Minutes of the General Assembly São Paulo, 5 ... - AICA international
Minutes of the General Assembly São Paulo, 5 ... - AICA international
Minutes of the General Assembly São Paulo, 5 ... - AICA international
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She drew attention to <strong>the</strong> fact that, although certain Sections were very good at keeping up to date with <strong>the</strong>irsubscriptions, certain o<strong>the</strong>rs, such as Bangladesh and Congo, made absolutely no attempt even to keep intouch with <strong>the</strong> Bureau about any difficulties <strong>the</strong>y might be experiencing and had, consequently, had to bedissolved.RTB referred, in passing, to <strong>the</strong> problem with <strong>the</strong> dollar exchange rate.HMH thanked AB for her valuable work and again emphasised <strong>the</strong> importance for National Sections to payover <strong>the</strong>ir subscriptions punctually. It was imperative for any Sections that had problems with <strong>the</strong>ir payments todiscuss <strong>the</strong>se with <strong>the</strong> Bureau at <strong>the</strong> earliest possible moment.AB added that <strong>the</strong>re was a financial cost to <strong>the</strong> Bureau for all <strong>the</strong> unnecessary work <strong>the</strong>y had to do, chasing upSections that were late with <strong>the</strong>ir payments – most obviously, because this took away from <strong>the</strong> time that wouldo<strong>the</strong>rwise be available for fundraising for individual projects.Liam Kelly commented that <strong>the</strong> most recent figures Board members had been given were for 2006. Hesuggested members should be given <strong>the</strong> complete outturn for <strong>the</strong> preceding year, so that <strong>the</strong>y could makeyear-on-year comparisons.AB agreed to this request and said that <strong>the</strong> respective outturns would be posted on-line in <strong>the</strong> near future.VOTE. Report unanimously approved (25 votes).HMH thanked his fellow members in <strong>the</strong> Executive Bureau for <strong>the</strong>ir contributions and proposed a short break.However, Brane Kovic suggested changing <strong>the</strong> order <strong>of</strong> <strong>the</strong> agenda, so that ‘Future Congresses’ could bedealt with before <strong>the</strong> break. This met with general agreement.3. Future Congresses2008 Congress - Australia<strong>AICA</strong> Congress 2008Evaluating Contemporary Art : Rethinking Taste, Quality and JudgementArt Gallery <strong>of</strong> <strong>the</strong> New South Wales – Sydney7-11 July 2008One <strong>of</strong> <strong>the</strong> key tasks <strong>of</strong> both <strong>the</strong> curator and <strong>the</strong> art critic is <strong>the</strong> assessment and judgement <strong>of</strong> contemporary art. While<strong>the</strong> meaning <strong>of</strong> judgement has traditionally been defined and analysed by <strong>the</strong> discipline <strong>of</strong> aes<strong>the</strong>tics, ra<strong>the</strong>r than artcriticism <strong>of</strong> art history , <strong>the</strong>re is an increasing need for all areas <strong>of</strong> art scholarship concerned with contemporary art toconsider <strong>the</strong> operation <strong>of</strong> individual and collective judgement.The need to consider how judgements are made is highlighted by <strong>the</strong> challenges <strong>of</strong> contemporary art. These include <strong>the</strong>increasingly global reach <strong>of</strong> contemporary art, as well as some <strong>of</strong> <strong>the</strong> key shifts in contemporary practice such as : <strong>the</strong>archival turn, relational aes<strong>the</strong>tics, <strong>the</strong> rise <strong>of</strong> new media and <strong>the</strong> interdisciplinarity nature <strong>of</strong> contemporary art practice,for example design art and interventionist art. These changes in art practice suggest <strong>the</strong> need <strong>of</strong> new criteria in <strong>the</strong>evaluation <strong>of</strong> art as well as knowledge <strong>of</strong> non-art matters to enable <strong>the</strong> assessment <strong>of</strong> art. In o<strong>the</strong>r words, <strong>the</strong> closeattention to artists’ material and processes that we traditionally associate with good curatorial and critical practice nowneed to be applied to an understanding <strong>of</strong> <strong>the</strong> diverse and challenging contexts <strong>of</strong> production.This conference will address questions as such : what knowledge is necessary for transnational or interdisciplinarityjudgement about contemporary art ? Do large-scale <strong>international</strong> exhibitions need a team <strong>of</strong> experts ? Does judgementalways imply <strong>the</strong> operation <strong>of</strong> taste ? Now that taste is not restricted to judgements about beauty or sublimity whatguides its operation ?Programme- Sunday 6th July : Board Meeting- Monday 7th July : Quality and Au<strong>the</strong>nticity- Tuesday 8th July : Aboriginal Art- Wednesday 9th July : Asian Art- Thursday 10th July : Biennales- Friday 11th July : <strong>General</strong> <strong>Assembly</strong>Susan Best, Secretary <strong>of</strong> <strong>AICA</strong> Australia gave a quick presentation <strong>of</strong> plans for <strong>the</strong> Congress. It would takeplace three weeks after <strong>the</strong> opening <strong>of</strong> <strong>the</strong> Sydney Biennale, and <strong>the</strong> Biennale would co-host <strong>the</strong> Congress.<strong>Minutes</strong> <strong>of</strong> GA – Sao <strong>Paulo</strong> – 5 October 2007 4/9