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Schedule of Events - California State University, Los Angeles

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<strong>Schedule</strong> <strong>of</strong> <strong>Events</strong><br />

8:00 – 8:45 Registration and Breakfast<br />

Golden Eagle Ballroom<br />

8:45 – 9:00 Welcome Address<br />

Dr. Hema Chari, Graduate Student<br />

Association Advisor<br />

9:00 – 10:30 Session One Music Building<br />

� Canons and Communities: American Ethnic and<br />

Diasporic Literatures<br />

� Anxious Relations: Mothers and Children<br />

� Innovations in Composition Pedagogy<br />

� Imagination, Language, and Power: Ways <strong>of</strong> Reading<br />

/ Ways <strong>of</strong> Knowing<br />

10:30-10:40 Break<br />

10:40-11:45 Dr. John Sutherland - Keynote Address<br />

Golden Eagle Ballroom<br />

11:45 – 12:50 Lunch<br />

Golden Eagle Ballroom<br />

1:00 – 2:30 Session Two Music Building<br />

� Secularisms and Fundamentalisms<br />

� (Dis)Embodiments: Race, Nation, Law<br />

� The Muse: Creative Writing Panel<br />

� In Search <strong>of</strong> Marginality: American Writers in the<br />

Twentieth Century<br />

2:30 – 2:40 Break<br />

2:45 – 4:15 Session Three Music Building<br />

� Feminisms and the Female Body<br />

� Imperialist Imperatives: Colonialism and Essentialism<br />

� Hemingway and Fitzgerald: Reading Twentieth-<br />

Century American Writers<br />

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Welcome student participants, faculty, and guests to<br />

Significations: The 12 th Annual CSU Graduate Student<br />

Conference. The conference continues to be a success due to<br />

the generous and spirited intellectual exchange, good will, and<br />

enthusiasm <strong>of</strong> the participants. With participants from campuses<br />

across <strong>California</strong>, the Conference Committee also hopes to<br />

encourage ongoing peer collaboration and broader research<br />

possibilities. Your participation and commitment are very much<br />

appreciated and vital to continuing this worthwhile CSU tradition.<br />

Special Thanks<br />

Dr. John Sutherland, Keynote Speaker<br />

Dr. Hema Chari, Faculty Advisor<br />

Dr. John Cleman, English Department Chair<br />

Dr. James M. Rosser, President <strong>of</strong> the <strong>University</strong><br />

Dr. Herman D. Lujan, Provost <strong>of</strong> the <strong>University</strong><br />

Dr. Terry L. Allison, Dean, College <strong>of</strong> Arts & Letters<br />

Dr. Jose Galvan, Dean, Graduate Studies & Research<br />

Dr. Alan Muchlinski, Associate Dean, Graduate Studies & Research<br />

Terry Flores, Yolanda Galvan, Jeanne Gee, and Johnny Trieu,<br />

Our Incredibly Wonderful Staff<br />

All English Department Faculty, Students, and Staff<br />

The Submission Review Committee<br />

Faculty:<br />

Dr. Betty Bamberg, Dr. Mary Bush, Dr. Michael Calabrese, Dr. Hema<br />

Chari, Dr. Mel Donalson, Dr. Marilyn Elkins, Dr. Jim Garrett, Dr. Maria<br />

Karafilis, Dr. Jun Liu, Dr. Caroline McManus, Dr. Ruben Quintero<br />

Graduate Students:<br />

Claudine Aguilar, Thorin Alexander, Monica Baltazar, Jim Coleman,<br />

Harry Conley, Jenny Hicks, Matt Khitikian, Jessica Magallanes, Andrew<br />

Montana, Mark Morris, Lisa Nava, Tom Pinkel, Leilani Serafin<br />

Our Sponsors<br />

The English Department, The College <strong>of</strong> Arts and Letters,<br />

Golden Eagle Hospitality, Associated Students Incorporated,<br />

Campus Reprographics, <strong>University</strong> Writing Center,<br />

CSULA Instructionally Related Activities Grant<br />

Graduate Student Association<br />

Monica Baltazar, Jim Coleman, Harry Conley, Jenny Hicks, Matt<br />

Khitikian, Jessica Magallanes, Andrew Montana, Mark Morris, Lisa<br />

Nava, Tom Pinkel, Leilani Serafin


Session One: 9:00 -10:30<br />

Canons and Communities: American Ethnic and Diasporic<br />

Literatures<br />

Moderator: Harry Conley Music 109<br />

� Angeleno Haitians: Staying Connected to a Culture<br />

Monica Baltazar (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� The Illogic <strong>of</strong> the American Canon that Segregates Ethnic<br />

Literature<br />

Jessie Chen (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Charlie Chan, Hero Detective: A Rebuttal to the Assertion the<br />

Fictional Character is a Negative Image to the Asian Male<br />

Community Within Popular Culture During the 20 th Century<br />

Richard-Edward de Vere (<strong>California</strong> <strong>State</strong> <strong>University</strong>,<br />

Northridge)<br />

� Hector Tobar’s Diasporic Illustration <strong>of</strong> Central Americans<br />

Jessica Cristo (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

Anxious Relations: Mothers and Children<br />

Moderator: Andrew Montana Music 110<br />

� Impertinent Miracles: The Occult Mother and E. Nesbit’s<br />

Reclamation <strong>of</strong> “She-Who-Must-Be-Obeyed”<br />

Elizabeth Lowry (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� The Loud Silence <strong>of</strong> Girls in American Girl<br />

Kate Rowe (<strong>California</strong> <strong>State</strong> <strong>University</strong>, Northridge)<br />

� Eternizing the Child: Peter and Wendy and Anxiety Over<br />

Endings<br />

Leilani Serafin (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

Innovations in Composition Pedagogy<br />

Moderator: Jenny Hicks Music 113<br />

� Building Bridges in the Honors/AP Achievement Gap: Theory,<br />

Research, and Policy<br />

Debra Chan (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Writing Center Practice: Composition, Pedagogy, and<br />

Qualitative Assessment<br />

Jessica Magallanes (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� A-Journaling We Go: A Quick Review <strong>of</strong> the Use <strong>of</strong> Journals in<br />

the Classroom<br />

Lynne Osborne (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

Imagination, Language, and Power: Ways <strong>of</strong> Reading / Ways <strong>of</strong><br />

Knowing<br />

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Session Two: 1:00 – 2:30<br />

Secularisms and Fundamentalisms<br />

Moderator: Ximena Hernandez Music 109<br />

� Immigration and Violence in the Modern City<br />

Iris Aceves (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� A Fundamental Fragmentation: The Hybridity <strong>of</strong> Fundamentalism(s)<br />

in Hanif Kureishi’s The Black Album<br />

Matt Khitikian (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Through the Past Darkly: Reading Satanic Verses after 9/11<br />

Andrew Montana (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

(Dis)Embodiments: Race, Nation, Law<br />

Moderator: Leilani Serafin Music 110<br />

� Frederick Douglass’s Heroic Vision <strong>of</strong> Higher Law<br />

Rosemarie Banich (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� The Power <strong>of</strong> Rhetoric in Charles Brockden Brown’s Wieland<br />

Mark Morris (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Paul Laurence Dunbar and the Guise <strong>of</strong> Sentimentality<br />

Julie Meloni (<strong>California</strong> <strong>State</strong> <strong>University</strong>, San Jose)<br />

The Muse: Creative Writing Panel<br />

Moderator: Jasper Cross Music 113<br />

� Contrition<br />

Harry Conley (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Smile: How I Learned to Avoid the Bougainvillea Blues<br />

Dublin Galyean (<strong>California</strong> Poly <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Walking<br />

Jenny Hicks (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� and Then, She Spoke<br />

Lisa Nava (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Rolling Down the Road<br />

Kerry West (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

In Search <strong>of</strong> Marginality: American Writers in the Twentieth Century<br />

Moderator: Thorin Alexander Music 114<br />

� The Garden: Where Past, Present and Future Meet in the Plays <strong>of</strong><br />

August Wilson<br />

Carrie Arcos (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Revolution and Reconciliation in August Wilson’s Jitney<br />

Jade Ellis (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Language as the Vehicle <strong>of</strong> Transition in Boyle’s Process<br />

Kevin McCabe (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

Session Three: 2:40– 4:10<br />

Feminisms and the Female Body<br />

Moderator: Kerry West Music 109<br />

� Feminism, Fetish, and Fashion<br />

Alexandra Dimakos (<strong>California</strong> <strong>State</strong> <strong>University</strong>, Northridge)<br />

� Transnational Brides and the Commodification <strong>of</strong> “Ideal<br />

Womanhood”: Gender, Nationalism, and the Politics <strong>of</strong><br />

Bollywood Cinema in the 90’s<br />

Saira Paulouse (<strong>California</strong> <strong>State</strong> <strong>University</strong>, San Francisco)<br />

� Living Happily Ever After, or the Image <strong>of</strong> the Princess in<br />

American Society<br />

Teresa Weseloh (<strong>California</strong> <strong>State</strong> <strong>University</strong>, San Marcos)<br />

� The Womanhood <strong>of</strong> Dame Julian: Creating Devotional and<br />

Theological Meaning Through the Feminine<br />

Katy Wright (<strong>California</strong> Poly <strong>State</strong> <strong>University</strong>, San Luis Obispo)<br />

Imperialist Imperatives: Colonialism and Essentialism<br />

Moderator: Iris Aceves Music 110<br />

� Colonizing Caliban<br />

Thorin Alexander (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Darkness and Light, Illusion and Reality, in Joseph Conrad’s<br />

Heart <strong>of</strong> Darkness<br />

Jennifer Avila (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� A Curtain O’er the World: Geological Satire in “Caliban Upon<br />

Setebos”<br />

Thomas Pinkel (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

Reading Twentieth-Century American Writers<br />

Moderator: Mark Morris Music 113<br />

� Hemingway’s Bull: The Allegorical Representation <strong>of</strong><br />

Bullfighting in The Sun Also Rises<br />

Claudine Aguilar (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� Fitzgerald, Tender Is the Night, and Raising the Bar <strong>of</strong> Success<br />

to Ensure Failure<br />

Jim Coleman (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� The Fact About Memoir is Fiction: Hemingway’s Construction<br />

<strong>of</strong> the “Truest Sentence” in A Moveable Feast<br />

Jessica Correll (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

Moderator: Hasmik Barsamian Music 114<br />

� “At the Violet Hour”: The Applicability <strong>of</strong> Northrop Frye’s<br />

Theories to an Analysis <strong>of</strong> T.S. Eliot’s The Waste Land<br />

Larrah Feliciano (<strong>California</strong> Poly <strong>State</strong> <strong>University</strong>, San Luis<br />

Obispo)<br />

� The Text: A Metacognitive Approach to Authorship and<br />

Authority<br />

Amber Norwood (<strong>California</strong> <strong>State</strong> <strong>University</strong>, Northridge)<br />

� Naming: The Language <strong>of</strong> Power in Jane Austen’s<br />

Northanger Abbey<br />

Isabela Tobias (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)<br />

� The Value <strong>of</strong> the Creative Free Play <strong>of</strong> the Imagination in<br />

Jane Austen’s Northanger Abbey and William Wordsworth’s<br />

“Ode: Intimations <strong>of</strong> Immortality”<br />

Reena Trivedi (<strong>California</strong> <strong>State</strong> <strong>University</strong>, <strong>Los</strong> <strong>Angeles</strong>)

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