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he Book of European Short Pitch. - Nisi Masa

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LUCIO BESANA ITALy<br />

MIDNIGHT NEwS<br />

Tel: +39 039 695 7204<br />

E-mail: luciobesana@gmail.com<br />

Intention<br />

By depicting Max and Laura’s emotional dilemmas, I<br />

want to talk about t<strong>he</strong> extreme difficulty in dealing with<br />

your pain and losses in a society without boundaries<br />

for communication and information-sharing.<br />

T<strong>he</strong> Midnight News affects Max and Laura by destroying<br />

t<strong>he</strong>ir certainties about death, making t<strong>he</strong>m all t<strong>he</strong><br />

more dazed and confused. No answer will be given<br />

at t<strong>he</strong> end <strong>of</strong> t<strong>he</strong> short, w<strong>he</strong>t<strong>he</strong>r t<strong>he</strong> voices are true or<br />

false, or what is right or wrong to do. I want t<strong>he</strong> audience’s<br />

response to be emotional.<br />

I’ll direct Midnight News as a psychological drama. I’ll<br />

6<br />

stay close to t<strong>he</strong> characters and focus on t<strong>he</strong>ir feelings.<br />

In t<strong>he</strong> visuals, t<strong>he</strong> outside will mirror t<strong>he</strong> inside:<br />

I will depict an abstract, existential city, more a place<br />

<strong>of</strong> t<strong>he</strong> soul, shot entirely at night, a barren landscape<br />

<strong>of</strong> deserted streets and eerie halos <strong>of</strong> electric lights.<br />

Even t<strong>he</strong> scene in Max and Laura’s apartment is set<br />

at night time, lit by lamps, bubbles <strong>of</strong> light in t<strong>he</strong> darkness.<br />

On t<strong>he</strong> ot<strong>he</strong>r hand, hand<strong>he</strong>ld cameras will stay close<br />

to t<strong>he</strong> characters, snatching t<strong>he</strong>ir feelings and insisting<br />

on details revealing t<strong>he</strong>ir emotions and t<strong>he</strong>ir physical<br />

reactions to pain.<br />

Synopsis<br />

A big city, present day. Every night at midnight, a radio<br />

station broadcasts a weird talk show w<strong>he</strong>re you<br />

can listen to what are claimed to be t<strong>he</strong> voices <strong>of</strong> t<strong>he</strong><br />

dead.<br />

Max and Laura have lost t<strong>he</strong>ir five-year-old son<br />

Michael, yet t<strong>he</strong>y’ve found t<strong>he</strong> strength to carry on.<br />

Two years after t<strong>he</strong>ir loss, Laura is pregnant again.<br />

But t<strong>he</strong>ir newly found balance is put at stake w<strong>he</strong>n<br />

t<strong>he</strong>ir neighbour makes t<strong>he</strong>m listen to t<strong>he</strong> Midnight<br />

News. In one <strong>of</strong> t<strong>he</strong> voices Laura recognizes Michael,<br />

t<strong>he</strong>ir lost son.<br />

Max doesn’t want to believe and refuses to try to get in<br />

touch with his son through t<strong>he</strong> transmission, but Laura<br />

can’t just leave Michael alone. T<strong>he</strong> crisis forces t<strong>he</strong>m<br />

to cope with a sorrow now impossible to comfort.<br />

PRODUCTION FACTS<br />

Estimated Budget: 30.000 €<br />

To be shot in English.<br />

Written with Milan in mind, but can be set in<br />

many ot<strong>he</strong>r big cities (i.e. London)<br />

Self-contained, yet conceived to be a teaser for<br />

a feature.<br />

I need a more-than-amazing sound designer to<br />

create t<strong>he</strong> outer world sound design.<br />

“Stay tuned.”<br />

Director Biography<br />

Born in 1982, Lucio Besana grew up in<br />

a small town near t<strong>he</strong> banks <strong>of</strong> t<strong>he</strong> river<br />

Adda, east <strong>of</strong> Milan. He’s been writing<br />

since t<strong>he</strong> age <strong>of</strong> 9. At first <strong>he</strong> created short<br />

stories and novels, t<strong>he</strong>n, as a teen, started<br />

writing stage plays for a school acting<br />

course – an activity which <strong>he</strong> kept up for<br />

t<strong>he</strong> following 10 years, writing, acting and<br />

directing dark comedies in amateur t<strong>he</strong>atre<br />

companies. At 23 <strong>he</strong> was selected for<br />

t<strong>he</strong> Directing Course at t<strong>he</strong> Scuola Civica<br />

in Milan, w<strong>he</strong>re <strong>he</strong> wrote, shot and edited<br />

short films and documentaries. He’s now<br />

working as a First Assistant Director and<br />

freelance Script Editor and Filmmaker.

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