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By Jima Abbott Artists are an experimental bunch, always ready to ...

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<strong>By</strong> <strong>Jima</strong> <strong>Abbott</strong>18<strong>Artists</strong> <strong>are</strong> <strong>an</strong> <strong>experimental</strong> <strong>bunch</strong>, <strong>always</strong><strong>ready</strong> <strong>to</strong> add new <strong>to</strong>ols, materials <strong>an</strong>d processes <strong>to</strong>their reper<strong>to</strong>ire in the drive <strong>to</strong> express their creativeurges. This is certainly evident in relation <strong>to</strong> ther<strong>an</strong>ge of opportunities offered by <strong>an</strong> ever-exp<strong>an</strong>dinguniverse of digital <strong>to</strong>ols in the form of digital cameras,sc<strong>an</strong>ners, adv<strong>an</strong>ced computers, graphics softw<strong>are</strong>,high quality inkjet printers <strong>an</strong>d the Internet.The odd phenomenon of const<strong>an</strong>tly increasingquality <strong>an</strong>d const<strong>an</strong>tly decreasing cost helps makethis technology widely available. Our current generationis growing up immersed in it, along with cellphones, text messaging <strong>an</strong>d iPods.M<strong>an</strong>y artists, working in a diverse field of creativeendeavors, have jumped in <strong>to</strong> play in this digitalworld of <strong>to</strong>ols <strong>an</strong>d <strong>to</strong>ys. Painters, illustra<strong>to</strong>rs,graphic designers, craftspeople, musici<strong>an</strong>s, pho<strong>to</strong>graphers,filmmakers <strong>an</strong>d others <strong>are</strong> taking adv<strong>an</strong>tageof a wide r<strong>an</strong>ge of useful digital devices.Using these <strong>to</strong>ols, artists <strong>are</strong> able <strong>to</strong> mix sc<strong>an</strong>sof their drawings <strong>an</strong>d paintings with digital pho<strong>to</strong>graphs,sc<strong>an</strong>ned objects <strong>an</strong>d computer generatedimages in seamless <strong>an</strong>d powerful ways <strong>to</strong> createunique <strong>an</strong>d original images.Desert Door by <strong>Jima</strong> <strong>Abbott</strong>.The image taken with Nikon Coolpix 990 <strong>an</strong>d then enh<strong>an</strong>ced <strong>an</strong>d m<strong>an</strong>ipulatedin Adobe Pho<strong>to</strong>shop. Contact jima@mcn.org


Little Ballerina by Marge StewartThe unlimited natural media possibilities using CorelPainter <strong>are</strong> amazing. Choices of natural brushes <strong>an</strong>d a limitlessarray of paper textures allow the artist <strong>to</strong> combine differenttechniques not possible with traditional artmaterials.Digital Art Softw<strong>are</strong>With the image editing softw<strong>are</strong> Adobe Pho<strong>to</strong>shop,collages <strong>an</strong>d montages c<strong>an</strong> be created by placing separateparts of the <strong>to</strong>tal composition on independently editablelayers that c<strong>an</strong> be ch<strong>an</strong>ged <strong>an</strong>d re-ch<strong>an</strong>ged at <strong>an</strong>y time.Just think of being able <strong>to</strong> go back <strong>to</strong> your original artyears later <strong>an</strong>d add <strong>an</strong> additional element or make ach<strong>an</strong>ge based on newly acquired images, ideas or skills.Some artists feel immediately at home with the softw<strong>are</strong>Corel Painter, which has <strong>to</strong>ols that mimic traditionalmedia such as oil, watercolor, pastel, charcoal, air brush<strong>an</strong>d m<strong>an</strong>y others. Using a pressure sensitive stylus <strong>an</strong>dgraphics tablet is like using a paintbrush, pencil or pen.Some very interesting hybrid art forms <strong>are</strong> being createdthat combine traditional media h<strong>an</strong>dwork <strong>an</strong>d digitaladditions <strong>an</strong>d m<strong>an</strong>ipulations.Adobe Illustra<strong>to</strong>r is a drawing program that allowsartists <strong>to</strong> create sophisticated artwork, technical illustrations,graphics, <strong>an</strong>d page designs for print, multimedia,<strong>an</strong>d the Web. Illustra<strong>to</strong>r offers a full r<strong>an</strong>ge of drawing <strong>an</strong>dpainting <strong>to</strong>ols, as well as type in a postscript format.<strong>Artists</strong> will appreciate the wide r<strong>an</strong>ge of creative <strong>to</strong>ols,Cold Blue by Patrick Davis. Digital pho<strong>to</strong>graphy“ My digital work flow starts at the camera (a Nikon D2x) <strong>an</strong>d <strong>an</strong> eye forthe unusual. From there I adjust the color in Capture NX then do thefinal sharpening in Pho<strong>to</strong>shop with printing via a RIP (Image Print) <strong>to</strong>the final product.”including warp effects; liquefy controls; arc, grid, <strong>an</strong>dshape <strong>to</strong>ols; editable drop shadows, glows, <strong>an</strong>d othereffects; <strong>an</strong>d editable compound shapes.M<strong>an</strong>dala by J<strong>an</strong>et AshfordAdobe Illustra<strong>to</strong>r. J<strong>an</strong>et is one of the Mendocino Art Center’s digital artinstruc<strong>to</strong>rs. See her workshops on page 48.19


Golden Girl by Marge StewartLayered multiple images. Digitally painted in Corel Painter,Pho<strong>to</strong>shop <strong>an</strong>d Kai’s Power Tools. Cus<strong>to</strong>m images <strong>an</strong>d digital paintingsavailable. Contact Marge Stewart at margcrft@mcn.orgKaleidica makes the computer come alive withbeautiful symmetry, magical patterns, <strong>an</strong>d creativeimagery of all kinds — all under the control of a mouse<strong>an</strong>d keyboard. The Kaleidica is truly a one-of-a-kindproduct that is ideal for children, as well as both aspiring<strong>an</strong>d professional artists.The Kaleidica allows the artist <strong>to</strong> make wonderfulstill art <strong>an</strong>d record every step in the creation of art <strong>an</strong>dplay it back as a full-screen <strong>an</strong>imation set <strong>to</strong> music.Studio Artist is a softw<strong>are</strong> program that c<strong>an</strong> au<strong>to</strong>maticallypaint <strong>an</strong>d draw. Studio Artist examines asource image or video <strong>an</strong>d then re-renders it in the stylethe artist chooses, au<strong>to</strong>matically or interactively. StudioArtist’s Graphics Synthesizer module has hundreds ofeditable controls. This kind of control enables StudioArtist <strong>to</strong> produce unlimited lush dynamic <strong>an</strong>d complexpaints while allowing for the r<strong>an</strong>domness or happy accidentsof real art materials. But realistic oil, chalk, watercoloror wet paints <strong>are</strong> only a part of the picture. StudioArtist travels way beyond the world of natural media<strong>an</strong>d in<strong>to</strong> the realm of Wow! Watch paint brushes interactwith a virtual c<strong>an</strong>vas <strong>to</strong> create truly unique paintings,drawings <strong>an</strong>d processed video.Castle Bowls by Virginia Sventek"Working from original pho<strong>to</strong>graphs, colour adjustment <strong>an</strong>d layering<strong>are</strong> done in Pho<strong>to</strong>shop. The image is completely redrawn by h<strong>an</strong>d onthe white c<strong>an</strong>vas in Studio Artist using a stylus <strong>an</strong>d graphics tablet asone would with pen <strong>an</strong>d ink or brush <strong>an</strong>d paint. Actions <strong>are</strong> notused. I move between Pho<strong>to</strong>shop <strong>an</strong>d Studio Artist continuously <strong>to</strong>adjust color <strong>an</strong>d <strong>to</strong>nality or <strong>to</strong> "dampen down" the more stridentaspects of the drawing. The final images <strong>are</strong> printed on 100% ragheavy water colour paper with pigment inks <strong>an</strong>d have been sold atgalleries in Edinburgh, Scotl<strong>an</strong>d. Studio Artist is a difficult mistress:because I am highly non-technical. I find teasing secrets out of herdifficult, but when she decides <strong>to</strong> smile, she glows."email: virginia.sventek@talk21.comUsing Kaleidica, the artist c<strong>an</strong> create limitless images <strong>an</strong>d then c<strong>an</strong>generate these images as <strong>an</strong>imations, set <strong>to</strong> music if desired.20


Tribe by KKC Bauder,New Media Artist Specialization: Abstract Digital Art. Program: UltimatePaint, a combination of digital rendering <strong>an</strong>d image m<strong>an</strong>ipulation l<strong>an</strong>dsmy artwork in the category of Digital Mixed Media. I draw the initialimage, then working with a combination of digital shaping <strong>to</strong>ols, I workthe piece until the desired result is achieved. Dreamwork Digital Art &Pho<strong>to</strong>graphy.http://dreamworkdigitals.com • creations@dreamworkdigitals.comM<strong>an</strong>y other programs exist, restricting digital artistsonly <strong>to</strong> the limits of their imagination.Digital for EveryoneEven artists who don’t use the <strong>to</strong>ols directly in theirwork find them valuable in their art, life <strong>an</strong>d business. Theyuse digital cameras <strong>to</strong> take painting source pho<strong>to</strong>s <strong>an</strong>d documentwork, sc<strong>an</strong> finished art, <strong>an</strong>d use inkjet printers <strong>to</strong>print limited edition prints <strong>an</strong>d make their own businesscards, flyers, mailers, postcards <strong>an</strong>d websites.Learning Digital Art at theMendocino Art CenterSeveral years ago, through generous donations <strong>an</strong>dgr<strong>an</strong>ts from PacBell <strong>an</strong>d PG & E, the Mendocino Art Centerdeveloped a digital arts studio with computers, graphicsGlobal Warming by Jim Thompson.Using Corel Pho<strong>to</strong>-Paint 9 <strong>to</strong> edit the image, the Clone Tool was used <strong>to</strong>add the oce<strong>an</strong> water with different settings on the tr<strong>an</strong>sp<strong>are</strong>ncy <strong>to</strong> get thedesired effect up <strong>to</strong> the buildings. With the Effect Tool set <strong>to</strong> tint, the baseof the buildings was darkened where the water would come in contact withthe buildings. A mask was then created around the sky so a sky from<strong>an</strong>other pho<strong>to</strong> could be added. Email – jmt_w<strong>an</strong>@yahoo.comtablets, graphics softw<strong>are</strong>, high quality inkjet printers &high-speed Internet access.A wide r<strong>an</strong>ge of workshops covering a number of differentcomputer art programs <strong>are</strong> offered each semester <strong>to</strong>students at different skill levels. The emphasis is on learning<strong>to</strong> create art with the computer rather th<strong>an</strong> just learning thesoftw<strong>are</strong>.For complete information on digital art workshopsat the Mendocino Art Center, check the website atwww.mendocinoartcenter.org or call the office at707-937-5818 <strong>to</strong> be sent a printed catalog. For more informationabout the computer art program, contact MargeStewart, program direc<strong>to</strong>r, at 707 937-0999Another opportunity is <strong>to</strong> use the digital arts lab in theweekly open studio each Wednesday evening from 6-9 pm.For the nominal fee of $8 you c<strong>an</strong> use the equipment, havehigh-speed Internet access, <strong>an</strong>d be assisted in projects <strong>an</strong>dlearning by the studio host. If you have questions about theopen studio, email jima@mcn.org.21


P<strong>an</strong>acheGALLERYFine art, sculptureglass, furniture& designer jewelryPerspicacity, Hilary Eddy, Oil on C<strong>an</strong>vasMendocino45110 Main Street707-937-094710400 KastenStreet707-937-1234www.thep<strong>an</strong>achegallery.comPainting • SculpturePho<strong>to</strong>graphy • JewelryH<strong>an</strong>dwoven RugsOutdoor Water SculptureFANCY THAT■Casually Eleg<strong>an</strong>tApp<strong>are</strong>l <strong>an</strong>d AccessoriesRegular <strong>an</strong>d PetiteGALLERY at GLENDEVENCONTEMPORARY ART“This spacious artist-administered gallery displaysnotable contemporary art.”Via Magazine8205 NORTH HIGHWAY ONE,LITTLE RIVER 95456THURSDAY - MONDAY 10-5 707.937.3525www.partnersgallery.com■ In the heart of Mendocino Village ■■ Open Daily 10 - 6 ■ (707) 937-0448 ■22


2007 North Coast<strong>Artists</strong>’ GuildStudio DiscoveryTourThis year’s North Coast <strong>Artists</strong>’ Guild Studio DiscoveryTour, September 1-3 <strong>an</strong>d 8-9, has drawn over 40 exceptionalartists who will open their creative studios <strong>to</strong> the public. “Thisfree, self-guided <strong>to</strong>ur along a 60 mile stretch of Highway One,from Stewart’s Point <strong>to</strong> Little River, is the perfect way <strong>to</strong> spenda leisurely day or <strong>an</strong> entire weekend,” explains <strong>to</strong>ur direc<strong>to</strong>rScott Chieffo.Colorful <strong>an</strong>d intriguing artists from potters <strong>an</strong>d glass blowers,weavers <strong>an</strong>d paper workers <strong>to</strong> painters, sculp<strong>to</strong>rs, woodturners <strong>an</strong>d pho<strong>to</strong>graphers <strong>are</strong> participating. Every year, newartists join the <strong>to</strong>ur, keeping the experience fresh <strong>an</strong>d full of surprises.With the variety of art on display, there should be something<strong>to</strong> satisfy the craving of every art lover.A free 32-page, full-color catalog will help you make themost out of your <strong>to</strong>ur. It contains a description of each artist,along with a detailed map <strong>an</strong>d directions <strong>to</strong> each studio. Whileon the road, look for the bright yellow signs <strong>to</strong> help guide youalong the way. Note that the catalog is a must when visitingartists in The Sea R<strong>an</strong>ch since directional signs <strong>are</strong> not allowedalong that section of Highway 1.You c<strong>an</strong> begin your adventure by s<strong>to</strong>pping at the DolphinGallery <strong>to</strong> preview the work of all Tour artists <strong>an</strong>d <strong>to</strong> pick upextra catalogs with maps. The Dolphin is located at 39225Highway One in Gualala <strong>an</strong>d c<strong>an</strong> be reached at 707 884-3896.Catalogs will also be available at the Gualala Arts Center, theMendocino Art Center, <strong>an</strong>d various local galleries <strong>an</strong>d businessesalong the way.To receive your catalog by mail, e-mail the Tour Direc<strong>to</strong>r, ScottChieffo, at schieffo@mcn.org, or call the Gualala Arts Center at707 884-1138. Additionally, you c<strong>an</strong> download the catalog <strong>an</strong>dpreview individual artists at the official Studio Discovery Tourwebsite, www.Studio-Tours.com.Di<strong>an</strong>e Cochr<strong>an</strong>eCliff GloverCynthia Myers23


Gallery Guide24FIRST FRIDAYS IN FORT BRAGGMost galleries <strong>an</strong>d businesses holding First Friday art openings<strong>are</strong> open from 5:30 <strong>to</strong> 7:30 pm.SECOND SATURDAYS IN MENDOCINOMost galleries <strong>an</strong>d businesses holding Second Saturday ar<strong>to</strong>penings <strong>are</strong> open from 5:00 <strong>to</strong> 7:30 pm.UKIAH – LAST SATURDAYS ARTS IN MOTIONUkiah businesses <strong>an</strong>d galleries hosting Arts in MotionOpen from 9:00 am <strong>to</strong> 3:00 pm, Main Street Program 463-6729FORT BRAGGART @ 3g303 N. Main Street, Suite 3g707 964-9666ART EXPLORERS138 E. Oak Street707 961-6156BRAGGADOON435 N. Main Street707 964-5050Gallery of pho<strong>to</strong>graphs <strong>an</strong>d otherartworks for your enjoyment. FirstFriday receptions. Fine art printing.DIRT CHEAP17975 N. Hwy 1707 964-4211EDGEWATER GALLERY356 N. Main Street707 964-4668ERIN DERTNER STUDIO137 E. Laurel Street707 964-7781ESTATES GALLERY330 N. Fr<strong>an</strong>klin Street707 961-0932FABRIC INDULGENCE101 E. Boatyard Center707 964-6365FRAME MILL ARTWORKS116 Laurel Street707 964-6464GLASS FIRE ART GLASS GALLERY18320 N. Hwy 1707 962-9420A unique display of art glass,including jellies, vessels, lighting,sculpture <strong>an</strong>d jewelry. Visit theworking studio.HEADLANDS CAFÉ120 E. Laurel Street707 964-1987MENDO BISTROComp<strong>an</strong>y S<strong>to</strong>re at N. Main707 964-4974MENDOCINO COASTPHOTOGRAPHER GUILD& GALLERY301 N. Main Street707 964-6704NORTH COAST ARTISTS362 N. Main Street707 964-8266PIACI PUB & PIZZERIA120 W. Redwood Street707 961-1133PRENTICE GALLERY17701 N. Hwy 1707 962-0732Showing local artists’ paintings,sculpture, pho<strong>to</strong>graphy, jewelry,wood turnings <strong>an</strong>d ceramics. Onsite jeweler Wed. Largest cus<strong>to</strong>mpicture frame shop on the NorthCoast.RUBIYAT222 E. Redwood707 961-0222SEAVIEW GALLERY18877 N. Hwy 1707 889-0962TOTO ZAIDA142 E. Laurel St.707 964-8686V’ CANTO124 E. Laurel Street707 964-6844MENDOCINOARTISTS CO-OP OF MENDOCINO45270 Main Street707 937-2217ART THAT MAKESYOU LAUGH©Corner Main <strong>an</strong>d L<strong>an</strong>sing707 937-1354CELTIC CREATIONSMain & Kasten Streets (upstairs)707 937-1223COASTSIDE GALLERY45055 Albion Street707 937-4960COLOR & LIGHT GLASSSTUDIO10525 Ford Street707 937-1003DREAMSCAPE45040-A Albion Street707 937-2269GARTH HAGERMANNature Pho<strong>to</strong>graphy Gallery45021-C Little Lake Street707 937-1987HIGHLIGHT GALLERY45052 Main Street707 937-3132MENDOCINO ART CENTER45200 Little Lake Street707 937-5818MENDOCINO BAKERY & CAFE10483 L<strong>an</strong>sing Street707 937-0836MENDOCINO CAFÉ10451 L<strong>an</strong>sing Street707 937-2422MENDOCINO CANCERRESOURCE CENTER45040 Calpella Street707 937-3833MENDOCINO GEMS10540 L<strong>an</strong>sing Street707 937-0299MENDOCINO JEWELRY STUDIO45104 Main Street707 937-0181MENDOCINO ART CENTER45200 Little Lake Street,Mendocino707 937-5818Cloisonné necklace with freshwaterpearls by Marge Stewart <strong>an</strong>d burlwood box by Steve Kale.Four gallery exhibits eachmonth featuring emerging <strong>an</strong>destablished artists. Unique,h<strong>an</strong>dmade gift items in theGallery Shop. Open daily,10:00 am - 5:00 pmOLD GOLD6 Albion Street,Mendocino707 937-5005Mark Hilem<strong>an</strong>, OpalWave BraceletWhere you will find beautifullydetailed jewelry fabricated in theoriginal art form of die striking<strong>an</strong>d h<strong>an</strong>d chasing.PANACHE ON MAIN45110 Main Street707 937-0947PANACHE GALLERY10400 Kasten Street,Mendocino707 937-1234Jewelry by Barbara WestwoodTwo locations in Mendocino.Fine art, sculpture, glass,furniture <strong>an</strong>d designer jewelry.Featuring artists such as HilaryEddy <strong>an</strong>d Gerald Stinski.


ART THAT MAKESYOU LAUGH©Corner Main <strong>an</strong>d L<strong>an</strong>singMendocino707 937-1354“Counsel Approaching The Bench”The fine art of humorist JeffLeedy + pastel l<strong>an</strong>dscapes ofElaine Leedy. Most fun gallery inMendocino.HIGHLIGHT GALLERY45052 Main Street,Mendocino707 937-3132Wall Cabinet by Martin McCarthy,Vessel by Mike PhillipsEnjoy our representation of finelycrafted woodwork, paintings,sculpture, pottery <strong>an</strong>d jewelry inour beautiful bay view location.MOODY’S INTERNET CAFÉ& GALLERY10450 L<strong>an</strong>sing Street707 937-4843OLD GOLD6 Albion Street707 937-5005PANACHE ON MAIN45110 Main Street707 937-0947PANACHE GALLERY10400 Kasten Street707 937-1234PRENTICE GALLERY45050 Main Street707 937-2021RUBAIYAT BEAD & RUGGALLERYL<strong>an</strong>sing & Little Lake Street707 937-1217STANFORD INN BY THE SEAHwy. 1 & Comptche-Ukiah Road707 937-5615THE WORLD OF SUZI LONG611 Albion St. – Water<strong>to</strong>wer707 937-5664TWO VISIONS PHOTOGRAPHYGALLERY45104 Main Street707 937-3898WISDOM HOUSE GALLERY45280 Main Street707 937-3360ZACHA’S BAY WINDOW GALLERY560 Main Street707 937-5205WILLIAM ZIMMER GALLERYCorner of Ukiah & L<strong>an</strong>sing St.707 937-5121LITTLE RIVER & ALBIONLEDFORD HOUSE3000 N. Highway 1, Albion707 937-0282LITTLE RIVER INN7751 N. Highway 1,Little River888-INN-LOVEPARTNERS GALLERYat Glendeven Inn8205 Highway 1, Little River707 937-3525Local artists exhibiting painting,sculpture, pho<strong>to</strong>graphy, jewelry,water sculpture <strong>an</strong>d h<strong>an</strong>dwovenrugs. Thursday-Monday10 am-5 pmSTEVENSWOOD FINE ARTS8211 N. Highway 1,Little River • 707 937-2810ELKELK STUDIO & GALLERY6031 S. Highway 1, Elk707 877-1128GREENWOOD PIER INN/CAFÉ& COUNTRY STORE5928 S. Highway 1, Elk707 877-9997POINT ARENAPOINT ARENA CITYARTSMain St., Point Arena707 882-1726THINK VISUAL THE ART OFPHOTOGRAPHY215 Main Street707 882-4042GUALALAALINDER GALLERY39165 S. Highway 1707 884-4884ARTSEA GALLERYSea Cliff Center707 884-4809DOLPHIN GALLERY39225 Highway 1707 884-3896GUALALA ARTS CENTER46501 Old State Hwy.,off Highway 1707 884-1138S/K GALLERYCypress Village707 884-3549SPINDRIFT GALLERYCypress Village707 884-4484STUDIO 39139150 S. Highway 1707 884-9065HYW. 128K. HOWLAND GALLERYHwy. 128, Boonville707 895-3880MAPLE CREEK WINERY20799 Hwy. 128, Yorkville707 895-3001The Gallery at Maple CreekWinery features the artworkof Vintner Tom Rodrigues.ARTEVINO - art & wine.ROOKIE-TO GALLERY14300 Highway 128, Boonville707 895-2204To be listed in this Guide contact:Mendocino, Fort BraggSteven P. Worthen,707 813-7669UKIAHGRACE HUDSON MUSEUM431 S. Main Street707 467-2836GRACES ON MAIN/HOYMAN-BROWN STUDIO323 N. Main Street707 462-5911 • 707 468-8835MENDOCINO COLLEGEART GALLERY1000 Hensley Creek Road707 468-3207MOONLIGHT FRAMER& GALLERY290 S. School Street707 468-7921ONE EARTH CLAY AND GLASSSTUDIO AND GALLERY310 Mason707 467-0200RED FROG GALLERY106 W. Church Street707 463-5547T B GREENE GALLERY104 W. Church707 462-5756THE BLUE GOOSE1252 Airport Park Blvd.707 462-2660TIERRA312 N. School Street707 468-7936WILLITSBLUE SKY GALLERY21 S. Main707 456-9025MENDOCINO COUNTYMUSEUM400 E. Commercial Street707 459-2736WILLITS CENTERFOR THE ARTS71 E. Commercial Street707 459-3956Inl<strong>an</strong>dJill Schmuckley, 707 391-8057Hwy. 128 & South CoastAlyson Blair, 707 937-019125


MendocinoS<strong>an</strong>dpiperAffordable Jewelrysince 1987We Make Everything GroovyUniqueClothing & GiftsUnder NewOwnershipMiss MeFine Quality ClothingExclusive10481 L<strong>an</strong>sing Street, Mendocino • 707-937-0937Featuring Jewelryby Tabra“Where The Locals Shop”937-310245280 Main Street,MendocinoOpen DailyAt west end of Main St.Rox<strong>an</strong>ne Vold, Proprie<strong>to</strong>rSALLIE MACHOME & GARDENGIFTS & ACCESSORIES FROMTHE EUROPEAN COUNTRYSIDEONE-OF-A-KINDFRENCH ACCENT PIECESEUROPEAN POTTERYFINE BATH & BODY PRODUCTSELEGANT GIFT WRAPPING FREESHIPPING ARRANGEDGIFT CERTIFICATESBead Shop& Rug GalleryBeads, books, jewelry, incense,oils, tarot decks, Tibet<strong>an</strong> rugs,statues, Palm & Tarot ReadingsL<strong>an</strong>sing & Little Lake StreetsMendocino937-2323 (BEAD)Studio& GalleryMENDOCINOgemsCus<strong>to</strong>m design & repair10540 L<strong>an</strong>sing St. • Mendocino • 937-0299Behind Sallie MacCOME FOR THE EXPERIENCELEAVE WITH A TREASURE10540 LANSING STREET, MENDOCINO937-5357 • OPEN DAILY 10 - 6WWW.SALLIEMAC.COM2nd Location – 961-0222222 E. Redwood Ave. Ft. Bragg26


J<strong>an</strong>et’s first exposure <strong>to</strong> fine art was a school trip <strong>to</strong>the Baltimore Museum of Art <strong>to</strong> see the ConeCollection of post-Impressionist <strong>an</strong>d 20th centurycontemporary art. Viewing the colorful, original masterpiecesup close <strong>an</strong>d hearing s<strong>to</strong>ries of the artists’ lives, shedecided then <strong>an</strong>d there that art must be a very import<strong>an</strong>tpart of life. The actual idea of becoming <strong>an</strong> artist cameabout in the ninth grade when the class was given aptitudetests <strong>to</strong> determine which high school <strong>to</strong> attend. When theresults came in, the school counselor called J<strong>an</strong>et in<strong>to</strong> heroffice <strong>an</strong>d asked if she realized that she was <strong>an</strong> artist.Picturing herself in a beret <strong>an</strong>d h<strong>an</strong>ging out in coffeehouses, J<strong>an</strong>et asked what exactly <strong>an</strong> artist is. The counselorsmiled <strong>an</strong>d replied that sheneeded <strong>to</strong> discover what thisme<strong>an</strong>t for herself. And so shedid, going on <strong>to</strong> a school offeringa specialized art curriculum<strong>to</strong> study both fine <strong>an</strong>d appliedarts. In her senior year theMaryl<strong>an</strong>d State Legislatureawarded her a full universityscholarship <strong>to</strong> study studio art atthe University of Maryl<strong>an</strong>d,College Park.To make a living J<strong>an</strong>et beg<strong>an</strong>a c<strong>are</strong>er in graphic design form<strong>an</strong>y years, returning <strong>to</strong> heroriginal interest of painting in2002 as <strong>an</strong> artist-in-residence atthe Mendocino Art Center. Tobecome reacquainted withdrawing <strong>an</strong>d painting media, shestarted out creating small workson paper with oil-based coloredpencil, then moved on <strong>to</strong>abstracted watercolor l<strong>an</strong>dscapes.Then a few years ago sheFrom Stardust beg<strong>an</strong> painting large acrylicworks on paper <strong>an</strong>d also aseries of oil paintingsexploring the phenomenonof light <strong>an</strong>d luminosity.Her current body ofwork is based on improvisationaltechniques,painting without preconceivedideas or pl<strong>an</strong>ning,<strong>to</strong> create original imagesspont<strong>an</strong>eously expressive<strong>an</strong>d unique <strong>to</strong> the individualartist. Though thepaintings <strong>are</strong> createdquickly, by mixing colordirectly on the paper, they<strong>are</strong> mostly introspective,visual meditations with Red <strong>to</strong> Or<strong>an</strong>ge<strong>an</strong> enigmatic, etherealquality. She says it isalchemy of a certain sort, working with intuition <strong>an</strong>dmaterials in a way that have no certain outcome. For J<strong>an</strong>etthe process is a journey in<strong>to</strong> the mysteries of creativity.Through the exhibition of these paintings she hasbecome interested in a deeper underst<strong>an</strong>ding of the visuall<strong>an</strong>guage of abstract art <strong>an</strong>d how it activates a viewer’simagination <strong>an</strong>d sense of wonder. This dialogue betweenthe viewer <strong>an</strong>d a work of art has become part of the effor<strong>to</strong>f her work, observing how the elements of color, form,<strong>an</strong>d line speak <strong>to</strong> both the viewer <strong>an</strong>d artist.It’s a return <strong>to</strong> that original realization that art isindeed <strong>an</strong> import<strong>an</strong>t part of life.J<strong>an</strong>et Seifert c<strong>an</strong> be contacted at PO Box 1747, Mendocino,CA 95460-1747 or 707 937-3054. Studio visits <strong>an</strong>d commissionswelcomed.27


Roy Falk<strong>an</strong>dAbstractMysticismAfter a c<strong>are</strong>er in telecommunications, mywife Carol Ann <strong>an</strong>d I came <strong>to</strong> Mendocino, where Iresumed painting, my true artistic passion.My paintings <strong>are</strong> abstract realizations thatinvite viewers <strong>to</strong> bringtheir own narrative in<strong>to</strong>the viewing experience.I am exploring the interplayof hues <strong>an</strong>d contrastswith the rhythms<strong>an</strong>d sense of motionthat they evoke in juxtaposition<strong>to</strong> one <strong>an</strong>other.I depict fiction overlappingtruth, while tr<strong>an</strong>sp<strong>are</strong>ncy,symbol <strong>an</strong>dnarrative d<strong>an</strong>ce <strong>to</strong>gethervia paint on c<strong>an</strong>vas.I approach theprocess of painting as acomponent of my spiritualpractice. When Iquietly look insidemyself I catch glimpsesof my true self, which ism<strong>an</strong>ifest in my heart. Iexperience my paintingsSacred Heartem<strong>an</strong>ating more from my heart center th<strong>an</strong> frommy rational mind. My hope is that my paintingswill be <strong>an</strong> opportunity for others <strong>to</strong> reflect a memoryor dream from within themselves.My narratives <strong>are</strong>works of fiction based oncountless fragments oftruth that I have experiencedin my life. My colors<strong>an</strong>d forms <strong>are</strong>mosaics of the NorthernCalifornia environment.Shapes <strong>are</strong> depicted inthe midst of dramas <strong>an</strong>dd<strong>an</strong>ces which also haveoverlays of fictional, theatricalqualities in whichonly a few details <strong>are</strong>explicit.My work is characterizedby a joyful use ofcolor <strong>an</strong>d abstractrhythms. I attempt <strong>to</strong>depict the mysteriousforce that draws us one <strong>to</strong><strong>an</strong>other. Color <strong>an</strong>d compositiondraw their sym-28


olic me<strong>an</strong>ing fromthe same primalRed Runnerattracting force thatbinds the solar system <strong>an</strong>d the galaxies <strong>to</strong> one <strong>an</strong>other.Shapes <strong>an</strong>d shadows <strong>are</strong> inextricably alluring, no<strong>to</strong>nly <strong>to</strong> one <strong>an</strong>other on the c<strong>an</strong>vas, but <strong>to</strong> the vieweras well. I am drawn <strong>to</strong> org<strong>an</strong>ic shapes, cruciforms,hearts <strong>an</strong>d dramatic gestures which draw the viewerin<strong>to</strong> the mystery.Subtle <strong>an</strong>d bold,the gestures unifythe symbols in<strong>to</strong> <strong>an</strong> orbit of sensual attraction.Art c<strong>an</strong> evoke the r<strong>an</strong>domness of a cosmologywhich acknowledges the oneness of all creation. Themiracle of r<strong>an</strong>dom, turbulent selection thataccounts for our presence at this very moment issymbolically depicted viamy abstract vision. Paint<strong>an</strong>d c<strong>an</strong>vas provide amomentary experience ofthe mysterious pull of theattractive <strong>an</strong>d the attracted.Roy Falk’s paintings c<strong>an</strong> beseen at the EdgewaterGallery, 356 N. MainStreet, Fort Bragg.Blue Heart29


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f romArtthe Headl<strong>an</strong>dsDesigns <strong>an</strong>d Cappuccinoby Heather SmithAs a teenager, I spent countless hours at Headl<strong>an</strong>dsCoffeehouse, drawing on napkins, filling m<strong>an</strong>y sketchbooks<strong>an</strong>d drinking copious amounts of coffee. Naturally,this m<strong>an</strong>ifested in my c<strong>are</strong>er. After working at Headl<strong>an</strong>dsfor a few years, I noticed my boss, Dave Gealey, etching adesign on<strong>to</strong> a cappuccino. I liked the way it added his owncreative <strong>to</strong>uch <strong>to</strong> his cups.So for a time I switched my c<strong>an</strong>vas from paper <strong>to</strong>foam. My designs evolved from simple swirls in<strong>to</strong> flowers,<strong>an</strong>imals, <strong>an</strong>d faces. Mary Gealy suggested turning my coffeeart in<strong>to</strong> a Headl<strong>an</strong>ds pho<strong>to</strong> exhibit. A friend <strong>an</strong>d cus<strong>to</strong>mer,John Griffen, offered <strong>to</strong> take the pho<strong>to</strong>graphs. Hiskeen sense of design <strong>an</strong>d composition gave t<strong>an</strong>gibility <strong>to</strong>my perishable medium. Greg White further refined,cropped <strong>an</strong>d printed the final results. I couldn't have doneit without them.Because of the combined support of the entireHeadl<strong>an</strong>ds family, I have realized a new outlet of expression.31


Not Writingis Worse —The Art ofJerry Juhlby Michael PottsJolly, quiet, <strong>an</strong>d brilli<strong>an</strong>t: it’s hard <strong>to</strong> imagine <strong>an</strong>yMendocino Coast resident bringing more joy <strong>to</strong> morepeople around the world th<strong>an</strong> our Jerry. He elevated playfulness<strong>to</strong> <strong>an</strong> art.Jerry came <strong>to</strong> California from the Midwest as ayoungster, <strong>an</strong>d found his art as a puppeteer before highschool, when he earned money writing <strong>an</strong>d performinghis own puppet shows. His father was a scoutmaster, butJerry, ever <strong>an</strong> individualist, was <strong>to</strong>o busy “wiggling dollies”<strong>to</strong> join a troop. He <strong>to</strong>ok his inspiration from Kukla,Fr<strong>an</strong> <strong>an</strong>d Ollie (the TV show) <strong>an</strong>d especially Walt Kelly’sPogo (the comic strip). He found his writing talent early,as edi<strong>to</strong>r-in-chief <strong>an</strong>d head writer for his high schoolpaper. While studying speech <strong>an</strong>d drama at S<strong>an</strong> Jose Statehe also produced <strong>an</strong> hour long, five-day-a-week showSylvie <strong>an</strong>d Pup on S<strong>an</strong> Jose’s NBC-TV ch<strong>an</strong>nel. Jerry metwife <strong>an</strong>d working partner Sus<strong>an</strong>, there. Both decidedagainst getting the teaching credential that usually goeswith being speech <strong>an</strong>d drama majors, despite p<strong>are</strong>ntalurgings: they didn’t w<strong>an</strong>t <strong>to</strong> “fall back on” <strong>an</strong>ything.After graduation, Jerry did puppetry with Oakl<strong>an</strong>d’sRecreation Department. As that job wound down, he performedat the national puppetry convention at Asilomar,where he met Jim Henson, who was seeking someone <strong>to</strong>help with his nightly network show Sam <strong>an</strong>d Friends, aforerunner of The Daily Show with Jon Stewart, onlywith puppets.Jerry lived in the Hensons’ basement, <strong>an</strong>d did everythingon the show, building sets, writing scripts, makingpuppets, <strong>an</strong>d performing. Jerry <strong>an</strong>d Jim beg<strong>an</strong> assemblingthe comp<strong>an</strong>y of gifted puppeteers, writers, <strong>an</strong>d staffthat still works <strong>to</strong>gether.He had <strong>an</strong> unc<strong>an</strong>ny ability <strong>to</strong> capture a puppeteer’spersonality in a puppet. The immortal Kermit the Frog,for example, was written by Jerry, but personified JimHenson. Asked if Jerry had a favorite Muppet, Sus<strong>an</strong> firstdemurred, saying “No, he didn’t. That wouldn’t be fair <strong>to</strong>the others,” but then admitted that Jerry loved writing theSwedish Chef’s gibberish.Jerry had a simple but dem<strong>an</strong>ding program forartistic success. Learn your Craft. Spend m<strong>an</strong>y lonelyhours practicing <strong>an</strong>d polishing – for puppeteers, this isspent in front of a mirror. Then, crucially: Be in the rightplace at the right time.32


The Muppet Show (Jerry was the Head Writer) airedfrom 1976 <strong>to</strong> 1981. During Pol<strong>an</strong>d’s Solidarity movement,no demonstrations were scheduled when TMS was on.Everyone was home watching it. In response, the Muppetswore beautiful puppet-sized Solidarnosí but<strong>to</strong>ns – undertheir clothes, of course, so as not <strong>to</strong> offend PolishAuthority.The television series Fraggle Rock probably gave Jerrythe most pride. Airing in 1983, it was the first Americ<strong>an</strong>television <strong>to</strong> broadcast in the Soviet Union. Some people,including the edi<strong>to</strong>r of this magazine, consider Fraggle oneof the best television shows of all time. Seen in 80 countries<strong>an</strong>d produced in 13 l<strong>an</strong>guages, Fraggle certainly madea difference <strong>to</strong> the children of the world. Fraggle earnedpraise from the DAR “for nurturing the souls of Americ<strong>an</strong>children” <strong>an</strong>d from <strong>an</strong>archists, who appreciated the thirtyminuteworkweek.Jerry loved the art of collaboration, working withperformers as well as writers. K<strong>are</strong>n Prell, who was RedFraggle, the enthusiastic, ever-bouncingFraggle with the pom-pom hair,came up for a script conference on“Playing Till It Hurts,” <strong>an</strong>d insisted,despite the show’s theme—pain isnot good—that Red would “playthrough”—<strong>an</strong>d the script got better.Henson insisted that the writer<strong>always</strong> be present during taping orfilming, because, with puppets, onenever knows when something maynot be possible, <strong>an</strong>d a rewrite calledfor. Often, for inspiration as well aslaughs, Sus<strong>an</strong> <strong>an</strong>d Jerry would go <strong>to</strong>the puppetry shop <strong>to</strong> see what was upwith the new characters <strong>an</strong>d mouthpieces.Puppets, of course, c<strong>an</strong>not dowhat most ac<strong>to</strong>rs c<strong>an</strong>. “It’s easier for apuppet <strong>to</strong> grow a new head th<strong>an</strong> <strong>an</strong>swer the phone,” Jerryremarked.When members of the comp<strong>an</strong>y tell s<strong>to</strong>ries, thephrase “laughed until we cried” is often spoken. Sus<strong>an</strong>remembers the first project begun in Caspar in 1987 butsadly never finished: "In<strong>to</strong> the Teeth of the Demons ofDeath," also <strong>to</strong> be known as "The Cheapest Muppet MovieEver Made." It started out on location in Bali but sincedirec<strong>to</strong>r Gonzo the Great spent the whole budget on titles,it ended up being filmed on the same S<strong>an</strong>ta Rosa streetcorner with cheesy sets <strong>to</strong> indicate different locations.When there wasn’t enough left <strong>to</strong> pay Miss Piggy, a cardboardcut-out of the porcine prima donna was usedinstead. Pl<strong>an</strong>ning the movie in Jerry’s aerie above C<strong>an</strong>tusCove in Caspar, Henson, Sus<strong>an</strong> <strong>an</strong>d Jerry “laughed untilwe cried.”Other classics were born in Caspar, including TheMuppet Christmas Carol. Jerry wrote a letter <strong>to</strong> a f<strong>an</strong> in1992, "I'm writing this on the final day of principal pho<strong>to</strong>graphyof The Muppet Christmas Carol. It may be quitedifferent from what you <strong>are</strong> expecting, however. M<strong>an</strong>ypeople assume that we're doing a parody of the s<strong>to</strong>ry, butin fact, we <strong>are</strong> treating the Scrooge s<strong>to</strong>ry with considerabledignity. It is not a tale one w<strong>an</strong>ts <strong>to</strong> belittle. In fact it's oneof the great s<strong>to</strong>ries in the English l<strong>an</strong>guage. We have tried<strong>to</strong> tell the Scrooge s<strong>to</strong>ry honestly, while surrounding itwith a lot of goofy Muppet stuff. Scrooge's bookkeepers<strong>are</strong> all rats, for inst<strong>an</strong>ce. Fozzie plays the Fezziwig characterwho, of course, becomesFozziwig. Gonzo claims <strong>to</strong> beCharles Dickens <strong>an</strong>d narrates thes<strong>to</strong>ry, with the help of his buddyRizzo Rat..."Jerry never s<strong>to</strong>pped working,<strong>an</strong>d was starting <strong>an</strong> au<strong>to</strong>biographicalglimpse in<strong>to</strong> a Muppet-centered lifewhen he died of c<strong>an</strong>cer in September2005. “I spent 37 years writing forthe Henson Comp<strong>an</strong>y, <strong>an</strong>d now I'mtrying <strong>to</strong> write again, trying <strong>to</strong> find <strong>an</strong>ew voice, <strong>an</strong>d this is very challenging,”he <strong>to</strong>ld me in February of thatyear. The Fraggles (<strong>an</strong>d, of course)the Muppets continue timelessly <strong>to</strong>delight. Is there a truer test of art?33


@@@@@@Jewelry <strong>Artists</strong>Chris & Sh<strong>an</strong>i Christensonshow fine Celtic <strong>an</strong>d natureinspired jewelry <strong>an</strong>d specializein Cus<strong>to</strong>m Celtic Wedding ringsCorner of Main <strong>an</strong>dKasten Streets (upstairs)Mendocino • 707-937-1223www.celticcreations.comOCEANFRONT INN& COTTAGESJust steps <strong>to</strong> the beach <strong>an</strong>da stroll <strong>to</strong> fine restaur<strong>an</strong>ts, galleries<strong>an</strong>d the Mendocino Art Center.oce<strong>an</strong> views • decks • fireplacesAn ench<strong>an</strong>ting refuge forrest <strong>an</strong>d renewal...On Main Street at EvergreenMendocino Village800 780-7905 • 707 937-5150www.oce<strong>an</strong>frontmagic.comwww.mendocinovacations.com707 937-5033800 262-7801❇Vacation HomeRentals❇Bed & BreakfastInns❇Visi<strong>to</strong>r Information45084 Little Lake StreetMendocino, CA 9546034


Mendocino County Restaur<strong>an</strong>t GuideMendocino County Restaur<strong>an</strong>ts –Something for every dining desireMendocino County boasts a bountiful array of uniquerestaur<strong>an</strong>ts, with memorable dining experiences, magnificentviews <strong>an</strong>d delectable delights <strong>to</strong> satisfy <strong>an</strong>y craving.Locally produced <strong>an</strong>d org<strong>an</strong>ically grown ingredients, as wellas freshly baked goods, <strong>are</strong> a hallmark of m<strong>an</strong>y restaur<strong>an</strong>tsthroughout the county. You'll find cuisine r<strong>an</strong>ging fromThai <strong>to</strong> Itali<strong>an</strong> <strong>to</strong> French <strong>to</strong> North Coast favorites, <strong>an</strong>denjoy ambience sp<strong>an</strong>ning from fine dining <strong>to</strong> cozypubs <strong>to</strong> comfortable, relaxed coffee houses. Pick one.You c<strong>an</strong>'t go wrong!Check Out These Special Restaur<strong>an</strong>tsThe Ravens’ Restaur<strong>an</strong>t:Conscious Diningby Gus T. TorreyOutside generous western windows, a kettle of ravensgyres above the trees lining Big River. “They’re digging upthe garden,” grumbles our host, but we c<strong>an</strong> tell he’s not reallycomplaining. These birds named his gourmet vegetari<strong>an</strong>restaur<strong>an</strong>t, <strong>an</strong>d a little late winter forage is not begrudged.The folks at The Ravens Restaur<strong>an</strong>t at St<strong>an</strong>ford Inn <strong>are</strong> seriousabout the serving of local, slow food. Their ambitiousmission is <strong>to</strong> demonstrate that healthy <strong>an</strong>d satisfying foodc<strong>an</strong> be produced <strong>an</strong>d cooked with a lighter <strong>to</strong>uch on ourenvironment, <strong>an</strong>d <strong>to</strong> “seduce” those who doubt that a meatlessdinner c<strong>an</strong> satisfy.Gracious table settings, accommodating service, <strong>an</strong>d apromptly served amuse bouche—bright or<strong>an</strong>ge carrot patéserved with dark, tasty flax crackers—let us know this willbe no ordinary meal. I ask about the crackers, <strong>an</strong>d our serverenthusiastically lists their ingredients <strong>an</strong>d explains thatthey <strong>are</strong> dried, not baked, whole-food style, <strong>to</strong> preservetheir goodness.We begin our meal with fu<strong>to</strong>maki rolls: daikon radish,shiitake mushrooms, carrots with green tea infused ricerolled in locally harvested nori, accomp<strong>an</strong>ied by shoyu,<strong>to</strong>asted sesame dotted wasabi, <strong>an</strong>d superb house pickledginger.The Caesar salad is inventively seasoned <strong>an</strong>d surprisingyet still easily conforms<strong>to</strong> the definition ofCaesarness. A beet saladmatches mellow PointReyes Bleu with yellow<strong>an</strong>d red beets on a bedextraordinarily rich infresh tiny lettuce leavesperfectly dressed withMeyer lemon vinaigrette.The menu is seasonalbecause so much of the produce is grown in the certifiedorg<strong>an</strong>ic gardens visible below. These colorful gardens, 21years in the making, <strong>are</strong> the mainspring of the restaur<strong>an</strong>t.It’s late April, a quiet weekday evening, but the windowtables <strong>are</strong> all filled with appreciative diners. We try a newentrée, Lemongrass curry with bok choi fresh from the garden.We note with pleasure that the ambience, service, <strong>an</strong>dpresentation <strong>are</strong> outst<strong>an</strong>ding even among local restaur<strong>an</strong>ts,formal enough <strong>to</strong> honor the fineness of the food, yetrelaxed <strong>an</strong>d homey. One of the house cats strolls alooflythrough the room. We all cle<strong>an</strong> our plates <strong>an</strong>d smile at eachother in satisfaction, replete without the heaviness thatsometimes accomp<strong>an</strong>ies meat.Our server hopes <strong>to</strong> tempt us with the all-veg<strong>an</strong> (no<strong>an</strong>imal products) desserts, <strong>an</strong>d they do sound delicious. Wepromise that next time we will order conservatively fromthe Local Specials menu (ID may be required), <strong>an</strong>d saveroom for dessert.Coast Hwy One & Comptche Ukiah Rd. 707 937-5615or 800 331-8884. Website: www.st<strong>an</strong>fordinn.com35


Fine Dining in Hopl<strong>an</strong>d – Shotgunby Pete HalstadShotgun Restaur<strong>an</strong>t is <strong>an</strong> eleg<strong>an</strong>t dining place in down<strong>to</strong>wnHopl<strong>an</strong>d, <strong>an</strong> eclectic blend of Old World, Wild West,California Mission-style <strong>an</strong>d Northern California WineCountry. It is a marvelous addition <strong>to</strong> the little <strong>to</strong>wn that hasseen such wonders as the Hopl<strong>an</strong>d Brewery, Bocce Ball atBrutacao’s, the Solar Living Center <strong>an</strong>d the famous (now,alas, defunct) gardens at Valley Oaks.Located on Highway 101 in S<strong>an</strong>el Valley at the southernentr<strong>an</strong>ce <strong>to</strong> Mendocino County, Lawson’s Station providesvisi<strong>to</strong>rs with first-class lodging, dining <strong>an</strong>d wine-tasting.Local entrepreneur Jim Lawson, whose partner in McNabRidge Winery, John Parducci, is the de<strong>an</strong> of Mendocinowine makers, sp<strong>are</strong>d no expense in creating the hotel <strong>an</strong>dart-filled restaur<strong>an</strong>t <strong>to</strong> showcase the local l<strong>an</strong>dscape, viticulture<strong>an</strong>d cuisine.Shotgun’s menu features le<strong>an</strong> <strong>an</strong>d delicious (as well ashormone <strong>an</strong>d <strong>an</strong>tibiotic-free) bison meat from Lawson’sown “J Bar S” R<strong>an</strong>ch near Potter Valley <strong>an</strong>d highlights localMendocino County wines, such as Monte Volpe, Fife, Jeriko<strong>an</strong>d, of course, McNab Ridge.Restaur<strong>an</strong>t M<strong>an</strong>ager Timothy Lindsey points withpride <strong>to</strong> a feature of the Shotgun menu, its emphasis on“h<strong>an</strong>dmade” food. Executive Chef Taj McMinn (a localproduct who grew up in Redwood Valley) presides over“made-from-scratch” delicacies like various fettuccine, linguine<strong>an</strong>d ravioli dishes,bison salami <strong>an</strong>d pastrami,prosciut<strong>to</strong>, duck patés, confits<strong>an</strong>d terrines <strong>an</strong>d aiolisauces. Even the “<strong>to</strong>o-good<strong>to</strong>-be-true”desserts of icecream, sorbets, gela<strong>to</strong>s,cookies, brownies <strong>an</strong>dcakes, <strong>are</strong> h<strong>an</strong>dmade by Taj<strong>an</strong>d his skilled staff.Tim recommends the unique Bison Filet Mignon,served au poirve with br<strong>an</strong>dy peppercorn cream sauce,mashed pota<strong>to</strong>es <strong>an</strong>d a vegetable dish. The lunch menushowcases pasta dishes (try the h<strong>an</strong>dmade linguine withchicken breast, <strong>an</strong>douille sausage, <strong>an</strong>d chipotle sauce).Shotgun Restaur<strong>an</strong>t is open for lunch from 11:00 a.m.<strong>to</strong> 3:00 p.m. <strong>an</strong>d dinner from 5:00 <strong>to</strong> 9:00 p.m., Wednesdaythrough Saturday. Sundays dinners <strong>are</strong> served from 4:30 <strong>to</strong>9:00 p.m. The menu is seasonal, with nightly specials. Therestaur<strong>an</strong>t also hosts periodic “Winemaker Dinners,” fivecoursewine <strong>an</strong>d cuisine pairings featuring presentations bylocal winemakers.Guests at Lawson Station may arr<strong>an</strong>ge for wine <strong>to</strong>urs,which include a beautifully appointed hotel suite <strong>an</strong>d achauffer-driven <strong>to</strong>ur of selected local wineries.13441 South Highway 101, Hopl<strong>an</strong>d—707 744-1988 or744-1977. Website: www.lawsonsstation.comSpecializing in GreatBreakfast Burri<strong>to</strong>s • Org<strong>an</strong>ic SaladsMexic<strong>an</strong> & Grill SpecialtiesConvenient ShoppingBeer • Wine • Liquor • GasAlways With A View7746 N. Highway 1707 937-5133Open 7 days36

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