƒƒcause of ƒsin h<str<strong>on</strong>g>as</str<strong>on</strong>g>t thou ƒsaved ƒƒby ƒƒgiv-ing birth__ÌÌ ƒto ƒSal - va - - - ti<strong>on</strong>, O thou who ƒbe - ƒƒfore___Ì ƒchild - ƒƒbirth ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒvir - gin, ƒand ƒƒin ƒchildƒ-ƒbirth ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t vir - gin, ƒand af - ƒter ƒƒchild-ƒbirth ƒƒa - ƒgain re-main -ƒƒest vir - ƒƒ- ƒgin._________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ƒord, I ƒƒhave cried___Ì ƒƒun - ƒƒto ƒƒThee, hearkƒ-ƒƒen ƒun - to me; heark-ƒen un - to ƒme, ƒƒ O Lord. ƒLord,___ ƒI ƒhave cried ƒƒunƒƒ-ƒƒto Thee, hearkƒ-ƒƒen ƒ un - ƒto ƒƒme; at - tend___ ƒƒto ƒ<strong>the</strong> ƒƒvoice__ ƒof ƒmy ƒsup - pli - ca - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Lord I Have Cried351 ti<strong>on</strong> ƒwhen ƒI ƒcry un - to ƒThee: Heark-ƒƒen ƒun - to ƒme___ÌÌ ƒO___Ì ƒLord.Let My PrayerKateuqunqhvtwL ƒet ƒmy ƒƒprayer_____ ƒƒbe ƒƒset ƒƒforth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒin - - - cense ƒbe - fore______Ì ƒƒThee, ƒ<strong>the</strong> ƒlift - ing ƒup__ ƒof my ƒhands <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒan ƒeve - ƒning ƒsac - ƒƒri - ƒƒfice; hearkƒ-ƒen ƒun - ƒƒto ƒme,___Ì ƒO___ ƒLord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief <strong>St</strong>icheraGrave Mode Verse #1!Exavgage ejk fulakh'"B ƒring my ƒsoul out of ƒƒpris - <strong>on</strong> ƒthat ƒƒI______Ì̃may c<strong>on</strong>- fess Thy Name.<strong>St</strong>ichera #1Deu'te ajgalli<str<strong>on</strong>g>as</str<strong>on</strong>g>wvmeqa ƒome, let ƒus ƒre - joice_____ÌÌ ƒin ƒ<strong>the</strong> ƒLord Who crushed <strong>the</strong> ƒƒdo - ƒmin - - ƒi<strong>on</strong> of ƒdeath, ƒƒand ƒƒen - light - - ened <strong>the</strong> race ƒƒof man. Let ƒƒus cry ƒƒout with <strong>the</strong> ƒbod - - ƒi - less ƒƒhosts: ƒO ƒƒour ƒCre - ƒƒa - tor and Sav-iour, glo - ry be____ to___ Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Brief <strong>St</strong>ichera353Verse #2!Eme; uJpomenou'si T ƒhe ƒright -ƒƒeous ƒshall ƒƒwait ƒƒpa - tient - ly ƒƒfor me ƒƒun - ƒtil Thou shalt ƒre - ward_____ÌÌ me.<strong>St</strong>ichera #2<strong>St</strong>auro;n uJpevmeina" he ƒƒCross and bur - - ƒi - ƒƒal ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒThou ƒen - ƒƒdured ƒfor ƒus,___Ì O Sav - ƒ- ƒƒiour; and, ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒGod, Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t slain death by death. ƒƒWhere-fore,_ƒwe ƒƒwor - - ƒship ƒThy Res - ƒur - recƒ-ƒƒti<strong>on</strong> <strong>on</strong> ƒ<strong>the</strong> ƒthird day. ƒLord,__Ì ƒƒglo - ry be____̃to___ Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


354Grave Mode - Brief <strong>St</strong>icheraO utVerse #3!Ek baqevwn ƒof ƒ<strong>the</strong> ƒdepths ƒhave ƒ ƒƒI ƒƒcried ƒƒun - ƒƒto ƒƒThee, ƒƒƒƒO ƒLord; ƒO Lord,_ ƒ_ÌÌ hear my ƒvoice. <strong>St</strong>ichera #3!Apovstoloi ijdovnte" n ƒsee-ƒing thē ƒa - ƒƒris - - - ing of ƒ<strong>the</strong> ƒCre - a - - tor, ƒthē ƒa - ƒƒposƒ-ƒtles ƒmar-velled, cry-ing ƒƒout______ƒƒwith ƒan - ƒgel - ic praise: ƒThis ƒis ƒƒ<strong>the</strong> ƒglo - - ry ƒof ƒƒƒ<strong>the</strong> Church; ƒthis ƒƒis ƒƒ<strong>the</strong> wealth of__̃ƒ<strong>the</strong> ƒƒKing - - dom! O Thou_____Ì Who didst ƒsuf - - ƒfer ƒƒƒƒƒƒƒƒƒfor us, Lord,__ÌÌ ƒƒglo - ry be____ ƒƒto___ ƒƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Brief <strong>St</strong>ichera355L etVerse #4Genhqhvtw ta; w\ta sou ƒƒThine ƒears ƒƒbe ƒat - ƒƒten - ƒtive ƒto ƒ<strong>the</strong> voice ƒof ƒmy ƒsup-ƒpli - ca - - - ƒƒti<strong>on</strong>.<strong>St</strong>ichera #4Ka]n sunelhvfqh" hough Thou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t tak - en ƒcap - - ƒtive by ƒlaw - less ƒmen, ƒƒO ƒChrist, ƒyet Thou ƒart my God, and ƒI am ƒnot ƒƒa-shamed. ƒƒThou ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒsmit - ƒten <strong>on</strong> ƒ<strong>the</strong> back;__Ì ƒƒI ƒdo not ƒde - ƒƒny______ it. ƒThou w<str<strong>on</strong>g>as</str<strong>on</strong>g>t nailed____Ì to ƒ<strong>the</strong> ƒCross, and ƒƒI ƒc<strong>on</strong>-ceal it not. ƒƒIn Thine ƒa - ƒƒris - ƒing ƒdo ƒI ƒbo<str<strong>on</strong>g>as</str<strong>on</strong>g>t, ƒfor Thy death ƒis ƒƒmy ƒlife. ƒO ƒom - ƒƒnip - ƒo-ƒtent and man - ƒbeƒ-ƒƒfriendƒƒ-ƒƒing ƒƒLord,__ glo - ry be_Ì __ƒƒto___ ƒƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


356Grave Mode - Brief <strong>St</strong>icheraI fVerse #5!Ea;n ajnomiva" Thou should -ƒest ƒƒmark ƒƒin - ƒiq - ui - ƒties, O ƒLord, ƒƒO Lord, who ƒshall ƒƒstand? ƒFor with Thee <strong>the</strong>re is for - ƒgive - - ƒƒness.<strong>St</strong>ichera #5Daui>tikh;n profhteivan n ƒful - fill - ƒment of ƒƒDa - vid's ƒproph - ƒƒe - cy, in Si - <strong>on</strong> ƒƒChrist ƒun - veiled His maj -ƒƒes - ƒ- ƒty ƒto His___̃ƒdis - ci - - - ƒples, ƒƒre - vealƒƒ-ƒing Himƒƒ- self___ÌÌ <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong> One_Ì Who ƒƒis praised and ev - ƒer ƒglo - ri - ƒ- ƒfied with <strong>the</strong> ƒFa - <strong>the</strong>r and ƒƒ<strong>the</strong> ƒHo - ƒƒly ƒSpir - - - ƒƒit; <strong>on</strong>ce,___ÌÌ be - ƒƒing withƒ-ƒƒout ƒƒflesh ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒ<strong>the</strong> ƒƒWord, ƒbut ƒnow ƒfor ƒus_______ ƒbe - ƒƒcom - ƒing ƒƒin - ƒƒcar - ƒ- ƒ- ƒnate, be - ƒing put ƒto ƒƒdeath ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> man, ƒƒand a - ƒris - ing ƒac - ƒcord - ƒƒing to His ƒpow - ƒer, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒ<strong>the</strong>Friend_____Ì of__ÌÌ man.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Brief <strong>St</strong>ichera357F orVerse #6$Eneken tou' ojnovmatov" sou ƒThy Name's sake have ƒI pa - tient - ƒƒly ƒwait - ƒƒed for ƒThee, O ƒ ƒƒLord; my soul ƒhath ƒƒwait - ƒed pa - tient - ƒly ƒƒfor Thy ƒword, ƒmy soul ƒhath hoped in <strong>the</strong> ƒƒLord.<strong>St</strong>ichera #6Kath'lqe" ejn tw'/ a{/dh/ ƒhou ƒƒdidst ƒde - ƒƒscend in - to ƒƒƒHa - des, O ƒChrist, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒƒThou didst will. ƒƒThou ƒƒdidst deƒ-ƒspoil_____Ì ƒƒdeath since ƒThou ƒƒart God_̃and M<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒter;and ƒƒThou_ ƒ_Ìdidst ƒƒrise ƒ<strong>on</strong>__̃ƒ<strong>the</strong> ƒƒthird_____Ì ƒƒday,ƒƒand ƒƒfrom ƒ<strong>the</strong> ƒƒb<strong>on</strong>ds of ƒHa - des and ƒcor - ƒrup - - ƒƒti<strong>on</strong> ƒƒdidst ƒThou al - ƒso ƒraise__Ì ƒup ƒAd - - am, who cried__ÌÌ ƒout and said: Glo - ry ƒto ƒThy ƒRes - ƒur - ƒƒrecƒ-ƒti<strong>on</strong>, O <strong>on</strong> - ƒly Friend__ ƒƒof___ƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


358Grave Mode - Brief <strong>St</strong>icheraF romVerse #7!Apo; fulakh'" prwi?a" letƒƒ<strong>the</strong> ƒmorn - ƒing watch ƒun - til ƒƒnight, fromƒ <strong>the</strong> morn - ƒing watch ƒƒIs - ƒra - el ƒhope__ÌÌ ƒin <strong>the</strong> ƒLord. <strong>St</strong>ichera #7!En tavfw/ katetevqh" n ƒƒ<strong>the</strong> ƒgrave w<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒThou ƒƒlaid ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>on</strong>e ƒthat ƒƒsleep - ƒeth, ƒO ƒƒLord; ƒand ƒThou didst ƒrise ƒ<strong>on</strong> ƒ<strong>the</strong> third day <str<strong>on</strong>g>as</str<strong>on</strong>g> One mightƒƒ-ƒƒy ƒƒin strength, ƒƒrais - - - ƒing ƒƒup ƒƒAd - ƒ- ƒam ƒƒwith ƒThy - ƒƒself ƒout ƒƒof <strong>the</strong> cor - ƒrup - ti<strong>on</strong> ƒof ƒdeath, ƒsince Thou ƒart om - nip - - ƒƒo - - ƒƒtent.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Brief <strong>St</strong>ichera359FVerse #8$Oti para; tw'/ Kurivw/ or ƒwith ƒ<strong>the</strong> ƒLord <strong>the</strong>re ƒƒƒƒis mer - ƒcy, ƒand ƒwithƒƒ ƒHim is ƒplen - te - ƒous ƒre - ƒdempƒ-ƒti<strong>on</strong>; and ƒHe ƒƒshall ƒre - ƒƒdeem__Ì ƒƒIs - ƒƒra - ƒel ƒoutƒƒ ƒof ƒƒall______Ì ƒƒhis in - iq - ƒuiƒ-ƒties.Verse #9Aijnei'te to;n Kuvri<strong>on</strong> O ƒ ƒpraise ƒƒ<strong>the</strong> ƒLord, ƒall ƒye ƒƒna - ti<strong>on</strong>s; ƒ praise Him, all ye ƒƒpeo - - - ƒƒples.FVerse #10$Oti ejkrataiwvqh ƒor He ƒƒhath made ƒHis ƒmer - ƒƒcy to ƒpre - ƒƒvail o - ƒver us, and ƒ<strong>the</strong> ƒƒtruth ƒof ƒƒ<strong>the</strong> Lord ƒa - ƒbid - ƒ- ƒƒeth ƒfor ƒƒev - - - er.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


360Grave Mode - Brief <strong>St</strong>icheraGGlory...Dovxa Patriv lo - ry to ƒƒ<strong>the</strong> ƒƒFa - - - ƒ<strong>the</strong>r, and to ƒ<strong>the</strong> ƒƒS<strong>on</strong>, and__Ì ƒto ƒƒ<strong>the</strong> ƒHo - ly Spir - - - ƒƒit.Both now...Kai; nu'nB oth ƒnow and ev - - - ƒer ƒand ƒunƒ-ƒƒto ƒƒthē ƒa - - - ƒges ƒƒof ƒƒa - ges. ƒƒA -ƒƒmen.Dogmatic Theotoki<strong>on</strong>Mhvthr me;n ejgnwvsqh" hou ƒart known to ƒbe a ƒmoth - - -ƒƒer ƒƒsur - p<str<strong>on</strong>g>as</str<strong>on</strong>g>sƒƒ-ƒing na - - ture, ƒƒO ƒƒThe - - ƒƒo - ƒto - - - kos; and ƒsur - p<str<strong>on</strong>g>as</str<strong>on</strong>g>s-ƒing ƒrea - - ƒs<strong>on</strong> and un - ƒder - ƒstand - - - - ing, thou__Ì̃didst re-main ƒa ƒƒvir - ƒƒ- ƒƒ-ƒƒgin. ƒAnd no t<strong>on</strong>guewww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Brief <strong>St</strong>ichera361 ƒcan ex - plain <strong>the</strong> mir - aƒ-ƒƒcle ƒof ƒthy child - ƒ- birth; ƒfor ƒe - - - ven <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒ<strong>the</strong> ƒc<strong>on</strong> - ƒcepƒ-ƒƒti<strong>on</strong> w<str<strong>on</strong>g>as</str<strong>on</strong>g> strange, O ƒƒpure___ <strong>on</strong>e, so <strong>the</strong> ƒman - ƒ- ƒƒner ƒof birth ƒƒis ƒinƒ-ƒcom - pre - hen - ƒsiƒ-ƒble. For ƒwhere - so - ev - ƒ- ƒƒer God ƒwill - - - ƒeth, ƒthē orƒƒ-ƒder ƒƒof ƒƒna - - ƒƒture ƒis ƒo - ver - come. Where-fore, knowƒ-ƒƒing ƒ<strong>the</strong>e ƒƒto be ƒ<strong>the</strong> Moth - ƒer ƒƒof ƒGod, we ƒall be - seech__ƒ<strong>the</strong>e ƒƒfer - ƒƒƒƒvent - ƒly: In - ƒter - cede ƒthou that ƒour souls ƒƒbe ƒƒsaved.________Not if some<strong>on</strong>e utters<strong>the</strong> words of <strong>the</strong> psalm with hismouth, does that <strong>on</strong>e sing to <strong>the</strong> Lord;but, all who send up <strong>the</strong> psalmody from a cleanheart, and who are holy, maintaining righteousness toward God,<strong>the</strong>se are able to sing to God, harm<strong>on</strong>iously guided by <strong>the</strong> spiritual rhythms.—<strong>St</strong>. B<str<strong>on</strong>g>as</str<strong>on</strong>g>il <strong>the</strong> Greatwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaGrave Mode Aposticha #1!Anevsth" ejk tou' tavfou 160 hou ƒƒdidst ƒrise______ ƒfrom ƒƒ<strong>the</strong> grave, O ƒSavƒ-ƒiour of ƒ<strong>the</strong> world; and to - ƒgeth - er ƒwith ƒƒThy ƒƒflesh, ƒThou ƒdidst ƒal - ƒso raise ƒƒup ƒƒman. ƒLord,___ glo - ry ƒbe____ ƒƒto___ Thee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Brief Aposticha363Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen T ƒhe ƒLord is ƒƒking; ƒHe is clo<strong>the</strong>d ƒƒwith maj - ƒes - ƒƒty. The ƒƒLord ƒƒ is clo<strong>the</strong>d with strength ƒand ƒHe____ ƒƒhath ƒƒgirt Him-ƒself.Aposticha #2To;n ajn<str<strong>on</strong>g>as</str<strong>on</strong>g>tavnta ejk nekrw'n ome, let ƒƒus wor - ƒship ƒƒHim Who ƒis ƒris - ƒƒen from <strong>the</strong> ƒdead, ƒand Who hath ƒen - ƒlight - ƒ- ened all things. ƒFor ƒHe ƒhath ƒƒfreed us from ƒ<strong>the</strong> ƒtyr - ƒanƒ-ƒny ƒof Ha - - ƒƒdes ƒby His ƒa - ris - ing <strong>on</strong> <strong>the</strong> ƒthird day, ƒgrant - - ƒing ƒƒus ƒlife___Ì and great mer - - - cy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


364Grave Mode - Brief ApostichaFVerse #3Kai; ga;r ejsterevwse ƒor He ƒes - tabƒ-ƒlished ƒƒ<strong>the</strong> ƒƒworld which shall not ƒbe ƒshak - - - ƒen.Aposticha #3@Upo; to;n a{/dhn katelwvn ƒhen ƒThou didst ƒde-ƒscend ƒto ƒHa - - ƒdes__Ì be - ƒlow, O ƒChrist, ƒThou_____Ìdidst ƒde - ƒƒspoil___ƒdeath; ƒand a - ris - ƒing <strong>on</strong>__̃ƒ<strong>the</strong> ƒthird__ÌÌ day, Thou ƒƒdidst ƒƒal - so ƒraise ƒus who glo - riƒƒ-ƒfy Thine om - ƒnip - ƒo - tent ƒƒa - ƒƒris - ƒing, ƒO Lord, ƒThou ƒFriend__Ìof___Ì ƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grave Mode - Brief Aposticha365HVerse #4Tw'/ oi[kw/ sou prevpei ƒƒo - li - ness ƒƒbe - ƒcom - eth Thy ƒhouse, ƒO ƒLord, un - to ƒlength ƒof days.Aposticha #4Fobero;" w[fqh" ƒƒhou ƒƒdidst ƒapƒƒ-ƒpear_____ÌÌ awe - - ƒƒsome, ƒO Lord, ƒwhile ly - -ƒƒing ƒin ƒ<strong>the</strong> grave ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>on</strong>e ƒƒthat ƒsleep - - ƒeth; ƒand a - ris - ƒing ƒ<strong>on</strong> <strong>the</strong> ƒƒthird ƒday <str<strong>on</strong>g>as</str<strong>on</strong>g> One might - ƒ- ƒy, Thou didst al - ƒƒ- ƒƒso raise Ad - - am ƒwho cried_____ out: ƒƒGlo - ƒry ƒto Thy Res - ƒƒur - recƒ-ƒti<strong>on</strong>, O ƒƒ<strong>on</strong> - ƒƒly ƒFriend__Ì ƒƒof___ ƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


366Grave Mode - Brief ApostichaGGlory...Dovxa Patriv ƒƒlo - ƒry to ƒ<strong>the</strong> ƒFa - - ƒƒ<strong>the</strong>r,_ƒƒand ƒƒto ƒƒ<strong>the</strong> S<strong>on</strong>, ƒand__ÌÌ ƒto ƒ<strong>the</strong> ƒ ƒHo - - ly ƒƒSpir - - - ƒit.Both now...Kai; nu'nB oth ƒnow ƒand ƒƒev - ƒƒer, and un - to thē ƒag - ƒƒes of ag - ƒ- ƒes. ƒƒA -ƒmen.Aposticha Theotoki<strong>on</strong>@Upo; th;n shvn ƒlee - ƒing ƒfor ref - - - ƒƒuge ƒun-ƒder ƒƒthy shel - - ter, ƒO La - - - dy, ƒƒall we, ƒthē earth - - - ƒborn, ƒcry___ÌÌ ƒout to ƒ<strong>the</strong>e: ƒƒO ƒƒThe - ƒo - ƒto - - ƒƒkos, our hope, de - ƒliv - er ƒus ƒfrom our ƒcountƒ-ƒless ƒƒof - ƒƒfen - ƒƒ- ƒƒces and save ƒƒour souls.________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


plagal fourth modeLord, I Have Cried 84Kuvrie ejkevkraxa ƒƒord,___I ƒhave cried______Ì un - ƒto____ ƒThee,________ ƒƒheark - ƒƒen___ ____ ƒun - to___Ì ƒme;___Ì hearkƒ-ƒen un - to ƒƒme,___________ ƒƒO____________Ì ƒƒLord. ƒƒLord,_____ I ƒhave cried_____Ì un - - ƒto_________̃Thee,_____Ì ƒƒhearkƒ-www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


368Plagal Fourth Mode - Lord I Have Cried en__ÌÌ un - ƒto____Ì me;________________ƒƒat - ƒƒtend to <strong>the</strong> voice_____ÌÌ ƒof_____ÌÌ ƒƒmy sup - pli - - - - - ƒca - - - - - - ti<strong>on</strong> when I ƒƒcry_ ___________________ÌÌ un - - to_______ ƒThee:_________________ÌHeark-en un - - - - to me___________ÌÌ O____________ ƒLord.Let My PrayerKateuqunqhvtwL ƒet ƒmy ƒprayer be________Ì set______ÌÌ forth___Ì <str<strong>on</strong>g>as</str<strong>on</strong>g> in - ƒcense ƒbe - - - - - - - - fore__________Ì ƒƒThee, <strong>the</strong> ƒƒliftƒƒ-ƒƒing ƒƒup______ ƒƒof ƒmy___ÌÌ hands___________Ì <str<strong>on</strong>g>as</str<strong>on</strong>g> an ƒeve - - ƒning ƒƒsac - ƒƒri - - -ƒƒfice;____________Ì ƒ____heark-ƒen un - - - - to ƒƒme,__________Ì O___________Ì ƒLord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Plagal Fourth ModeS et, 180Qou' KuvrieƒƒO ƒƒLord, ƒa ƒƒwatch ƒƒbe-fore ƒƒmy ƒmouth, and ƒa ƒƒdoor__ÌÌ ƒof en - clo -ƒsure ƒround ƒa - ƒƒbout my lips.2 ƒIn - ƒƒcline___ ƒƒnot ƒmy heart__ÌÌ ƒƒunƒ-ƒto words of ƒe - - ƒvil, ƒƒto make ƒex - cuse ƒwith_ÌÌ ex - cus - ƒƒes ƒin sins,3 With men ƒthat ƒwork ƒƒin - ƒiq - ƒuiƒ-ƒty; ƒƒand I ƒwill not join__Ì ƒwith <strong>the</strong>ir ƒƒcho - sen.4 ƒThe right-eous ƒman ƒwill ƒch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒten me with ƒmer-cy ƒand ƒre - ƒprove__Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


370Plagal Fourth Mode - Verses of Psalms ƒ me; <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒfor ƒthē ƒoil ƒof <strong>the</strong> sin - - - ƒner, ƒlet it___ƒƒnot___Ì ƒ ƒa - noint my ƒƒhead.5 For ƒyet ƒmore ƒis ƒmy ƒprayer_____ ƒƒin ƒ<strong>the</strong> ƒpres - ƒence ƒƒof <strong>the</strong>ir ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ures; ƒswal-lowed up near by ƒƒ<strong>the</strong> rock ƒhave ƒ<strong>the</strong>ir ƒƒjudgƒ-ƒes been.6 They shall ƒhear ƒƒmy ƒwords, for <strong>the</strong>y be sweet - - ƒened; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> a clod ƒƒof earth ƒƒis ƒƒbro - ƒken ƒupƒƒ-ƒƒ<strong>on</strong> ƒthē ƒearth, so ƒhave ƒ<strong>the</strong>ir ƒƒb<strong>on</strong>es ƒbeen scat-tered nigh_ _ÌÌ ƒun - ƒtoHa - ƒƒdes.7 ƒFor un - ƒto ƒThee, ƒƒO ƒLord, ƒO Lord,_ ƒƒare ƒƒmine ƒeyes, ƒin ƒThee have I hoped; ƒƒtake not ƒmy ƒƒsoul aƒ-ƒway.8 Keep me from ƒ<strong>the</strong> ƒsnare which ƒ<strong>the</strong>y ƒhave laid ƒfor me, ƒand ƒfrom ƒ<strong>the</strong> ƒƒstum -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Verses of Psalms371 ƒbling-blocks ƒof <strong>the</strong>m ƒthat_ÌÌwork__Ìin - ƒƒiqƒƒ-ƒƒuiƒƒ-ƒty.9 The ƒƒsin - - - ƒners shall ƒfall in - to ƒ<strong>the</strong>ir own ƒnet; ƒI ƒƒam aƒ-ƒl<strong>on</strong>e ƒun - til ƒƒI p<str<strong>on</strong>g>as</str<strong>on</strong>g>s___ ƒby.10 With ƒmy ƒƒvoice ƒun - to ƒ<strong>the</strong> ƒLord___ ƒhave ƒI ƒƒcried, with ƒmy ƒvoice ƒun - to ƒƒ<strong>the</strong> Lord have I ƒƒmade my supƒ-ƒƒpli - ƒca - ƒƒti<strong>on</strong>.11 ƒI will pour out be - ƒfore__ÌÌÌ Him my sup - ƒƒpli - ƒca - - ƒƒti<strong>on</strong>, ƒƒmine ƒaf - flicƒƒ- ti<strong>on</strong> beƒƒ-ƒƒfore Him ƒƒwillƒI ƒƒde-clare.12 ƒƒWhen ƒmy ƒspir - it ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒfaint - ing___ƒƒwith - ƒƒin___ÌÌ ƒme,ƒ<strong>the</strong>n Thou knew-ƒest ƒƒmy paths.13 In this ƒway whereƒ-ƒin___ ƒƒI ƒƒhave ƒwalked <strong>the</strong>y ƒƒhid ƒfor ƒme ƒa ƒsnare.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


372Plagal Fourth Mode - Verses of Psalms14 I looked up - ƒ<strong>on</strong> ƒƒmy ƒright hand, and ƒbe-ƒheld, ƒƒand <strong>the</strong>re ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒn<strong>on</strong>e__ÌÌ ƒƒthat ƒƒdid ƒknow ƒme.15 Flight ƒ hath failed ƒƒme, ƒƒand <strong>the</strong>re ƒis n<strong>on</strong>e ƒthat watch-eth ƒout____ for my soul.16 ƒI have ƒcried__ÌÌ ƒunƒ-ƒƒto ƒThee, ƒƒO Lord; I said: ƒThou ƒƒart my ƒƒhope, my ƒƒporƒ-ƒti<strong>on</strong> ƒƒart Thou ƒƒin ƒ<strong>the</strong> land___Ì ƒof ƒƒ<strong>the</strong> liv - ƒing.17 ƒƒAt - tend un - ƒƒto ƒƒmy ƒƒsup - ƒpli - ƒƒca - ƒƒ- ƒti<strong>on</strong>, for ƒI am brought ver - ƒƒy ƒlow.18 De - liv - ƒƒer ƒme from <strong>the</strong>m ƒƒthat ƒƒper - ƒse - ƒcute___Ì ƒme, ƒƒfor ƒ<strong>the</strong>y are ƒstr<strong>on</strong>g - er than ƒI.On Saturdays, c<strong>on</strong>tinue with Slow <strong>St</strong>ichera <strong>on</strong> page 374or with Brief <strong>St</strong>ichera <strong>on</strong> page 400.On o<strong>the</strong>r days c<strong>on</strong>tinue <strong>on</strong> following page.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Verses of Psalms3731920 ƒBring my ƒsoul out ƒof ƒpris - ƒ- ƒƒ<strong>on</strong> that I ƒƒmay c<strong>on</strong>ƒ-ƒfess Thy Name. ƒThe right-eous shall wait ƒƒpaƒƒ-ƒƒtientƒ-ƒly for me un - til ƒThou ƒƒshalt ƒƒre - ƒward ƒme.21 ƒOut of ƒ<strong>the</strong> ƒdepths have ƒI ƒcried ƒƒunƒƒ-ƒƒto ƒThee, O ƒLord; ƒO Lord, hear my voice.22 ƒLet ƒThine ƒears be ƒat - ƒtenƒ-ƒƒtive ƒto ƒƒ<strong>the</strong> voice of my sup - pli - ƒƒca - ƒti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Slow <strong>St</strong>icheraPlagal Fourth ModeB ringVerse #1!Exavgage ejk fulakh'" ƒƒmy soul out ƒƒof ƒpris - ƒƒ<strong>on</strong> ƒƒthat ƒI ƒƒmay ƒc<strong>on</strong> - fess___ÌÌ _ÌÌThy________ÌÌ Name.<strong>St</strong>ichera #1@Esperino;n u{mn<strong>on</strong> n eve - ƒning___ ƒhymn and ƒƒra - - - ƒti<strong>on</strong> - - ƒƒal ad - o - - - - - ƒra - - - - ƒti<strong>on</strong> do we ƒƒof - fer un - ƒƒto________ Thee, ƒO___ ƒChrist;__Ì ƒfor ƒThou_____________ ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t well - - ple<str<strong>on</strong>g>as</str<strong>on</strong>g>ed ƒƒto ƒhave ƒƒmer - - - - ƒcy_______ÌÌ <strong>on</strong>_________ ƒus,______________ƒƒthrough <strong>the</strong>___ÌÌ ƒƒRes - ur -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Slow <strong>St</strong>ichera375 - - - - ƒƒrec - - - - ƒti<strong>on</strong>.Verse #2!Eme; uJpomenou'siThe ƒrightƒƒ- eous shall wait ƒpa - ƒƒtient - ly for ƒme un - ƒ- ƒƒtil_____Ì ƒƒThou shalt re - ƒward________ÌÌ me.<strong>St</strong>ichera #2Kuvrie, Kuvrie ƒord, ƒO_____Ì ƒƒƒƒLord,______ c<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒus___ÌÌÌ not a - ƒ- way_______Ì from ƒƒThy___________Ì ƒƒpres - - - - ƒence, ƒbut ƒbe well - - ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g>ed to ƒhave_____ÌÌÌÌ ƒƒmer - - - - - -ƒƒcy_______ÌÌ <strong>on</strong>_________ÌÌ us,____________ƒthrough ƒ<strong>the</strong>____ ƒƒRes - ur - - ƒƒrec - - - - - ti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


376Plagal Fourth Mode - Slow <strong>St</strong>icheraO utVerse #3!Ek baqevwn ƒƒof <strong>the</strong> depths have ƒI ƒƒcried ƒun - ƒƒto Thee, ƒO ƒLord; O ƒLord, ƒ ƒƒhear________̃my___________ ƒvoice.<strong>St</strong>ichera #3Cai're Siw;n aJgiva e - joice, ƒO__ÌÌ ƒho - - ƒƒly Si - - ƒ<strong>on</strong>, ƒthou__Ì̃ƒmoth - - - ƒer___Ì ƒƒof ƒƒ<strong>the</strong> ƒchurch - - - - - es____ ƒƒand ƒdwell - - ing - ƒƒ-ƒplace__ÌÌ ƒ_______________ of___________Ì God; ƒfor ƒƒthou__̃ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t first__Ì ƒƒto re - - ƒƒceive ƒre - - mis - - ƒƒsi<strong>on</strong> ƒof ƒƒsins,________Ì through <strong>the</strong>___ÌÌ Res - ur - - - ƒƒ- rec - - - - ti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Slow <strong>St</strong>ichera377L etVerse #4Genhqhvtw ta; w\ta sou Thine ƒears ƒƒbe ƒat - tenƒƒ- ƒtive ƒto ƒ<strong>the</strong> ƒvoice________Ì ƒof______ ƒ ƒmy ƒsup - pli - ƒƒca - - - - ƒƒti<strong>on</strong>.<strong>St</strong>ichera #4@O ejk Qeou' he ƒWord, ƒƒWho___ ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> be - - ƒgot - - - - - ƒten__ ƒof ƒGod <strong>the</strong>_ ƒ_______ ƒƒFa - - - ƒ<strong>the</strong>r___Ì ƒbe - ƒfore______________Ì thē___Ì ƒag - - - - ƒes, ƒand Who ƒƒin <strong>the</strong>se lat - - ƒter_______ ƒtimes ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - ƒƒcar - - - nate ƒof ƒher ƒƒwho ƒknew_____________Ì not wed - - - ƒƒlock,__ÌÌ hath, of ƒƒHis ƒƒown_____Ì̃ƒwill, ƒƒen - ƒƒ- dured cru - ƒci - ƒfix - - i<strong>on</strong> ƒand______ÌÌ death,____Ì ƒƒand, by ƒ<strong>the</strong> ƒƒƒƒƒƒRes - ur - - rec - - - ƒƒti<strong>on</strong>, ƒhath ƒsaved__Ì man______ ƒwho___www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


378Plagal Fourth Mode - Slow <strong>St</strong>ichera w<str<strong>on</strong>g>as</str<strong>on</strong>g> slain__________̃ƒof____________ ƒƒold.IVerse #5!Ea;n ajnomiva" f ƒThou ƒshouldƒƒ-ƒƒest ƒmark ƒin - iq - ƒƒui - ties, ƒƒO ƒƒLord, O Lord, who ƒƒƒshall ƒƒstand? For ƒ ƒwith__ƒThee____ <strong>the</strong>re is for - ƒgive - - - ƒness.<strong>St</strong>ichera #5Th;n ejk nekrw'n e glo - ƒƒri - fy Thy Res - ƒƒur - - - rec - - - ƒƒti<strong>on</strong> from_ ______Ì̃ƒ<strong>the</strong> dead, O_______ ƒƒChrist,____Ì ƒwhereƒƒ-ƒby ƒThou didst ƒfree___ <strong>the</strong>__ÌÌ race___Ì ƒƒof____Ì ƒAd - - - ƒam___Ì̃from ƒ<strong>the</strong> tyr - ƒan - ƒƒny______________ÌÌ of ƒHa - - des; ƒand, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>___ÌÌ God, Thou ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒbe-stowed_Ì up - - ƒ<strong>on</strong>___________ ƒ<strong>the</strong>__________ ƒƒworld ƒlife___Ì ev - ƒƒer - ƒ- ƒƒl<str<strong>on</strong>g>as</str<strong>on</strong>g>tƒƒ-ƒƒing____ ƒand great___________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Slow <strong>St</strong>ichera379 mer - - - - - ƒƒcy.F ƒorVerse #6$Eneken tou' ojnovmatov" sou ƒƒThy ƒName's ƒsake ƒƒhave ƒƒI pa - ƒtient - ly wait - ƒƒed ƒfor ƒƒThee, O ƒƒLord; my soul hath wait - ƒƒed ƒpa - ƒtient - ly for ƒThy word, my ƒsoul hath hoped________in________ƒƒ<strong>the</strong>_________ Lord.<strong>St</strong>ichera #6Dovxa soi Cristev ƒlo - - - ƒry_________Ì ƒƒbe ƒto ƒƒThee, ƒO___ ƒƒChrist__________ÌÌ Sav - - - -ƒiour, ƒƒOn - ƒƒly - be - ƒƒ- ƒgot - ƒ- ten ƒƒS<strong>on</strong>___Ì ƒƒof God,__ÌÌ ƒWho ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t nailed____________ ƒto ƒ<strong>the</strong>______Ì ƒCross_____ and didst a - ƒ- ƒrise________Ì ƒƒfrom____ ƒ<strong>the</strong>__ƒƒtomb______ ƒƒ<strong>on</strong> ƒ<strong>the</strong>___ ƒƒthird_________ÌÌ day.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


380Plagal Fourth Mode - Slow <strong>St</strong>icheraVerse #7!Apo; fulakh'" prwi?a"F rom ƒ<strong>the</strong> ƒmorn - ing ƒƒwatch ƒƒun - ƒƒtil ƒƒnight ƒfrom ƒ<strong>the</strong> ƒmorn - ing ƒwatch ƒ ƒƒlet ƒƒIs - ƒƒra - ƒel____ ƒhope________ÌÌ in________ƒ<strong>the</strong>_________ Lord. <strong>St</strong>ichera #7Se; doxavzomen Kuvrie e glo - ƒƒri - ƒfy________Ì ƒThee, ƒO___ ƒƒLord, ƒƒWho ƒƒdidst will - ing - ƒ- ƒly en - - dure_Ì <strong>the</strong> Cross__Ì ƒƒfor ƒƒus,___ ƒand ƒwe worƒ-ƒship Thee, ƒO ƒOm-ƒnip - - - - - -ƒƒo - ƒtent Sav - - - - - iour.___ ƒƒC<str<strong>on</strong>g>as</str<strong>on</strong>g>t___ ƒus not a - ƒway ƒƒfrom_____________ƒThy pres - - - ƒƒence,__Ì ƒbut ƒheark - - - - en____ ƒand________ÌÌ ƒsave______________ ƒus ƒby ƒThy ƒƒRes - ƒƒur - ƒrec - - - -ƒƒti<strong>on</strong>,__________ O ƒƒFriend_________ÌÌ of____________ ƒƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Slow <strong>St</strong>ichera381Verse #8$Oti para; tw'/ Kurivw/ F ƒ ƒor ƒƒwith <strong>the</strong> ƒLord ƒ<strong>the</strong>re ƒƒis ƒƒmer - ƒcy, ƒƒƒand ƒwith ƒƒƒƒHim is plen - ƒ te - ous re - demp-ti<strong>on</strong>; and ƒHe ƒƒshall ƒre - ƒdeem ƒIs - ƒƒƒƒraƒ-ƒƒel ƒout ƒof all his in - - ƒiq - - - - ui - - - - ties.O ƒpraiseVerse #9Aijnei'te to;n Kuvri<strong>on</strong> ƒƒ<strong>the</strong> ƒLord, ƒƒall ye ƒƒƒƒƒna - ƒƒti<strong>on</strong>s; ƒƒpraise______Ì Him,_________ ƒƒall ƒƒye ƒƒpeo - ƒƒ- ƒƒ- ƒƒ-ƒƒples.F orVerse #10$Oti ejkrataiwvqh ƒHe ƒƒhath made ƒHis ƒƒmer - cy ƒto ƒpre - ƒvail ƒƒoƒ-ƒver ƒƒus, and ƒ<strong>the</strong> ƒtruth ƒƒof ƒ<strong>the</strong> ƒLord__ÌÌ a - - ƒbid - - - ƒeth for ƒev - - - - ƒer.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Glory… Both Now…Plagal Fourth Mode 84Dovxa Patriv...G lo - ƒƒ- ƒƒry to ƒƒƒ<strong>the</strong> Faƒƒ-ƒƒ<strong>the</strong>r, and to ƒƒ<strong>the</strong>___Ì ƒS<strong>on</strong>, and ƒto <strong>the</strong> ƒHo - ƒƒly_ ƒ__ ƒSpir - - - ƒit.____ÌKai; nu'n ...B oth ƒƒnow___ ƒƒand__Ì ev - - ƒƒer ƒand un - ƒƒto ƒƒthē ƒƒa - - - ƒƒges ƒof ƒa - - - - ƒƒges._______ ƒƒA - - - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Glory383Alternate MelodiesDovxa Patriv...G ƒlo - ƒƒƒƒry ƒƒto ƒƒ<strong>the</strong> ƒƒFa - - - ƒ<strong>the</strong>r, and___ to ƒƒ<strong>the</strong>______ÌÌ ƒƒƒS<strong>on</strong>, ƒand___ÌÌ ƒ_____ to ƒƒ<strong>the</strong>____ ƒƒHo - ƒly____________ÌÌ ƒSpir - - - - ƒit.Kai; nu'n ...B ƒƒoth ƒƒnow ƒƒand___Ì ƒƒev - - - - er ƒand ƒun - to ƒthē___Ì ƒa - - - ƒƒ- ƒges___Ì ƒof ƒa - - - - - - - ges.______Ì A - - - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


384Plagal Fourth Mode - GloryOld (Slow) <strong>St</strong>icheraric MelodiesDovxa Patriv...G lo - - - - - ƒry ƒto ƒ ƒ<strong>the</strong> Fa - - - - - ƒƒ<strong>the</strong>r,_ÌÌ ƒand to____ ƒ_______________ <strong>the</strong>_________Ì̃ and ƒto___ ƒ<strong>the</strong>__Ì S<strong>on</strong>,___ and__Ì ƒto____ ƒ<strong>the</strong>_ ƒ_ÌÌ ƒƒHo - - - - - -ƒƒly___ ƒ ƒSpir - - - - - - - - - - - - - ƒit.Kai; nu'n ...B ƒoth ƒnow ƒand___ ev - - - - er ƒƒand ƒun - - to ƒthē ƒa - - - - - - - - - - - - ƒƒges_________________(n)________________ÌÌ ƒof ƒa - - - - - - - ƒges.______________________ A - - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Dogmatic Theotoki<strong>on</strong>Plagal Fourth Mode 84@O B<str<strong>on</strong>g>as</str<strong>on</strong>g>ileu;" tw'n oujranw'n ƒhe ƒKing ƒƒof ƒ<strong>the</strong> Heav - - - - ens,________ ƒƒout of___ love_ ƒƒ___________________________Ì ƒƒfor ƒman, ƒhath ap - ƒƒ- peared ƒ<strong>on</strong> ƒƒearth and ƒlived______________ a - m<strong>on</strong>g_____Ì ƒƒmen.__ÌÌ ƒFor ƒHe___________Ì ƒthat hath_ ƒtak - en___ÌÌ ƒƒflesh ƒof ƒƒƒƒ<strong>the</strong> pure_____________ Vir - - - - ƒgin,___ ƒand ƒƒƒcome_______ ƒforth_______________̃from_ÌÌ her___ÌÌ with ƒwhat_______Ì ƒHe___Ì hath________________________ÌÌ ƒre - - - - ƒceived, ƒƒis ƒ<strong>on</strong>e__ÌÌÌ ƒS<strong>on</strong>,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


386Plagal Fourth Mode - Dogmatic Theotoki<strong>on</strong> ƒtwo - fold___Ì of ƒna - - - - - - - ƒture, ƒbut ƒnot ƒin ƒhy - - ƒpos - - - - - ta - - - - sis. ƒWhere - -ƒfore, ƒpro - - - claim - - - - - ing__Ì Him__ÌÌ̃ƒƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒtru - ƒly ƒƒƒƒper - - - ƒfect__Ì ƒGod ƒand___Ì ƒper - ƒ- ƒ- ƒ- - - - - ƒfect___________ man, ƒƒwe______Ì c<strong>on</strong> - - fess ƒChrist__Ì ƒƒour ƒƒGod._ ƒƒ_ÌÌ ƒDo ƒthou ƒbe - - - seech_____ ƒHim,__ÌÌ ƒƒO ƒƒMoth - - - er ƒƒƒwho ƒknew - est___ÌÌ ƒƒnot___ÌÌ wed - - ƒlock, ƒƒto ƒhave ƒƒmer - cy ƒ<strong>on</strong>_____ ƒour_Ì̃ƒsouls._ ƒ__________When ple<str<strong>on</strong>g>as</str<strong>on</strong>g>ure predominates during psalmody,<strong>the</strong>n through this ple<str<strong>on</strong>g>as</str<strong>on</strong>g>ure we are broughtdown to p<str<strong>on</strong>g>as</str<strong>on</strong>g>si<strong>on</strong>s of <strong>the</strong> flesh.—<strong>St</strong>. B<str<strong>on</strong>g>as</str<strong>on</strong>g>il <strong>the</strong> Great


Slow ApostichaPlagal Fourth ModeAposticha #1 88!Anh'lqe" ejpi; <strong>St</strong>aurou' hou ƒdidst ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> - - cend <strong>the</strong> Cross, ƒO________ÌÌ ƒƒJe - - - -ƒsus,___Ì Who didst de - scend from_ ƒHeav - - - - en. ƒThou camƒ-ƒest ƒun - to____ ƒƒdeath, ƒO Im - ƒ- ƒƒmor - - - - ƒtal___________ ƒƒLife. ƒThou ƒƒcam - - - ƒest__Ì un - to____ ƒƒthose ƒin ƒƒdarkƒ-ƒness, O ƒƒThou Who_Ì ƒƒƒƒart___ÌÌ ƒƒ<strong>the</strong>____ ƒTrue______www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


388Plagal Fourth Mode - Slow Aposticha Light.__Ì ƒƒThou camƒ-ƒƒest un - to <strong>the</strong> fall - - - en, ƒO Res - - ƒƒur - - ƒrec - - - - ƒƒti<strong>on</strong>______Ì ƒof_________ÌÌ all. O our ƒƒLight_____________ÌÌ ƒƒand ƒour___Ì Sav - ƒƒ- iour, ƒƒglo - - - - ƒƒry ƒƒbe___________ ƒto___________ÌÌ ƒƒThee.TVerse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen ƒhe ƒLord ƒis ƒƒking; ƒƒHe ƒis ƒclo<strong>the</strong>d ƒwith ƒmaj - ƒes - ƒƒty. ƒThe ƒLord is ƒclo<strong>the</strong>d with ƒstrength____Ì and__________ ƒHe___Ì hath girt______ƒƒHim - - ƒƒ- self.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Slow Aposticha389Aposticha #2Cristo;n doxologhvswmen ƒƒet us ƒƒglo - - - - - ƒri - fy___ÌÌ ƒChrist, ƒWho ƒƒis ƒris - - ƒen from___ <strong>the</strong>______Ì ƒdead._______ÌÌ ƒƒFor, ƒƒtak-ƒing ƒƒup - - - ƒ<strong>on</strong> ƒƒHim - ƒself_ ƒ__ ƒsoul______________̃ƒand___Ì bod - - - - ƒy, He___Ì ƒƒsep - - ƒa - - rat - - - ed____ƒƒ<strong>on</strong>e ƒfrom thē oth - ƒƒer by_______________̃His p<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - ƒƒsi<strong>on</strong>.__ÌÌ His ƒim - ƒƒmac - - ƒuƒƒ-ƒƒlate___ soul ƒƒdeƒ-ƒƒscend-ƒed ƒƒinƒ-ƒƒto ƒƒHa - - - - ƒdes,___Ì ƒwhich ƒal - ƒƒso He____________________Ì de - - - - spoiled; ƒand ƒƒ<strong>the</strong> ƒƒho - - ly___ Bod - - y ƒof ƒƒ<strong>the</strong> ƒƒReƒƒ-ƒƒdeem-er___ of our_ ƒ____ÌÌ ƒƒsouls_____ƒƒknew no ƒƒcor - ƒƒrup - - - -ƒƒti<strong>on</strong> ƒin___________ ƒ<strong>the</strong>________Ì ƒ_ÌÌ ƒƒgrave.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


390Plagal Fourth Mode - Slow ApostichaF ƒorVerse #3Kai; ga;r ejsterevwse He ƒes - ƒƒtabƒƒ-ƒlished ƒ<strong>the</strong> ƒƒworld_____Ì̃ƒwhich___ shall not ƒƒbe ƒshak - - - ƒƒen.Aposticha #3Yalmoi'" kai; u{mnoi" ƒith ƒpsalms ƒand___̃hymns ƒwe________ ƒglo - ri - - ƒfy____Ì ƒThy Res - ur - ƒrecƒƒ-ƒƒti<strong>on</strong> from ƒ<strong>the</strong>___ dead,_______ÌÌ O____________Ì ƒChrist,where - ƒby ƒThou didst_̃ƒƒƒfree_______Ì ƒƒƒus ƒƒfrom ƒ<strong>the</strong> ƒtyr - - ƒƒan - - ny___ ƒof ƒHa - - -ƒƒdes; and <str<strong>on</strong>g>as</str<strong>on</strong>g>____Ì ƒƒGod ƒThou_________________ didst__ be - - - - stow______ÌÌ _______ ƒƒlife ev - ƒer - ƒ- ƒl<str<strong>on</strong>g>as</str<strong>on</strong>g>tƒƒ-ƒƒing___ÌÌ and great__________ÌÌ ƒmer - - - - cy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Slow Aposticha391HVerse #4Tw'/ oi[kw/ sou prevpei ƒo - ƒƒli - ness ƒbe - com - eth ƒThy ƒƒhouse, ƒO Lord,_____Ì ƒun - ƒƒto length_ ƒƒƒƒ_______ƒof___________ÌÌ days.Aposticha #4&W Devspota tw'n aJpavntwn ƒm<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - - ƒƒter of____Ì ƒƒƒall, in - com - pre - ƒƒhen - si - - ƒƒble Mak - ƒƒ- er____ ƒƒof___ ƒheav - - - - en______Ì and_____ÌÌ __ earth, ƒby Thy p<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - si<strong>on</strong> ƒup - ƒ<strong>on</strong> <strong>the</strong>___Ì ƒƒCross Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒbe - ƒcome a ƒƒwell - - spring ƒof ƒƒdis - ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - ƒƒsi<strong>on</strong>______Ì for________ÌÌ me; ƒand by ac - ƒcept - - - ƒing ƒƒbur - - - i - - - - ƒal and a - ƒƒris - ƒ- - - ƒƒing ƒin___ glo - - - ƒƒry, Thou didst ƒraise ƒup ƒAd - - - - - am_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


392Plagal Fourth Mode - Slow Aposticha __ al - - - - so ƒƒwith__Thine ƒƒal - ƒƒ- ƒƒ- ƒƒ-ƒmight - - ƒy_________ÌÌ ƒhand. ƒƒGlo - - - ƒƒry to ƒThine a - ƒris - ing ƒƒ<strong>on</strong>______________ ƒ<strong>the</strong>ƒƒƒƒƒƒƒthird__ÌÌ __ ƒƒday,___ ƒƒwhere - ƒƒby___̃ƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒgrant - - - ƒed__ÌÌ un - to____ ƒus ƒlife_________________ ev - - ƒer - - - - l<str<strong>on</strong>g>as</str<strong>on</strong>g>t - - - - - ing ƒƒand ƒƒfor - ƒƒgive - ƒƒ- ƒƒ-ƒƒness ƒof____ÌÌ ƒƒsins,_______________ÌÌÌÌ ƒƒsince ƒThou ƒƒa - ƒl<strong>on</strong>e______ÌÌ ƒƒart____̃comƒ-ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - - ƒsi<strong>on</strong> - - - - ate.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Aposticha Theotoki<strong>on</strong>Plagal Fourth Mode 84!Anuvmfeute Parqevne ƒunƒƒ-ƒƒwed - - - - -ƒƒded Vir - - - ƒgin,___Ì ƒƒwho ƒƒin - ex - - press - i - ƒƒ- ƒbly ƒc<strong>on</strong>-ƒceived ƒGod________ÌÌ ƒin_______Ì <strong>the</strong>________ÌÌ flesh, O ƒƒMoth - - - ƒer___ ƒƒof ƒƒ<strong>the</strong>___Ì ƒMost___________________Ì High________ ƒ__ ƒƒGod: ƒRe - ƒceive <strong>the</strong> pe - - ti - - -ƒƒti<strong>on</strong>s ƒƒof ƒthy supƒ-ƒpli - - ants, ƒO all - ƒ- blame - - - - ƒless__________ÌÌ ƒƒ<strong>on</strong>e. O ƒthou ƒwho ƒgrant - ƒƒest___Ì un - - - - ƒto___________Ì ƒƒall ƒpu - ƒri - ƒfi - ca - - - ƒti<strong>on</strong> ƒƒfrom___ ƒof - - - ƒƒfen - ƒƒ- ƒƒ- ƒƒ-ƒƒces, re - ƒƒceive now_Ì ƒour en - ƒtreat - ƒ- ƒ- ƒ- ƒ-www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


394Plagal Fourth Mode - Aposticha Theotoki<strong>on</strong> ƒ- - - - - - - ƒƒƒƒies,___ ƒƒand be - ƒseech_____ that we ƒƒall______ be__ ƒsaved.__________Ì


Apolytiki<strong>on</strong> of <strong>the</strong>Resurrecti<strong>on</strong>Plagal Fourth Mode 160!Ex u{you" kath'lqe" ƒromƒƒ<strong>the</strong> ƒƒheights ƒdidst Thou come down, ƒO ƒCom - ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-si<strong>on</strong>-ate One. And ƒThou ƒdidst ƒsubƒƒ-ƒƒmit ƒƒto ƒƒthree - day ƒbur - ƒi - - al____̃ƒthat ƒfrom ƒƒ<strong>the</strong> ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒsi<strong>on</strong>s___ Thou might de - liv - - er ƒƒus. O ƒƒour Life___ƒƒand ƒƒRes - ur - rec - - ƒti<strong>on</strong>, O Lord, glo - ry____ ƒbe to___ ƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


396Plagal Fourth Mode - Apolytiki<strong>on</strong>GGlory...Dovxa Patriv ƒlo - ry to ƒ<strong>the</strong> Fa - <strong>the</strong>r, and to <strong>the</strong> ƒƒS<strong>on</strong>, and ƒƒto <strong>the</strong> ƒHo - ƒƒly___ÌÌ ƒƒSpir - it.Both now...Kai; nu'nB ƒoth ƒnow ƒand ev - ƒer, ƒƒand un - to ƒƒthē ƒƒag - ƒƒ- ƒes of ƒag - - es Aƒƒ-ƒƒmen.Resurrecti<strong>on</strong>al Theotoki<strong>on</strong>@O di! hJma'" gennhqeiv" ƒThou Who ƒforƒƒour ƒƒsakes w<str<strong>on</strong>g>as</str<strong>on</strong>g>t born ƒof___Ì ƒa____Ì ƒVir - ƒƒgin, and didst ƒƒsuf - ƒfer cru - ƒƒci - ƒfixƒ-ƒƒi<strong>on</strong>, O____ƒƒGood ƒOne, ƒand didst de - spoil_ __ƒƒdeath by ƒdeath, and ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒGod, didst ƒre - veal ƒ<strong>the</strong> ƒRes-ƒur - ƒrec - ƒti<strong>on</strong>: ƒDis -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Apolytiki<strong>on</strong>397 dain <strong>the</strong>m not which Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t f<str<strong>on</strong>g>as</str<strong>on</strong>g>h - i<strong>on</strong>ed__Ì ƒwith ƒƒThy__Ì ƒhand; show ƒƒus ƒThy love ƒƒfor man-kind, ƒƒO ƒƒMer - ci - ful ƒƒOne; ƒƒac - ƒcept <strong>the</strong> ƒThe - o - ƒƒto - kos ƒthat gave Thee ƒƒbirth, ƒƒwho in - ter -ƒƒced - ƒƒ- eth for ƒus; and do Thou, ƒour ƒƒSavƒ-ƒiour, save___ ƒƒa de-spairƒ-ƒing ƒƒpeo - ƒƒ- ple._________ÌÌNo <strong>on</strong>e in such chanting with a readyand eager mind will be blamed if he be weakened by old age,or young, or have a rough voice, or is altoge<strong>the</strong>r ignorant of rhthym. What ishere sought for is a sober soul, an alert mind, a c<strong>on</strong>trite heart, sound re<str<strong>on</strong>g>as</str<strong>on</strong>g><strong>on</strong>, and aclear c<strong>on</strong>science. If having <strong>the</strong>se you have entered into God's sacred choir, you maystand beside David himself. There is no need of zi<strong>the</strong>rs, nor of taut strings, norof a plectrum, nor skill, nor any instruments. But if you will, you can makeyourself into a zi<strong>the</strong>r, mortifying <strong>the</strong> limbs of <strong>the</strong> flesh, and formingfull harm<strong>on</strong>y between body and soul. For when <strong>the</strong> flesh does notlust against <strong>the</strong> spirit, but yields to its commands, andperseveres al<strong>on</strong>g <strong>the</strong> path that is noble andadmirable, you thus producea spiritual melody.—<strong>St</strong>. John Chrysostomwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - BriefLord, I Have Cried 160Kuvrie ejkevkraxa ƒord, ƒƒI ƒhave cried_ un - ƒto ƒƒThee,__ÌÌ hearkƒ-ƒen ƒunƒ-ƒto me; hearkƒen__̃un - - to ƒƒme, O Lord. Lord,_____ ƒƒI ƒƒhave cried_____Ì ƒun-ƒtoƒƒThee, heark-en un - to me; ƒƒat - ƒƒtend___ ƒƒto ƒ<strong>the</strong> voice of ƒƒmy ƒsup - pli - ƒƒca - ti<strong>on</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Lord I Have Cried399 ƒƒwhen I cry___ÌÌ unƒ- to Thee: Heark-ƒen ƒunƒ-ƒƒto ƒƒme___Ì O___ Lord.Let My PrayerKateuqunqhvtwL ƒet my ƒprayer ƒƒbe ƒset forth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒin - - ƒƒcense ƒbe - fore ƒThee, ƒ ƒ<strong>the</strong> ƒƒlift - ing ƒup___ of ƒmy hands ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒan eveƒ-ƒning ƒsac - ri - fice; heark-ƒen ƒƒunƒ-ƒƒto me,___Ì ƒO Lord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief <strong>St</strong>icheraPlagal Fourth ModeVerse #1!Exavgage ejk fulakh'"B ƒring ƒƒmy ƒsoul out ƒof ƒƒpris - ƒ<strong>on</strong> ƒƒthat I may___ c<strong>on</strong>ƒ-ƒƒƒfess ThyName.<strong>St</strong>ichera #1@Esperino;n u{mn<strong>on</strong> ƒn ƒeve - ƒning ƒƒƒƒhymn and ƒra - ƒ- ƒti<strong>on</strong> - ƒƒal ƒad - ƒo - ƒƒra - - - ƒti<strong>on</strong> ƒdo we ƒof - fer ƒun - ƒto Thee, O Christ; ƒfor Thou___ ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒwell-ple<str<strong>on</strong>g>as</str<strong>on</strong>g>ed to ƒhave ƒmer - - ƒcy <strong>on</strong> us, ƒthrough ƒ<strong>the</strong> Res - ƒur - ƒƒrec - ti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief <strong>St</strong>ichera401Verse #2!Eme; uJpomenou'siT ƒhe ƒright -ƒeous ƒshall ƒƒwait ƒpa -ƒƒtient-ƒly ƒfor ƒƒme ƒƒun - til Thou shalt ƒre - ward me.<strong>St</strong>ichera #2Kuvrie, Kuvrie ƒord, O Lord, ƒc<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒus not ƒƒa - way__Ì from Thy ƒpresƒ-ƒence, but ƒƒbe well-ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g>ed to have ƒmer - - cy ƒƒ<strong>on</strong> us, ƒthrough <strong>the</strong> Res - ur - ƒrec - ti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


402Plagal Fourth Mode - Brief <strong>St</strong>icheraO utVerse #3!Ek baqevwn ƒƒmy ƒvoice. ƒof ƒ<strong>the</strong> ƒdepths have I cried ƒun - ƒƒto ƒThee, ƒO Lord; ƒO ƒLord, hear<strong>St</strong>ichera #3Cai're Siw;n aJgiva ƒe - joice, ƒƒO ƒho - - ly Si - - - <strong>on</strong>, ƒƒthou ƒƒmothƒ-ƒƒer of ƒ<strong>the</strong> ƒchurch-es and ƒƒdwell - ƒing-ƒplace of ƒGod; ƒƒfor ƒthou ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒfirst ƒto re - ƒƒceive ƒƒre - ƒmis - ƒƒ-ƒƒsi<strong>on</strong> of sins, ƒthrough ƒ<strong>the</strong> ƒRes - ƒur - rec - - - ti<strong>on</strong>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief <strong>St</strong>ichera403L ƒetVerse #4Genhqhvtw ta; w\ta sou ti<strong>on</strong>. Thine ƒears ƒbe ƒƒat - ƒten -ƒtive ƒƒto ƒ<strong>the</strong> ƒvoice of ƒmy ƒƒsup - ƒpliƒ-ƒƒca -<strong>St</strong>ichera #4@O ejk Qeou' ƒhe Word, Who ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒbe - ƒgotƒƒ-ƒƒten__ ƒof ƒGod ƒƒ<strong>the</strong> ƒFa - ƒƒ<strong>the</strong>r ƒƒbe - ƒƒfore ƒthē ƒƒag - - - ƒes, ƒƒand Who in ƒƒ<strong>the</strong>se ƒlat - ƒƒter ƒtimes_Ì ƒƒƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒin - ƒƒcar -ƒƒnate ƒof ƒƒher ƒwho knew not ƒƒwedƒ-ƒlock, hath,_____ÌÌ of His own__Ì̃ƒwill, en-dured ƒcru-ƒci - fixƒƒ-ƒƒi<strong>on</strong> ƒand death, ƒƒand,ƒƒby ƒƒ<strong>the</strong> ƒRes - ƒƒur - ƒƒrec-ƒti<strong>on</strong>, hath saved man who w<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒslain___ ƒƒof___Ì ƒƒold.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


404Plagal Fourth Mode - Brief <strong>St</strong>icheraI fVerse #5!Ea;n ajnomiva" ƒThou should -ƒƒest mark ƒin - iq - ui - ƒƒties, O Lord, ƒO ƒLord, ƒƒwho ƒshall stand?For with ƒThee <strong>the</strong>re ƒƒis forƒ-ƒgiveƒ-ƒƒness.<strong>St</strong>ichera #5Th;n ejk nekrw'n e ƒglo - ri - ƒfy ƒThy Res - ur - ƒƒrecƒ-ƒƒti<strong>on</strong> from ƒ<strong>the</strong> ƒdead, ƒO Christ, ƒƒwhere-by___________Ì̃Thou didst ƒƒfree <strong>the</strong> race ƒof Ad - ƒam ƒƒfrom ƒ<strong>the</strong> ƒtyr - an - ny ƒƒof Ha - des; and, ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> God, Thou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒbe-stowed_up - <strong>on</strong> ƒƒ<strong>the</strong> ƒworld life ƒƒevƒ-ƒƒer-ƒl<str<strong>on</strong>g>as</str<strong>on</strong>g>tƒƒ-ƒƒing ƒand ƒgreat mer - - ƒcy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief <strong>St</strong>ichera405F ƒorVerse #6$Eneken tou' ojnovmatov" sou Thy ƒName's ƒsake have ƒI pa - ƒtient - ly wait - ed ƒfor ƒƒThee, ƒO ƒ ƒLord; ƒƒmy ƒsoul ƒƒhath ƒwait - ƒƒed paƒƒ-ƒƒtient-ly for ƒThy ƒword, ƒmy ƒsoul hath hoped in ƒƒ <strong>the</strong> ƒLord.<strong>St</strong>ichera #6Dovxa soi Cristev lo - ry___ be ƒƒto Thee, O Christ ƒSavƒƒ- iour, On -ƒƒlyƒ-ƒƒbe - ƒƒ-ƒgot - - ƒƒten ƒƒS<strong>on</strong> ƒƒof ƒGod, ƒƒWho w<str<strong>on</strong>g>as</str<strong>on</strong>g>t nailed_Ì ƒto ƒƒ<strong>the</strong> ƒƒCross ƒand didst a - rise ƒfrom ƒ<strong>the</strong> ƒtomb__ÌÌ <strong>on</strong>ƒ<strong>the</strong> third ƒday.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


406Plagal Fourth Mode - Brief <strong>St</strong>icheraF romVerse #7!Apo; fulakh'" prwi?a" <strong>the</strong> morn - ƒing ƒƒwatch un - ƒtil ƒnight, fromƒ ƒ<strong>the</strong> morn - ƒing watch ƒ ƒƒlet ƒƒƒƒƒƒƒƒƒƒIs - - ƒra - ƒel hope ƒin ƒ<strong>the</strong> ƒLord. <strong>St</strong>ichera #7Se; doxavzomen Kuvrie ƒe glo - ri - ƒfy Thee, ƒO Lord, ƒWho didst ƒƒwill-ing - ƒƒly en - dure ƒƒ<strong>the</strong> Cross ƒfor ƒus, and we ƒwor - ƒship Thee, ƒƒO Om -ƒƒnip - - o - ƒtent ƒƒSavƒƒ-ƒiour. C<str<strong>on</strong>g>as</str<strong>on</strong>g>t us ƒƒnot ƒa - ƒway from Thy ƒpres - - - ence, but ƒƒheark-en and save ƒus ƒby Thy ƒRes - ƒƒur - ƒƒrec - ƒƒ- ƒƒti<strong>on</strong>, O Friend__̃of___ ƒƒman.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief <strong>St</strong>ichera407FVerse #8$Oti para; tw'/ Kurivw/ or with <strong>the</strong> ƒLord ƒ <strong>the</strong>re is ƒƒmer - ƒƒcy, and ƒwithƒƒ ƒƒHim is plen - te - ƒƒous re - demp-ti<strong>on</strong>; ƒand ƒHe ƒshall ƒƒre - ƒdeem ƒIs - ƒraƒƒ-ƒƒel outƒƒ ƒof all hisin - ƒƒ ƒiq - ƒuiƒ-ƒƒties.Verse #9Aijnei'te to;n Kuvri<strong>on</strong> O ƒ ƒpraise <strong>the</strong> ƒLord, ƒƒall ye ƒƒnaƒ-ƒti<strong>on</strong>s; ƒƒpraise Him, all ye ƒƒpeoƒƒ-ƒƒples.FVerse #10$Oti ejkrataiwvqh ƒor ƒHe hath ƒmade His mer - cy to ƒpre - ƒƒvail ƒƒo - ƒver ƒƒus, ƒand ƒƒ<strong>the</strong> ƒƒƒtruth ƒof ƒƒ<strong>the</strong> ƒLord ƒƒa - bid - - ƒƒeth for ev - er.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


408Plagal Fourth Mode - Brief <strong>St</strong>icheraGGlory...Dovxa Patriv ƒlo - ry ƒƒto ƒƒ<strong>the</strong> ƒFa - <strong>the</strong>r, and ƒto <strong>the</strong> S<strong>on</strong>, and ƒto <strong>the</strong> Ho - ly ƒƒSpir -it.Both now...Kai; nu'nB oth now ƒƒand ev - ƒer and ƒƒun - to ƒthē ƒƒa - - ƒƒges ƒof a - - ƒges. A -ƒƒmen.Dogmatic Theotoki<strong>on</strong>@O B<str<strong>on</strong>g>as</str<strong>on</strong>g>ileu;" tw'n oujranw'n ƒhe ƒƒKing______Ì ƒof ƒ<strong>the</strong> ƒƒHeav-ens, out of ƒƒlove ƒfor man, ƒhath ƒapƒƒ- peared <strong>on</strong> earth and ƒƒlived ƒaƒ-ƒm<strong>on</strong>g men. For ƒƒHe ƒthat ƒhath ƒƒtak - en ƒflesh_____ of ƒƒ<strong>the</strong> pure__ÌÌ Virƒ-ƒgin, ƒand ƒcome ƒƒforth from ƒher with ƒƒwhat He ƒhath ƒre-ƒceived, ƒis ƒ<strong>on</strong>e ƒS<strong>on</strong>, ƒtwo - ƒƒ- fold ƒof na - ƒƒ- ture, but not ƒin ƒhy- posƒ-ƒtaƒ-ƒsis.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief <strong>St</strong>ichera409 Where - - fore, ƒproƒ-ƒclaimƒ-ing Him ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒtru - ƒly ƒƒper - ƒfect ƒGod ƒand ƒƒperƒ-ƒƒfect__ man, ƒƒwe ƒc<strong>on</strong>-fess Christ our God. ƒƒDo ƒƒthou beƒƒ-ƒƒseech Him, ƒO Mothƒ-ƒƒer ƒƒwho knew - est___Ì̃not ƒwed - - lock, ƒƒto ƒƒhave mer - ƒcy ƒƒ<strong>on</strong> our souls._________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Brief ApostichaPlagal Fourth ModeAposticha #1!Anh'lqe" ejpi; <strong>St</strong>aurou' 160 ƒƒhou ƒdidst <str<strong>on</strong>g>as</str<strong>on</strong>g>-cend ƒ<strong>the</strong> ƒCross, ƒOƒƒJe - ƒ- ƒsus, Who didst de-scend from ƒHeavƒƒ- ƒen. ƒThou ƒcamƒ-ƒƒest ƒunƒ-ƒto ƒdeath, O__ÌÌ ƒImƒƒ-ƒmor-tal Life. Thou ƒƒcam-ƒest ƒun - - to those ƒin darkƒ-ƒness, ƒO Thou ƒWho art ƒƒ<strong>the</strong> ƒƒTrue___ƒLight. Thou camƒƒ- est ƒunƒƒ- to ƒƒ<strong>the</strong> ƒƒfall - en, O ƒResƒ-ƒur - ƒrec - - ƒƒti<strong>on</strong> of ƒall. O our ƒLight_____Ì and ƒour ƒƒSav-ƒiour, gloƒ-ƒƒry ƒbe____ ƒƒto ƒThee.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief Aposticha411Verse #2@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusen The ƒLord ƒƒis ƒƒking; ƒHe is ƒƒclo<strong>the</strong>d with ƒmajƒ-ƒƒes - ƒƒty. ƒThe Lord is clo<strong>the</strong>d withƒstrength and__ƒHe___ÌÌ ƒƒhath ƒƒgirt ƒHim-ƒself.Aposticha #2Cristo;n doxologhvswmen et ƒƒus glo - ri - fy Christ, Who is ris - ƒƒen ƒƒfrom <strong>the</strong> dead. For, ƒ tak - - - ƒing ƒƒup - ƒ<strong>on</strong> ƒHim - self__ÌÌ soul and ƒƒƒƒbod - ƒƒy, ƒHe ƒsep - ƒƒa - ƒratƒ-ƒed <strong>on</strong>e from ƒthē ƒoth - ƒer by His ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - - si<strong>on</strong>. ƒHis im - mac - ƒu - late ƒƒsoul ƒƒde - ƒscend - ƒƒ-ƒed ƒƒin - ƒƒto ƒƒHa - - ƒƒdes, ƒwhich ƒal - so ƒƒHe deƒspoiled;ƒand ƒ<strong>the</strong> ƒho - ƒly ƒBod - ƒy of ƒƒ<strong>the</strong> ƒRe - deemƒ-ƒƒer of ƒƒour souls ƒknew ƒƒno cor-ƒrup-ƒti<strong>on</strong>in____Ì ƒ<strong>the</strong>___ ƒgrave.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


412Plagal Fourth Mode - Brief ApostichaFVerse #3Kai; ga;r ejsterevwse or He es - ƒtabƒ-ƒƒlished ƒ<strong>the</strong> ƒƒworld which shall ƒnot ƒƒbe ƒshak - en. Aposticha #3Yalmoi'" kai; u{mnoi" ith ƒpsalms and hymns ƒwe ƒƒglo - ri - ƒfy ƒThy ƒƒRes - ur - ƒƒrec - ƒti<strong>on</strong> from_̃ƒ<strong>the</strong> dead, ƒO ƒƒChrist, ƒwhere - ƒby___ ƒThou ƒdidst ƒfree ƒus from ƒ<strong>the</strong> ƒƒtyr - ƒan - ny ƒof ƒƒHa - ƒƒdes; ƒand <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒGod Thou didst ƒƒbe - ƒstow life____ evƒƒ- ƒƒerƒƒ-ƒƒl<str<strong>on</strong>g>as</str<strong>on</strong>g>t - ƒingƒand ƒgreat mer - cy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief Aposticha413HVerse #4Tw'/ oi[kw/ sou prevpei ƒo - li - ness ƒƒbe - ƒƒcom - ƒƒeth ƒThy ƒƒhouse, O ƒƒLord, ƒƒƒƒun - ƒ ƒƒto ƒƒlength ƒof ƒdays.Aposticha #4&W Devspota tw'n aJpavntwn ƒƒƒƒM<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒter ƒƒof ƒall, in - ƒcom - ƒpre - hen - ƒsi - ble ƒMak - ƒƒer ƒof ƒƒƒheav - - ƒen ƒand earth, ƒby ƒƒƒƒƒThy ƒƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - - ƒƒsi<strong>on</strong> upƒ-ƒƒ<strong>on</strong> <strong>the</strong> ƒCross ƒƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒbe - come ƒƒa ƒƒwell-spring of ƒdisƒƒ-ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒ- si<strong>on</strong> for ƒƒme; and ƒƒby ƒƒac - ƒƒceptƒ-ƒing bur - i - ƒƒal and ƒa - ƒris - ing ƒƒin glo - - - ƒry, ƒƒThou ƒƒdidst ƒraise up ƒƒƒƒAd - am al - ƒso ƒwith__Thine_Ì alƒƒ-ƒƒmight-ƒy ƒhand. Glo - - ƒƒry ƒto ƒThine ƒa - ris-ƒing ƒƒƒ<strong>on</strong> <strong>the</strong> ƒthird day, where - ƒƒby___Ì̃ƒThou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t grant - ed ƒun - ƒto ƒƒus life___ ev - ƒƒer - ƒl<str<strong>on</strong>g>as</str<strong>on</strong>g>t - - ƒing and ƒƒfor - give - ƒ- ness ƒof ƒsins, since ƒThouwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


414Plagal Fourth Mode - Brief Aposticha a - ƒl<strong>on</strong>e___ art ƒcomƒƒ- p<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒƒ- ƒsi<strong>on</strong> - - ƒƒate.GGlory...Dovxa Patriv ƒƒ ƒlo - ry ƒƒto ƒ<strong>the</strong> ƒFa -ƒƒƒ<strong>the</strong>r, and ƒto ƒ<strong>the</strong> S<strong>on</strong>, ƒƒand ƒto <strong>the</strong> ƒƒHo - ƒƒly ƒƒSpirƒƒ- it.Both now...Kai; nu'nB ƒƒoth now and ev - ƒ- ƒƒer, and un - to ƒthē ag - - es ƒƒof ag - ƒƒes. ƒƒA -men.Aposticha Theotoki<strong>on</strong>!Anuvmfeute Parqevne unƒƒ-ƒwed - ded ƒVir -ƒƒgin, who ƒin - ƒex - ƒpress - ƒiƒ-ƒbly c<strong>on</strong> - ceived_ ƒ__ God ƒin ƒƒ<strong>the</strong> flesh, ƒO ƒMoth - ƒƒƒer of <strong>the</strong> ƒMost High God: Re - ƒceive <strong>the</strong>__Ì ƒƒpeƒƒ-www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Plagal Fourth Mode - Brief Aposticha415 ti - - - ti<strong>on</strong>s ƒof ƒthy supƒƒ-ƒƒpli-ƒants,_̃ ƒO____ ƒƒallƒ-ƒblame-ƒless ƒƒ<strong>on</strong>e. ƒO ƒthou ƒƒwho ƒgrantƒ-ƒƒest ƒƒun - ƒƒto all pu - ƒri - ƒfi - ca - - ti<strong>on</strong> from ƒƒof - fen - - ƒƒces, ƒƒre - ƒƒceive now our en - ƒtreat - - ies, and ƒƒbe-seech__̃ƒthat we ƒall_Ì ƒ____Ì be__Ì saved.__________When you have children, teach <strong>the</strong>m music.But, of course, real music—angelic, not dances and s<strong>on</strong>gs.Music <str<strong>on</strong>g>as</str<strong>on</strong>g>sists <strong>the</strong> development of <strong>the</strong> percepti<strong>on</strong> of spiritual life.The soul becomes refined. It begins to understand spiritual music <str<strong>on</strong>g>as</str<strong>on</strong>g> well.—<strong>St</strong>. Barsanuphius of Optinawww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


I Shall Gointo Thy HousePlagal Fourth Mode*adapted from Hierom<strong>on</strong>k Gregoryof Sim<strong>on</strong>os Petr<str<strong>on</strong>g>as</str<strong>on</strong>g> M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery 60Durati<strong>on</strong>: 2:30Int<strong>on</strong>ati<strong>on</strong>: #26Eijseleuvsomai eij" to;n oi\kovn sou ƒ shall ƒgo_________________________________________Ì I____ÌÌ shall go___________________________ÌÌ ƒƒin - - - - - - - - - ƒƒto____________________________* In some places <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>, this psalm verse is <str<strong>on</strong>g>chanted</str<strong>on</strong>g> at <strong>the</strong> beginning of a vigil while <strong>the</strong>priest censes. In o<strong>the</strong>r places <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>, however, nothing is <str<strong>on</strong>g>chanted</str<strong>on</strong>g> or read at that time in avigil, which is <strong>the</strong> more traditi<strong>on</strong>al practice.


418I Shall Go into Thy House ƒ__ƒƒThy__________ ƒhouse;__________________________ÌÌ I ƒƒƒshall_____ÌÌ ƒwor - - - - - - - - - - - - - - - - ƒship toward______________ ƒ_____________________________________ ƒtoward_____________ÌÌThy__ ƒƒho - ƒly tem - - - - - - - - - - - ple_____________Ì ƒin ƒƒfear_______Ì ƒ_____________Ì of___ ƒThee, ƒO_________________________ƒLord,________Ì ƒƒO_Ì ƒ____ÌÌ ƒLord._______________________________________________________ÌÌO sleepless nights, with <strong>the</strong> singing of psalms,and with standing which l<str<strong>on</strong>g>as</str<strong>on</strong>g>ts from <strong>on</strong>e day to <strong>the</strong> next!O David, <strong>on</strong>ly for <strong>the</strong>se faithful souls [<strong>the</strong> nuns], have you not sung too l<strong>on</strong>g!—<strong>St</strong>. Gregory of Nazianzuswww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria(c<strong>on</strong>cluding verses of psalm 103) *Plagal Fourth Modeadapted from <strong>the</strong> standard melodyattributed to Theodore Phokaeus** 90Durati<strong>on</strong>: 19:00Int<strong>on</strong>ati<strong>on</strong>: #26!Anoivxantov" sou ƒhen Thou_ÌÌ ƒo - - - - pen - - ƒest ƒThy ƒhand,_________________________________* On special fe<str<strong>on</strong>g>as</str<strong>on</strong>g>t days, <strong>the</strong>se c<strong>on</strong>cluding verses of <strong>the</strong> opening vesper psalm are <str<strong>on</strong>g>chanted</str<strong>on</strong>g> instead of beingread.**As Georgios Papadopoulos menti<strong>on</strong>s, <strong>the</strong> Anoixantaria published by Phokaeus w<str<strong>on</strong>g>as</str<strong>on</strong>g> actually composed byAnt<strong>on</strong>ios Sigal<str<strong>on</strong>g>as</str<strong>on</strong>g> in 1830 at <strong>the</strong> request of m<strong>on</strong>ks from Vatopedi M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>. (Vid. Papadopouvlou,Gewrgivou, Sumbolai; eij" th;n @Istorivan th'" !Ekklhsi<str<strong>on</strong>g>as</str<strong>on</strong>g>tikh'" Mousikh'", !Aqh'nai, 1890, sel. 437.)www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


420Anoixantaria - Phokaeus all ƒƒthings________ ƒƒshall______Ì ƒbe_________ filled with_ ƒgood - - ƒness; ƒwhen Thou ƒƒturn - - - - ƒest a - ƒway Thy__Ì face___Ì <strong>the</strong>y ƒƒshall ƒbe ƒtrou - - - - - ƒbled.__ÌÌ ƒƒGlo - ry ƒto__ƒƒƒƒThee, O___ÌÌ ƒGod.____________Ì Al - - ƒƒle - ƒƒlu - - - - -ƒi - - - - - ƒa.Verse #2!Antanelei'" to; pneu'ma Tƒhou ƒƒwilt ƒƒƒtake______ ƒ<strong>the</strong>ir ƒspir - - - - it,___________ÌÌ and <strong>the</strong>y___Ì ƒ_____ ƒƒshall________ÌÌ ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e; ƒand un - - -ƒƒto____ <strong>the</strong>ir dust_____ÌÌ ƒshall <strong>the</strong>y________ÌÌ ƒre - - - - turn. ƒGlo - ry ƒto__ Thee, O___ÌÌ ƒGod._____ ƒ_________ ƒAlƒƒ- le - ƒƒlu - - - - i - - - - - ƒa.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Phokaeus421Verse #3!Exapostelei'"T ƒhou wilt ƒƒƒƒsend forth Thy___Ì Spir - - - -ƒit,___ÌÌ ƒand ƒ<strong>the</strong>y___shall_ ƒƒ____Ì be cre - - ƒat - - - - ƒed,___ÌÌ ƒand Thou shalt ƒre - - - new___ ƒ____Ì <strong>the</strong> face_________Ì of_______ƒƒƒthē________ÌÌ earth. Glo - ƒry ƒto ƒƒThee, ƒƒO___ÌÌ ƒƒFa - - - - <strong>the</strong>r. ƒƒGlo - ƒ- ƒry ƒƒto__ÌÌ ƒƒThee,_ ƒO____ ƒƒS<strong>on</strong>.__________ÌÌ ______ÌÌ ƒGlo - - - - - ƒƒry_______Ì to_________ Thee, ƒO____ ƒƒHo - - ƒly____Ì ƒƒSpir - - - ƒit.___ÌÌ Glo - - - ƒry ƒto__ ƒThee, O____ God.___ ƒAlƒƒ-ƒƒle - ƒƒlu - - - - ƒi - - - - - ƒƒƒa.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


422Anoixantaria - PhokaeusLVerse #4!Antanelei'" et________Ì ƒƒ<strong>the</strong>________ÌÌ glo - - ƒry_________Ì ƒof_______Ì̃<strong>the</strong>_________ ƒLord ƒbe ƒun - to thē ag - - ƒƒes;_______Ì ƒƒ<strong>the</strong> ƒƒLord__ÌÌ will re - ƒƒ-ƒƒjoice_ ƒ____________Ì ƒƒin__________ ƒƒHis___________ ƒƒworks. ƒGlo - - - - - ry to___ÌÌ Thee, O________ Ho - ƒly__Ì̃One. Glo - - - - -ƒry__ÌÌ to___ Thee,_ ƒ_________Ì O_________ÌÌ ƒLord. Glo - - ƒƒry_________Ì ƒƒto_________ÌÌ Thee, ƒO ƒHeav - - - - - - - - en - - ƒƒly_______ ƒKing.____________Ì(n)_____Ì ƒ_______ ƒGlo - ry ƒƒto__ƒƒƒThee, ƒƒO___ÌÌ God.____________Ì Al - - - - ƒƒle - ƒƒlu - - - - ƒƒi - - - - - a.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Phokaeus423Verse #5@O ejpiblevpwnW ho____ÌÌ look - - - - - ƒƒeth ƒup - ƒ- ƒ<strong>on</strong>_________ÌÌ ƒthē___________ÌÌ ƒearth ƒand mak - eth______Ì ƒit ƒƒtrem - - - - - - - - ƒble, ƒWho ƒtouch - - - - - - - ƒƒƒƒeth_________ ƒ<strong>the</strong> ƒmoun - - tains_______ ƒand________________________________________ and__ <strong>the</strong>y__ƒƒsmoke._Ì Glo - - - ƒ - - ry ƒto____ ƒThee, O________Ì ƒHo - ƒly___One. Glo - - - ƒry___ ƒto_ ƒ_ÌÌ Thee,__________Ì ƒƒO__________Ì ƒLord. ƒƒGlo - - ƒry to____ ƒƒThee, O____Ì Heav - - - - ƒen - ƒly_______ ƒKing._____ Glo - - ƒry ƒƒto ƒThee, O____Ì ƒƒHo - - ly____ÌÌ Spir - - - - - - - - - - - - - - - - - it.______________ Glo - ƒƒry ƒƒto Thee,_Ì ƒƒO____Ì ƒƒGod.__________________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


424Anoixantaria - Phokaeus ƒAl - ƒle - ƒƒlu - - - - -ƒi - - - - - ƒa.Verse #6#A/sw tw'/ Kurivw/I will sing ƒƒun - to____ ƒ<strong>the</strong> ƒLord___Ì ƒthrough-ƒout ƒmy__ÌÌ life, ƒƒI ƒwill ƒchant______ to___ my_________Ì ƒƒGod for ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒl<strong>on</strong>g_____________Ì ƒ_________ <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒƒƒI____Ì have my__ ƒƒbe - - - ing.___Ì ƒƒGlo - ƒry ƒƒto__Ì ƒThee, ƒƒ<strong>the</strong>___Ì God - - - head__ ƒof ƒƒThree ƒHy - - - pos - - - - - - ƒta - ƒƒ- - - ƒƒses: ƒƒFa - - <strong>the</strong>r,__ÌÌ ƒƒS<strong>on</strong>, and Spir - - - it;____ Thee__ÌÌ do ƒƒwe__ÌÌ ƒwor - - - - ƒƒƒship_____ÌÌ ƒƒand ƒglo - - - - ƒri - - - - fy. ƒGlo - - ƒry ƒto ƒƒThee,_ ƒO____ ƒGod._________________ÌÌ ƒAl - ƒƒle - ƒlu - - - - - i - - - - - ƒa.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Phokaeus425MVerse #7@Hdunqeivh aujtw'/ ay ƒƒmy ƒƒwords____Ì be___Ì̃ƒsweet_____ƒƒƒƒun - to___ÌÌ Him and ƒI will ƒƒre - joice__________________ÌÌ ƒin_______̃ƒ<strong>the</strong>________Ì Lord. Glo - ry to___ÌÌ Thee, ƒO ƒBe - gin - - - - ƒning - - less________ÌÌ ƒFa - - - - - ƒ<strong>the</strong>r. ƒGlo - - ƒƒry ƒƒto____ ƒƒThee, ƒƒO Co - ƒBe - ƒƒƒgin - - - - - ƒning - ƒ-ƒless__ S<strong>on</strong>.__ÌÌ ƒGlo - - ry ƒto ƒThee,__Ì O__ÌÌ ƒHo - - ƒƒly____ ƒƒSpir - - ƒƒit, <strong>on</strong>e_ ƒ__ with__________ÌÌ ƒƒThem in ƒes - - - - - - -ƒsence______________Ì and_ ƒ__ in___ƒƒthr<strong>on</strong>e._Ì ƒƒO ƒHo - - ƒly ƒƒTrin - - - i - ty, ƒglo - - - - - - - ry_______ÌÌ ƒƒto_________Ì ƒƒThee. Glo - - ry ƒƒto ƒƒThee,_Ì ƒO____Ì ƒƒGod._____Ì ƒ___________Ì ƒƒAl - le - ƒlu - - - - - - - -ƒƒi - - - - - a.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


426Anoixantaria - PhokaeusOVerse #8!Ekleivpoien aJmartwloiv __________________ ƒƒthat ƒsin - - - - - ners___Ì ƒƒwould ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e________Ì ƒ__ ƒfrom_______ÌÌ thē__________Ì earth, ƒand ƒ<strong>the</strong>y that___Ì ƒwork ƒƒin - iq - - ui - - - - ƒty, ƒthat ƒ<strong>the</strong>y should_ ƒbe_________Ì ƒno___________ ƒƒmore. ƒƒGlo - - - - - - - - ƒry__ÌÌÌÌÌÌ to____ ƒThee,__ ƒO_________ Fa - - - ƒ<strong>the</strong>r. Glo - - ƒry ƒto___ƒƒThee, O____Ì S<strong>on</strong>.____________Ì Glo - - - ƒry___ ƒƒto____̃Thee, O___ÌÌ ƒHo - - ly____Ì ƒƒSpir - - - - - - - - ƒit._ ƒ__ O Ho - - - ly ƒTrin - - - - ƒi - - ƒty, ƒƒglo - - - - - - - - - ƒry_______ÌÌ ƒto_________Ì Thee. Glo - - ƒry ƒƒto Thee,_Ì ƒO____ God._ ƒ_________________Ì ƒAl - le - lu - - - - ƒi - - - - - a.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


428Anoixantaria - PhokaeusHVerse #10@W" ejmegaluvnqh ow_______Ì ƒƒmag - - - - ni - - - - ƒfied_____________ are ƒƒThy works, ƒƒO__Ì Lord! ƒƒin wis - - - - - - - dom h<str<strong>on</strong>g>as</str<strong>on</strong>g>t___ƒThou_ ƒmade________ ƒ_______________ÌÌ <strong>the</strong>m__________ÌÌ all. Glo - - - - ƒry to___ÌÌ Thee, O______Ì Un - - ƒƒbe - - ƒgot - - ƒten______ ƒFa - - - -ƒƒ<strong>the</strong>r. Glo - ƒ- ƒ- ƒ - - ry ƒto___ÌÌ ƒƒThee,____________ÌÌ ƒƒO Be - - ƒgot - - - - - - - ƒ- - ten__Ì ƒƒO____ ƒƒBe - ƒƒgot - - ƒƒƒƒen________ÌÌ ƒƒS<strong>on</strong>. ƒƒGlo - - ƒƒry_____ ƒ_Ì ƒto____________ÌÌ Thee, <strong>the</strong> ƒHo - ly________Ì Spir - - - it,____ ƒWho ƒpro - - ceed - - - ƒƒƒƒest__Ì̃ƒfrom ƒƒ<strong>the</strong>___Ì ƒFa - - -ƒƒ<strong>the</strong>r, and_______ÌÌ ƒrest - - est ƒin__________ ƒ<strong>the</strong>___________ÌÌ ƒS<strong>on</strong>. ƒƒO ƒHo - ly ƒƒTrin - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Phokaeus429 i - - ty, glo - - - - ry_______ÌÌ ƒƒto_________Ì ƒƒThee. Glo - - ƒry ƒto Thee,_ÌÌ ƒO____Ì ƒƒGod.__________________Ì Al - le - ƒƒlu - - - - - i - ƒ- ƒƒ- - - ƒƒa.Glory...Dovxa PatrivG ƒlo - ƒƒ- ƒƒ- ry ƒto ƒƒƒ<strong>the</strong> ƒFa - - - ƒƒ<strong>the</strong>r, ƒƒand___ to ƒ<strong>the</strong>_____ÌÌÌ S<strong>on</strong>, ƒand_________ÌÌ ƒto ƒ<strong>the</strong>____ Ho - ƒly____________Ì Spir - - - - ƒƒit.Both now...Kai; nu'nB ƒƒoth now and__Ì ƒev - - - - ƒƒer, ƒƒand ƒun - ƒto ƒthē ƒag - - ƒes________ of ƒag - - - - ƒes._______ ƒƒA - - - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


430Anoixantaria - PhokaeusAlleluia #1!Allhlouvi>aAƒƒ l - ƒle - ƒƒlu - i - - a. ƒAl - ƒƒle - ƒlu - i - - ƒa. ƒƒAl - le - ƒƒlu - ƒi - - ƒa. Gloƒ-ƒry ƒƒto Thee,_ ƒO___ ƒGod.__ÌÌ Alƒ-ƒƒle - ƒlu - - - - i - - - - - ƒa.Alleluia #2!Allhlouvi>aAƒƒ l - le - lu - i - - ƒƒa. ƒAl - le - ƒlu - i - - ƒa. ƒAl - ƒƒle - ƒƒlu - ƒi - - ƒa. Gloƒ-ƒry ƒƒto Thee,_ ƒO___ ƒGod.__ÌÌ Alƒ-ƒƒle - ƒlu - - - - i - - - - - ƒa.Alleluia #3!Allhlouvi>aAƒƒ ƒƒl - le - ƒlu - - ƒi - - ƒa. ƒAl - le - lu - ƒi - - ƒa. ƒAl - ƒle - www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Phokaeus431 ƒƒlu - i - - ƒa. Glo - - - - - ƒry______ÌÌÌÌ ƒƒto_________ ƒThee, O our_ ƒ__ God,_______ glo - - ƒry____ ƒƒbe_____ ƒto__Ì Thee.__________The Ladder of Divine Ascentwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria(c<strong>on</strong>cluding verses of psalm 103)Plagal Fourth Modeadapted from <strong>the</strong> elaborate versi<strong>on</strong> byGeorgios Raidestenos <strong>the</strong> Arch<strong>on</strong> Protopsaltisof <strong>the</strong> Patriarchate of C<strong>on</strong>stantinople (d. 1889) 96Durati<strong>on</strong>: 22:45Int<strong>on</strong>ati<strong>on</strong>: #26!Anoivxantov" sou ƒhen____________̃ƒThou_ÌÌ̃o -ƒƒƒƒpen - -ƒƒest Thy___Ì̃ƒƒhand,________ ƒƒall___Ì̃things_____ ƒshall__̃ƒbe__ÌÌÌÌ filled with_ good - - - ness;__ÌÌ when_______ÌÌ ƒ__Thouƒƒƒturn - - est ƒa - ƒ- way Thy_ÌÌÌ ƒƒface___Ì ƒƒƒ<strong>the</strong>y ƒƒƒƒshall be__________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Raidestenos433 ƒtrou - - - - ƒbled._______________________________________________________ÌÌ ƒ________________________________________________________________ÌÌ(d)ƒGlo - ƒƒ- ƒƒry___ to ƒƒThee,_________ÌÌ O___________Ì ƒGod._________________ÌÌVerse #2!Antanelei'" to; pneu'maThou ƒwilt ƒtake___________Ì ƒ<strong>the</strong>ir__ÌÌ spir - - -ƒƒƒƒit, and <strong>the</strong>y_____ÌÌshall____ÌÌÌ ƒ__ƒƒce<str<strong>on</strong>g>as</str<strong>on</strong>g>e; and ƒƒun - ƒto______________ <strong>the</strong>ir________ÌÌ ƒƒdust ƒshall_ÌÌ <strong>the</strong>y_______Ì ƒ____ÌÌ re - - - - ƒturn.___________________________________________________ ƒ___________________________________________________________(n)ƒƒƒƒGlo - - ry__ÌÌ to ƒThee,_________ÌÌO___________Ì God._________________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


434Anoixantaria - RaidestenosVerse #3!Exapostelei'"Tƒhou ƒƒƒƒwilt ƒƒƒsend ƒforth_____ÌThy_____ÌÌ Spir - - - - ƒit, ƒand <strong>the</strong>y____Ì ƒ____Ìshall ƒƒƒbe____ ƒƒcre - - - ƒat - - - - ƒƒed, and ƒƒƒƒThou shalt__ÌÌ ƒre - - ƒƒnew <strong>the</strong> ƒface_________ƒƒƒof ƒthē__Ì earth.___ ƒGloƒ-ƒƒry__ÌÌ ƒƒto_________Ì Thee, ƒƒO____ ƒHo - ƒly___ƒOne. Glo - - - - - - - - ry ƒƒto ƒƒThee,__ÌÌ ƒ______Ì O___________Ì Lord. Glo - - - - ƒry______ÌÌ ƒto ƒThee, ƒƒƒƒO____ ƒKing,_________________Ì O ƒƒƒHeav - - - - - ƒen - - ly___ ƒƒKing. Teh - ƒ - - - - ƒneh-nah ƒteh - - - - ƒƒƒneh-nah - - - - ƒneh.__ÌÌ ƒƒGlo - ry_ ƒ__ ƒƒƒ to___ Thee,__________Ì̃O__________Ì God.__________________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Raidestenos435LVerse #4!Antanelei'" et ƒ<strong>the</strong> ƒƒglo - - ƒƒry_________Ì of_______̃ƒ<strong>the</strong>________Ì Lord ƒbe ƒun - ƒƒto ƒƒthē___Ì ƒag - - - ƒƒes;___ÌÌ <strong>the</strong> ƒLord___ ƒwill__ÌÌ ƒre - ƒƒjoice__________Ì ƒin___̃ƒHis________Ì works.____________________________Ì Gloƒ-ƒƒry__ÌÌ ƒƒto____ ƒ____̃ƒƒThee, ƒO____ ƒƒƒHo - ly___One. ƒƒGlo - - - - - - - -ƒry ƒto ƒƒThee,_ ƒ_________ O___________Ì Lord. Glo - - - - ƒry______ÌÌ ƒto ƒThee, O_Ì ƒ__ ƒKing,__________________ ƒO ƒHeav - - - - - ƒen - - ƒly___ King. ƒTeh - ƒ - - - -ƒƒneh-nah ƒteh - - - - ƒƒneh-nah - - - - ƒneh.__ÌÌ ƒƒGlo - ƒƒry___ ƒƒƒ ƒto___ ƒƒThee,__________Ì̃ƒO__________Ì ƒGod._________________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


436Anoixantaria - RaidestenosVerse #5@O ejpiblevpwn W ƒho____Ì look - - - - - - - eth ƒƒƒ ƒup - -ƒƒƒƒ<strong>on</strong>__________Ì̃ƒthē__ÌÌ ƒ______ÌÌÌ ƒƒearth___________Ì ƒƒƒƒand___Ì mak - eth___Ì ƒit___ÌÌÌ ƒƒtrem - - - - - ƒ- - - - - - - ble,___Ì ƒƒWho touch - - - ƒeth ƒ<strong>the</strong>___̃moun - ƒ- ƒ- - tains_______ÌÌ and__Ì̃<strong>the</strong>y________Ì smoke_________________________ ƒƒƒƒand______ <strong>the</strong>y__ smoke___________________________ ƒƒand______ ƒƒ<strong>the</strong>y__ƒsmoke._ ƒ__________________________________Ì(k) Glo - ƒry____ ƒto___ƒƒThee,_____ ƒƒO___ÌÌ ƒ____Ì ƒƒFa - - ƒ<strong>the</strong>r. ƒGlo - - ƒƒry ƒto__ÌÌThee, O____ ƒS<strong>on</strong>.____________Ì ƒƒƒGlo - ƒ- - - ry_______ÌÌ ƒƒto_________ Thee, ƒƒƒƒO____Ì ƒƒHo - - ƒly____ ƒƒƒSpir - - ƒ- - - - - - - - - - - - - - - ƒƒit._____________ÌÌ O ƒƒHo -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Raidestenos437 ƒ- - - ƒƒly_________Ì ƒƒTrin - - -ƒƒi - - - - ƒty, ƒglo - - - - - - ry_______Ì̃ƒƒƒto_________Ì ƒThee. ƒGlo - ƒry___ ƒƒto___ ƒƒThee,________ÌÌÌÌ ƒO___Ì ƒ_______ ƒGod.Verse #6#A/sw tw'/ Kurivw/I ƒwill ƒƒsing ƒƒun - - - to ƒƒ<strong>the</strong>__Ì ƒƒƒLord___ ƒthrough-out___________̃ƒmy_ ƒ__________ƒƒƒlife,______ÌÌ ƒI ƒwill______ chant_____________ÌÌ to_____ÌÌÌÌ my_____ÌÌ ƒ__ ƒGod ƒƒfor ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> l<strong>on</strong>g <str<strong>on</strong>g>as</str<strong>on</strong>g>__ÌÌ ƒI ƒhave ƒmy ƒƒbe - - - - - - - - - - ƒ - - ƒƒing.__________ÌÌ ƒƒGlo - ƒry____ to___ƒƒThee,_____ƒƒƒO_________ Fa - - - <strong>the</strong>r. ƒƒGlo - - ry ƒto__Ì̃Thee, O____̃ƒS<strong>on</strong>.____________ ƒGlo - - - - ry____ÌÌ ƒ__ to_________ Thee, O____ ƒHo - - ƒƒly____Ì ƒSpir - - - - - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


438Anoixantaria - Raidestenos - - - - - - - - ƒƒ(r)it._____________Ì O Ho - - - ƒƒly_________Ì ƒTrin - - - i - - - - ƒty, ƒglo - - - - - - - ƒry_______Ì to______Ì ƒ__ƒƒƒƒThee. ƒƒGlo - ƒƒƒƒry___ to___ ƒƒThee,_________ÌÌ ƒƒO___________ÌÌ ƒGod.Verse #7@Hdunqeivh aujtw'/M ƒay my ƒwords__________________Ì ƒbe____ ƒsweet_____Ì ƒƒun - ƒƒto____Ì Him_ ƒ______________Ì ƒand ƒƒƒƒI_______________ ƒwill_________________________Ì re - - joice_______Ì ƒI_________________̃ƒwill re - ƒjoice_______Ì ƒin____________ ƒƒ<strong>the</strong>_______Lord.__________ÌÌÌÌ Glo - - - - ry______ÌÌ to ƒƒThee,__Ì ƒO____ƒƒKing_ ƒ___ÌÌ(n)_____________Ì O____̃ƒHeav - - en - - ƒly___ King. ƒGlo - - ry____ ƒƒƒ to___ƒThee, ƒƒO________ ƒƒRul - - ƒƒer of____ All, ƒƒand to____Ì ƒ<strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Raidestenos439 ƒƒS<strong>on</strong>________ and to ƒƒƒ<strong>the</strong> ƒƒƒHo - - ƒƒly___ƒSpir - - - - - ƒƒit.____________ÌÌ ƒ______________________________________________________________________________ ƒ_______________(t) ƒƒƒ ƒGlo - - - - ƒry___ÌÌ ƒƒto ƒƒThee,____________ÌÌ ƒƒO___Ì ƒ_______Ì ƒGod.__________________ÌVerse #8!Ekleivpoien aJmartwloivO ƒthat sin - - - ners ƒƒwould ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e_________Ì from______ thē________ÌÌ earth, ƒand <strong>the</strong>y ƒthat______ ƒƒƒwork_____Ì in - iq - ƒƒƒƒui - - ƒty, that ƒ<strong>the</strong>y_ ƒ_____ƒshould__________ÌÌ ƒƒbe___ƒƒƒno________ÌÌ ƒmore. ƒGlo - - - - - ry____ÌÌ ƒ_ÌÌ ƒto________ÌÌ ƒƒThee, <strong>the</strong>______ÌÌ ƒƒGod - - - - - - ƒƒhead__ÌÌÌÌ ƒ<strong>the</strong>__Ì ƒGod - ƒ- - - - - - - - ƒhead of___̃ƒthree_______________________Ì ƒHy - ƒpos -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


440Anoixantaria - Raidestenos - ƒƒ(s)ta - - - ses____ÌÌ(n)_____________Ì Fa - <strong>the</strong>r,__ ƒS<strong>on</strong>,_______ and___ÌÌ Spir - - - - - - - it; ƒThee__ÌÌ doƒƒƒwe__Ì ƒwor - - ƒƒship ƒand ƒglo - - - - - - - - ri - - - - fy. ƒGlo - - - - ƒƒry___ÌÌ ƒƒto ƒƒThee,__Ì ƒ______̃O___________Ì ƒƒGod.Verse #9Eujlovgei hJ yuchv mouB ƒƒless_________________Ì <strong>the</strong>____ ƒƒBless________ ƒƒƒƒ<strong>the</strong>___Ì̃Lord, O__________ ƒ______Ì ƒƒmy___________ ƒsoul. The ƒsun___________Ì ƒƒknow - - - - eth his__ ƒgo - - - - - - ƒƒing___________ƒƒdown. Thou ap - ƒpoint - - - ƒ - - edst ƒƒ<strong>the</strong> ƒdark - - - ness ƒand <strong>the</strong>re_________ÌÌ ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>__Ì <strong>the</strong>________Ì night._________Ì ƒƒGlo - - ry ƒto___ƒThee,__________Ì ƒƒO Be - - ƒgin - - - ning -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Raidestenos441 ƒ- ƒless___ Fa - - - - - <strong>the</strong>r.__ÌÌ ƒGlo - - - - ƒƒry ƒto____Thee,______ÌÌ ƒ____Ì ƒƒO_______̃Co - - - - ƒbe - - - - - - - ƒƒgin - - - - - ning - ƒƒless__Ì S<strong>on</strong>.___ ƒGlo - - - - ƒƒry ƒto___ÌÌ Thee, O____ ƒHo - - ly___ÌÌÌ Spir - - - - - - - - ƒit,__ÌÌ <strong>on</strong>e___Ì with__________Ì̃ƒƒThem ƒin ƒes - - - - - - - - sence_________ and__ÌÌÌ ƒin__Ì̃thr<strong>on</strong>e._ÌÌ O ƒHo - ƒƒly ƒƒTrin - - - ƒi - - - - ty, ƒglo - - - - - - ƒry_______Ì to______Ì ƒ__ƒƒƒThee. ƒƒƒGlo - - - ƒry__ÌÌ ƒƒƒ to__Ì̃ƒƒThee,_________Ì ƒƒƒO___________ God.Verse #10@W" ejmegaluvnqhH ow_______̃ƒƒƒmag - - - ƒƒni - ƒƒƒfied are ƒThy ƒƒworks,_ÌÌ ƒO___ ƒLord! in wis - - - - - - ƒdom h<str<strong>on</strong>g>as</str<strong>on</strong>g>t__ƒThou made_______________Ì ƒƒƒ<strong>the</strong>m_________ÌÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


442Anoixantaria - Raidestenos ƒƒƒall. ƒƒGlo - - ry_______Ì ƒto____________Ì̃ƒƒƒThee, ƒƒO ƒƒUn - ƒbe - - ƒƒgot - - - - - - ƒten ƒƒFa - - - - - - ƒ<strong>the</strong>r, O ƒƒBe - ƒgot - - - - - ten_________ÌÌÌÌ ƒS<strong>on</strong>.____ÌÌ(n)_____________ÌÌ Glo - - - - - - ƒƒry_______________ ƒto___________Ì ƒThee, ƒƒ<strong>the</strong>______ Ho - - - - - - - - - - - - ly ƒƒSpir - - - - - - - - ƒƒit,_________________ ƒ________________________Ì(t) Who ƒpro - - ƒceed - - - - ƒest ƒƒƒfrom ƒƒ<strong>the</strong>___Ì ƒFa - - - - - -ƒƒƒ<strong>the</strong>r, from <strong>the</strong> Fa - - - - <strong>the</strong>r,__ÌÌ and rest - - est_ ƒ_ÌÌ ƒƒin____________Ì ƒ<strong>the</strong>__ÌÌ S<strong>on</strong>.__ÌÌÌ O ƒƒHo - - ƒly____Ì ƒƒƒƒTrin - - ƒi - ƒƒty, ƒglo - - - - - ry____________ to______ƒƒThee._______________________Ì ƒ______________________________________________ƒGlo - - ƒƒƒƒry ƒto__̃ƒThee,_____www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Raidestenos443 ƒ____ƒƒO__________Ì ƒƒGod.Glory...Dovxa PatrivG ƒlo - - - - - ƒry ƒƒto___ÌÌÌ ƒ<strong>the</strong>_________Ì ƒƒFa - - - - - - ƒ<strong>the</strong>r,_ ƒ__________________________Ì ƒand__ÌÌ to <strong>the</strong>_______ S<strong>on</strong>,_____________________ÌÌ ƒ__________ ƒand______ÌÌÌÌ ƒƒto____ÌÌÌÌ ƒ<strong>the</strong> ƒƒƒHo - ƒƒly____________Ì Spir - - ƒ- - - ƒƒit.Both now...Kai; nu'nB oth____ now___ and___Ì ƒev - - - - - - - - - - er,________Ì ƒ____Ì ƒƒƒƒand ƒƒun - ƒto____ ƒthē___ÌÌ ƒag - - - - - es of ƒag - - - ƒ- - - es.___ ƒƒA - - - men.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


444Anoixantaria - RaidestenosAAlleluia #1 and #2!Allhlouvi>a ƒƒl - le - ƒƒlu - - ƒƒ ƒi - - ƒa. Al - ƒle - ƒƒƒƒlu - i - - a. ƒƒAl - ƒƒle - (twice) lu - i - - ƒa. ƒƒGloƒ-ƒƒry___ ƒto___ Thee, O__________Ì ƒƒƒƒGod.Alleluia #3!Allhlouvi>aA ƒl - ƒle - ƒƒƒƒlu - - - ƒi - - - - a. ƒAl - ƒle - ƒlu - - - - - i - - - - ƒƒa. ƒƒAl - le - ƒƒlu - - - ƒi - - - - a. Glo - - ry_ ƒ__ƒƒƒ to___ Thee,O__________Ì ƒGod.Finale@H ejlpi;" hJmw'nO ƒour_____ÌÌÌ ƒhope,____________ ƒƒƒour_____________ÌÌÌ ƒƒhope,ƒƒO_______Ì ƒ____________________ÌÌÌ Lord,_____ ƒO________________Ì Lord, glo - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Raidestenos445 ƒry___Ì to___Ì̃ƒThee.___________________________________________________________Ì ƒ__________________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria(c<strong>on</strong>cluding verses of psalm 103)Plagal Fourth Modeadapted from <strong>the</strong> very slow versi<strong>on</strong> by<strong>St</strong>. John Koukouzeles (early 14 th century)<str<strong>on</strong>g>as</str<strong>on</strong>g> abbreviated by Hourmouzios Hartophylax (1780-1840) 76Durati<strong>on</strong>: 15:00Int<strong>on</strong>ati<strong>on</strong>: #26!Anoivxantov" sou ƒhen ƒThou__________________________Ì ƒƒo - - - - ƒƒpen - - - - ƒƒest ƒƒƒƒThy ƒƒhand_____________________________________ÌÌ ƒƒThy______ ƒƒƒƒhand,__ÌÌ ƒ____________________̃all__ÌÌ ƒthings_______________Ì ƒƒshall,______ ƒall things shallwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - <strong>St</strong>. John Koukouzeles447 ƒbeƒfilled_________________________________________________________________ ƒ____________________________Ì ƒƒƒƒwith ƒƒgood - - - - - - - - - ƒ- - - - - - - - - ƒness_______________Ì ƒwith____ÌÌ ƒgood - - - - - - - - - ƒƒness._________________________ÌÌ ƒƒGlo - - - - ry to____ Thee,_ ƒ__________________________________________________ƒO_________Ì God,_________ ƒ_____________________________________________________ ƒƒO______ÌÌ God.______ ƒ___________________ÌVerse #1b!Apostrevyanto"W hen ƒƒƒƒThou turn - ƒƒƒest____________ ƒa - - way______________________ÌÌ ƒ_____ÌÌ ƒThy_______________ÌÌ ƒƒface_________________Ì̃Thy ƒƒface___Ì <strong>the</strong>y shallwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


448Anoixantaria - <strong>St</strong>. John Koukouzeles ƒbe_________ÌÌ ƒƒtrou - - - - - - - - - - - - bled,_____________ ƒƒ<strong>the</strong>y shall_____ÌÌ be____ trou - - - - - - ƒƒbled._________________________ ƒGlo - - - - ƒry ƒƒto___ÌÌ ƒThee,___________________________________________Ì ƒ____ÌÌ O our___Ì God,______________________________________________________Ì ƒ____ÌÌ ƒƒƒO______̃ƒGod.___________________________Verse #2a!Antanelei'" to; pneu'maT hou ƒƒwilt ƒtake__ÌÌ ƒƒ<strong>the</strong>ir__ÌÌÌ ƒspir - - - - - - - - - - ƒƒit,________ÌÌ ƒƒ________________________________________̃Thou wilt____Ì̃take_________________Ì ƒƒ____________ ƒ<strong>the</strong>ir spir - - - - - - - - - - - - - - - - - ƒƒ- - - - - it, ƒand ƒ<strong>the</strong>y__________̃ƒƒƒshall_______________Ì and_____Ì ƒ<strong>the</strong>y ƒƒshallwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - <strong>St</strong>. John Koukouzeles449 ce<str<strong>on</strong>g>as</str<strong>on</strong>g>e.____________________________ÌÌ ƒƒƒGlo - - - ƒry_________________________ ƒ__ƒ(neh)____ ƒƒƒglo - - - ƒƒry to_________ÌÌ ƒƒThee,_______________ ƒO_________ ƒ____Ì Fa - - - - <strong>the</strong>r;___ ƒƒglo - - - ry_______________ ƒto______ ƒThee,_____Ì ƒ____Ì̃ƒƒƒO__________ S<strong>on</strong>;______________ glo - - - ƒƒƒry ƒƒto ƒƒƒThee,__________Ì ƒƒO_________ ƒƒƒƒHo - - - - - - - -ƒly______ ƒƒSpir - - - it.____ÌÌÌ ƒƒGlo - ƒ- ƒ- ƒ- - - - - - - - - - - - - - - - - ƒry_______________ÌÌ ƒ__________________ glo - - ry to________ ƒƒThee._______________Verse #2bKai; eij" to;n cou'nA ƒnd ƒun - ƒtoƒ<strong>the</strong>ir ƒdust________________________________ÌÌ ƒƒto___ƒ<strong>the</strong>ir_____ dust__________________________________ƒƒand un - ƒƒƒto____ƒƒ<strong>the</strong>ir____ ƒƒdust______Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


450Anoixantaria - <strong>St</strong>. John Koukouzeles ƒ________________Ì(st)ƒƒshall________Ì ƒ<strong>the</strong>y_____________________________________Ì ƒ_________________ ƒƒshall<strong>the</strong>y________________________ ƒshall____ÌÌ ƒƒ<strong>the</strong>y re - ƒƒturn._ ƒ____________________________Ì Glo - - - ry___________________________Ì(neh)_ ƒ_____ glo - - - ƒƒƒƒry ƒto__________ Thee,_______________Ì ƒƒO____________Ì ƒ_ÌÌ Fa - - - -ƒƒ<strong>the</strong>r;___ ƒglo - - - ƒƒƒry_______________ ƒto_____ÌÌ ƒƒThee,________ ƒ__ ƒƒO__________ ƒƒƒƒS<strong>on</strong>;_____________ÌÌ ƒƒglo - - - ry ƒto ƒThee,__________ ƒO_Ì ƒ_______Ì Ho - - - - - - - - ƒƒly______Ì ƒƒƒSpir - - - ƒit._____Ì ƒGlo - - - ƒ- - - - - - - - - - - - - - - - - ƒry_______________ÌÌ ƒ__________________Ì ƒƒglo - - ƒry to________ Thee._______________A comm<strong>on</strong> practice <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong> today is toc<strong>on</strong>tinue with verse #3 of <strong>the</strong> Anoixantaria of Phokaeus<strong>on</strong> page 421.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - <strong>St</strong>. John Koukouzeles451T houVerse #3aadapted from versi<strong>on</strong> by Georgios Panaretos (14 th century)<str<strong>on</strong>g>as</str<strong>on</strong>g> abbreviated by Hourmouzios Hartophylax!Exapostelei'" ƒƒƒƒwilt ƒsend forth___ ƒThy____ Spir - - - ƒit, ƒƒand_________ƒƒƒƒ<strong>the</strong>y_____Ì ƒ____̃shall_____________Ì ƒbe_________ cre - ƒƒat - - ed,_____(n)_______________Ì Ah - - - - - - - - - - - - ƒneh - - ƒneh - ƒƒnah - - - ƒƒƒnah______Ì̃neh_ ƒ__ ah - ƒƒneh - - - - - - - - - - - - - - - - - ƒƒƒnah - ƒ- - - - - ƒƒneh____________________________ ƒƒnah - - -ƒƒƒneh - - - - ƒneh - - nah - - - - - nah - - ƒƒƒneh_____________ÌÌ ƒƒGlo - - - ƒƒry___ ƒ____Ì____Ì glo - - ƒƒry to ƒThee, ƒƒO______________________________Ì ƒƒGod._____ÌÌ ƒ____________________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


452Anoixantaria - <strong>St</strong>. John KoukouzelesAVerse #3bKai; ajnakainiei'" nd ƒThou shalt ƒre - ƒƒƒƒnew_________________ÌÌ ƒ<strong>the</strong>___Ì face_________ ƒof___Ì thē___Ì̃ƒearth_______________________________ÌÌÌÌ ƒof____Ì ƒthē ƒearth._____________ ƒ_____________ Nah - - - - - - - - - - - ƒneh - - ƒneh - nah - ƒ- ƒ- ƒnah______Ì̃ƒneh___ ƒƒah - ƒƒƒƒneh - - - - - - - - - - ƒ- - - ƒ ƒƒ- - ƒnah - - - - - neh____________________________ nah - - -ƒƒƒneh - - ƒ- ƒ- ƒ- ƒƒneh - - ƒƒƒƒnah - - - - - nah - - ƒƒneh_____________ÌÌ ƒƒƒƒGlo - ƒƒ- ƒƒ- ry______Ì______Ì glo - - ƒƒƒƒry to ƒƒƒThee, ƒƒO______________________________Ì ƒƒGod._ ƒ____Ì______________________C<strong>on</strong>tinue with verse #4 <strong>on</strong> page 422 or 435.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Elaborate Finale*for Anoixantaria *Plagal Fourth Modeadapted from <strong>the</strong> ancient melody <str<strong>on</strong>g>as</str<strong>on</strong>g> abbreviatedby Hourmouzios Hartophylax (1780-1840) 70Durati<strong>on</strong>: 10:00Int<strong>on</strong>ati<strong>on</strong>: #26Pavnta ejn sofiva/... Dovxa Patriv n ƒƒwis - - - - - - - - - ƒdom__________ÌÌ ƒƒƒin____ ƒwis - dom__________Ì ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒThou___ made___________Ì ƒƒƒ<strong>the</strong>m ƒƒƒƒall____________________Ì_____________________*Note: To chant this elaborate finale for <strong>the</strong> Anoixantaria, <strong>the</strong> words "in wisdom h<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou made <strong>the</strong>m all"are omitted from <strong>the</strong> tenth verse of <strong>the</strong> Anoixantaria, and <strong>the</strong>n instead of proceeding to <strong>the</strong> following verse"Glory to <strong>the</strong> Fa<strong>the</strong>r...", <strong>the</strong> finale beginning <strong>on</strong> this page is <str<strong>on</strong>g>chanted</str<strong>on</strong>g>.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


454Anoixantaria - Elaborate Finale ƒ____Ì Thou made__ÌÌ <strong>the</strong>m___ƒall._______________________(n)___________________ÌÌ ƒ____Ì Glo - ry___ to <strong>the</strong>___Ì Fa - - - - - -ƒƒ<strong>the</strong>r, ƒƒƒand______________ÌÌ ƒƒtoƒ<strong>the</strong>__ÌÌÌÌ ƒƒS<strong>on</strong>,__________________________________________________ ƒƒƒand_____Ì ƒƒto ƒƒ<strong>the</strong>___ÌÌ Ho - - - (n) - - - - ƒƒly ƒSpir - - - - - - - - ƒ - - - - ƒƒit________________________________________ÌÌÌÌ <strong>the</strong> Ho - ƒ- ƒ- ly___Ì Spir - - - - ƒit_____________ ƒHo - - - ly Spir - - - - - ƒƒit.___ÌÌ ƒ_______________________________Sec<strong>on</strong>d Choir:Kai; nu'n... !Allhlouvi>aB oth ƒnow______ƒƒand__Ì ev - - - er,__________________Ì ƒƒand un - ƒƒto <strong>the</strong> ag - - - - - - - - - - - - - - - ƒes_______________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Elaborate Finale455 ƒƒof____________Ì ƒƒƒƒag - - ƒ(n) - - - - - - - - - - - - - es._____ÌÌ ƒ____ÌÌ ƒƒA - ƒƒ- ƒƒ-ƒƒmen._ÌÌÌ ƒAl - ƒƒle - ƒƒlu - - - - - - - - - - ƒAl - ƒƒle - - - lu - - - - - - i - ƒa.__________________________________________ ƒ_______________________(n)_ÌÌ ƒƒal - ƒƒle - ƒƒlu - - ƒi - ƒƒa.__________(n)___________Ì ƒ____ÌFirst Choir:!Allhlouvi>aA l - - - - - - - - - - -ƒle - - - - - - ƒlu - - - - ƒ- - - - ƒi - ƒa.____________________ÌÌ ƒƒGlo - - - ƒƒƒƒry________ÌÌ ƒto Thee,_ ƒ_________ÌÌ ƒO ƒƒour___________ÌÌ God,_________________________________ÌÌ ƒO____Ì ƒour God._________Ì(n)_________________ ƒƒƒAl - ƒle - ƒlu - - - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


456Anoixantaria - Elaborate Finale ƒ- - - - Alƒƒ-ƒƒle - - - ƒƒlu - - - - - - ƒƒi - a._________________________Ì ƒ________________________________________Ì(n)____ ƒƒAl - ƒle - ƒƒlu - - ƒi - ƒƒa.____ ƒ____Ì(n)_______________ÌSec<strong>on</strong>d Choir:!Allhlouvi>aA l - - - - - - - - - ƒƒle - - - - - - - -ƒƒƒƒlu - - - - ƒƒ- - - - ƒi - - - - ƒƒa.__________Ì(n)___________ ƒƒGlo - - - ƒƒry to ƒThee, ƒO_______________ÌÌÌ(n)_________________________________ÌÌ ƒƒourƒGod,_____Ì ƒ__________________ÌO______________________________Ì ƒƒour________________ ƒƒƒO___ÌÌ ƒour_ ƒGod,___________________________________(n)______ÌÌ ƒO ƒour ƒGod._www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Anoixantaria - Elaborate Finale457 ƒ________ÌÌ ƒƒGlo -ƒƒry ƒto__ÌÌ ƒThee,_______________ÌÌ ƒO__ÌÌ ƒƒƒour___Ì ƒƒGod.__________ ƒ___________________________________________________ÌFirst Choir:@O Qeov"O our ƒGod,_____________Ì(n)________________________̃O___________Ì ƒ_________ ƒƒourƒƒƒƒGod.________________________________________________________ ƒ_____________________________________________________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man(psalms 1-3)L<strong>on</strong>g Versi<strong>on</strong>*Plagal Fourth Modeadapted from Petros Pelop<strong>on</strong>nesios (d. 1777)<str<strong>on</strong>g>as</str<strong>on</strong>g> abbreviated by Manuel <strong>the</strong> Protopsaltis (d. 1819) 96Durati<strong>on</strong>: 21:00Int<strong>on</strong>ati<strong>on</strong>: #26Makavrio" ajnhvr less - ƒed__ÌÌ is___ÌÌÌ <strong>the</strong>__ÌÌÌ ƒman ƒthat hath ƒƒnot___̃walked in <strong>the</strong> ƒcoun - - - ƒƒsel ƒof ƒthē ƒun - ƒgod - - - - - ƒly,___ÌÌ ƒnor stood______________________* On <strong>the</strong> fe<str<strong>on</strong>g>as</str<strong>on</strong>g>t days of major saints and of <strong>the</strong> Mo<strong>the</strong>r of God (except for <strong>the</strong> Meeting in <strong>the</strong> Temple and <strong>the</strong>Annunciati<strong>on</strong>), Psalms 1, 2, and 3 are read after <strong>the</strong> Litany of Peace (before "Lord, I have cried"). Instead ofbeing read, <strong>the</strong>y may be <str<strong>on</strong>g>chanted</str<strong>on</strong>g> with <strong>the</strong> traditi<strong>on</strong>al melody <strong>on</strong> this page, or with <strong>the</strong> briefer melody <strong>on</strong> page471.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong>459 ƒ__________(d) ƒƒin ƒ<strong>the</strong>___Ì ƒƒway__ÌÌÌ ƒof__ ƒƒƒƒsin - - - ƒƒƒners,___ ƒƒnor___ÌÌ ƒƒsat_ ƒ__________ in____ ƒƒƒ<strong>the</strong>__ÌÌÌ seat ƒof____ ƒ<strong>the</strong> ƒpes - ƒƒti - - ƒlent.__________Ì ƒAl - - ƒƒle - lu - - -ƒƒƒƒi - - - - ƒƒa.2 ƒBut his will___Ì ƒis___ rath - - er ƒƒƒin <strong>the</strong> ƒlaw___________ ƒƒof <strong>the</strong>_____ÌÌÌ Lord,_____ ƒƒand_________ ƒin ƒƒHis_ ƒlaw___Ì will ƒhe ƒƒƒƒ ƒmed - i - - ƒƒtate ƒday______̃and_______ÌÌÌ ƒnight. Al - ƒƒƒ- ƒƒle - ƒƒlu - - -ƒƒi - ƒ- ƒ- - ƒa.3 ƒƒAnd he ƒshall_____ÌÌ ƒbe__ÌÌÌÌ like ƒƒƒ<strong>the</strong>___Ì ƒƒtree which_ÌÌ ƒis ƒplant - - - ƒƒ- ƒƒed by_____________ÌÌÌ ƒ<strong>the</strong>___̃ƒstreams___Ì ƒof____Ì ƒ<strong>the</strong> ƒƒwa - - - ƒƒters,_ ƒ__ which shall ƒƒbring_____ƒƒforth itsƒƒƒƒfruit_____ÌÌ in___Ì ƒƒƒƒits ƒsea - - - - ƒs<strong>on</strong>;www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


460Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong> ƒƒand ƒƒƒits___ÌÌ leaf shall__________ÌÌ not_______________ ƒƒƒƒfall,___ and all things what - so - ƒev - - - ƒer ƒƒhe ƒmay___ ƒdo ƒshall_ƒƒƒƒpros - - -ƒƒper._______ ƒ____Ì ƒƒƒƒAl - - le - lu - - - ƒi - - - - ƒƒa.4 ƒNot___Ì ƒƒso are_ÌÌ ƒthē un - ƒgod - - - - - ƒly,___Ì ƒƒnot_____̃ƒƒƒso;ƒƒ ƒbut ƒrath - - - - ƒƒer ƒƒ<strong>the</strong>y ƒƒare like ƒ<strong>the</strong>___̃ƒƒƒchaff ƒwhich <strong>the</strong> ƒwind doth ƒƒhurl_ ƒ________ÌÌÌÌ a - - - - ƒƒway___Ì ƒfrom <strong>the</strong> face____________ ƒof______ÌÌ thē_ ƒ__ ƒearth. Al - ƒƒle - ƒƒlu - - - - - - ƒƒ ƒi - - - - - a.5 ƒƒFor this ƒrea - - - ƒƒƒs<strong>on</strong>___Ì ƒƒshall ƒthē ƒun - ƒƒƒgod - - - ƒƒly____ ƒƒnot ƒstand_ÌÌÌÌ ƒup_________Ì ƒƒin ƒjudg - - -ƒƒment,__Ì ƒnor ƒƒsin - ƒƒ- ƒƒ- ƒƒ-ƒƒners in ƒ<strong>the</strong> ƒcounƒ-ƒcil ƒƒof ƒƒ<strong>the</strong> right - - - - ƒeous.____ ƒƒƒAl - - ƒƒle - ƒƒ ƒƒlu - - - ƒi - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong>461 - - ƒƒa.6 For ƒƒ<strong>the</strong>___Ì ƒLord___________ƒknow - - - eth______ÌÌÌÌ ƒƒ<strong>the</strong> ƒway___ ƒof ƒ<strong>the</strong>_ÌÌ̃ƒright - - - - ƒeous,__Ì ƒƒƒand ƒ<strong>the</strong> ƒƒway___ of__ÌÌ ƒthē ƒƒƒƒun - ƒgod - - - - - ƒly____ ƒƒshallƒƒƒƒper - - ish.__________ÌÌ ƒAl - - ƒƒle - ƒlu - - - - -ƒi - - - - - ƒa.___ÌÌÌ7 ƒWhy_ÌÌÌ_ƒƒhave ƒ<strong>the</strong> ƒhea - - - - - - - - ƒƒ<strong>the</strong>n_____________Ì raged, and <strong>the</strong> ƒpeo - - - -ƒples ƒƒmed - ƒƒƒi - ƒtat - ƒed_ÌÌÌÌ ƒemp - - - - ƒƒƒty___Ì ƒ______ÌÌÌ things? Al - ƒƒle - ƒlu - - - - ƒi - - - - - ƒa.____8 The ƒƒƒƒkings_______ÌÌ of ƒthē ƒearth_____________ÌÌwere_ÌÌ ƒa - - ƒroused, ƒƒand ƒƒ<strong>the</strong> ƒrul - - - - ƒers ƒƒwere ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> -ƒƒƒ ƒsem-bled ƒto - -ƒƒƒgeth - - - - ƒƒer,__Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


462Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong> ƒƒa - ƒƒgainst__Ì ƒƒ<strong>the</strong>__̃Lord, ƒand_________ÌÌ a - ƒƒgainst__________ÌHis_________ÌÌ ƒƒChrist._ ƒ_____ ƒAl - - le - ƒƒlu - - - ƒi - - - - ƒƒa.9 Let ƒƒus break___ÌÌÌÌ <strong>the</strong>ir_________Ì ƒb<strong>on</strong>ds_Ì ƒa - - - - - ƒƒsun - - - - der, ƒƒand ƒƒlet us ƒc<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒaƒ-ƒƒway <strong>the</strong>ir yoke_________ÌÌ ƒƒƒƒfrom_______Ì ƒ__ us. Al - ƒƒle - ƒƒlu - - - - - i - - - - ƒa.10 ƒƒƒHe thatƒƒƒ ƒdwell - - ƒƒƒƒeth in ƒƒ<strong>the</strong> heav - - ens_______Ì ƒƒƒƒshall ƒƒlaugh_ ƒ__ <strong>the</strong>m ƒƒto__________Ì ƒƒscorn, ƒƒand ƒ<strong>the</strong> Lord shall_Ì ƒde - - - - - - ƒride__________ÌÌ ƒ<strong>the</strong>m. ƒƒAl - ƒle - ƒƒlu - - - - - i - - - - ƒa.11 ƒƒƒThen___ƒƒshall He________ ƒspeak___________ÌÌÌ ƒƒun - to___ÌÌ <strong>the</strong>m ƒin____ ƒƒHis_ ƒƒƒƒwrath,__Ì ƒƒƒƒand ƒin His ƒan - - - -ƒƒƒ ger ƒƒƒƒshall ƒHe trou - ƒ- ƒ-www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong>463 - - - - - ƒƒƒble__Ì <strong>the</strong>m.______________________ÌÌÌ ƒAl - ƒle - ƒlu - - - ƒƒ- - - i - - - - - ƒa.12 ƒƒBut <str<strong>on</strong>g>as</str<strong>on</strong>g>______ÌÌ for___Ì Me,_______ ƒƒI___ ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> es - ƒƒƒtab - - - ƒlished ƒƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>_Ì ƒ__ king_________ by______________Ì Him, ƒƒup - ƒƒ<strong>on</strong>_______ ƒSi - <strong>on</strong>, His ƒho - - - - - ƒƒly ƒmoun - - ƒtain,______ÌÌ proƒ-ƒclaim - - ing______̃ƒ<strong>the</strong> ƒƒƒcom - - mand - - ment_Ì of_____________________Ì <strong>the</strong>__________ÌÌÌÌ ƒƒLord._______Ì Al - - le - lu - - - ƒi - - - - ƒƒa.13 ƒThe Lord said____________ un - to___ÌÌ ƒƒMe: Thou_ art______________Ì ƒ____ÌÌ ƒMy______________ ƒƒS<strong>on</strong>, ƒthis ƒday ƒƒhave I_______Ì ƒbe - - ƒgotƒƒ-ƒƒten__Ì ƒThee._______ ƒAl - - ƒƒle - lu - - - ƒi - - - - ƒa.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


464Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong>14 ƒAsk ƒof____Ì Me, and ƒI ƒwill give____________ Thee ƒ<strong>the</strong> na - ƒ ƒ- - - - ti<strong>on</strong>s_Ì for ƒThine________ÌÌÌ ƒƒin - ƒƒher - - - - - i - - - - tance, ƒƒand ƒfor ƒThy___̃ƒposƒ-ƒsess - - - - ƒƒi<strong>on</strong>__ ƒƒthē ut - ƒter - ƒ- ƒ- ƒmost ƒparts_______Ì ƒƒof_______ƒƒthē________ÌÌ earth. Al - ƒle - ƒlu - - - - - i - - - - ƒƒa.15 Thou shalt_̃herd_________Ì ƒƒ<strong>the</strong>m_ÌÌ ƒƒwith ƒa rod_________ ƒƒof i - - - - - - r<strong>on</strong>; ƒƒThou shalt shat - - - ƒƒƒƒter_______________Ì̃ƒ<strong>the</strong>m ƒlike ƒa pot - - - - ƒƒter's ƒƒves - - - ƒsels.___ ƒAl - ƒle - ƒlu - - - - - ƒi - - - - - a.16 And ƒnow,______________ÌÌ ƒƒƒƒO ƒye____ ƒkings,____ ƒun - - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong>465 der - - - -ƒƒƒstand; be___ÌÌ ƒin - - ƒstruct - - - - ed,_ÌÌÌ ƒall ƒye_Ì ƒ__ ƒƒthat__Ì ƒjudge___ ƒƒthē______ÌÌ earth.__Ì ƒAl - ƒle - ƒlu - - - - - i - - - - ƒƒƒ a.17 Serve___ ƒƒƒye_________ÌÌ ƒ<strong>the</strong>__________Ì ƒƒƒLord ƒƒwith____ÌÌÌ fear,___ and ƒƒre -ƒƒƒƒjoice__ ƒin___Ì̃ƒƒƒHim________ ƒwith trem - - - - ƒbling.__Ì ƒAl - le - lu - - - - - - i - - - - - ƒa.18 ƒƒLay ƒƒhold__ÌÌ ƒƒof in-struc - - - ƒƒti<strong>on</strong>,_Ì ƒƒƒlest___Ì ƒƒat_________ ƒan - - - ƒƒƒƒy_________ÌÌ ƒƒƒƒtimeƒƒƒƒ<strong>the</strong> Lord be__Ì ƒan - - - ƒgry, and ƒye ƒperƒƒ-ƒƒish from_ ƒ_Ì̃ƒ<strong>the</strong> right-eous_Ì way.___________ Al - - le - lu - - - ƒi - - - - ƒƒa.19 ƒWhen ƒquick - - ƒly ƒHis wrath__Ì be___ÌÌ ƒƒƒƒƒƒkin - ƒ-ƒ - ƒdled, bless - - ƒƒed____www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


466Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong> ƒƒare______Ì ƒall_____ÌÌÌ ƒƒthat ƒhave put_________̃<strong>the</strong>ir trust in____ Him._____Ì _ÌÌ Alƒ-ƒƒle - ƒƒlu - - - - - - - - i - - - - - a.20 ƒƒO ƒƒƒƒLord,_________________________Ì ƒƒO___________ÌÌ Lord, ƒƒwhy are <strong>the</strong>y mul - - - - - ƒti - -ƒƒƒƒplied___ ƒƒthat af - flict___________Ì me?_ ƒ__ ƒƒMan - - - ƒƒy___Ì rise ƒƒup__ÌÌ a - - ƒƒƒƒgainst__________ÌÌÌÌ me.________ÌÌ ƒ___ÌÌ ƒAl - le - ƒƒlu - - - - - - i - - - - - ƒa.21 ƒƒMan - - y ƒƒsay___Ì un - - ƒto my__Ì ƒƒsoul:__ÌÌ ƒƒThere is ƒƒno ƒsal - - - ƒƒva - - - - - ƒƒƒƒƒti<strong>on</strong>______ for_________ ƒƒhim__________ÌÌ ƒin__________ his_ ƒ_________ÌÌ God.______ ƒAl - - ƒƒle - lu - - -ƒƒƒƒi - - - - ƒƒa.22 ƒƒBut___Ì̃Thou,__________ÌÌ ƒƒƒƒO__________ÌÌ Lord,__ÌÌ ƒart ƒƒƒmy help -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong>467 - - - - - ƒ(p)er, my_ÌÌ glo - - - - ƒƒry, ƒƒand ƒƒƒ<strong>the</strong> ƒƒƒƒlift - - ƒƒƒer____ ƒup ƒƒof___Ì ƒƒmy______Ì ƒƒƒƒƒhead._____ ƒAl - ƒƒƒƒle - - ƒƒlu - - - - - - i - - - - - ƒa.23 I ƒcried ƒ ƒun - ƒto ƒ<strong>the</strong>___̃ƒƒ ƒLord_______________ÌÌ ƒwith__ÌÌ ƒƒmy__ÌÌ voice, v ƒand He heard_____ ƒme out ƒƒof ƒƒƒHis ƒƒho - - ƒƒly____ƒƒƒƒmoun - - ƒƒtain.______ ƒƒAl - ƒƒle - ƒƒlu - - - - - ƒi - - - - -ƒƒƒ a.24 I ƒƒlaid___Ì ƒƒmeÌÌÌ_̃ƒdown________Ì ƒƒƒƒand___________Ì ƒƒslept; I ƒƒa - - - ƒƒƒwoke, ƒfor ƒ<strong>the</strong> ƒLord___ƒƒƒwillÌÌÌ_ help_________ÌÌÌ ƒme._____ ƒAl - - ƒle - lu - - - i - - - - ƒƒa.25 ƒI will ƒnot_____ÌÌÌ ƒbe ƒa - ƒ- ƒfraid ƒƒof ƒten_ÌÌÌÌ thou - - - ƒsandswww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


468Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong> ƒof peo - - - -ƒ ple that ƒset ƒƒ<strong>the</strong>m ƒƒ- ƒselves ƒƒƒa - ƒƒgainst__________ ƒme ƒround_________ ƒa - - - - - bout. ƒƒAl - - - - ƒle - - - - lu - - - i - - - - ƒa.26 ƒA - ƒƒrise,_____ÌÌ ƒƒƒƒO__ÌÌÌ ƒƒLord, ƒƒsave______̃ƒme, ƒO my______Ì ƒƒGod, ƒƒfor ƒThou______________̃ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t___ ƒsmit - - - - ƒƒƒƒten ƒall______Ì ƒƒwho with - out_ ƒ__ cause are mine ƒƒen - ƒ- ƒe - - ƒƒmies;__ÌÌ ƒƒ<strong>the</strong> ƒteeth_____Ì ƒof__ÌÌ ƒƒsin - ƒ - ners ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t___̃Thou_Ì̃ƒbro - - - - ken.____ÌÌ ƒƒƒAl - - le - ƒƒlu - - - - i - - - - - ƒa.___ÌÌÌ27 Sal - ƒva - - - - ƒti<strong>on</strong> is__Ì of ƒƒ<strong>the</strong>___Ì Lord, ƒƒand Thy bless-ing__Ì ƒƒis_ ƒ____Ì ƒƒup - ƒƒ<strong>on</strong> Thy___________ peo - - - - - ƒple.____________Ì ƒƒAl - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong>469 le - lu - - - - - ƒƒi - - - - -ƒƒa.____28 ƒGlo - ry ƒto ƒƒƒƒ<strong>the</strong> ƒƒƒƒFa - - -ƒƒƒ<strong>the</strong>r, ƒand__ÌÌÌ ƒƒto ƒ<strong>the</strong>______Ì ƒS<strong>on</strong>, ƒand___Ì ƒ_____ ƒto ƒƒƒƒ<strong>the</strong>____ ƒƒHo - ƒly____________Ì ƒSpir - - - - ƒƒit.29 ƒƒBoth now__ÌÌ and ƒƒev - - er,_______Ì ƒand un - to ƒƒƒthē_ÌÌÌ ag - - - es ƒof ag - - - - ƒƒes._______Ì ƒƒA - ƒƒ- ƒƒ- ƒƒ-ƒƒmen.30,31 ƒAl - ƒƒle - ƒƒlu - i - - a. ƒƒAl - ƒle - ƒƒƒƒlu - ƒi - - ƒƒƒƒa. ƒƒƒƒAl - ƒle - lu - i - - ƒƒƒa. ƒƒGlo - - - -ƒƒry to_________̃ƒƒThee,____ÌÌÌ O____________Ì ƒ__ God.(twice)32 ƒAl - ƒƒle - ƒƒlu - ƒi - - a. ƒAl - le - ƒƒƒƒlu - ƒi - - ƒƒƒa. ƒAl - ƒle - lu - ƒi - - ƒa. ƒGlo - ƒƒry_______ ƒƒto ƒThee, ƒƒO___ÌÌ ƒGod._________________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


470Blessed is <strong>the</strong> Man - L<strong>on</strong>g Versi<strong>on</strong> ƒ_____________________________________________________________________ÌÌ(d)SaInt GrEgOry PalamaSwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man(psalms 1-3)Brief Versi<strong>on</strong>Plagal First Modeadapted from Hierom<strong>on</strong>k Gregoryof Sim<strong>on</strong>os Petr<str<strong>on</strong>g>as</str<strong>on</strong>g> M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery 180Durati<strong>on</strong>: 6:30Int<strong>on</strong>ati<strong>on</strong>: #14Makavrio" ajnhvr ƒƒless - ed is <strong>the</strong> ƒman ƒthat ƒƒhath not walked ƒin ƒƒ<strong>the</strong> ƒcoun - - sel of thē un -ƒgod-ƒly, nor ƒstood ƒƒin ƒ<strong>the</strong> way of sin - ners, nor ƒsat______Ì in <strong>the</strong> ƒseat ƒof ƒƒ<strong>the</strong> ƒpes - ti - ƒlent._ÌÌ ƒƒAl - le - lu - - - i - - a.2 ƒBut ƒhis will is rath - er in <strong>the</strong> ƒƒlaw___ÌÌ ƒƒof <strong>the</strong> Lord, and in ƒƒHis ƒlaw will he ƒmed - - ƒiƒƒ-ƒƒtate day and night._Ì ƒƒƒAl - ƒƒle - ƒlu - - - i -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


472Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong> ƒ- ƒa.3 ƒƒAnd ƒhe shall be ƒlike ƒ<strong>the</strong> ƒƒtree ƒƒwhich is plantƒƒ-ƒƒed by <strong>the</strong> streams_ ƒ____ÌÌ ƒƒof <strong>the</strong> ƒƒƒƒwa - - ƒƒters._ÌÌ Al - ƒƒle - lu - - - i - - a.4 Which ƒshall ƒbring forth ƒƒits ƒfruit___Ì in its ƒsea - s<strong>on</strong>; and ƒƒits leaf ƒƒshall ƒnot ƒƒfall, ƒand all ƒthings ƒwhat - ƒƒso - ev - er he ƒƒmay do shall pros - ƒ- per.__ ƒƒƒƒAl - ƒƒle - lu - - - ƒƒi - - a.5 Not so ƒare thē ƒun - ƒƒgod - ƒƒly, not ƒso; ƒƒbut rath - ƒƒer ƒ<strong>the</strong>y are ƒƒlike <strong>the</strong> chaff whichƒƒƒ<strong>the</strong> ƒƒwind doth ƒƒhurl ƒƒaƒ-ƒway from <strong>the</strong> ƒface________ ƒof thē ƒearth._Ì ƒAl - ƒƒle - lu - - - i - - a.6 ƒFor ƒthis ƒƒrea - ƒs<strong>on</strong> ƒshall ƒthē un - ƒgod - ƒly ƒƒnot ƒstand ƒƒup in ƒjudg - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong>473 ment, nor sinƒ-ƒƒƒners ƒƒƒin ƒƒ<strong>the</strong> ƒcoun - cil ƒof <strong>the</strong> ƒƒright - - ƒeous._Ì ƒAl - le - lu - ƒ- i - - a.7 ƒFor <strong>the</strong> ƒLord know-ƒeth ƒ ƒ<strong>the</strong> way___Ì ƒof <strong>the</strong> right-ƒeous, ƒƒand ƒƒ<strong>the</strong> ƒƒway of ƒthē ƒƒun - god - - - ƒly ƒshall ƒƒper - - ƒish.__Ì ƒAl - ƒle - ƒlu - - - ƒƒi - - ƒƒa.8 Why ƒhave ƒ<strong>the</strong> ƒƒheaƒ-ƒ<strong>the</strong>n raged, ƒƒand ƒƒ<strong>the</strong> peoƒ-ƒples med - i - ta - ted emp-ƒty things?_Ì ƒAl - ƒƒle - lu - - - ƒƒi - - a.9 ƒThe kings of thē ƒearth___ were a - roused, ƒƒand <strong>the</strong> rul - ƒers were_ _ÌÌ <str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒƒƒƒsem - ƒƒbled to - ƒgeth - ƒƒer, a - ƒgainst <strong>the</strong> ƒƒLord,_____̃ƒand aƒ-ƒgainst His Christ._ __ Al - ƒƒle - lu - - - i - - a.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


474Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong>10 ƒLet us break ƒ<strong>the</strong>ir ƒb<strong>on</strong>ds ƒƒa - sun - - - der, ƒand ƒlet us c<str<strong>on</strong>g>as</str<strong>on</strong>g>t a - ƒway <strong>the</strong>ir ƒyoke from us.__ÌÌ ƒƒƒƒAl - ƒƒle - lu - - - ƒƒi - - a.11 ƒƒƒƒHe ƒthat ƒƒdwell -ƒƒƒeth ƒin ƒ<strong>the</strong> ƒƒheavƒ-ƒƒens ƒƒshall ƒƒlaugh <strong>the</strong>m ƒto ƒscorn, ƒƒand <strong>the</strong> Lord______ƒƒƒshall de - ƒride__Ì <strong>the</strong>m._ÌÌ ƒAl - ƒƒle - lu - - - i - - a.12 ƒƒThen ƒshall He speak ƒƒun - to <strong>the</strong>m__ÌÌ ƒin ƒƒHis ƒwrath, ƒand ƒin ƒƒHis an - ƒger ƒshall He trou-ble <strong>the</strong>m._Ì Al - le - lu - - - ƒƒi - - a.13 But ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> for ƒMe, ƒI ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> es - ƒƒtabƒ-ƒlished ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒking ƒƒby Him, ƒƒup - ƒ<strong>on</strong> ƒSi - ƒƒ<strong>on</strong>, His ƒho - ƒƒƒly moun-ƒtain, ƒproƒƒ-ƒƒclaim-ing ƒ<strong>the</strong> ƒƒcom-mand-ment ƒof <strong>the</strong> ƒƒLord._ __ Al - ƒle - lu - - - ƒƒi - - a.14 ƒƒThe Lord ƒsaid un - to ƒMe: ƒThou art ƒMy ƒS<strong>on</strong>, ƒthis day have ƒƒI ƒƒbeƒ-ƒgot -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong>475 ƒten ƒƒThee._Ì ƒƒAl - ƒƒle - lu - - - ƒƒi - - a.15 ƒAsk ƒƒƒof___ Me, and I will ƒƒƒƒgive ƒThee <strong>the</strong> ƒƒnaƒƒ-ƒƒti<strong>on</strong>s for Thine in - ƒher - ƒƒi - ƒtance, ƒand <strong>the</strong> ut - ƒter - most ƒƒƒparts of ƒthēƒƒƒearth ƒfor Thy posƒƒ-ƒƒsess - - i<strong>on</strong>._ __ ƒƒAl - le - lu - - - ƒƒi - - a.16 ƒThou ƒƒshalt herd ƒƒ<strong>the</strong>m ƒwith ƒƒa ƒrod ƒof ƒƒi - ƒƒr<strong>on</strong>; Thou shalt shat - ter <strong>the</strong>m__ ƒƒlike ƒa pot-ter's ƒƒves - ƒ- ƒƒƒƒsels.__ ƒƒAl - ƒƒle - lu - - - ƒƒi - - a.17 ƒAnd ƒƒnow, O ƒye kings,_Ì ƒun - ƒder - ƒƒstand; ƒbe ƒƒin - ƒstruct - - ed,__ÌÌ all______ÌÌ ye ƒthat judge thē ƒearth._Ì ƒƒAl - le - ƒƒlu - - - ƒƒi - - a.18 ƒƒServe ye <strong>the</strong> ƒLordƒƒƒƒwith ƒƒfear, ƒand ƒreƒƒ-ƒƒjoice in ƒHim with trem - - ƒbling._ÌÌ Al - le - lu - - - ƒƒi - - a.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


476Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong>19 ƒLay hold ƒof in - ƒƒstrucƒƒ-ƒƒti<strong>on</strong>, ƒƒlest at ƒan - ƒy time ƒƒ<strong>the</strong> Lord ƒƒbe ƒan - ƒƒ- gry, and ye per - ish ƒfrom <strong>the</strong> ƒright-eous ƒway._Ì Al - ƒƒle - lu - - - ƒƒi - - ƒa.20 When ƒquick - ƒly ƒƒHis ƒwrath ƒbe kin-dled, ƒƒblessƒ-ƒed ƒare ƒall___ ƒthat have ƒput ƒ<strong>the</strong>ir trust ƒin ƒƒHim._Ì ƒƒƒAl - ƒƒle - lu - - - ƒƒi - - a.21 ƒO Lord, ƒwhy ƒare <strong>the</strong>y mul - ƒƒti-plied_Ì ƒƒthat af - ƒƒflict ƒme? Man-y ƒƒrise_ ____ÌÌ ƒup a - gainst_ÌÌ ƒme.__ Al - le - ƒƒlu - - - ƒƒi - - a.22 Man - ƒy ƒsay ƒƒunƒƒ-ƒƒto my soul: ƒThere ƒƒis ƒƒno sal - ƒva - ƒti<strong>on</strong> for him_ _______ ƒin ƒƒhis God._Ì ƒAl - le - lu - - - ƒi - - a.23 ƒƒƒBut ƒThou, ƒƒO ƒƒLord, ƒart ƒƒmy ƒƒhelp - - ƒer, my ƒƒglo - ƒƒry, ƒƒand ƒ<strong>the</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong>477 ƒƒlift - ƒer up__ÌÌ ƒof ƒƒmy ƒhead._Ì Al - ƒƒle - lu - - - ƒƒi - - a.24 ƒƒI cried ƒƒun - ƒto___ƒƒ<strong>the</strong> ƒƒLord___̃ƒƒwith my ƒvoice, and He ƒƒƒƒheard__ÌÌ ƒme out ƒof ƒHis hoƒ-ƒƒly ƒƒmoun - - ƒƒtain._ÌÌ Al - le - lu - - - ƒƒi - - a.25 I ƒƒƒlaid ƒme down and ƒƒƒslept; ƒƒI a - woke, ƒƒfor ƒ<strong>the</strong> ƒLord will ƒhelp_ÌÌ ƒme.__Ì ƒƒAl - le - lu - - - ƒƒi - - a.26 I ƒwill ƒƒnot______Ì be a - ƒƒfraid ƒƒof ƒten ƒthou - - sands of ƒpeo - - - - ple ƒthat set ƒ<strong>the</strong>m-selves ƒƒaƒ-ƒgainst me round ƒƒa - bout._Ì ƒƒAl - ƒƒle - ƒƒlu - - - ƒƒi - - a.27 ƒƒA - ƒrise, ƒƒƒO___̃Lord, save me, ƒƒO___ƒmy ƒGod, ƒƒfor ƒThou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t smit - ƒƒten all ƒwho with-out cause__̃ƒƒƒare ƒmine ƒen - ƒƒe-mies; ƒƒ<strong>the</strong> ƒteeth ƒof ƒsin - ƒnerswww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


478Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong> ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thou ƒbro - - ƒƒken.__ ƒƒAl - le - lu - - - i - - a.28 ƒƒSal - va - ƒti<strong>on</strong> is ƒƒof <strong>the</strong> ƒƒLord, ƒƒand Thy ƒbless - - ing ƒƒƒƒis ƒƒup - ƒ<strong>on</strong> ƒƒThy peo - - ple.__ ƒAl - ƒƒle - lu - - - ƒƒi - - a.29 Glo - ƒry ƒƒƒƒto ƒ<strong>the</strong> Faƒƒ-ƒƒ<strong>the</strong>r, and to <strong>the</strong> S<strong>on</strong>, and to ƒ<strong>the</strong> Ho - ƒƒly ƒƒSpir - ƒit.30 Both now ƒƒand ƒev - er, and un - to ƒƒƒƒ<strong>the</strong> ag - - ƒes of ƒag - ƒ- es. ƒA - men.31 Al - ƒle - ƒlu - ƒƒi - ƒa. ƒƒAl - le - ƒlu - - - ƒi - ƒƒa. Al -ƒƒle - lu - i - ƒƒa.___ ƒƒGlo - - ƒƒry to Thee, ƒƒO God.32 ƒƒAl - ƒle - lu - ƒƒƒƒi - ƒƒƒƒa. Al - ƒle - ƒlu - ƒi - a. Al - le - lu - i - ƒa.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Blessed is <strong>the</strong> Man - Brief Versi<strong>on</strong>479 Glo - ƒƒry ƒto Thee ƒO ƒƒGod, ƒƒour ƒhope ƒO__ÌLord, ƒƒglo - ry ƒto ƒƒThee.__________ _________ÌSaint Nichol<str<strong>on</strong>g>as</str<strong>on</strong>g>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord, I Have CriedVery L<strong>on</strong>g Versi<strong>on</strong>*First Modeadapted from Iakovos <strong>the</strong> Protopsaltis (d. 1800) 84Durati<strong>on</strong>: 5:45 + 3:45Int<strong>on</strong>ati<strong>on</strong>: #1Kuvrie ejkevkraxa ƒƒord,___________________________ I____________ÌÌ ƒƒhave ƒƒcried______Ì ƒ_______________________Ì ƒun - - ƒƒto____ƒƒThee,_______________________ un -_____________________* This very l<strong>on</strong>g versi<strong>on</strong> is frequently used in all-night vigils <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong> and throughout Greece.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord I Have Cried - Very L<strong>on</strong>g Versi<strong>on</strong> - First Mode481 ƒ- - - - - - - - - - to___________ƒƒThee,_________________________ÌÌ(n)_ ƒ________________________________Ì ƒheark - - - - - - - - - - - ƒ- - - - - - (k)en ƒƒun - - - - - - - - to ƒme;_________ÌÌ(n)_ ƒ______________ heark - - - - - - - - - - ƒƒen___________Ì ƒun - - ƒ- - to me,______________________________________________Ì O______ÌÌ ƒ_______Ì ƒƒLord.________________(n)________________________ ƒLord,___________ ƒ_____________Ì I____________ÌÌ ƒhave ƒƒcried_______________________________Ì un - - ƒƒto___ÌÌ̃ƒThee,_____________ ƒun - - - - - - - - ƒƒto________Ì ƒ__ƒƒThee,_________________________(n)__________________________________Ì heark - ƒ- - - - - - - - - - - - - - - - ƒ(k)en un - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


482Lord I Have Cried - Very L<strong>on</strong>g Versi<strong>on</strong> - First Mode ƒ- - to me;__________Ì(n)________________ ƒƒat - - - - - ƒƒƒtend_________Ì ƒ_______________Ì at -ƒƒtend________________________________ÌÌ ƒƒto ƒƒ<strong>the</strong> voice_ ƒ_________________________________________ÌÌ to <strong>the</strong>________ ƒƒvoice____________ ƒ_______________________________________Ì ƒƒof ƒƒmy sup - - - - - - ƒƒmy sup - - ƒƒpli - - ca - - - - - - - - - - - - -ƒti<strong>on</strong> when_ ƒ__ I_____ ƒƒcry_____________________Ì ƒƒun - - - - - - to ƒThee_________ÌÌ ƒ_______________Ì un - to___________ÌÌ ƒƒThee:_______________________________ ƒƒHeark - - - - (n) - - - - - heark - - en__ÌÌ un - - - - - - ƒto me,_ ƒ___________Ì(n)_____________O__________________ ƒƒLord,____________________Ì ƒ________________________(d) ƒO_______________ ƒƒLord.________________Ì(n)_ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord I Have Cried - Very L<strong>on</strong>g Versi<strong>on</strong> - First Mode483 ƒ_____________________________________(d)Let My PrayerKateuqunqhvtwL ƒet my_________ƒƒprayer____Ì be_________________________Ì ƒƒset_______Ì ƒ__________Ì ƒƒforth ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> in - - - cense_________________________________ÌÌ be - - - - ƒƒfore_________________________________________________ ƒƒThee,_ ƒ___________________________Ì(n)__________________________________ ƒ<strong>the</strong> lift - ƒ ƒ- - - - - - - - - - - - - - - - - <strong>the</strong> lift - - - - - ƒƒ- - - ƒing up__________(n)_______________ of_________________________Ì ƒ____________Ì(n)__________(f) ƒmy_____________________________Ì ƒƒof ƒƒmy__Ì hands________________Ì(n)________________________ ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒan ƒeve - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


484Lord I Have Cried - Very L<strong>on</strong>g Versi<strong>on</strong> - First Mode ƒ- - - - <str<strong>on</strong>g>as</str<strong>on</strong>g>____ an__ÌÌ ƒƒeve - - - - - - - (n) - - - - -ƒƒning sac - - - (n) - - - - - -ƒri - - - - - - - - - - - - -ƒfice;_ ƒ____________________________ÌÌ ƒheark - - - - (n) - - - - - ƒƒheark - ƒƒ ƒ- ƒen___ ƒƒun - - - - - - to me,____________Ì(n)_____________Ì ƒO_Ì ƒ_________________ Lord,__________________________________________________ O_______________Ì̃ƒLord._____________________________(n)____________________ ƒ____________________(d)C<strong>on</strong>tinue <strong>on</strong> page 489with psalm verses in triple meter.If Paul—impris<strong>on</strong>ed, made f<str<strong>on</strong>g>as</str<strong>on</strong>g>t in <strong>the</strong> stocks, and threatened with intolerable scourges—praised God al<strong>on</strong>g with Sil<str<strong>on</strong>g>as</str<strong>on</strong>g> c<strong>on</strong>tinually throughout <strong>the</strong> night (when sleep is mostple<str<strong>on</strong>g>as</str<strong>on</strong>g>ant to every<strong>on</strong>e); and if nei<strong>the</strong>r <strong>the</strong> place, nor <strong>the</strong> hour, nor his anxieties, nor<strong>the</strong> tyrant's slumbers, nor <strong>the</strong> pain of his labors, nor anything else could bringhim to interrupt his singing, so much <strong>the</strong> more ought we, who live ple<str<strong>on</strong>g>as</str<strong>on</strong>g>antlyand enjoy God's blessings, to give forth hymns that express thanks to Him.—<strong>St</strong>. John Chrysostomwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord, I Have CriedVery L<strong>on</strong>g Versi<strong>on</strong>*Plagal Sec<strong>on</strong>d Modeadapted from Iakovos <strong>the</strong> Protopsaltis (d. 1800) 84Durati<strong>on</strong>: 5:45 + 3:45Int<strong>on</strong>ati<strong>on</strong>: #20Kuvrie ejkevkraxa ƒƒ eh____Ì ƒLord,____________________________________________ ƒI_ÌÌ ƒ_______Ì have________________ÌÌ(n)___________ÌÌÌ ƒƒcried un - - ƒto Thee,____ ƒ_____________________ I_______ƒhave_ÌÌ cried__________Ì un - - ƒƒto__________ÌÌ ƒ_____ ƒThee,__________________________________Ì ƒheark - - - - - en_____Ì_____________________* This very l<strong>on</strong>g versi<strong>on</strong> in plagal sec<strong>on</strong>d mode is also frequently used in all-night vigils <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>,because several fe<str<strong>on</strong>g>as</str<strong>on</strong>g>t days of <strong>the</strong> Lord and of <strong>the</strong> Mo<strong>the</strong>r of God begin with troparia in plagal sec<strong>on</strong>d.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


486Lord I Have Cried - Very L<strong>on</strong>g Versi<strong>on</strong> - Plagal Sec<strong>on</strong>d Mode ƒun - ƒto ƒƒme____________________________ÌÌ ƒƒun - - ƒƒto___________ me;___ ƒ_______________________________________heark-en__Ì ƒƒun - - to____Ì me,______Ì ƒ__ ƒO_______________________ÌÌ ƒƒLord. ƒƒLord,_______________________________Ì ƒ____Ì ƒI__________Ìhave__Ì cried__________________________________________ÌÌ ƒun - - ƒto ƒƒThee,___________________________ I_______̃ƒhave_ÌÌ cried________ ƒ__ un - - ƒƒƒ to________________ÌÌ ƒƒThee,___________________________________Ì ƒheark - - - - - - - - ƒen______ÌÌ ƒun - to ƒƒme______________________ÌÌ ƒ____Ì ƒƒun - - ƒƒto___________Ì ƒme;_________________________________________Ì ƒ__ ƒat - ƒtend________________ÌÌ ƒat - ƒƒ- ƒƒ- ƒƒ-ƒtend_____________________Ì ƒto ƒ<strong>the</strong>___ÌÌ ƒƒvoice______________________Ì of___________Ì ƒƒmy ƒƒsup - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord I Have Cried - Very L<strong>on</strong>g Versi<strong>on</strong> - Plagal Sec<strong>on</strong>d Mode487 ƒpli - ƒƒca - - - - - - - - - ƒƒof ƒmy sup - ƒ- ƒpli - - ƒca - - - - ƒ- - - - - - - - ti<strong>on</strong>_____________________Ì when ƒƒI ƒƒcry_______ÌÌ ƒ______________________________Ì̃when ƒƒIcry ƒto_____ƒThee:___________________Ì ƒHeark - ƒ- ƒ- ƒ- ƒ- ƒ- ƒ- ƒ-ƒƒƒen__ÌÌ ƒƒun - - - -ƒƒto______Ì ƒƒme,___ ƒƒO____________________________________ Lord,__________ÌÌ ƒO_________________ÌÌ ƒLord.___Let My PrayerKateuqunqhvtwL ƒet my______ prayer_____________________________ÌÌ ƒbe ƒset________Ì ƒforth_ ƒ________________________________________________________________________ ƒset_Ì ƒ__ forth__________________________________ ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>____ in - - - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


488Lord I Have Cried - Very L<strong>on</strong>g Versi<strong>on</strong> - Plagal Sec<strong>on</strong>d Mode - - - - - - ƒƒƒ ƒcense be - fore____________________________________ÌÌ ƒ____________________ÌÌ ƒƒbe - - - ƒfore__________________________________Ì ƒƒThee,_ ƒ___________________________________ <strong>the</strong> lift - - - - - - - - - ƒƒing______________________ ƒup______________ÌÌ ƒof____________Ì my ƒƒhands_ ƒ___________________________________̃of____Ì ƒƒmy__ÌÌ hands______________________ ƒ_____Ì ƒƒof____Ì my hands_____________________ ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> an ƒƒeve - - - (n) - ƒ- - - - - - - - - - - <str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒan eve - - - ƒning_________________ ƒ____Ì ƒƒƒƒsac - - - - - - ri - - - - - -ƒƒƒfice;___ ƒƒheark - - - ƒ- - - - - - - ƒen un - - - - to______ÌÌ ƒme,___Ì ƒO_________ÌÌ ƒ__________________________ Lord,___________Ì ƒƒO__________________ ƒƒLord.___C<strong>on</strong>tinue <strong>on</strong> page 495with psalm verses in triple meter.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Triple Meter*First Modeadapted from Ath<strong>on</strong>ite melody 145Durati<strong>on</strong>: 5:30Qou' Kuvrie et, ƒƒO Lord, a watch be-ƒfore ƒmy mouth, ƒƒand ƒƒƒƒa ƒƒdoor_____ of ƒƒen - ƒƒclo-ƒsure ƒround_Ì ƒa - bout__̃ƒmy ƒƒlips.2 ƒƒIn - ƒƒcline__ÌÌÌ ƒƒnot myƒƒƒƒheart un - - ƒƒto ƒƒwords ƒof ƒƒe - - - - ƒvil, ƒto ƒƒƒmake___ ex - ƒcuse______Ì ƒwith__ ƒex - ƒƒcus - ƒes ƒƒin ƒsins, _____________________* In c<strong>on</strong>temporary Ath<strong>on</strong>ite practice, <strong>the</strong> verses of <strong>the</strong>se psalms are <str<strong>on</strong>g>chanted</str<strong>on</strong>g> in triple meter following <strong>the</strong>"Lord I have cried" of an all-night vigil.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


490Verses of Psalms - Triple Meter - First Mode3 ƒWith ƒmen ƒthat ƒƒwork___ in - iq - - ƒui - ty; ƒƒand ƒI________ ƒwill not ƒjoin___ÌÌ ƒwith <strong>the</strong>ir cho - - - ƒsen.4 ƒThe ƒrightƒƒ- eous ƒman ƒwill ƒƒch<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒ-ƒten me with mer - cyand___Ì reƒ-ƒƒprove_____ ƒme; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> for thē ƒoil_______ÌÌ ƒƒof___ ƒ<strong>the</strong> ƒsin - - ner, ƒƒlet ƒƒit ƒnot ƒa -ƒƒnoint_ _ÌÌmy ƒƒhead.5 For ƒƒƒƒyet more___ ƒis ƒƒmy prayer__ ƒƒin ƒ<strong>the</strong> pres - ƒ-ƒence of <strong>the</strong>ir ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒƒ- - - - ƒures; ƒƒswal - ƒ-ƒlowed ƒƒup____ƒƒnear by <strong>the</strong> rock_______ ƒhave__ƒ<strong>the</strong>ir ƒjudg - -ƒƒƒƒes ƒbeen. 6 ƒThey shall ƒƒhear ƒƒmy words, for ƒ<strong>the</strong>y___Ì be sweet - - ened; ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>___ a clod___Ì of ƒearth___ÌÌ ƒƒƒƒis ƒbro - ƒƒ- ƒƒken up - <strong>on</strong> thē earth, ƒƒso have_ÌÌ ƒƒ<strong>the</strong>irwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms - Triple Meter - First Mode491 b<strong>on</strong>es__̃ƒbeen scat - - ƒtered nigh__Ì ƒƒunƒƒ-ƒto ƒƒHa - - - ƒdes.7 For ƒƒƒƒunƒƒ-ƒƒto Thee, ƒƒO ƒƒLord,___ ƒƒO Lord, ƒƒare mine eyes, ƒƒƒƒinThee_____ÌÌ ƒhave I hoped; ƒtake_____ÌÌ ƒnot__ÌÌ ƒƒmy ƒsoul__ÌÌ ƒa - ƒway.8 ƒKeepƒƒƒme from ƒƒ<strong>the</strong> ƒsnare which <strong>the</strong>y_ÌÌÌ have laid ƒfor ƒme,and ƒfrom_ÌÌ ƒƒ<strong>the</strong> ƒƒstum - - ƒƒbling-blocks ƒofƒ<strong>the</strong>m that work in - ƒiq - - ƒui - ƒƒty.9 The ƒƒsin - - ƒners_Ì shall ƒfall in - ƒto <strong>the</strong>ir own__ÌÌ ƒƒnet; I_______ ƒ__ ƒƒam a - ƒl<strong>on</strong>e ƒƒunƒ-ƒƒtil ƒI ƒp<str<strong>on</strong>g>as</str<strong>on</strong>g>s_____Ì by.10 ƒWith ƒmy ƒvoice ƒun -ƒƒto ƒ<strong>the</strong> ƒLord ƒhave ƒƒI ƒcried, ƒwith_____ÌÌ ƒmy ƒƒvoice_ _Ì un - ƒto ƒƒ<strong>the</strong> Lord have ƒI ƒmade my sup - - pli - ca - - - ƒƒti<strong>on</strong>.11 ƒI will pour___ ƒƒƒout be - ƒfore Him my sup - - pli - ƒca - - - ti<strong>on</strong>,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


492Verses of Psalms - Triple Meter - First Mode ƒmine ƒƒaf - ƒƒflic - - ƒƒti<strong>on</strong> be - ƒƒfore_____ÌÌ Him_ÌÌÌ will I de - ƒclare.12 ƒWhen ƒƒmy spir - - - it ƒƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> faintƒ-ƒing ƒwith - ƒƒin______ÌÌ ƒƒme, <strong>the</strong>n Thou ƒƒƒƒknew - - est__ÌÌ ƒƒmy ƒƒpaths.13 ƒƒIn ƒthis ƒƒƒway whereƒ-ƒƒin ƒI ƒƒhave ƒwalked <strong>the</strong>y ƒhid___Ì for me___ÌÌ ƒa snare.14 I ƒlooked ƒup - <strong>on</strong> ƒƒmy ƒright__ƒƒhand, ƒand ƒbe - held, ƒƒandƒƒƒƒ<strong>the</strong>re w<str<strong>on</strong>g>as</str<strong>on</strong>g> n<strong>on</strong>e_ ƒ__ ƒthat did ƒknow____Ìme.15 ƒƒFlight______ ƒhath ƒfailed___ ƒƒme, ƒƒand ƒ<strong>the</strong>re___ is n<strong>on</strong>e ƒthat ƒƒwatch - - ethƒout for ƒmy soul.16 ƒƒI have cried_______ ƒun - ƒto ƒThee, ƒƒO ƒƒLord; ƒI___ÌÌ ƒsaid: ƒThouwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms - Triple Meter - First Mode493 art___ my hope, ƒƒmy por - - - ƒti<strong>on</strong>__ÌÌ ƒƒart Thou in ƒƒ<strong>the</strong> ƒƒland___Ì ƒof ƒ<strong>the</strong> ƒliv - - - ing.17 ƒAt - tend un -ƒƒƒƒto__ÌÌÌ my ƒƒsup - ƒpli - ƒƒca - - - ƒti<strong>on</strong>, ƒƒfor ƒƒI_______Ì ƒƒam brought_____ ƒver - - y low.18 De - ƒƒliv - ƒer ƒme from <strong>the</strong>m that ƒƒper - - ƒse - cute_____ÌÌ ƒƒme, ƒfor ƒƒ<strong>the</strong>y___ ƒƒare ƒstr<strong>on</strong>gƒƒ-ƒer than I.The following verses are <str<strong>on</strong>g>chanted</str<strong>on</strong>g> in triple meter<strong>on</strong>ly when <strong>the</strong>re are fewer than ten troparia.19 Bring ƒƒƒmy ƒsoul ƒƒout ƒof pris - - ƒ<strong>on</strong> ƒthat I ƒƒmay_ÌÌÌÌ c<strong>on</strong> - ƒƒfess___Ì Thy ƒName.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


494Verses of Psalms - Triple Meter - First Mode20 ƒThe rightƒƒ-ƒƒeous shall wait pa - - tient - ƒly for me ƒun - ƒƒtil___Thou shalt___Ìre - ward_____ÌÌÌ ƒƒme.21 ƒƒOut___ÌÌÌ ƒof___ ƒ<strong>the</strong> depths___ÌÌÌ ƒƒhave ƒI ƒƒcried______Ì ƒunƒƒ- to ƒƒThee, ƒƒO ƒƒLord;_____ O Lord,__Ì hear__ÌÌ my ƒvoice.22 Let ƒƒƒƒThine ƒƒears_______Ì be at - ƒtenƒƒ-ƒtive ƒƒto ƒƒ<strong>the</strong> ƒvoice ƒƒof my ƒƒsup - - pli - ƒƒca - - - ƒƒti<strong>on</strong>.The book of psalms uproots <strong>the</strong> p<str<strong>on</strong>g>as</str<strong>on</strong>g>si<strong>on</strong>swith a certain melodic enjoymentand a delight that instillspure thoughts.—<strong>St</strong>. B<str<strong>on</strong>g>as</str<strong>on</strong>g>il <strong>the</strong> Greatwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms140, 141, and 129Triple MeterPlagal Sec<strong>on</strong>d Modeadapted from Ath<strong>on</strong>ite melody 145Durati<strong>on</strong>: 5:30Qou' Kuvrie et, O ƒƒLord, ƒƒƒƒa ƒwatch beƒƒ-ƒƒfore my mouth, and ƒa door_____Ì of en - cloƒ-ƒsure round ƒa - ƒbout___Ì ƒƒmy lips.2 ƒIn - clineƒƒƒƒnot ƒƒmy heart un - - ƒto ƒƒwords ƒof e - - - ƒƒvil, ƒto ƒmake___ ƒex - ƒƒcuse______Ì ƒwith_ƒƒƒ ƒex - cus - -ƒƒƒƒes in ƒƒsins,www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


496Verses of Psalms - Triple Meter - Plagal Sec<strong>on</strong>d Mode3 ƒWith men ƒthat ƒƒwork___Ì ƒƒin - ƒiq - ƒui -ƒƒty; and I will ƒnot ƒƒjoin______ ƒƒwith__ÌÌ ƒƒ<strong>the</strong>ir ƒƒcho - - - ƒsen.4 ƒƒThe right - eous ƒman will ch<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒten ƒƒme ƒwith merƒƒ-ƒƒcy ƒand_ ƒre - ƒƒprove_ ƒ_____ ƒƒme; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒƒfor ƒthē oil___ÌÌ ƒƒƒƒof <strong>the</strong> sin - - -ƒƒner, ƒlet ƒƒit ƒƒnot_ a - ƒnoint___ƒƒƒƒmy head.5 For ƒƒƒyet ƒmore is my ƒprayer in <strong>the</strong> ƒpres-ƒence ƒof ƒ<strong>the</strong>ir ƒple<str<strong>on</strong>g>as</str<strong>on</strong>g> - ƒ- ƒ- ƒures; ƒƒswal-lowed ƒup ƒnear by_Ì ƒƒ<strong>the</strong> ƒƒrock______Ì ƒƒhave_ƒƒ<strong>the</strong>ir ƒjudg - ƒes ƒbeen.6 They shall ƒhear my words, for <strong>the</strong>y___Ì ƒƒbe ƒƒsweet - ened; ƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒa clod ƒƒof ƒearth____Ì is ƒbro - - ƒken_____ ƒup - ƒ<strong>on</strong> ƒthē earth, ƒso ƒƒhave___ÌÌ ƒƒ<strong>the</strong>ir b<strong>on</strong>es__Ì̃been scat - ƒtered ƒnigh_____ÌÌ ƒƒun - - to ƒHa - - - des.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms - Triple Meter - Plagal Sec<strong>on</strong>d Mode4977 For ƒƒun - to ƒThee, ƒO Lord, O ƒƒLord,_______Ì are mine eyes, in ƒThee have I ƒƒhoped; ƒtake______ÌÌ ƒƒnot_ ƒmy ƒsoul___Ì ƒƒaƒ-ƒway.8 ƒKeep ƒme from_ ƒ<strong>the</strong> snare which <strong>the</strong>y___̃have laid ƒfor ƒme, ƒƒand ƒƒfrom ƒƒ<strong>the</strong> stum - - bling-blocks ƒof <strong>the</strong>m___ that work_ in - ƒiq - - ƒui - ty.9 The ƒƒsin - - - ners ƒshall ƒƒfall ƒƒin - to <strong>the</strong>ir own________ ƒƒnet; I_______Ì ƒam ƒa - ƒƒƒ ƒl<strong>on</strong>e___Ì ƒun - ƒƒtil_ÌÌ I ƒƒƒ p<str<strong>on</strong>g>as</str<strong>on</strong>g>s___________ÌÌ by.10 ƒƒWith my voice un - -ƒƒto <strong>the</strong> ƒLord______ ƒƒhave ƒI cried, with ƒmy ƒƒvoice_Ì ƒun - to___ÌÌÌ ƒ<strong>the</strong> ƒLord have ƒƒƒƒI ƒƒmade__ÌÌ my ƒsup - ƒƒ-ƒƒpli - ca - - - - ƒƒti<strong>on</strong>.11 I ƒƒwill ƒpour___ out be - ƒƒfore______Ì Him my sup - - ƒƒƒƒpli - ƒca - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


498Verses of Psalms - Triple Meter - Plagal Sec<strong>on</strong>d Mode ƒ- ƒƒti<strong>on</strong>, mine ƒƒaf - ƒflic - - ƒti<strong>on</strong> ƒbe - ƒfore______ Him ƒwill I ƒƒƒƒde - ƒclare.12 ƒƒWhen ƒƒmy spir - - - it ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g>ƒƒƒfaint - ƒƒing ƒwith - ƒin_______ me, ƒ<strong>the</strong>n_ Thou knewƒƒ-ƒƒest my paths.13 In ƒƒthis ƒƒƒway whereƒ-ƒin ƒƒI ƒhave walked <strong>the</strong>y ƒƒhid_ ƒfor me___Ì a ƒƒsnare.14 ƒƒI ƒƒlooked up - <strong>on</strong> ƒmy ƒƒright__Ì̃hand, and be - ƒƒheld, ƒand <strong>the</strong>re_ ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒn<strong>on</strong>e_____Ìthat___ ƒƒdid ƒknow______ me.15 ƒFlight ƒhath ƒƒƒƒfailed_______ ƒme, andƒƒƒƒƒ<strong>the</strong>re ƒƒƒis n<strong>on</strong>e ƒthat ƒwatchƒƒ- eth ƒƒƒout for ƒmy soul.16 I ƒƒhave ƒƒcried_____Ì ƒun - ƒƒto ƒThee, ƒƒO Lord; ƒI____ said: Thou_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Verses of Psalms - Triple Meter - Plagal Sec<strong>on</strong>d Mode499 ƒ__ ƒƒart ƒƒƒƒmy hope, ƒmy ƒƒƒƒpor -ƒƒƒti<strong>on</strong> art ƒƒƒThou ƒƒin_Ì <strong>the</strong> land_____ÌÌ of____Ì ƒƒ<strong>the</strong> liv - - - ƒing.17 ƒAt - tend un - to ƒƒmy ƒsup - - ƒpli - ƒca - ƒ- ƒti<strong>on</strong>, for ƒƒI ƒam ƒbrought_____Ì ƒver - ƒ- y low.18 ƒDe - ƒliv - ƒer me from <strong>the</strong>m that per - - ƒse - ƒƒcute______ ƒƒme, for ƒ<strong>the</strong>y_ ƒare ƒstr<strong>on</strong>gƒ-ƒer than ƒI.The following verses are <str<strong>on</strong>g>chanted</str<strong>on</strong>g> in triple meter<strong>on</strong>ly when <strong>the</strong>re are fewer than ten troparia.19 ƒBring my soul out ƒof ƒpris - - - ƒ<strong>on</strong> ƒthat I_______Ì ƒmay___Ì ƒƒc<strong>on</strong> - ƒƒfess_ ƒ__ƒƒƒƒThy Name.20 The ƒright - eous shall ƒƒwait pa - ƒtient -ƒƒƒly ƒƒfor ƒƒme ƒƒun - til____Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


500Verses of Psalms - Triple Meter - Plagal Sec<strong>on</strong>d Mode Thou ƒshalt_ ƒre - ƒƒward________ ƒme.21 ƒƒOut ƒof <strong>the</strong> depths_____ƒƒƒƒhave ƒI ƒcried_________ un - - ƒto ƒThee,__ÌÌ ƒO Lord; ƒƒƒƒO Lord,______ hear___Ì ƒmy voice.22 Let Thine ƒears________ ƒƒbe at - ƒƒten - - ƒtive ƒƒto ƒƒ<strong>the</strong> ƒvoice______ÌÌ of_ __ ƒƒmy sup - - pli - ƒca - - - ti<strong>on</strong>.<strong>St</strong>.JOHNTHETHEOLOGIANwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


O Joyous LightSec<strong>on</strong>d Modeadapted from versi<strong>on</strong> attributed to John Sakellarides*<str<strong>on</strong>g>as</str<strong>on</strong>g> <str<strong>on</strong>g>chanted</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong> 66Durati<strong>on</strong>: 2:15Int<strong>on</strong>ati<strong>on</strong>: #4Fw'" @Ilarovn ƒƒƒJoy - ƒous ƒLight ƒof ƒƒƒ<strong>the</strong> ƒƒho - ƒly ƒglo - - - ry of thē ƒim -ƒƒmor - tal, ƒƒheav - - ƒen - ƒly, ƒho - - - - ƒƒly, blessƒƒ-ƒƒed ƒFa - - <strong>the</strong>r, O ƒƒJe - - - sus___________Ì ƒChrist: We that ƒcome____________________Ì_____________________* It is said that John Sakellarides found this melody am<strong>on</strong>gst o<strong>the</strong>r music manuscripts in Zakynthos. Althoughit is labelled <str<strong>on</strong>g>as</str<strong>on</strong>g> being a melody in sec<strong>on</strong>d mode (due to its cadences <strong>on</strong> Di and Vou), it cannot be rightlyc<strong>on</strong>sidered a Byzantine melody, because it fails to follow <strong>the</strong> formulaic rules that genuine Byzantine musicfollows.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


502O Joyous Light - Sakellarides ƒƒto ƒƒ<strong>the</strong> ƒset - ƒƒƒƒting ƒof ƒƒ<strong>the</strong> ƒsun, ƒƒwhen ƒwe ƒbe - ƒƒƒhold__Ì̃ƒthē eve - ƒning ƒlight, ƒƒpraise_ÌÌÌÌ Fa - - <strong>the</strong>r,_____Ì ƒS<strong>on</strong>,_ÌÌ ƒƒand ƒƒHo - - - ƒly________Ì ƒSpir - - ƒƒit,______Ì ƒGod._ÌÌ ƒƒMeet it ƒis ƒƒƒfor Thee ƒat all ƒƒtimes to ƒbe___________ƒƒpraised_Ì with gladƒ-ƒsome voic - - es, ƒO S<strong>on</strong>___Ì ƒƒƒof______Ì God,_ÌÌ ƒGiv - ƒ- ƒ- ƒ- ƒ- - er ƒof___ life.__Ì ƒƒWhere - - ƒfore, ƒ<strong>the</strong> world___ƒdoth glo - - - - ƒri - - fy____________________ ƒƒThee._ÌA psalm c<strong>on</strong>soles <strong>the</strong> sad, restrains <strong>the</strong> joyful, tempers <strong>the</strong> angry, refreshes<strong>the</strong> poor and chides <strong>the</strong> rich man to know himself. To absolutely allwho take it, <strong>the</strong> psalm offers an appropriate medicine; nordoes it despise <strong>the</strong> sinner, but presses up<strong>on</strong> him <strong>the</strong>wholesome remedy of penitential tears.—<strong>St</strong>. Niceta of Remesianawww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


O Joyous LightSec<strong>on</strong>d Modeadapted from Ancient Melody<str<strong>on</strong>g>as</str<strong>on</strong>g> abbreviated by Socrates Papadopoulos 100Durati<strong>on</strong>: 2:15Int<strong>on</strong>ati<strong>on</strong>: #4Fw'" @Ilarovn _______________Ì Joy - ƒous___Ì Light_ÌÌÌÌ of___ÌÌ <strong>the</strong> ƒƒho - - - ly glo - - - - - - -ƒry________ÌÌ ƒof thē______Ì ƒim - - mor - - - ƒƒƒƒtal,__ÌÌÌ heav - - - - - en - - ƒƒly, ƒho - - - -ƒly,______ ƒbless - ƒƒed__ ƒ_____ ƒFa - - - - - - <strong>the</strong>r, ƒƒO ƒƒJe - - - - sus ƒChrist:______Ì ƒWe ƒthat come_____Ì ƒƒƒƒto ƒ<strong>the</strong> ƒƒset - - - ƒting___ of_________ƒƒ<strong>the</strong>___Ì sun,___Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


504O Joyous Light - Ancient Melody when we______Ì be - - ƒƒhold__________ÌÌÌ thē______Ì ƒƒeve - - - ƒning________Ì ƒlight,_____ÌÌ praise ƒFa - ƒƒ- ƒƒ- <strong>the</strong>r, S<strong>on</strong>,___________ÌÌÌÌ ƒand ƒHoƒƒ-ƒƒly__Ì ƒƒSpir - ƒƒ- ƒƒ- - - it,_______________Ì ƒƒGod. ƒƒƒƒMeet it is______ÌÌ ƒƒfor___Ì̃ƒThee_____Ì at__ ƒ_______ all_________Ì ƒtimes to__ÌÌ ƒƒƒbe praised____ ƒƒwith_______ glad - ƒ-ƒƒsome___ ƒƒƒvoic - ƒ- - - ƒes,___ÌÌ ƒƒƒƒO ƒƒƒƒS<strong>on</strong>______ ƒof__̃ƒƒƒƒGod, ƒƒGiv - - - - - - er_______ÌÌÌ of_______________Ì ƒlife.__________________ Where - - - -ƒfore,ƒƒƒƒ<strong>the</strong>___ÌÌ ƒworld ƒƒdoth___Ì glo - - -ƒƒri - ƒƒƒfy_____________________ Thee_____ÌÌ glo - ƒri - ƒfy________ÌÌ ƒ____ÌThee.______ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Daily ProkeimenaT ƒheSaturday <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>Sec<strong>on</strong>d Mode ƒLord_____Ì is ƒƒking; He ƒƒƒis ƒƒclo<strong>the</strong>d with maj -ƒƒesƒ-ƒty. 180@O Kuvrio" ejb<str<strong>on</strong>g>as</str<strong>on</strong>g>ivleusenCan<strong>on</strong>arch: The Lord ƒis ƒƒclo<strong>the</strong>d ƒwith strength ƒand ƒHe hath ƒgirt Him - self.Sec<strong>on</strong>dChoir: The ƒƒƒLord_____Ìis ƒƒking; He ƒƒƒis ƒƒclo<strong>the</strong>d with maj -ƒƒesƒ-ƒty.Can<strong>on</strong>arch: For ƒƒƒHe ƒƒes - ƒtabƒƒ-ƒlished ƒƒƒƒ<strong>the</strong> ƒworld which ƒshall not ƒƒbe ƒƒƒshakƒ-ƒƒen.FirstChoir: ƒƒƒƒThe Lord__ÌÌÌ ƒis____Ì king;Sec<strong>on</strong>dChoir: Heƒƒis ƒƒclo<strong>the</strong>d with maj - - ƒes - ty._________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


506Daily ProkeimenaSunday <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>B ePlagal Fourth Mode 180!Idou; dh; eujlogei'te - ƒƒƒƒhold ƒnow, ƒƒƒƒbless___Ì ƒƒye ƒ<strong>the</strong> ƒLord, all ƒƒye ƒƒser - ƒƒvants ƒof ƒƒƒ ƒ<strong>the</strong> Lord.(twice)Can<strong>on</strong>arch: ƒƒYe that ƒƒstand in ƒƒƒƒ<strong>the</strong> ƒƒhouse ƒƒƒƒof ƒƒƒƒ<strong>the</strong> ƒLord, in ƒƒ ƒƒ<strong>the</strong>ƒƒ ƒcourts ƒƒof <strong>the</strong> houseof ƒƒƒƒ ƒƒour God.FirstChoir: ƒƒBe - ƒƒhold ƒƒƒƒnow, ƒƒbless_____Ì ƒye ƒ<strong>the</strong> Lord,Sec<strong>on</strong>dChoir: ƒƒall ƒye ƒƒser - ƒƒvants of <strong>the</strong> ƒLord.__________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Daily Prokeimena507T heM<strong>on</strong>day <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>Fourth Mode Lord will heark-ƒen ƒunƒ-ƒƒto ƒme when ƒƒI ƒƒƒcry unƒƒ-ƒƒto Him. 180Kuvrio" eijsakouvsetaiv mou(twice)Can<strong>on</strong>arch: When ƒƒI ƒƒcalled ƒƒƒƒƒup - ƒƒ<strong>on</strong> Thee, ƒƒO ƒƒƒƒGod ƒƒof ƒmy right-ƒeous-ƒness, Thou didst ƒƒƒheark - ƒƒen ƒun - ƒto ƒme.FirstChoir: The Lord ƒwill heark-en ƒun - ƒto ƒƒmeSec<strong>on</strong>dChoir: ƒƒwhen I ƒƒƒƒcry ƒun - - ƒto ƒHim.________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


508Daily ProkeimenaT hyTuesday <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>First Mode 180To; e[leov" sou Kuvrie mer - cy ƒshall purƒƒ-ƒƒsue__ÌÌ̃me, ƒO ƒLord, ƒall <strong>the</strong> ƒdays__ÌÌÌÌ ƒƒƒƒƒof ƒmy ƒ ƒƒlife.(twice)Can<strong>on</strong>arch: ƒƒƒƒThe ƒLord ƒis my ƒƒshepƒ-ƒƒherd, ƒand ƒƒƒ ƒI ƒshall ƒƒnot ƒƒwant; ƒin ƒa ƒƒplace of ƒgreen p<str<strong>on</strong>g>as</str<strong>on</strong>g> - ture, ƒ<strong>the</strong>re ƒƒhath ƒƒhe madeƒƒƒme ƒto ƒdwell.FirstChoir: ƒThy ƒmer - ƒcy ƒƒ ƒshall ƒƒpur - sue ƒƒƒme, ƒƒO ƒLord,Sec<strong>on</strong>dChoir: ƒall ƒ<strong>the</strong> days ƒof mylife.___________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Daily Prokeimena509Wednesday <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>O God,Plagal First Mode 180@O Qeo;" ejn tw'/ ojnovmativ sou ƒin Thy Name__ÌÌ save___ÌÌ ƒƒme, and in Thy strengthƒƒƒdo ƒƒThou judge ƒme.(twice)Can<strong>on</strong>arch: O ƒƒƒGod, ƒƒheark - ƒƒen ƒƒun - ƒto ƒmy ƒprayer, give ƒƒear ƒƒƒƒun - ƒto <strong>the</strong> ƒwords ƒƒof____ƒƒmy ƒƒmouth.FirstChoir: ƒO God, in ƒƒThy Name_ ƒƒsave__Ì me,Sec<strong>on</strong>dChoir: and in Thy strength_ do Thou judge__ ƒƒme.______________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


510Daily ProkeimenaM yThursday <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>Plagal Sec<strong>on</strong>d Mode 180@H bohvqeiav mou ƒƒƒ help___Ì ƒƒcom - ƒeth ƒfrom_̃ƒ<strong>the</strong> ƒLord, Who ƒƒhath ƒƒmade__ÌÌ ƒheav - en ƒand ƒƒthē earth.(twice)Can<strong>on</strong>arch: ƒƒ ƒI ƒƒƒhave lift - ed ƒƒƒup mineƒƒƒƒƒƒeyes to ƒ<strong>the</strong> ƒmoun-tains, ƒfrom whence ƒcom - ƒeth ƒƒmy help.FirstChoir: Myƒhelp ƒƒƒcom-eth ƒfrom ƒƒƒƒ<strong>the</strong> ƒƒLord,Sec<strong>on</strong>dChoir: ƒWho hath made heavƒ-ƒƒen and__ƒƒthē ƒƒearth.________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Daily Prokeimena511Friday <str<strong>on</strong>g>Vespers</str<strong>on</strong>g>O ƒGod,Grave Mode 180@O Qeo;" ajntilhvptwr mou ei\ ƒThou ƒƒartƒƒƒmy ƒhelp - - ƒƒer;ƒƒƒƒƒThy ƒƒƒƒmer - - cy ƒshall go be - ƒfore_____ÌÌ me.(twice)Can<strong>on</strong>arch: ƒƒƒRes - ƒƒƒcue ƒƒƒƒme ƒƒƒƒfrom mine en - e - ƒƒmies, O God, and ƒfrom ƒƒ<strong>the</strong>m ƒƒƒ that ƒrise ƒƒup ƒƒƒa - ƒgainst me ƒreƒ-ƒƒdeem ƒme.FirstChoir: ƒO God, ƒƒThou ƒƒart ƒmy ƒƒhelp - - -ƒƒer;Sec<strong>on</strong>dChoir: Thyƒmer - cy ƒshall go ƒbe - ƒƒfore__ÌÌÌ me._________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lenten Prokeimena"Turn Not Away"For Forgiveness Sunday and <strong>the</strong>Sec<strong>on</strong>d and Fourth Sundays of LentPlagal Fourth Modeadapted from traditi<strong>on</strong>al melodyby Petros Pelop<strong>on</strong>nesios (d. 1777) 48Durati<strong>on</strong>: 3:15Int<strong>on</strong>ati<strong>on</strong>: #26Mh; ajpostrevyh/" ƒ urn ƒnot aƒƒ-ƒway________________________ÌÌ a - ƒ- ƒ- ƒƒway__ÌÌ ƒThy ƒƒcoun - - - - ƒThy coun - ƒƒte - nance___________________________________________ from________ƒThy_________ÌÌÌÌ ser - - - - - from Thy ser - - - - - - - - - - - vant,________________________Ì for______Ì ƒI____________Ì ƒƒam af - ƒƒflict - - - - - - - - - - - - ƒƒed ƒaf - ƒflict - - - -ƒƒed;www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lenten Prokeimena513 heark - - - -ƒƒen______________________ ƒƒun - to ƒƒme________________Ì * heark - ƒen ƒquick - - - - - - - - ƒƒly._____________ÌÌ ƒAt - - tend___ ƒ__ƒƒto ƒƒƒƒmy soul________________ÌÌ ƒand ƒƒdeƒ-ƒliv - - - ƒer ƒƒde - ƒliv - ƒ- ƒ- ƒ- ƒ- - - - - ƒer____________ ƒit.___________ÌÌÌVerses:2. May Thy salvati<strong>on</strong>, O God, be quick to help me.3. Let beggars behold it and be glad.4. Seek after God, and your soul shall live.* Final ending: ƒAt - - ƒtend__________________ÌÌ to ƒmy_____ÌÌÌ ƒƒsoul________________________Ì ƒ____Ì ƒƒƒand________________________ÌÌ ƒde - - - - - - ƒƒliv - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


514Lenten Prokeimena - - - - - - -ƒƒ(v)er_____ÌÌ it_______________________Ì ƒde - - ƒliv - ƒ- ƒ- ƒ- - - - - - - (v)er__Ì ƒit._____________________________________________ ƒ________________Fresco from <strong>the</strong> Protat<strong>on</strong> of <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lenten Prokeimena515"Thou H<str<strong>on</strong>g>as</str<strong>on</strong>g>t Given"For <strong>the</strong> First, Third, and Fifth Sundays of LentPlagal Fourth Modeadapted from traditi<strong>on</strong>al melodyby Petros Pelop<strong>on</strong>nesios (d. 1777) 48Durati<strong>on</strong>: 1:45Int<strong>on</strong>ati<strong>on</strong>: #26#Edwka" klhr<strong>on</strong>omivan ƒhou________________ÌÌÌÌ h<str<strong>on</strong>g>as</str<strong>on</strong>g>t____________ giv - - - - en ƒƒƒan____ ƒ________________ ƒƒin - - - - - ƒƒ her - - - - - ƒi - - - - -ƒƒtance_ ƒ____________̃to________Ì̃<strong>the</strong>m_________Ì that_______________ ƒfear ƒThy ƒName,_ * ƒ________________________________________________________ÌÌ ƒƒto ƒ<strong>the</strong>m___ that ƒfear______Ì Thy ƒName,_________̃ƒƒƒO____________ ƒLord.Verses:2. From <strong>the</strong> ends of <strong>the</strong> earth unto Thee have I cried. I willdwell in Thy tabernacle unto <strong>the</strong> ages.3. I shall be sheltered in <strong>the</strong> shelter of Thy wings. For Thou,O God, h<str<strong>on</strong>g>as</str<strong>on</strong>g>t heard my prayers.4. So will I chant unto Thy Name unto <strong>the</strong> ages, that I maypay my vows from day to day.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


516Lenten Prokeimena* Final ending: to <strong>the</strong>mƒƒƒthat________________________________Ì ƒfear_____________________ ƒ_____________ ƒƒThy______ƒName,______________________ ƒO_______________________ ƒƒLord.__________________________________________________________________ÌÌÌÌReading, keeping vigil and prayer focus <strong>the</strong> wandering mind. Hunger, toil,and solitude quell inflamed desire. Psalmody, patience, and pity arrestseething anger. And <strong>the</strong>se are to be practiced at <strong>the</strong> appropriatetime and in good me<str<strong>on</strong>g>as</str<strong>on</strong>g>ure, for what is excessive andill-timed is not l<str<strong>on</strong>g>as</str<strong>on</strong>g>ting, and what does not l<str<strong>on</strong>g>as</str<strong>on</strong>g>tis harmful ra<strong>the</strong>r than beneficial.—Evagrius <strong>the</strong> Solitarywww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Great ProkeimenaFor Fe<str<strong>on</strong>g>as</str<strong>on</strong>g>t Days of <strong>the</strong> Lord and Bright Weekadapted from Ath<strong>on</strong>ite MelodiesFor <strong>Holy</strong> SaturdayGrave Mode 80Int<strong>on</strong>ati<strong>on</strong>: #21!Anavsta oJ Qeov" - ƒrise, ƒƒO___Ì̃ƒƒGod,ƒƒƒjudge_________ thē_________Ì ƒearth;_____ ƒfor____ƒƒThou shalt__Ì̃ƒhave an____Ì ƒƒin - - her - - - ƒit - - ƒance___* ƒƒƒa - m<strong>on</strong>g_____Ì ƒall___________ÌÌÌ ƒƒ<strong>the</strong>____ ƒƒƒna - - - - - - ƒƒƒti<strong>on</strong>s.___Verses:2. From <strong>the</strong> ends of <strong>the</strong> earth unto Thee have I cried. I will dwell in Thy tabernacle unto<strong>the</strong> ages.3. I shall be sheltered in <strong>the</strong> shelter of Thy wings. For Thou, O God, h<str<strong>on</strong>g>as</str<strong>on</strong>g>t heard myprayers.4. So will I chant unto Thy Name unto <strong>the</strong> ages, that I may pay my vows from day to day.* Finale: ƒƒ<strong>the</strong>___ÌÌ ƒƒƒna - - - - ti<strong>on</strong>s.___________


518Great ProkeimenaFor P<str<strong>on</strong>g>as</str<strong>on</strong>g>cha, Thom<str<strong>on</strong>g>as</str<strong>on</strong>g> Sunday,Pentecost, and NativityGrave Mode 80Int<strong>on</strong>ati<strong>on</strong>: #21Tiv" Qeo;" mevga" hat ƒƒƒƒGod___________ÌÌ is ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒgreat_________ÌÌÌ ƒƒ<str<strong>on</strong>g>as</str<strong>on</strong>g>______ÌÌ ƒour_* ƒ__ƒGod?_Ì ƒƒƒThou_____________Ì ƒƒƒ art_________________ ƒGod ƒƒWho______ÌÌÌÌ ƒa - - ƒƒl<strong>on</strong>e_______Ì ƒwork - - ƒƒest ƒw<strong>on</strong> - - - - ƒƒders._ÌÌVerses:2. Thou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t made Thy power known am<strong>on</strong>g <strong>the</strong> people; with Thine arm h<str<strong>on</strong>g>as</str<strong>on</strong>g>t Thouredeemed Thy people.3. And I said: Now have I made a beginning; this change hath been wrought by <strong>the</strong> righthand of <strong>the</strong> Most High.4. I remembered <strong>the</strong> works of <strong>the</strong> Lord; for I will remember Thy w<strong>on</strong>ders from <strong>the</strong>beginning.* Finale: ƒƒƒThou___________________Ì art__________________ƒGod__ÌÌ ƒWho ƒa - l<strong>on</strong>e____ÌÌ ƒ_________ƒwork - - - est ƒƒƒw<strong>on</strong> - - - - ƒƒders.__________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Great Prokeimena519For Bright M<strong>on</strong>day, Theophany, Transfigurati<strong>on</strong>,Exaltati<strong>on</strong> of <strong>the</strong> Cross, and Ascensi<strong>on</strong>Grave Mode 80Int<strong>on</strong>ati<strong>on</strong>: #21@O Qeo;" hJmw'n ƒur ƒƒGod ƒis____________ ƒƒin___ÌÌ Heav - - en_________ and_Ì* ƒ____Ì ƒ<strong>on</strong>________Ì̃ƒƒƒearth; ƒƒall ƒthings_ so - ƒev - - - - - er ƒƒHe ƒƒhath willed,_ ƒ_________He__Ì ƒƒƒhath___ƒƒd<strong>on</strong>e.Verses:2 When Israel went out of Egypt, and <strong>the</strong> house of Jacob from am<strong>on</strong>g a barbarous people,Judæa became His sanctuary, Israel His domini<strong>on</strong>.3. The sea beheld and fled, Jordan turned back.4. What aileth <strong>the</strong>e, O sea, that thou fleddest? And thou Jordan, that thou didst turn back?* Finale: ƒƒall______things so - - ev - - - - - ƒƒer___ He ƒƒhath ƒwilled,____Ì ƒƒHe_ ƒ____ÌÌhath_________ÌÌÌÌ d<strong>on</strong>e.__________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


520Great ProkeimenaFor Bright TuesdayPlagal Fourth Mode 80Int<strong>on</strong>ati<strong>on</strong>: #26Fwnh'/ mou pro;" Kuvri<strong>on</strong> ith ƒmy ƒvoice ƒun - - to <strong>the</strong>__ÌÌÌÌ ƒƒLord_________ÌÌÌÌÌ ƒƒhave ƒƒƒƒƒI_Ì ƒ__ ƒcried, ƒƒƒwith ƒƒmy voice___________ un - - ƒto_______ God,____ÌÌÌ and* He______̃ƒw<str<strong>on</strong>g>as</str<strong>on</strong>g> ƒat - ƒten - - - - ƒtive ƒƒun - - - - - ƒƒƒto___________ÌÌÌ ƒƒme.Verses:2. In <strong>the</strong> day of mine afflicti<strong>on</strong> I sought out God, with my hands upraised by night beforeHim, and I w<str<strong>on</strong>g>as</str<strong>on</strong>g> not deceived.3. My soul refused to be comforted; I remembered God and I w<str<strong>on</strong>g>as</str<strong>on</strong>g> gladdened.4. O God, in <strong>the</strong> sanctuary is Thy way. What God is <str<strong>on</strong>g>as</str<strong>on</strong>g> great <str<strong>on</strong>g>as</str<strong>on</strong>g> our God? Thou al<strong>on</strong>e artGod Who workest w<strong>on</strong>ders.* Finale: un - - - - - - - ƒƒƒƒto____________ÌÌ ƒme.__________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Great Prokeimena521For Bright WednesdayGrave Mode 80Int<strong>on</strong>ati<strong>on</strong>: #21!Enwvtisai oJ Qeov"* ive ear, ƒƒO God, un - ƒto my___̃prayer, ƒƒƒand ƒƒdis - ƒƒdain_________ÌÌ ƒ____Ì̃not ƒmy ƒsup - - ƒƒƒƒpli - ƒƒ ƒca - - - - ti<strong>on</strong>.Verses:2. Attend unto me, and hear me.3. Because <strong>the</strong>y have turned iniquity up<strong>on</strong> me, and with wrath were <strong>the</strong>y angry againstme.4. As for me, unto God have I cried, and <strong>the</strong> Lord hearkened unto me.* Finale: and ƒdis - ƒdain________________̃ƒnot___Ì ƒƒƒƒmy___ÌÌ ƒsup - ƒ- ƒ- pli - ƒƒƒca - - - - ti<strong>on</strong>.___________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


522Great ProkeimenaFor Bright ThursdayGrave Mode 80Int<strong>on</strong>ati<strong>on</strong>: #21!Agaphvsw se Kuvrie ƒwill ƒƒƒƒlove____________________ ƒThee,ƒƒ ƒO_ÌÌ ƒƒLord,_____Ì̃ƒƒƒmy_____ ƒ__strength; <strong>the</strong> ƒLord is ƒƒmy foun - - da - - - - - - - - ƒti<strong>on</strong>, ƒƒƒƒand* ƒƒmy ref - - - - - uge, ƒƒand my de - - ƒƒliv - ƒ- ƒ-ƒƒƒer - - - - ƒƒƒer.___ÌÌVerses:2. My God is my helper, and I will hope in Him, my defender, and <strong>the</strong> horn of mysalvati<strong>on</strong>, and my helper.3. With praise will I call up<strong>on</strong> <strong>the</strong> Name of <strong>the</strong> Lord, and from mine enemies shall I besaved.4. He heard my voice out of His holy temple, and my cry before Him shall enter into Hisears.* Finale: ƒand my ƒde - - liv - - - - - er - - - - -ƒƒer.__________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Great Prokeimena523For Bright FridayPlagal Fourth Mode 80Int<strong>on</strong>ati<strong>on</strong>: #26#Edwka" klhr<strong>on</strong>omivan ƒƒhou ƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t giv - - - - ƒen ƒƒƒan in - her - - - ƒi - - tance* ƒto___ÌÌ ƒ<strong>the</strong>m that ƒƒfear_________ÌÌÌ ƒƒThy Name,_______ƒƒO___________ Lord.Verses:2. From <strong>the</strong> ends of <strong>the</strong> earth unto Thee have I cried. I will dwell in Thy tabernacle unto<strong>the</strong> ages.3. I shall be sheltered in <strong>the</strong> shelter of Thy wings. For Thou, O God, h<str<strong>on</strong>g>as</str<strong>on</strong>g>t heard myprayers.4. So will I chant unto Thy Name unto <strong>the</strong> ages, that I may pay my vows from day to day.* Finale: ƒƒto____ƒƒƒƒ<strong>the</strong>m ƒƒthat ƒƒfear___̃ƒThy_ÌÌÌ ƒƒName,_________ÌÌÌÌ ƒO_____̃Lord._______ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Rich Men Have Turned PoorBrief Versi<strong>on</strong>s*Grave Mode 140Int<strong>on</strong>ati<strong>on</strong>: #21Plouvsioi ejptwvceusan ƒseek ƒ<strong>the</strong> Lord* Finale: ƒich men have ƒturned____Ì ƒpoor and g<strong>on</strong>e ƒƒhun - - ƒƒgry;ƒbut ƒƒ<strong>the</strong>y that* ƒƒshall ƒnotƒƒƒbe ƒde - ƒprived of ƒƒan - ƒƒ- ƒƒy ƒgood thing. shall ƒƒnot ƒbe ƒde - privedƒƒƒƒof an - ƒy ƒƒgood thing.__________Ì_____________________* According to some traditi<strong>on</strong>s, after <strong>the</strong> Blessing of <strong>the</strong> Loaves this psalmic verse is <str<strong>on</strong>g>chanted</str<strong>on</strong>g> three times heirmologically(i.e., briefly) with melodies such <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> <strong>on</strong>es found <strong>on</strong> this and <strong>the</strong> following page. On <strong>the</strong> <strong>Holy</strong><strong>Mountain</strong>, however, this psalmic verse is <str<strong>on</strong>g>chanted</str<strong>on</strong>g> <strong>on</strong>ly <strong>on</strong>ce sticherarically (i.e., more elaborately) with melodiessuch <str<strong>on</strong>g>as</str<strong>on</strong>g> those found <strong>on</strong> pages 524-529.


Rich Men Have Turned Poor - Brief Versi<strong>on</strong>s 525Triple MeterPlagal First Mode 170Int<strong>on</strong>ati<strong>on</strong>: #13 ƒ ƒich__________ ƒƒ ƒmen ƒhave ƒturned______Ì poor_____Ì ƒƒand g<strong>on</strong>e ƒhun - - - gry; but ƒ<strong>the</strong>y that seek___ ƒƒ<strong>the</strong> ƒLord ƒƒshall not___Ì ƒbe de-prived* ƒof ƒƒan - - -ƒƒƒƒy___̃good thing.* Finale: ƒof ƒƒƒƒan - - -ƒƒƒƒy___̃good thing.__________________ÌÌWhen we are weighed down by deep desp<strong>on</strong>dency,we should for a while sing psalms out loud,raising our voice with joyful expectati<strong>on</strong>until <strong>the</strong> thick mist is dissolvedby <strong>the</strong> warmth of s<strong>on</strong>g.—<strong>St</strong>. Diadochos of Photiki


Rich Men Have Turned PoorL<strong>on</strong>g MelodiesFirst Modeadapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osof Philothou M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery 60Durati<strong>on</strong>: 1:15Int<strong>on</strong>ati<strong>on</strong>: #1Plouvsioi ejptwvceusan ƒich_____________Ì ƒmen______ÌÌÌÌ have turned_____________ÌÌ ƒpoor_ ƒ_________________ÌÌÌ ƒƒƒƒand__ÌÌÌÌ ƒƒg<strong>on</strong>e________ÌÌ hun - - - - - - - -ƒƒgry;_www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Rich Men Have Turned Poor - L<strong>on</strong>g Melodies527 ƒ___̃ƒ ƒbut ƒ<strong>the</strong>y___________Ì ƒthat___ÌÌ ƒƒseek___________Ì <strong>the</strong>_____________ ƒLord ƒƒshall___Ì not_________Ì be________ƒƒde - - - ƒprived ƒƒof ƒan - - - - ƒƒy_______Ìgood________thing.__________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


528Rich Men Have Turned Poor - L<strong>on</strong>g MelodiesPlagal First Modeadapted from Hierom<strong>on</strong>k Daniel Danielidouof Katounakia <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong> 60Durati<strong>on</strong>: 1:15Int<strong>on</strong>ati<strong>on</strong>: #14 ich_______________________________̃men_______ƒhave turned__ ƒ_________ poor_________ ƒƒand___Ì ƒg<strong>on</strong>e__________ hun - - - - - - gry;_ ƒ ______Ì ƒƒƒƒbut ƒƒ<strong>the</strong>y________ that______ ƒseek______Ì <strong>the</strong>___________Ì Lord___Ì ƒ_________Ì ƒƒshall___ÌÌ ƒƒnot___ÌÌ be________ÌÌÌ de - - -ƒƒprived_______Ì ƒƒof ƒan - - - - - - - y_____________ƒgood__________ÌÌ ƒthing._______________Ì ƒ_________________Psalmody is <strong>the</strong> weap<strong>on</strong> of a m<strong>on</strong>k, by which he ch<str<strong>on</strong>g>as</str<strong>on</strong>g>es away grief.—<strong>St</strong>. John of <strong>the</strong> Ladderwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Rich Men Have Turned Poor - L<strong>on</strong>g Melodies529Plagal First Modeadapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>os of Philothou M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery(inspired by Michael Hatziathan<str<strong>on</strong>g>as</str<strong>on</strong>g>iou) 60Durati<strong>on</strong>: 1:15Int<strong>on</strong>ati<strong>on</strong>: #14 ƒich_________ÌÌ̃ƒƒƒmen_______ÌÌhave ƒturned___________ÌÌ poor______Ì ƒ__ and___________g<strong>on</strong>e_ÌÌÌ hun - - - - - gry;___Ì but ƒƒƒƒ<strong>the</strong>y___Ì ƒthat___Ì ƒƒseek_____Ì̃<strong>the</strong>________Ì ƒLord_______ÌÌ ƒƒƒshall_____Ì̃ƒnot___Ì ƒƒbe____________ de - - ƒ- - prived________Ì ƒƒof ƒƒan - - - - - - - y_______ƒƒgood__________ÌÌ thing.___________________________________________________________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


530Rich Men Have Turned Poor - L<strong>on</strong>g MelodiesEnharm<strong>on</strong>ic Grave Modeadapted from Ancient Melody 60Durati<strong>on</strong>: 1:15Int<strong>on</strong>ati<strong>on</strong>: #23 ƒich__________ÌÌ men_______ÌÌ ƒƒhave turned______Ì ƒƒpoor___Ì ƒƒand___ g<strong>on</strong>e________Ì ƒƒhun - - - ƒgry; but ƒ<strong>the</strong>y____________ÌÌ ƒƒthat___Ì ƒseek_ ƒ____̃ƒ<strong>the</strong>___________ ƒƒLord________ÌÌ ƒƒshall___Ì not___Ì be ƒde - prived__Ì ƒƒof ƒan - - - - ƒy______̃ƒgood____ ƒƒthing.________________________________ÌJust <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> angels stand with great fearand chant <strong>the</strong>ir hymns to <strong>the</strong> Creator,likewise should we stand in psalmody.—<strong>St</strong>. Ephraim <strong>the</strong> Syrianwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Rich Men Have Turned Poor - L<strong>on</strong>g Melodies531Diat<strong>on</strong>ic Grave Modeadapted from Ancient Melody 60Durati<strong>on</strong>: 1:15Int<strong>on</strong>ati<strong>on</strong>: #22 ƒich__________Ì ƒƒmen_________ÌÌ ƒhave turned______Ì ƒpoor___Ì ƒƒand___ƒƒƒƒg<strong>on</strong>e_____________Ì ƒƒƒhun - - - gry; ƒƒbut <strong>the</strong>y_____________ÌÌ ƒthat____ ƒseek______ <strong>the</strong>___________ÌÌ ƒƒƒLord_________ÌÌ ƒshall____ not____ ƒbe ƒde - ƒ- prived__ÌÌ ƒof ƒƒan - - - - - - y_______ƒgood___ÌÌ ƒƒƒƒthing._________ÌÌ ƒ______________________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


O Theotokos and VirginEight-Mode Versi<strong>on</strong>adapted from Theodosios Georgiadis First and Diat<strong>on</strong>ic Sec<strong>on</strong>d Mode 76Durati<strong>on</strong>: 5:45Int<strong>on</strong>ati<strong>on</strong>: #1Qeotovke Parqevne ƒƒƒƒThe - - - - o - - to - - - - - - - - - - - - - - - - - ƒkos and___ÌÌ ƒƒVir - - - - - - - - - - - - - ƒƒgin, O________________________Ì ƒThe - ƒƒƒo - to - - - - - - - -www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


O Theotokos and Virgin - Georgiadis533 kos ƒand ƒVir - - - - - - - - - - - gin,_________________________Ì ƒ_________________ re - ƒjoice,____________________________________ÌÌ re - - ƒƒjoice,_________________Ì ƒƒfull of ƒƒgrace,__________________________________ÌÌ ƒ__________________________________Third and Fourth Mode R e - - - joice,___________________________Ì ƒƒƒƒO ƒƒMar - - - - - - ƒy;<strong>the</strong> ƒƒƒƒLord__________ÌÌÌ ƒis with____ <strong>the</strong>e,_______________________ ƒƒre - ƒƒjoice, ƒƒO Mar-ƒy, ƒfull ƒƒof ƒgrace. ƒƒBless - - - -ƒƒed______________________ÌÌ art ƒthou ƒƒa - ƒ- ƒm<strong>on</strong>g wom - - - - - - - - - - - en,_____________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


534O Theotokos and Virgin - GeorgiadisPlagal First and Plagal Sec<strong>on</strong>d Mode A nd ƒbless - - - - - - - - ƒƒed____________ÌÌ ƒand___________ ƒƒbless - ƒ- - - - - - - - - - - - - - - - - - - - - - - - ƒ- - - - - - - ed_______________________Ì ƒis ƒƒ<strong>the</strong> ƒFruit_______Ì ƒ____Ì of ƒthy___ÌÌ womb_____________________________________Ì ƒis____ ƒ<strong>the</strong>_ ƒ__ Fruit______ of____________________________ ƒƒthy_ÌÌÌÌ womb;Grave and Plagal Fourth Mode F ƒƒor______________Ì ƒthou h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒƒborne________ <strong>the</strong>___Ì Sav - - - - - ƒ- - - ƒiour___Ì of____Ì our___Ì̃ƒƒsouls_________________________Ì ƒƒof_______ÌÌ ƒ__________ our___________Ì of____ ƒƒƒour souls.___________________________Ìwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


O Theotokos and Virgin - Georgiadis535T ohKratema* - - - ƒtoh - - ƒteh - ree - ƒrehƒ-ƒreeƒ-ƒƒreen - ƒƒree - ƒrem ƒteh - ƒ- ƒ- - ƒƒree - ƒreh - - -ƒreeƒ-ƒrem ƒƒteh - ƒ- ƒ- ƒree-rehƒ-ƒƒree - rem__Ì ƒƒteh - ƒ ƒ- - reeƒ- rem ƒƒteh - - - reeƒƒ-ƒƒrem ƒteh - - - ƒree - ƒƒƒƒrem__Ì(c<strong>on</strong>tinued <strong>on</strong> next page)_____________________* The Byzantine musicologist Dimitri C<strong>on</strong>omos defines a kratema <str<strong>on</strong>g>as</str<strong>on</strong>g> "a melodic unit of teretismata which iswoven into <strong>the</strong> normal sequence of a hymn at a point, usually a cadence, where amplificati<strong>on</strong> is possible."According to Gregorios <strong>St</strong>athis, <strong>the</strong> primary purpose of <strong>the</strong> kratema is to extend (kratw') <strong>the</strong> durati<strong>on</strong> of <str<strong>on</strong>g>as</str<strong>on</strong>g>ervice. Early Church Fa<strong>the</strong>rs make reference to wordless or meaningless chants, b<str<strong>on</strong>g>as</str<strong>on</strong>g>ing <strong>the</strong>ir commentaries<strong>on</strong> Is. 6:3 and Ez. 3:12. The sixth-century mystic known <str<strong>on</strong>g>as</str<strong>on</strong>g> Pseudo-Di<strong>on</strong>ysios <strong>the</strong> Areopagite refers to litugicalmusic <str<strong>on</strong>g>as</str<strong>on</strong>g> echos of divine beauty which humans receive after its transmissi<strong>on</strong> descends <strong>the</strong> heavenly hierarchy.[PG IV, 156-184]. <strong>St</strong>. Augustine refers to <strong>the</strong> ecstatic nature of wordless jubilati<strong>on</strong>, and both he and <strong>St</strong>.Ier<strong>on</strong>ymos identify <strong>the</strong> same with <strong>the</strong> early Christian c<strong>on</strong>cept of glossolalia [PL XXXVII, 1272 and PL XXVI,970]. Commentators agree that such praise w<str<strong>on</strong>g>as</str<strong>on</strong>g> a human imitati<strong>on</strong> of <strong>the</strong> ce<str<strong>on</strong>g>as</str<strong>on</strong>g>eless chants of angels. Musicmanuscripts show that <strong>the</strong> kratema h<str<strong>on</strong>g>as</str<strong>on</strong>g> been in use since at le<str<strong>on</strong>g>as</str<strong>on</strong>g>t <strong>the</strong> fourteenth century. The fact that <strong>St</strong>. JohnKoukouzeles wrote numerous kratemata suggests that he w<str<strong>on</strong>g>as</str<strong>on</strong>g> a staunch supporter of <strong>the</strong>ir use. <strong>St</strong>. Nicodemusof <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>, however, in his commentary of Can<strong>on</strong> LXXV of <strong>the</strong> Sixth Œcumenical Synod, criticized<strong>the</strong> kratema and recommended that chanters avoid <strong>the</strong>m so that more time will remain for <strong>the</strong> readings.In 1649, Ger<str<strong>on</strong>g>as</str<strong>on</strong>g>imos M<strong>on</strong>achos of Crete argued that <strong>the</strong> meaningless sounds designate <strong>the</strong> <strong>Holy</strong> Trinity andrefer to <strong>the</strong> Incarnate C<strong>on</strong>descensi<strong>on</strong> (b<str<strong>on</strong>g>as</str<strong>on</strong>g>ed <strong>on</strong> <strong>the</strong> numerical value of <strong>the</strong> letters of terirem). The Patriarchateof C<strong>on</strong>stantinople issued an encyclical in 1880 forbidding <strong>the</strong> kratema <strong>on</strong>ly during <strong>the</strong> Great Entance, implyingthat at o<strong>the</strong>r times it is acceptable. In c<strong>on</strong>temporary times, <strong>the</strong> kratema is still used throughout Greece and<strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>, <str<strong>on</strong>g>as</str<strong>on</strong>g> well <str<strong>on</strong>g>as</str<strong>on</strong>g> in some places of <strong>the</strong> Greek Di<str<strong>on</strong>g>as</str<strong>on</strong>g>pora where services are c<strong>on</strong>ducted inGreek. For a thorough discussi<strong>on</strong> in English of <strong>the</strong> kratema, see: C<strong>on</strong>omos, Dimitri E., Byzantine Trisagia andCheroubika of <strong>the</strong> Fourteenth and Fifteenth Centuries, Patriarchal Institute for Patristic <strong>St</strong>udies, Thessal<strong>on</strong>iki,1974, pp. 262-286.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


536O Theotokos and Virgin - GeorgiadisO ƒf____________ÌFirst Mode ƒƒour___ÌÌ ƒsouls__________Ì ƒof____Ì ƒƒour___ÌÌ souls.__________ ƒ_______________________________www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


O Theotokos and VirginPlagal First Modeadapted from Ancient Melody"from <strong>the</strong> City" (C<strong>on</strong>stantinople) 60Durati<strong>on</strong>: 2:45Int<strong>on</strong>ati<strong>on</strong>: #16Qeotovke Parqevne ƒƒThe - ƒo - - ƒto - - ƒkos__________ÌÌÌ and_______Ì ƒƒVir - - ƒƒgin, ƒƒfull_____________________________ ƒof___ƒƒƒgrace,__ ƒre - ƒ- ƒjoice,_ÌÌ ƒ_ÌÌ O________ÌÌÌ Mar - - ƒy; ƒ<strong>the</strong> ƒLord________Ì ƒƒis______ÌÌ ƒƒwith_______________ ƒ________________Ì <strong>the</strong>e. ƒƒƒBless - - - ƒƒed_______Ì ƒƒƒƒart____________ÌÌÌÌ ƒthou ƒƒa - m<strong>on</strong>g__________________Ì ƒwom - - - - - - ƒƒen,___________________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


538O Theotokos and Virgin - Ancient Melody ƒ______________ÌÌ(n) ƒƒƒand_______________ÌÌÌÌ ƒƒbless - - - - - -ƒed ƒƒis <strong>the</strong>Fruit__________________ ƒƒof________________________Ì ƒƒƒƒthy__Ì ƒwomb;_Ì ƒƒfor____________________Ì thou_ÌÌ h<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒborne____Ì ƒƒ<strong>the</strong>___Ì ƒƒSav - - - - - ƒ - - - - - - - ƒ(v)iour____________ ƒƒƒƒof_________Ì our ƒƒsouls_____________ ƒ___________ƒƒƒƒof_________our______________________Ì souls.______________________ ƒ_________________________________(ls)For prayer and psalmody,<str<strong>on</strong>g>as</str<strong>on</strong>g> for many o<strong>the</strong>r things, everytime is suitable; so that we praise Godwith psalms and hymns and spiritual s<strong>on</strong>gs,while we move our hands in work, chanting withour t<strong>on</strong>gue if this is possible and c<strong>on</strong>ducive to <strong>the</strong>edificati<strong>on</strong> of <strong>the</strong> faith, but if not, <strong>the</strong>n in <strong>the</strong> heart.—<strong>St</strong>. B<str<strong>on</strong>g>as</str<strong>on</strong>g>il <strong>the</strong> Greatwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


O Theotokos and VirginPlagal First Modeadapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osof Philothou M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery 64Durati<strong>on</strong>: 1:45Int<strong>on</strong>ati<strong>on</strong>: #16Qeotovke Parqevne ƒƒ The - ƒo - - ƒto - - -ƒkos__________ÌÌÌ and__Ì ƒƒƒVir - - - ƒ ƒƒ- ƒƒgin, ƒƒfull__ÌÌ ƒof________Ì̃grace,_________Ì ƒre - ƒ- ƒjoice,___ÌÌÌ̃ƒƒO____Ì ƒMar - ƒ- - - - ƒƒƒƒy; ƒƒƒƒ<strong>the</strong> Lord________Ì ƒƒis________________Ì ƒƒwith________ÌÌ <strong>the</strong>e. ƒBless - - - - ed___ art_________̃thou ƒa -ƒƒƒm<strong>on</strong>g_____ ƒƒwom - - - - - en, ƒƒand____ÌÌ ƒƒbless - - - ed ƒƒis <strong>the</strong> ƒƒFruit_____________Ì of_____www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


540O Theotokos and Virgin - Hiero<strong>the</strong>os ƒ_Ì ƒthy________̃ƒwomb; for___ÌÌ ƒthou ƒƒh<str<strong>on</strong>g>as</str<strong>on</strong>g>t ƒƒborne____Ì <strong>the</strong>_________ Sav - - - ƒ- - - ƒƒƒiour_____________Ì ƒƒof____ ƒour souls__________Ì of______Ì̃our________Ì ƒsouls.__________ÌÌwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord Have MercyPlagal Fourth Modeadapted from C<strong>on</strong>stantine Pringos (1892-1964)<strong>the</strong> Protopsaltis of <strong>the</strong> Patriarchate of C<strong>on</strong>stantinople (1939-1960) 88L ord,___ have__ mer - - - ƒcy.2345 ƒLord,ƒhave__ÌÌ ƒmer - - cy. ƒLord, have_____ mer - - ƒcy. ƒLord,___ ƒƒhave_Ì mer - - ƒcy. ƒLord,___ have_Ì ƒmer - - ƒcy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


542Lord Have Mercy - Plagal Fourth ModePlagal Fourth Modeadapted from John Pall<str<strong>on</strong>g>as</str<strong>on</strong>g>is (d. 1942)L ord,______Ì̃have_ ƒƒmer - - - -ƒƒcy. 234567 Lord,____ÌÌ ƒƒhave___Ì ƒƒƒmer - - - cy. Lord,____Ì ƒhave___ mer - - - ƒcy. Lord,_̃ƒhave__ ƒmer - - - ƒƒcy. Lord,_̃have__Ì mer - - - ƒcy. Lord,__ƒhave__Ì mer - - - cy. Lord,_̃have__Ì ƒmer - - - - - cy.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord Have Mercy - Plagal Fourth Mode543Plagal Fourth Modeadapted from Iakovos Nafpliotis (1864-1942)<strong>the</strong> Protopsaltis of <strong>the</strong> Patriarchate of C<strong>on</strong>stantinople (1911-1939)L ƒƒord,_______Ì̃have__Ì mer - - - cy. 23 ƒƒLord, ƒƒhave___ mer -- ƒcy. Lord,ƒƒhaveÌÌ mer - - - ƒƒcy. 45678 ƒLord, have_________ÌÌ ƒmer - - -ƒƒcy. Lord,__Ì ƒhave__ ƒƒmer - - - cy. Lord,_̃have__Ì mer - - - ƒcy. ƒƒTo Thee, O Lord. ƒA -ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


544Lord Have Mercy - Plagal Fourth ModePlagal Fourth Modeadapted from Thr<str<strong>on</strong>g>as</str<strong>on</strong>g>yvoulos <strong>St</strong>anits<str<strong>on</strong>g>as</str<strong>on</strong>g> (1910-1987)<strong>the</strong> Protopsaltis of <strong>the</strong> Patriarchate of C<strong>on</strong>stantinople (1960-1964)L ƒord,__ÌÌ have_ÌÌ ƒmer - - ƒƒcy.2345678 Lord,__Ì have_ÌÌ mer - - cy. Lord,__ÌÌ ƒƒhave_Ì ƒmer - - ƒcy. Lord,ƒƒhave_ mer -- ƒcy. Lord,ƒƒhave_ƒƒmer - - ƒƒcy. Lord,__ÌÌ ƒhave___ ƒmer - - - - - ƒcy. ƒƒTo______Ì_____Ì ƒThee, O Lord. ƒƒA - ƒƒ- ƒƒ- ƒƒ- ƒƒ-ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord Have Mercy - Plagal Fourth Mode545Plagal Fourth Modeadapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osof Philo<strong>the</strong>ou M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teryL ord, have_Ì mer - - - ƒcy.2 Lord,_____Ì̃ƒhave_ ƒmer - - - ƒcy.34 Lord,______ƒƒhave_ ƒmer - - cy. Lord,__ƒƒƒƒhave__ÌÌÌ mer -- ƒcy.5 Lord,____̃have__Ì ƒƒmer - - ƒƒcy. 678 Most ho - ƒly ƒThe - ƒƒo - ƒƒto - ƒkos, ƒsave____ÌÌ us. ƒƒƒTo______Ì ƒThee, ƒƒO Lord. ƒA - ƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


546Lord Have Mercy - Plagal Fourth ModePlagal Fourth Modeadapted from Michael Hatziathan<str<strong>on</strong>g>as</str<strong>on</strong>g>iou (d. 1948)Lord,__ÌÌ ƒhave___Ì mer - - cy. 23 Lord,__ ƒƒhave___ mer - - cy. Lord,__ ƒƒhave___ mer - - cy. 45 Lord,__ ƒƒhave___ mer - - cy. Lord,__ ƒƒhave___ mer - - cy.678 Lord,__ ƒƒhave___ mer - - cy. Lord,__ ƒƒhave___ mer - - cy. Lord,__ ƒƒhave___ mer - - cy. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord Have Mercy - Plagal Fourth Mode5479101112 Lord,__̃ƒhave_Ì mer - - cy. Lord,__ÌÌ ƒƒhave_Ì mer - - ƒƒcy. Lord,ƒƒhave_Ì mer - - - cy. ToThee, O ƒƒLord.The chanting that is d<strong>on</strong>e in churches is an entreaty towards God to beappe<str<strong>on</strong>g>as</str<strong>on</strong>g>ed for our sins. Whoever begs and prayerfully supplicatesmust have a humble and c<strong>on</strong>trite manner; but to cry outmanifests a manner that is audacious and irreverent.—Can<strong>on</strong> LXXV of <strong>the</strong> Sixth Œcumenical Synodwww.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


548Lord Have Mercy - Plagal Fourth ModePlagal Fourth Modeadapted from Kyriazis NicolerisL ƒord,ƒƒhave_ mer - - cy.2 ƒƒLord, have__ÌÌ mer - - - - cy.3 ƒƒLord, ƒhave___Ì mer - - ƒcy.4 Lord,ƒƒhave_ mer - - - - cy.5 Lord,_̃ƒhave__Ì mer - - - - cy.6 Lord,ƒƒhave_ mer - - - - cy.7 Lord,_̃have_Ì̃mer - - - -ƒcy.8 9 To Thee, O ƒLord. A - men. www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord Have Mercy - Plagal Fourth Mode549Plagal Fourth Modeadapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osL ord,ƒƒhave_ mer - - - ƒƒcy.2345678 ƒLord,_____ have_Ì ƒmer - - cy.Lord,________ƒƒhave__Ì̃ƒƒƒmer - - - - cy.Lord,___ have_ÌÌ ƒmer - - - ƒƒcy.Lord,____̃have__Ì mer - - - - cy.Most ƒho - ly ƒThe - ƒƒo - to - - - - ƒkos, save_____ÌÌ us.ƒƒTo_________ ƒƒThee, ƒO ƒLord.ƒA - ƒƒmen.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Lord Have MercyPlagal First Modeadapted from Athan<str<strong>on</strong>g>as</str<strong>on</strong>g>ios Karamanis (1911- )<strong>the</strong> Presiding Protopsaltis of Thessal<strong>on</strong>iki 88L ord,_____ƒhave__Ì ƒƒmer - - ƒcy. 2345 ƒLord, have__ÌÌ ƒƒmer - - -ƒ ƒcy. ƒLord, have_ mer - - ƒƒcy. ƒLord,__ÌÌ ƒƒƒhave_Ì ƒmer - - - ƒcy. ƒLord, ƒhave_______ƒmer - -ƒƒcy.


Lord Have Mercy - Plagal First Mode 551Plagal First Modeadapted from Lycourgos PetridisL ƒord,___ƒƒhave___ÌÌ ƒƒmer -- ƒƒcy.2345678 Lord,______Ì ƒhave___Ì ƒƒƒmer - - - ƒƒcy. ƒƒLord,____ÌÌ̃ƒhave_ ƒmer - - - - cy. Lord,_Ì___ƒhave__Ì ƒmer - - - ƒcy. Lord,_Ì____̃have__Ì ƒmer - - ƒƒcy.ƒƒLord,__________̃have__ƒmer - - - -ƒƒcy.ƒƒTo Thee, O Lord.ƒA -men


552Lord Have Mercy - Plagal First ModePlagal First Modeadapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osof Philo<strong>the</strong>ou M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teryL ƒ ƒƒord,________ÌÌ ƒhave_ÌÌ ƒmer - - - - cy.__Ì 2345678 ƒƒ Lord,__̃ƒhave__ ƒmer - - - ƒcy. Lord,____ƒƒhave_ÌÌ ƒmer - - - - ƒƒcy. ƒ Lord, have_ƒmer - - -ƒƒcy. Lord,_Ì have___ ƒƒmer - - ƒƒcy.__ÌMost ho - ly ƒThe - ƒ o - ƒƒto - - - - ƒkos, ƒƒsave_____Ì us.__̃ To______Ì ƒThee, O__̃Lord.ƒƒƒA - ƒmen.


Lord Have Mercy - Plagal First Mode 553Plagal First Modeadapted from Thr<str<strong>on</strong>g>as</str<strong>on</strong>g>yvoulos <strong>St</strong>anits<str<strong>on</strong>g>as</str<strong>on</strong>g> (1910-1987)<strong>the</strong> Protopsaltis of <strong>the</strong> Patriarchate of C<strong>on</strong>stantinople (1960-1964)L23456 ƒord,ƒƒhave_̃ƒƒmer - - - ƒcy. Lord,__Ì have___Ì mer - - - cy. Lord,__________̃have_______ÌÌ ƒmer - - ƒƒƒcy. Lord,___ƒhave_____Ì mer - - ƒ cy.Lord,______ƒhave_Ì mer - - - - ƒcy.ƒƒ ToƒƒThee, ƒO___ Lord.


554Lord Have Mercy - Plagal First Mode"Pentaph<strong>on</strong>os" Plagal First Modeadapted from C<strong>on</strong>stantine PringosL ƒord, ƒhave_Ì mer - - ƒcy.2345 Lord,__Ì̃have_Ì mer - - - ƒƒcy. Lord, ƒhave ƒmer -- cy. Lord,____̃have__Ì ƒƒmer -- ƒcy. Lord,__ÌÌ have_Ì ƒƒmer - - - ƒcy.


Lord Have Mercy - Plagal First Mode 555 "Spathi" Plagal First Mode adapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osL ƒord,___ ƒhave_Ì ƒmer - - ƒcy.2345678 ƒƒLord,__̃ƒhave_Ì mer - - cy. Lord,ƒƒhave_ÌÌ ƒmer - - - - ƒcy. Lord,____ƒhave__ƒmer - - - ƒƒcy. Lord,__ ƒƒhave___ mer - - cy. ƒMost ƒho - ƒƒly ƒThe - o - to - - - - ƒkos,__Ì save_____ us.______ ƒTo ƒThee, ƒO Lord. ƒA - ƒ ƒmen.


556Lord Have Mercy - Plagal First ModePlagal First Modeadapted from Thr<str<strong>on</strong>g>as</str<strong>on</strong>g>yvoulos <strong>St</strong>anits<str<strong>on</strong>g>as</str<strong>on</strong>g> (d. 1987)and John Pall<str<strong>on</strong>g>as</str<strong>on</strong>g>is (d. 1942)L234567 ƒord,ƒƒhave_ƒmer - - ƒƒcy.Lord, have_Ì ƒmer - - cy.Lord,_Ì̃have__Ì mer - - - - cy.Lord,_Ì̃have__Ì ƒmer - - - - ƒƒcy.ƒƒLord,_̃have__ÌÌ ƒmer - - - - ƒƒcy.ƒƒTo ƒƒThee, ƒƒOƒƒA - ƒmen.Lord.


Lord Have Mercy - Plagal First Mode 557Plagal First Modeadapted from Demetrios Sourlantzis (d. 2006)L ƒƒord,____Ì̃have_______ÌÌ ƒƒmer - ƒƒcy. 234567 Lord, ƒ have_Ì ƒmer - - ƒƒcy.Lord,____̃have__Ì ƒmer - - - ƒcy.Lord,__Ì have_ÌÌ ƒ mer - - - ƒcy.Lord,__̃ƒhave____ ƒmer -ƒ To Thee, O Lord.ƒƒA - ƒ -ƒ men.- cy.


558Lord Have Mercy - Plagal First ModePlagal First Modeadapted from Nicolaos Georgiafentis (1935- )<strong>the</strong> Protopsaltis of ChicagoL ƒord,ƒƒhave_ ƒmer - - - ƒcy.2345 Lord,__Ì have_̃mer - - -ƒcy. Lord,__Ì̃have_Ì ƒmer - - -ƒcy. ƒƒƒTo Thee, ƒO Lord. ƒA - ƒmen.At all times, but most of all while chanting, let us be still and undistracted.For through distracti<strong>on</strong>s, <strong>the</strong> dem<strong>on</strong>s aim to ruin our prayer.—<strong>St</strong>. John of <strong>the</strong> Ladder


LLord Have Mercyadapted from Ath<strong>on</strong>ite melody*Plagal First Mode 80 ord,___ƒƒhave_Ì ƒmer - - cy. ƒLord,_____ƒhave_Ì̃ƒmer - - cy.____________Ì ƒ________________Ì ƒLord,____Ì̃have_____̃ƒ mer -- cy.êõñéå åëåçóïíK υ ρι ε ε λε ƒη σον. Κυ ρι ƒƒε ƒε λε ƒη σον ƒƒΚυ ƒƒƒƒρι ƒƒε ƒƒƒε ƒλε ƒη ƒƒσον_____________________* This melody for "Kyrie Eleis<strong>on</strong>" is comm<strong>on</strong>ly www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htmused <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong> for <strong>the</strong> resp<strong>on</strong>ses during <strong>the</strong> Liti.


Lord Have MercyPa<strong>the</strong>tic (i.e., Suffering) First Modeadapted from C<strong>on</strong>stantine Pringos (1892-1964)<strong>the</strong> Protopsaltis of <strong>the</strong> Patriarchate of C<strong>on</strong>stantinople 60L ƒƒƒord,__________________ ƒƒƒhave_________Ì ƒmer - - - - - - cy.__________ÌÌ ƒ____________________ÌÌ ƒLord,___________________ÌÌ ƒƒhave__________̃ƒƒ mer - - - - - - - ƒcy._________________Ì Lord,__________________Ì ƒƒƒhave_____ ƒ____Ì ƒmer - - - - - - -ƒcy._________________________* This melody for "Lord, have mercy" is meant to be repeated quietly while <strong>the</strong> priest or deac<strong>on</strong> int<strong>on</strong>esseveral c<strong>on</strong>secutive petiti<strong>on</strong>s, such <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> petiti<strong>on</strong>s "Let us all say with our whole soul..." that are after <strong>the</strong>prokeimena.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grant This O Lordadapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osof Philo<strong>the</strong>ou M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teryPlagal Fourth Mode 88L ord,_____̃have_Ì̃ƒ ƒmer - - - - cy. ƒƒLord, ƒƒhave___Ì mer - - - ƒƒcy.G rant________Ì ƒthis, O___Lord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


562Grant This O Lord - Plagal Fourth Mode2345678910 ƒGrant_____Ì ƒthis,______ Grant_____Ì ƒthis, ƒO___Lord. Grant_____ÌÌ this, ƒO______ƒƒLord. Grant__this,_____Ì Grant_____ƒthis,__ ƒƒO___________̃Lord.O___________ƒƒLord.O____________ÌÌLord.Most ƒho - ly ƒThe - o - ƒto - - ƒkos,ƒƒsave____Ì ƒus.To______ÌÌ Thee,__ O_________Ì Lord.ƒƒA -ƒmen. ƒAnd______ to thy spir - - - ƒƒit.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grant This O Lord - Plagal Fourth Mode563Adapted from Hierom<strong>on</strong>k Gregoryof Sim<strong>on</strong>os Petr<str<strong>on</strong>g>as</str<strong>on</strong>g> M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teryPlagal Fourth Mode 88L ƒord,_______Ì̃ƒhave_ ƒƒmer - - - - cy. ƒƒLord,_____ÌÌhave__ mer - - - - ƒcy.G23456 rant_______Ì̃ƒƒthis,_Ì ƒƒO__________ÌÌÌ̃ƒLord. ƒGrant_____ÌÌthis,__O___________Ì ƒLord. ƒƒGrant_______ƒƒƒƒthis,_ÌO___________Ì ƒLord. Grant_____ƒƒthis,_ÌO___________̃ƒLord. Grant______ÌÌ this,_ÌÌ ƒƒO______________Ì ƒƒLord. ƒGrant_____Ì̃this,__ÌÌ ƒƒƒƒO_____ƒƒƒƒLord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


564Grant This O Lord - Plagal Fourth Mode78910 ƒƒMost ƒho - ƒƒly The - o - ƒƒƒto - - ƒkos, ƒsave___________ÌÌ us.___ To____ ƒThee,_____Ì ƒO____ ƒƒA - - men.ƒLord.___ ƒAnd___Ì ƒƒto__Ì̃ƒthy ƒƒƒƒspir - - - -ƒƒ ƒit.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grant This O Lordadapted from Michael Hatziathan<str<strong>on</strong>g>as</str<strong>on</strong>g>iou (d. 1948)First Mode (Heptaph<strong>on</strong>ic) 88L ord,__Ì̃ƒƒhave____ ƒƒmer -- cy. ƒƒLord,_ÌÌÌ̃ƒƒhave_Ì ƒƒmer - - - - ƒƒcy.G234 ƒ rant___Ì this, O_______̃ ƒLord. Grant__ÌÌ ƒƒthis,__̃O__Ì̃ Lord. Grant____̃this,_____ O ƒƒLord. ƒGrant________ƒƒthis,_ÌÌ̃O_________________̃Lord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


566Grant This O Lord - First Mode5678910 ƒGrant________ƒthis,__ÌÌ ƒGrant____̃ƒthis,__ ƒO____________ÌÌ ƒƒLord.ƒO_________Ì Lord.ƒMost ho - ƒly ƒƒƒThe - ƒo - ƒto - ƒƒ - ƒƒkos,ƒƒƒƒsave_____Ì ƒƒƒ us.ƒTo______ Thee,_ÌÌ ƒO________ ƒLord.ƒƒƒA - ƒmen. And ƒto____ƒƒthy spir - - - - ƒit.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


Grant This O Lord - Plagal First Mode567Adapted from Hierom<strong>on</strong>k Hiero<strong>the</strong>osof Philo<strong>the</strong>ou M<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teryPlagal First Mode 88L ord,__ÌÌÌ have_ ƒmer - - - - cy. Lord,__________̃have_ÌÌ mer - - - - cy.G23456 rant_____ÌÌ this, OLord. ƒGrant_____Ì this, ƒƒO___________Ì Lord. Grant____̃this,ƒƒ ƒO Lord. ƒƒGrant______ ƒƒƒƒthis, ƒƒO Lord. Grant____̃this,__ƒO___________ Lord. Grant___________̃ƒthis, ƒƒO Lord.www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


568Grant This O Lord - Plagal First Mode78910 Most ƒho - ƒlyƒƒƒƒƒƒThe - o - ƒto - - - - kos, ƒƒsave____ÌÌÌ ƒus. To______ƒƒThee,_ ƒO_____ ƒLord. ƒA - ƒmen. ƒƒAnd to ƒthy spir -- ƒƒit.Is any<strong>on</strong>e cheerful? Let him chant.James 5:13www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/<str<strong>on</strong>g>Vespers</str<strong>on</strong>g>.htm


SourcesThe music for all <strong>the</strong> hymns in this book is original and in English. As such, it h<str<strong>on</strong>g>as</str<strong>on</strong>g> neverbeen <str<strong>on</strong>g>chanted</str<strong>on</strong>g> before <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>. Never<strong>the</strong>less, we have entitled this book“<str<strong>on</strong>g>Vespers</str<strong>on</strong>g> <str<strong>on</strong>g>as</str<strong>on</strong>g> Chanted <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>,” because in composing this music, wehave painstakingly preserved <strong>the</strong> melodic formulae and embellishments used <strong>on</strong> <strong>the</strong><strong>Holy</strong> <strong>Mountain</strong>. To accomplish this, we used melodies and melodic phr<str<strong>on</strong>g>as</str<strong>on</strong>g>es from <strong>on</strong>ly <strong>the</strong> followingpublicati<strong>on</strong>s, which are used by c<strong>on</strong>temporary Ath<strong>on</strong>ite m<strong>on</strong>ks:Ἀγγελικὸς Χορός, Αʹ Τόμος, Ἑσπερινός, Ἔκδοσις Ἱ.Μ. Σίμωνος Πέτρας, Ἅγιον Ὄρος, 2001.Ἀθωνιάς, Πέτρου Φιλανθίδου, Ἐκδόσεις «Ὁ Μιχ. Ι. Πολυχρονάκης», Κρήτη (ἀνατύπωσις τῆςπρώτης ἐκδόσεως ἐν Κωνσταντινουπόλει τῷ 1906).Ἀναστασιματάριον, Ἰωάννου Πρωτοψάλτου, Ἀδελφότης Θεολόγων ἡ «Ζωή», ιδʹ ἔκδοσις, Ἀθῆναι,2002.Ἀναστασιματάριον Νέον, Ζαφείρου Ζαφειροπούλου, Ἀθήνησιν, 1853.Ἀναστασιματάριον Νέον, Ἀργὸν καὶ Σύντομον, Πέτρου Πελοπονηησίου καὶ Ἰωάννου Πρωτοψάλτου,Ἐκδοτικὸς Οἶκος Βασ. Ρηγοπούλου, Θεσσανολίκη, 2002 (ἀνατύπωσις τῆς ἐν Κωνσταντινουπόλειἐκδόσεως τῷ 1905).Ἀναστασιματάριον Πέτρου Πελοποννησίου - Ἑσπερινός, Παναγιώτου Πάππα, Ἀθῆναι, 1998.Ἀναστασιματάριον Πέτρου τοῦ Πελοποννησίου, Μουσικὴ Βιβλιοθήκη, Τόμος Δεύτερος, ΨαλτικὰΒλατάδων, Πατριαρχικὸν Ἵδρυμα Πατερικῶν Μελετῶν, Θεσσαλονίκη, 1999 (ἀνατύπωσιςτῆς πρώτης ἐκδόσεως τῷ 1869).


570SourcesΔοξαστάριον, Κωνσταντίνου Πρωτοψάλτου, Ἐκδόσεις «Ὁ Μιχ. Ι. Πολυχρονάκης», Κρήτη (ἀνατύπωσιςτῆς ἐν Κωνσταντινούπολει ἐκδόσεως τῷ 1844).Ἑπτάτομος Μουσικὴ Κυψέλη, Τόμος Δʹ, Ἑσπερινός, Χρυςάνθου Θεοδοσοπούλου, Θεσσαλονίκη,2001.Μουσικὴ Πανδέκτη, Τόμος Αʹ Ἑσπερινός, Ἰωάννου Λαμπαδαρίου καὶ Στεφάνου Αʹ Δομεστίκου,Ἐκδόσεις «ΤΕΡΤΙΟΣ», 1993 (ἀνατύπωσις τῆς πρώτης ἐκδόσεως ἐν Κωνσταντινουπόλειτῷ 1850).Μουσικὸν Ἐγκόλπιον Παρακλητικῆς, Τόμος Αʹ καὶ Βʹ, Ἱερομονάχου Ἱεροθέου, Ἐκδόσις Ἱ.Μ.Φιλοθέου, Ἅγιον Ὄρος, 2003.Μουσικὸς Θησαυρὸς τοῦ Ἑσπερινοῦ, Νεκταρίου Μοναχοῦ, Ἅγιον Ὄρος, 1935.Νέον Ἀναστασιματάριον, Πέτρου Ἐφεσίου, Ἐκδόσεις Κουλτούρα, 1999 (ἀνατύπωσις τῆς πρώτηςἐκδόσεως ἐν Βουκορεστίῳ τῷ 1820).Πατριαρχικὴ Μουσικὴ Κιβωτός - Ἑσπερινός, Ἱερομονάχου Ἱεροθέου, Ἐκδόσεις Ἱ.Μ. Φιλοθέου,Ἅγιον Ὄρος, 2002.Ὑμνολόγιον Φωναῖς Αἰσίαις, Αʹ Τόμος, Ἀκολουθίαι τοῦ Ἑσπερινοῦ, Ἀβραὰμ Εὐθυμιάδη, Θεσσαλονίκη,1978.


AppendixThe Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight Modes 1FROM earliest times, composers of Byzantine chant have identified each musical mode by acharacteristic int<strong>on</strong>ati<strong>on</strong> formula (ajphvchma), a phr<str<strong>on</strong>g>as</str<strong>on</strong>g>e normally sung in its entirety by <strong>the</strong>protopsaltis (<strong>the</strong> lead chanter of <strong>the</strong> right choir) al<strong>on</strong>e, without <strong>the</strong> is<strong>on</strong>. Its functi<strong>on</strong> is tohelp <strong>the</strong> chanters recall <strong>the</strong> ethos of a given mode before beginning <strong>the</strong> chant. Moreover, it alsoprovides <strong>the</strong> choir with <strong>the</strong> pitch required for <strong>the</strong> first note of <strong>the</strong> piece.In Byzantine music, <strong>the</strong>re are eight modes and three modal genres: <strong>the</strong> diat<strong>on</strong>ic, <strong>the</strong> enharm<strong>on</strong>ic,and <strong>the</strong> chromatic. 2 Fur<strong>the</strong>rmore, each of <strong>the</strong> eight modes is broken down into three species,characterized by <strong>the</strong> number of notes typically attached to a syllable. A melody with <strong>on</strong>e ortwo notes above a syllable is called “heirmologik<strong>on</strong>”; <strong>on</strong>e carrying approximately three or four iscalled “sticherarik<strong>on</strong>”; and that having a dozen or more notes is called “papadik<strong>on</strong>.” In <strong>the</strong> firstand third modes, <strong>the</strong> musical patterns are identical for each of <strong>the</strong>se three species. For <strong>the</strong> o<strong>the</strong>rs,however, <strong>the</strong> musical gestures differ significantly; hence <strong>the</strong> need for more than <strong>on</strong>e int<strong>on</strong>ati<strong>on</strong>formula for each mode.The following pages c<strong>on</strong>tain <strong>the</strong> typical int<strong>on</strong>ati<strong>on</strong> formul<str<strong>on</strong>g>as</str<strong>on</strong>g> of all eight modes. Since <strong>the</strong>vocal renditi<strong>on</strong> of a given int<strong>on</strong>ati<strong>on</strong> varies greatly from chanter to chanter, those offered hereare primarily b<str<strong>on</strong>g>as</str<strong>on</strong>g>ed <strong>on</strong> <strong>the</strong> investigati<strong>on</strong>s of <strong>the</strong> musicologist, George C<strong>on</strong>stantinou. 3Some 4 believe that <strong>the</strong> syllables of <strong>the</strong> int<strong>on</strong>ati<strong>on</strong>s derive from <strong>the</strong> following penitentialprayer (though in a slightly altered form): “a[nax, a[fe", nai; a[fe", a[nax a{gie”: “O King, forgive,yea forgive, O holy King.”According to current practice <strong>on</strong> <strong>the</strong> <strong>Holy</strong> <strong>Mountain</strong>, int<strong>on</strong>ati<strong>on</strong>s, when used, are <str<strong>on</strong>g>chanted</str<strong>on</strong>g>during <strong>the</strong> Divine Liturgy <strong>on</strong>ly before “papadika” melodies (such <str<strong>on</strong>g>as</str<strong>on</strong>g> <strong>the</strong> cherubic hymn and <strong>the</strong>communi<strong>on</strong> hymn). In some Ath<strong>on</strong>ite m<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>teries, however, int<strong>on</strong>ati<strong>on</strong>s are never heard, whilein o<strong>the</strong>rs <strong>the</strong>y appear almost every time a modal alterati<strong>on</strong> takes place.1 While most Orthodox liturgical books in English translate <strong>the</strong> word “h\co"” <str<strong>on</strong>g>as</str<strong>on</strong>g> “t<strong>on</strong>e,” it is more accurate to use <strong>the</strong>term “mode.” (Vid. Harvard Dicti<strong>on</strong>ary of Music, Revised Editi<strong>on</strong>, Cambridge, M<str<strong>on</strong>g>as</str<strong>on</strong>g>sachusetts, 1970, pp. 535,856.)2 Note that <strong>the</strong> term “chromatic scale” in Western music denotes <strong>the</strong> scale embracing twelve successive half t<strong>on</strong>es to<strong>the</strong> octave, where<str<strong>on</strong>g>as</str<strong>on</strong>g> in Byzantine music, it is a modal genre with a t<strong>on</strong>ic <strong>on</strong> D, flats <strong>on</strong> E and B, and sharps <strong>on</strong> Fand C. The term “enharm<strong>on</strong>ic” in Byzantine music is syn<strong>on</strong>ymous with B Flat Major, where<str<strong>on</strong>g>as</str<strong>on</strong>g> “diat<strong>on</strong>ic” in Byzantinemusic is approximately <strong>the</strong> scale of C Major.3 Kwnstantivnou, Gewvrgio" N., Qewriva kai; Pravxh th'" !Ekklsi<str<strong>on</strong>g>as</str<strong>on</strong>g>tikh'" Mousikh'", !Aqhvna, gV e[kdosi", 2001.4 Panagiwtopouvlou, Dhmhtrivou G., Qewriva kai; Pra'xi" th'" Buzantinh'" !Ekklhsi<str<strong>on</strong>g>as</str<strong>on</strong>g>tikh'" Mousikh'". #Ekdosi"!Adelfovthto" Qeolovgwn ããO SWTHRÃÃ, !Aqh'nai, dV e[kdosi", sel. 45.


The Int<strong>on</strong>ati<strong>on</strong>sof <strong>the</strong> Eight Modes *First ModeHeirmologik<strong>on</strong>, <strong>St</strong>icherarik<strong>on</strong>, and Papadik<strong>on</strong>1 A ƒ+a ƒ~e"Ahƒ-ƒnah - ƒnesPapadik<strong>on</strong> from KE "tetraph<strong>on</strong>ic"or:2ƒA +a ƒ~e ƒe ƒƒe ƒƒe" ƒA ƒƒƒ+aƒƒƒ~e ƒƒa ƒƒ~e ƒƒƒe"Ah - ƒnah - nes___________________ƒƒAhƒƒ-ƒnah-nehƒƒah-nes____ _____________________________* To hear a recording of <strong>the</strong>se int<strong>on</strong>ati<strong>on</strong>s <str<strong>on</strong>g>chanted</str<strong>on</strong>g>, ple<str<strong>on</strong>g>as</str<strong>on</strong>g>e download <strong>the</strong> following 6.4 MB file:http://www.stanth<strong>on</strong>ysm<strong>on</strong><str<strong>on</strong>g>as</str<strong>on</strong>g>tery.org/music/Int<strong>on</strong>ati<strong>on</strong>s.mp3


The Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight Modes 573Papadik<strong>on</strong> from KE "tetraph<strong>on</strong>ic" (elaborate versi<strong>on</strong>) 3 ƒA ƒƒa +a ƒƒ~e ƒe e e e ƒƒe ƒƒa ƒa ƒ~e e e ƒƒe ƒeƒAh - - ƒnah - ƒƒƒne________________________ ƒah - - ƒnes_____________ ƒe e e e e ƒƒe ƒe ƒe ƒ e ƒ ƒƒe ƒƒe"_____________________________________________________Sec<strong>on</strong>d ModeHeirmologik<strong>on</strong>, Soft Chromatic Scale 4 ƒ~e ƒa ~e" Nehah - ƒ nesHeirmologik<strong>on</strong>, "Mesos" (with endings <strong>on</strong> VOU) 5 ƒƒ~e ƒƒa a ƒ~e ƒe"ƒƒNeh ƒƒah - - ƒƒnes____Heirmologik<strong>on</strong>, Hard Chromatic Scale 6 ƒƒ~e ƒa a ƒ~e"ƒƒNeh ƒah - - ƒƒnes


574The Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight Modes<strong>St</strong>icherarik<strong>on</strong> and Papadik<strong>on</strong>, Soft Chromatic Scale 7or:ƒƒ~e ƒƒa a ~e ƒe" ƒ~e e e e ƒƒƒa ƒa ƒ~e e"ƒƒNeh ah - - ƒnes___ ƒNeh____________ ah - - ƒƒnes___ Third ModeHeirmologik<strong>on</strong>, <strong>St</strong>icherarik<strong>on</strong>, and Papadik<strong>on</strong> 8 ƒƒ+a a ƒƒ+aƒƒNah - - nahFourth ModeHeirmologik<strong>on</strong> from VOU Heirmologik<strong>on</strong>, Hard Chromatic Scale9 ƒƒ Le ƒƒge to"ƒƒLehƒ-ƒyeh-tosHeirmologik<strong>on</strong> from DI ƒƒ~e ƒƒe ƒ+a ƒ+wƒƒNeh - - ƒƒnah - no10 ƒƒ Le ƒƒƒƒƒge ƒe ƒƒƒto ƒo"ƒƒƒLeh - yeh - - ƒtos____


The Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight Modes 575<strong>St</strong>icherarik<strong>on</strong> 11or:ƒƒ ƒƒA ƒƒƒƒƒ gi ƒƒƒa ƒƒA ƒƒƒƒƒ a ƒa ƒgi ƒƒƒaƒƒƒAh - yee - ƒah ƒƒ ƒAh - - - - yee - ƒah Papadik<strong>on</strong>12 ƒƒ ƒƒA ƒƒƒƒƒ ƒgi ƒƒƒa ƒa ƒƒa ƒa a a ƒa a a a ƒaƒƒƒAh - ƒyee - ƒah____________________________________________________ a ƒa a a ƒa a ƒaƒ_________________________________Heirmologik<strong>on</strong> Plagal First Mode13 A ƒ~e a ~e"Ah - ƒneh - ah-ƒnes<strong>St</strong>icherarik<strong>on</strong> and Papadik<strong>on</strong> 14 A ƒƒ~e a ƒ~e"ƒƒAhƒ-ƒnehƒ-ƒƒah - - ƒnes


576The Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight Modes<strong>St</strong>icherarik<strong>on</strong> and Papadik<strong>on</strong> (elaborate versi<strong>on</strong>) 15 ƒA a ƒƒ~e e e e ƒƒe ƒe e ƒa a ƒƒa a a ƒ+a ƒa aƒƒAh - - ƒneh - - - - - - - ƒƒah - - - - - - ƒnah - - - ƒa ƒ~e"- ƒ ƒƒnes<strong>St</strong>icherarik<strong>on</strong> "tetraph<strong>on</strong>ic" (with endings <strong>on</strong> KE) 16 A ƒ~e a ƒƒƒ~e ƒƒe e ƒƒe"Ah - nehƒ-ƒ ah-nes__________________Plagal Sec<strong>on</strong>d ModeHeirmologik<strong>on</strong>, Soft Chromatic Scale 17 ~e ƒƒce ƒa a ƒ ƒ~e ƒƒe"Nehƒ-ƒhehƒ-ƒ ah - - nes____Heirmologik<strong>on</strong>, Soft Chromatic Scale (elaborate versi<strong>on</strong>) 18 ~e ƒƒe ƒƒce a a ƒƒƒ~e e e ƒƒe"Neh - - ƒƒhehƒ-ƒ ah - - nes___________


The Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight Modes 577Heirmologik<strong>on</strong>, Hard Chromatic Scale * 19 ƒƒ~e ƒƒe ƒ+a ƒ+w ƒƒNeh - - ƒƒnah - no<strong>St</strong>icherarik<strong>on</strong> and Papadik<strong>on</strong> (Hard Chromatic Scale) 20 ƒƒ~e ƒe ƒƒce a a ƒ~e"ƒNeh - - ƒƒhehƒ-ƒ ah - - ƒƒnesGrave ModeHeirmologik<strong>on</strong> and <strong>St</strong>icherarik<strong>on</strong> (from GA) 21 ƒƒAƒ A -ƒƒa ƒ~e"- ƒnesPapadik<strong>on</strong> (from ZO) 22 ƒƒ ƒƒ~e ƒƒe e ƒƒe e e ƒe e ƒe ƒe ƒe e eƒ Neh_______________________________________________*This heirmologik<strong>on</strong> versi<strong>on</strong> of <strong>the</strong> hard chromatic scale actually bel<strong>on</strong>gs to fourth mode according to mostmusicologists.


578The Int<strong>on</strong>ati<strong>on</strong>s of <strong>the</strong> Eight ModesPapadik<strong>on</strong> (Enharm<strong>on</strong>ic from ZO) 23 ƒƒAƒ A -ƒƒa ƒ~e"- ƒnesPlagal Fourth ModeHeirmologik<strong>on</strong> (from NEE) 24 ~e ƒ ƒƒa ƒgi ƒeƒƒNeh ƒƒah - yee ƒehHeirmologik<strong>on</strong> (from GA) 25 ~e eƒ ƒƒa ƒgi i ƒeƒƒNeh____ ƒƒahƒƒ-ƒƒyee - - ehor: ƒƒ+a a ƒƒ+aƒƒNah - - nah<strong>St</strong>icherarik<strong>on</strong> and Papadik<strong>on</strong> 26 ~e ƒƒa ƒ ƒa a ƒƒa gi ƒi ƒƒi i ƒƒeƒƒNeh ƒahƒƒ- - - - -ƒƒƒyee - - - - ehor: ~e ƒƒa ƒ a ƒa ƒ a ƒgi ~e ƒa ƒ ƒa ƒgi ƒƒi ƒeƒƒNeh ƒahƒƒ- - - - - ƒyee ƒneh ƒƒah - ƒ- yee - ƒeh


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