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Expert Opinion - Nazi Looted Art

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32<br />

Interim summary of 1937 findings: Carl Hagemann, the Frankfurt art collector, used<br />

the opportunity to acquire the “Berlin Street Scene” painting by Kirchner at the KKV.<br />

The price is not known to date, nor is it known what happened to the funds used to<br />

purchase the painting.<br />

Thekla Hess had decided to have most of the collection in Switzerland sent back to<br />

Germany. By having the free passes voided, she wanted to erase all traces of the<br />

pictures left behind in Zurich. By doing so she evaded the accusation of having<br />

violated German foreign exchange laws.<br />

VI.<br />

Situation in 1938 and Thereafter.<br />

Thekla Hess spent the first half of 1938 in Germany and abroad. Her life and that of<br />

her son was extremely tenuous. There is evidence that at least one watercolor by<br />

Kokoschka was sold in Switzerland to Fritz Nathan, an art dealer who had emigrated<br />

from Germany to St. Gallen, Switzerland.<br />

Evidence: Correspondence Thekla Hess – Kunsthaus Zurich dated August 24,<br />

26 and 31, 1938<br />

When on November 10/11, 1938 the so-called "Reichskristallnacht" (night of the<br />

broken glass) elevated the persecution of Jews to a new level and endangered their<br />

lives, and after Thekla's brother Stefan Pauson was incarcerated in the Dachau<br />

concentration camp, Thekla Hess prepared her emigration to her son in London. She<br />

succeeded in early April 1939, taking a few pieces of art with her into exile.<br />

On April 4, 1939, Thekla Hess, from the safety she found in exile outside Germany,<br />

informed Director Wartmann in Zurich about her emigration. She thanked him for the<br />

“friendliness that you have accorded me during the difficult times that weighed so<br />

heavily on me. It is very comforting for me to have these beautiful things outside [of<br />

Germany] because I was not able to rescue anything out of Germany – it is all I own<br />

and I have to live from it.” Thekla asked Wartmann if he knew someone “who would<br />

be interested in one or the other watercolor in order to realize at least a few Swiss<br />

Francs.”<br />

Evidence: Letter from Thekla Hess dated April 4, 1939 to Director Wartmann of<br />

the Kunsthaus Zurich.<br />

As she had written in 1939, Thekla Hess was not able to rescue anything from<br />

Germany – neither the artworks left in Lichtenfels nor those deposited with the art<br />

dealer Thannhauser or the KKV.<br />

In the meantime the “Cologne list” of pictures from the Hess collection made the<br />

rounds among German collectors of modern art. Budczies looked at it “with interest”.<br />

Gosebruch, also looked at it and wrote to Hagemann: “I thought immediately of the<br />

Hess collection in Erfurt where your wonderful Street Scene by Kirchner came from. I<br />

called Heckel since a number of his paintings and watercolors are on the list. He<br />

indicated immediately that they had to be the remains of the Hess collection.<br />

Recently I learned from Schmitt-Rottluff that Mrs. Hess was intent on emigrating.”

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