Schedule of Events - California State University, Los Angeles
Schedule of Events - California State University, Los Angeles
Schedule of Events - California State University, Los Angeles
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Session One: 9:00 -10:30<br />
Canons and Communities: American Ethnic and Diasporic<br />
Literatures<br />
Moderator: Harry Conley Music 109<br />
� Angeleno Haitians: Staying Connected to a Culture<br />
Monica Baltazar (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� The Illogic <strong>of</strong> the American Canon that Segregates Ethnic<br />
Literature<br />
Jessie Chen (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Charlie Chan, Hero Detective: A Rebuttal to the Assertion the<br />
Fictional Character is a Negative Image to the Asian Male<br />
Community Within Popular Culture During the 20 th Century<br />
Richard-Edward de Vere (<strong>California</strong> <strong>State</strong> <strong>University</strong>,<br />
Northridge)<br />
� Hector Tobar’s Diasporic Illustration <strong>of</strong> Central Americans<br />
Jessica Cristo (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
Anxious Relations: Mothers and Children<br />
Moderator: Andrew Montana Music 110<br />
� Impertinent Miracles: The Occult Mother and E. Nesbit’s<br />
Reclamation <strong>of</strong> “She-Who-Must-Be-Obeyed”<br />
Elizabeth Lowry (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� The Loud Silence <strong>of</strong> Girls in American Girl<br />
Kate Rowe (<strong>California</strong> <strong>State</strong> <strong>University</strong>, Northridge)<br />
� Eternizing the Child: Peter and Wendy and Anxiety Over<br />
Endings<br />
Leilani Serafin (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
Innovations in Composition Pedagogy<br />
Moderator: Jenny Hicks Music 113<br />
� Building Bridges in the Honors/AP Achievement Gap: Theory,<br />
Research, and Policy<br />
Debra Chan (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Writing Center Practice: Composition, Pedagogy, and<br />
Qualitative Assessment<br />
Jessica Magallanes (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� A-Journaling We Go: A Quick Review <strong>of</strong> the Use <strong>of</strong> Journals in<br />
the Classroom<br />
Lynne Osborne (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
Imagination, Language, and Power: Ways <strong>of</strong> Reading / Ways <strong>of</strong><br />
Knowing<br />
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Session Two: 1:00 – 2:30<br />
Secularisms and Fundamentalisms<br />
Moderator: Ximena Hernandez Music 109<br />
� Immigration and Violence in the Modern City<br />
Iris Aceves (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� A Fundamental Fragmentation: The Hybridity <strong>of</strong> Fundamentalism(s)<br />
in Hanif Kureishi’s The Black Album<br />
Matt Khitikian (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Through the Past Darkly: Reading Satanic Verses after 9/11<br />
Andrew Montana (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
(Dis)Embodiments: Race, Nation, Law<br />
Moderator: Leilani Serafin Music 110<br />
� Frederick Douglass’s Heroic Vision <strong>of</strong> Higher Law<br />
Rosemarie Banich (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� The Power <strong>of</strong> Rhetoric in Charles Brockden Brown’s Wieland<br />
Mark Morris (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Paul Laurence Dunbar and the Guise <strong>of</strong> Sentimentality<br />
Julie Meloni (<strong>California</strong> <strong>State</strong> <strong>University</strong>, San Jose)<br />
The Muse: Creative Writing Panel<br />
Moderator: Jasper Cross Music 113<br />
� Contrition<br />
Harry Conley (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Smile: How I Learned to Avoid the Bougainvillea Blues<br />
Dublin Galyean (<strong>California</strong> Poly <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Walking<br />
Jenny Hicks (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� and Then, She Spoke<br />
Lisa Nava (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Rolling Down the Road<br />
Kerry West (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
In Search <strong>of</strong> Marginality: American Writers in the Twentieth Century<br />
Moderator: Thorin Alexander Music 114<br />
� The Garden: Where Past, Present and Future Meet in the Plays <strong>of</strong><br />
August Wilson<br />
Carrie Arcos (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Revolution and Reconciliation in August Wilson’s Jitney<br />
Jade Ellis (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Language as the Vehicle <strong>of</strong> Transition in Boyle’s Process<br />
Kevin McCabe (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
Session Three: 2:40– 4:10<br />
Feminisms and the Female Body<br />
Moderator: Kerry West Music 109<br />
� Feminism, Fetish, and Fashion<br />
Alexandra Dimakos (<strong>California</strong> <strong>State</strong> <strong>University</strong>, Northridge)<br />
� Transnational Brides and the Commodification <strong>of</strong> “Ideal<br />
Womanhood”: Gender, Nationalism, and the Politics <strong>of</strong><br />
Bollywood Cinema in the 90’s<br />
Saira Paulouse (<strong>California</strong> <strong>State</strong> <strong>University</strong>, San Francisco)<br />
� Living Happily Ever After, or the Image <strong>of</strong> the Princess in<br />
American Society<br />
Teresa Weseloh (<strong>California</strong> <strong>State</strong> <strong>University</strong>, San Marcos)<br />
� The Womanhood <strong>of</strong> Dame Julian: Creating Devotional and<br />
Theological Meaning Through the Feminine<br />
Katy Wright (<strong>California</strong> Poly <strong>State</strong> <strong>University</strong>, San Luis Obispo)<br />
Imperialist Imperatives: Colonialism and Essentialism<br />
Moderator: Iris Aceves Music 110<br />
� Colonizing Caliban<br />
Thorin Alexander (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Darkness and Light, Illusion and Reality, in Joseph Conrad’s<br />
Heart <strong>of</strong> Darkness<br />
Jennifer Avila (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� A Curtain O’er the World: Geological Satire in “Caliban Upon<br />
Setebos”<br />
Thomas Pinkel (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
Reading Twentieth-Century American Writers<br />
Moderator: Mark Morris Music 113<br />
� Hemingway’s Bull: The Allegorical Representation <strong>of</strong><br />
Bullfighting in The Sun Also Rises<br />
Claudine Aguilar (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� Fitzgerald, Tender Is the Night, and Raising the Bar <strong>of</strong> Success<br />
to Ensure Failure<br />
Jim Coleman (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� The Fact About Memoir is Fiction: Hemingway’s Construction<br />
<strong>of</strong> the “Truest Sentence” in A Moveable Feast<br />
Jessica Correll (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
Moderator: Hasmik Barsamian Music 114<br />
� “At the Violet Hour”: The Applicability <strong>of</strong> Northrop Frye’s<br />
Theories to an Analysis <strong>of</strong> T.S. Eliot’s The Waste Land<br />
Larrah Feliciano (<strong>California</strong> Poly <strong>State</strong> <strong>University</strong>, San Luis<br />
Obispo)<br />
� The Text: A Metacognitive Approach to Authorship and<br />
Authority<br />
Amber Norwood (<strong>California</strong> <strong>State</strong> <strong>University</strong>, Northridge)<br />
� Naming: The Language <strong>of</strong> Power in Jane Austen’s<br />
Northanger Abbey<br />
Isabela Tobias (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />
� The Value <strong>of</strong> the Creative Free Play <strong>of</strong> the Imagination in<br />
Jane Austen’s Northanger Abbey and William Wordsworth’s<br />
“Ode: Intimations <strong>of</strong> Immortality”<br />
Reena Trivedi (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)