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he Book of European Short Pitch. - Nisi Masa

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ENI BRANDNER AUSTRIA<br />

ERSATz<br />

Tel: +43 699 1151 6696<br />

E-mail: eni@c<strong>he</strong>llo.at<br />

Intention<br />

In my story I want to show a man, who easily ‘buys’<br />

things, without looking behind t<strong>he</strong>ir surface. By conforming<br />

to uniformity <strong>of</strong> mass production instead <strong>of</strong><br />

using his skills to improvise and find new solutions -<br />

anything is marketable with t<strong>he</strong> right target audience,<br />

no matter how useful it is. I want to play with t<strong>he</strong> aest<strong>he</strong>tic<br />

<strong>of</strong> a constantly monitored world and t<strong>he</strong> voyeurism<br />

it causes - surveillance and monitoring, also in t<strong>he</strong><br />

sense <strong>of</strong> behavior that is instilled through propaganda<br />

or advertisement.<br />

Ersatz will have an approximate duration <strong>of</strong> 5-7 minutes<br />

and will be made with stop motion and pixilation<br />

10<br />

technique, shot partly in a real environment, partly on<br />

green screen - which will be made to look like a realistic<br />

environment through 3D compositing. T<strong>he</strong> protagonist<br />

as well as t<strong>he</strong> objects, will be recorded and animated<br />

in t<strong>he</strong> real environment and on green screen.<br />

T<strong>he</strong> aest<strong>he</strong>tic is realistic, we can’t see it is a digitally<br />

created environment, until t<strong>he</strong> surreal elements appear,<br />

w<strong>he</strong>n t<strong>he</strong> layers start to shift and twist out <strong>of</strong> perspective<br />

- a visualization <strong>of</strong> how easily pictures can be<br />

manipulated and we need to look behind t<strong>he</strong>ir surface,<br />

before we believe in t<strong>he</strong>m.<br />

Synopsis<br />

Ersatz looks at t<strong>he</strong> daily life <strong>of</strong> a human, that is increasingly<br />

influenced by t<strong>he</strong> effects <strong>of</strong> trying to consume<br />

t<strong>he</strong> instant happiness promised to him by convenience<br />

products.<br />

T<strong>he</strong> more simple <strong>he</strong> tries to make his existence, t<strong>he</strong><br />

more <strong>he</strong> suffers from some adverse effects: t<strong>he</strong> objects<br />

surrounding him begin to come to life instead <strong>of</strong><br />

him and, bit by bit, t<strong>he</strong> human turns into a perfect but<br />

hollow s<strong>he</strong>ll <strong>of</strong> his original self. Items and gadgets start<br />

to appear out <strong>of</strong> now<strong>he</strong>re on t<strong>he</strong>ir own, growing and<br />

changing into different versions <strong>of</strong> t<strong>he</strong>mselves, filling<br />

t<strong>he</strong> space up to its last corner, constantly moving and<br />

transforming. Everything gets full <strong>of</strong> activity ...except<br />

t<strong>he</strong> human.<br />

Will <strong>he</strong> be a victim <strong>of</strong> his own consumption? Or can <strong>he</strong><br />

break free amidst all <strong>of</strong> t<strong>he</strong> commotion that is going on<br />

around him?<br />

PRODUCTION FACTS<br />

Estimated Budget: 45.000 €<br />

Amour Fou Filmproduktion<br />

Looking for co-producer(s) in Animation,<br />

Digital Compositing, Location/Studio<br />

“A life taken over<br />

by objects and<br />

gadgets.”<br />

Director Biography<br />

Eni is a <strong>European</strong> filmmaker, animator and<br />

visual artist. In <strong>he</strong>r work s<strong>he</strong> is interested<br />

to reflect on and around social-critical t<strong>he</strong>matics<br />

and experiment with creating narratives<br />

from fragmented visual elements.<br />

After studying Multimedia Art (Salzburg/<br />

Austria, 1999-2003) and Animation &<br />

New Media (Zagreb/Croatia, 2003-2005),<br />

s<strong>he</strong> collaborated with directors and artists<br />

from different disciplines as animator<br />

and digital artist. After showing <strong>he</strong>r first<br />

film Granica successfully at more than<br />

30 international Festivals receiving four<br />

awards, s<strong>he</strong> is currently based in Vienna,<br />

working on <strong>he</strong>r second animated experimental<br />

short film Exhaustibility, which will<br />

be finis<strong>he</strong>d in 2012.

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