WARM BODIES Production Notes - Visual Hollywood

WARM BODIES (2013)PRODUCTION NOTESStep Up, one of Tatum's breakthrough films.A graduate of U.C. Berkeley, Richardson earned her MFA from UCLA's graduate film department.Her first film as an editor was 1988's Stand and Deliver, for director Ramón Menéndez, followedby Charles Burnett's comedy To Sleep with Anger. She later teamed with Burnett on the independentfilm The Annihilation of Fish and the ABC telefilm "Selma, Lord, Selma," before being reunitedwith Menéndez on Money for Nothing.She also edited three films for director Gregory Nava: Mi Familia; with Jimmy Smits; the biopicSelena, which launched the career of Jennifer Lopez; and Why Do Fools Fall in Love, starring HalleBerry.Among Richardson's other credits are Down in the Delta, which marked the directorial debut ofMaya Angelou; White Man's Burden, with John Travolta; and the telefilms "When Billie Beat Bobby"and "Hendrix," for which she received an Emmy® nomination.Richardson has served on the Motion Picture Editors Guild Board of Directors for eight years. Sheis also a tenured professor at the UCLA School of Film, Television and Digital Media.GEORGE LITTLE (Costume Designer) came up through the ranks as an assistant costume designeron the films Bugsy, The Peacemaker and Jarhead, where he fine-tuned his unique and powerfulchoices in costume design. His first opportunity as costume designer was on the televisionminiseries "Lincoln," for which his efforts were rewarded with an Emmy® nomination.Little went on to design for such notable films as Tony Scott's Crimson Tide and John Moore's BehindEnemy Lines. The latter led to a lasting partnership with Moore and they went on to make thefilms Flight of the Phoenix, The Omen and Max Payne. Little then began work with directorKathryn Bigelow on her Academy Award®-winning drama The Hurt Locker.Most recently Little designed costumes for Breck Eisner's The Crazies, starring Timothy Olyphant,and Bigelow's latest, Zero Dark Thirty.ADRIEN MOROT (Makeup Special Effects) has over 22 years of experience in the film and televisionindustry. He has established himself as a hands-on technician and is often found side by sidewith his team on set and elbow deep in sculpting, painting or designing his creations.In 1998 Morot established Maestro Studio FX in Montreal. The company specializes in creating anddesigning makeup effects for film and television. Morot has created memorable monsters, battlewounds, prosthetic effects and makeup for such films as Immortals, Source Code, The Day AfterTomorrow, 300, Night at the Museum and Night at the Museum 2: Battle of the Smithsonian, TheMummy: Tomb of the Dragon Emperor, The Fountain, Death Race, Punisher: War Zone, SecretWindow and Taking Lives.In 2011 Morot received an Academy Award® nomination (Best Makeup) for his subtle characteragingwork on Barney's Version, starring Paul Giamatti and Rosemund Pike.Previously Morot earned an Emmy® nomination for his work on the telefilm "Hiroshima" (1995),starring Lynne Adams. He won a Gemini Award in 2005 for his work on the made-for-television© 2013 Summit Entertainment26