he Book of European Short Pitch. - Nisi Masa
he Book of European Short Pitch. - Nisi Masa
he Book of European Short Pitch. - Nisi Masa
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LEA TRIBOULET<br />
SOFIA B. DIDN’T SLEEP wELL<br />
Tel: +33 677 736 715<br />
E-mail: lea.triboulet@gmail.com<br />
Intention<br />
Sometimes, one reacts by withdrawing from t<strong>he</strong> world<br />
- by closing doors. It’s an instinct for survival, to protect<br />
oneself. And it’s difficult to get out <strong>of</strong>. W<strong>he</strong>n you grow<br />
up without family, w<strong>he</strong>n you have to face a hostile environment,<br />
you learn to build yourself alone, without<br />
any love.<br />
S<strong>of</strong>ia never had a family, s<strong>he</strong> is an outsider but s<strong>he</strong><br />
wants to change <strong>he</strong>r life. S<strong>he</strong> is looking for <strong>he</strong>r own<br />
family. T<strong>he</strong> most important question for S<strong>of</strong>ia is how<br />
s<strong>he</strong> will be able to relate to ot<strong>he</strong>r human beings. Meeting<br />
this man, Bernardo, and <strong>he</strong>r grandmot<strong>he</strong>r is a turning<br />
point for <strong>he</strong>r.<br />
FRANCE<br />
T<strong>he</strong> script focuses on t<strong>he</strong> confrontational relationship<br />
between two women <strong>of</strong> two different generations; how<br />
t<strong>he</strong>y evolve, how t<strong>he</strong>y tame each ot<strong>he</strong>r. It shows t<strong>he</strong><br />
evolution <strong>of</strong> S<strong>of</strong>ia’s mental state. T<strong>he</strong> script was built<br />
as a progression, with cuts, passages and pieces <strong>of</strong><br />
dialogue. For t<strong>he</strong> set, I have in mind industrial mining<br />
towns. T<strong>he</strong>y are empty, lifeless. Time seems to have<br />
stopped. T<strong>he</strong> city is cold and oppressive in contrast<br />
with t<strong>he</strong> up<strong>he</strong>avals <strong>of</strong> t<strong>he</strong> characters’ inner lives. In this<br />
environment, S<strong>of</strong>ia changes and so do <strong>he</strong>r relationships<br />
with ot<strong>he</strong>rs.<br />
Synopsis<br />
16-year-old S<strong>of</strong>ia is a boarding school pupil. Solitary<br />
and distant, abandoned by <strong>he</strong>r parents, s<strong>he</strong> has an inner<br />
visible force, ready to explode. One day s<strong>he</strong> can’t<br />
stand it anymore and decides to run away.<br />
S<strong>he</strong> goes to visit t<strong>he</strong> only person s<strong>he</strong> has an address<br />
for, a grandmot<strong>he</strong>r s<strong>he</strong> never met. W<strong>he</strong>n s<strong>he</strong> arrives,<br />
t<strong>he</strong> old woman tells <strong>he</strong>r to go away but S<strong>of</strong>ia decides<br />
to stay and take advantage <strong>of</strong> t<strong>he</strong> situation. S<strong>he</strong> imposes<br />
<strong>he</strong>r presence but t<strong>he</strong> old woman rejects <strong>he</strong>r.<br />
S<strong>of</strong>ia realizes that s<strong>he</strong> is looking for <strong>he</strong>r own family.<br />
In this little industrial town <strong>of</strong> eastern France, S<strong>of</strong>ia<br />
meets Bernardo, an older Italian worker, and t<strong>he</strong>y begin<br />
to pass time toget<strong>he</strong>r without any expectations.<br />
Step by step, <strong>he</strong> begins to want to take care <strong>of</strong> <strong>he</strong>r.<br />
In parallel, S<strong>of</strong>ia and <strong>he</strong>r grandmot<strong>he</strong>r begin to tame<br />
each ot<strong>he</strong>r but it’s not easy.<br />
W<strong>he</strong>n Bernardo must go back to Italy <strong>he</strong> asks <strong>he</strong>r to<br />
go with him. S<strong>of</strong>ia cares about t<strong>he</strong>m both. S<strong>he</strong> has t<strong>he</strong><br />
possibility to leave but also t<strong>he</strong> possibility to stay. S<strong>he</strong><br />
has to make a decision.<br />
PRODUCTION FACTS<br />
SHORT FICTION – APPROxIMATE<br />
TIME : 20 MINUTES<br />
“How to confront<br />
yourself and relate<br />
to ot<strong>he</strong>rs?”<br />
Director Biography<br />
Léa Triboulet was born in 1987 in t<strong>he</strong><br />
south <strong>of</strong> France. During <strong>he</strong>r studies at t<strong>he</strong><br />
Ecole Supérieure des Arts Décoratifs <strong>of</strong><br />
Strasbourg and <strong>he</strong>r Erasmus exchange<br />
in Estonia, s<strong>he</strong> practiced set design, photography<br />
and made <strong>he</strong>r first short films.<br />
S<strong>he</strong> graduated with a Master’s degree in<br />
2010. In parallel to <strong>he</strong>r directing activities,<br />
s<strong>he</strong> works in set design both for cinema<br />
and for t<strong>he</strong> t<strong>he</strong>atre company Le théâtre<br />
destinerrant. All <strong>of</strong> t<strong>he</strong>se experiences, as<br />
well as <strong>he</strong>r trips to Eastern Europe and<br />
ot<strong>he</strong>r countries, have improved <strong>he</strong>r artistic<br />
work. S<strong>he</strong> has a poetic and contemplative<br />
approach to cinema; a cinema <strong>of</strong> contrasts,<br />
silence, empty spaces, waiting and<br />
loneliness but also <strong>of</strong> hope, movements<br />
and contradictory feelings.<br />
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