Expert Opinion - Nazi Looted Art
Expert Opinion - Nazi Looted Art
Expert Opinion - Nazi Looted Art
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Chapter 4<br />
36<br />
Safekeeping of the Hess Collection<br />
in Switzerland for a Limited Time Period.<br />
I.<br />
Preliminary Remarks.<br />
Various articles on the Kirchner/Hess collection are unanimous in the assumption<br />
that: ”Thekla Hess was able to rescue the collection by sending it to Switzerland in<br />
1933.” Not clarified and still unexplained is why sending the collection to Switzerland<br />
was only possible for a limited time and why it was necessary to return it to the<br />
German Reich during the <strong>Nazi</strong> era. The following legal explanations, based on an<br />
actual parallel case involving the Kunsthaus Zurich from 1936 to 1938, documents<br />
the actual and legal treatment of foreign art collections in Switzerland.<br />
II.<br />
Summary of Highlights<br />
of the Following Determination of Facts<br />
- Based on the intensified regulations in the Foreign Exchange Act an export<br />
declaration had to be prepared for exporting works of art. According to the<br />
regulations on the flight of capital in the Foreign Exchange Act such works<br />
became subject to export tax.<br />
- The export prohibition/export tax regulations of the Foreign Exchange Act<br />
and the so-called Reich escape tax could only be circumvented temporarily<br />
through the shipment of artworks as loans for exhibition purposes.<br />
- The final importation of an art collection into Switzerland would have required<br />
Thekla Hess to pay import duty in Swiss francs, thus foreign exchange.<br />
- The transfer of the art collection could be free of levies and taxes provided it<br />
was only sent for a limited time period for exhibition purposes.<br />
- According to Swiss law, the storage of imported works of art was exempted<br />
from customs duties and other levies by a free pass limited however only to<br />
the exhibition period. The sponsors of the exhibition, in this case the<br />
Kunstverein in Basel and the Kunsthaus Zurich, were liable for adhering to<br />
the regulations.<br />
- Only as an exception was it possible to get from Swiss authorities an<br />
extension of the free pass for a limited storage period following the<br />
exhibition.<br />
- If artworks were sold in Switzerland, the payment of customs duty, initially<br />
deferred, became due and payable in Swiss francs.