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By Jima Abbott Artists are an experimental bunch, always ready to ...

By Jima Abbott Artists are an experimental bunch, always ready to ...

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J<strong>an</strong>et’s first exposure <strong>to</strong> fine art was a school trip <strong>to</strong>the Baltimore Museum of Art <strong>to</strong> see the ConeCollection of post-Impressionist <strong>an</strong>d 20th centurycontemporary art. Viewing the colorful, original masterpiecesup close <strong>an</strong>d hearing s<strong>to</strong>ries of the artists’ lives, shedecided then <strong>an</strong>d there that art must be a very import<strong>an</strong>tpart of life. The actual idea of becoming <strong>an</strong> artist cameabout in the ninth grade when the class was given aptitudetests <strong>to</strong> determine which high school <strong>to</strong> attend. When theresults came in, the school counselor called J<strong>an</strong>et in<strong>to</strong> heroffice <strong>an</strong>d asked if she realized that she was <strong>an</strong> artist.Picturing herself in a beret <strong>an</strong>d h<strong>an</strong>ging out in coffeehouses, J<strong>an</strong>et asked what exactly <strong>an</strong> artist is. The counselorsmiled <strong>an</strong>d replied that sheneeded <strong>to</strong> discover what thisme<strong>an</strong>t for herself. And so shedid, going on <strong>to</strong> a school offeringa specialized art curriculum<strong>to</strong> study both fine <strong>an</strong>d appliedarts. In her senior year theMaryl<strong>an</strong>d State Legislatureawarded her a full universityscholarship <strong>to</strong> study studio art atthe University of Maryl<strong>an</strong>d,College Park.To make a living J<strong>an</strong>et beg<strong>an</strong>a c<strong>are</strong>er in graphic design form<strong>an</strong>y years, returning <strong>to</strong> heroriginal interest of painting in2002 as <strong>an</strong> artist-in-residence atthe Mendocino Art Center. Tobecome reacquainted withdrawing <strong>an</strong>d painting media, shestarted out creating small workson paper with oil-based coloredpencil, then moved on <strong>to</strong>abstracted watercolor l<strong>an</strong>dscapes.Then a few years ago sheFrom Stardust beg<strong>an</strong> painting large acrylicworks on paper <strong>an</strong>d also aseries of oil paintingsexploring the phenomenonof light <strong>an</strong>d luminosity.Her current body ofwork is based on improvisationaltechniques,painting without preconceivedideas or pl<strong>an</strong>ning,<strong>to</strong> create original imagesspont<strong>an</strong>eously expressive<strong>an</strong>d unique <strong>to</strong> the individualartist. Though thepaintings <strong>are</strong> createdquickly, by mixing colordirectly on the paper, they<strong>are</strong> mostly introspective,visual meditations with Red <strong>to</strong> Or<strong>an</strong>ge<strong>an</strong> enigmatic, etherealquality. She says it isalchemy of a certain sort, working with intuition <strong>an</strong>dmaterials in a way that have no certain outcome. For J<strong>an</strong>etthe process is a journey in<strong>to</strong> the mysteries of creativity.Through the exhibition of these paintings she hasbecome interested in a deeper underst<strong>an</strong>ding of the visuall<strong>an</strong>guage of abstract art <strong>an</strong>d how it activates a viewer’simagination <strong>an</strong>d sense of wonder. This dialogue betweenthe viewer <strong>an</strong>d a work of art has become part of the effor<strong>to</strong>f her work, observing how the elements of color, form,<strong>an</strong>d line speak <strong>to</strong> both the viewer <strong>an</strong>d artist.It’s a return <strong>to</strong> that original realization that art isindeed <strong>an</strong> import<strong>an</strong>t part of life.J<strong>an</strong>et Seifert c<strong>an</strong> be contacted at PO Box 1747, Mendocino,CA 95460-1747 or 707 937-3054. Studio visits <strong>an</strong>d commissionswelcomed.27

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