Grange, AndrÃ©. "La CrÃ©ation verbale dans Zazie ... - Fonds Queneau

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fers an extensive and chatty review of the 1984 colloquium in Verviers, with many citationsfrom the participants.Grosjean, Jean. "Raymond Queneau encyclopédiste." In Raymond Queneau. Cahier del'Herne #29. Ed. Andrée Bergens. Paris: Editions de l'Herne, 1975, pp. 302-304. %%This is more of a tribute than an analytical article. It reappeared in the 1999 edition.Grosjean, Jean. "Raymond Queneau: Un Adulte." Nouvelle Revue française (Paris), vol. 42#247 (juillet 1973), pp. 86-88. %% Grosjean investigates the totality of Queneau'soutlook as revealed in the collected articles of Le Voyage en Grèce rather than in specificaspects of them.Grosjean, Jean. Cf. Roger Shattuck, "Farce & Philosophy."Grössel, Hanns. "Innenansicht eines Außenseiters: Zum hundertsten Geburtstag von MaxJacob (1876-1976)." Akzente (München), vol. 23 #4 (august 1976), pp. 298-305. %%The references to Queneau (pp. 298 and 304) are only incidental.Grössel, Hanns. "Queneau lebt." Die Zeit (Hamburg), an. 34 #2 (5 januar 1979), p. 30. %%Grössel speaks of the retitling and redirecting of the Temps mêlés magazine.Grössel, Hanns. "Reichsprotektorat Frankreich. Raymond Queneaus Roman über den Kriegswinter1916/1917." Süddeutsche Zeitung (München), an. * #293 (20-21 dezember 1975),p. 50. %% Grössel looks at Ein Winter in Le Havre, Eugen Helmlé's German translationof Un Rude Hiver.Grössel, Hanns. "Surrealistische Ahrenlese. Zufallsfunde bei Aragon und Queneau." SüddeutscheZeitung (München), an. 29 #264 (15 november 1973), "Buch und Zeit," p. 5.%% Grössel considers Eugen Helmlé's German translation of Odile along with a work byAragon.Grossman, Edith. Cf. Julian Rios, Loves That Bind.Grote, Hans. Cf. Astrid Poier-Bernhard, “Oulipotische Rekurse auf das Sonett.”Grover, Frederic. "Les Années 30 dans la correspondance Gide-Paulhan." Modern LanguageNotes (Baltimore), vol. 95 #4 (may 1980), pp. 830-849. %% Grover cites a letter fromJean Paulhan to André Gide dated 17 septembre 1939. Paulhan speaks about thedispersal of the NRF team due to the war, mentioning Queneau and Petitjean in his firstwords (p. 842).Grover, Stephen. "Le Dimanche de la Vie Recreates Paris '30s." New York Herald Tribune /Washington Post (Paris), vol. * #26134 (20 janvier 1967), p. 10. %% Grover reviews thefilm version without any reference at all to the novel or to Queneau.Groza, Liviu. "Parallélismes phraséologiques franco-roumains. Le Cas des expressions 'demanderl'aman' et 'faire des salamalecs'." Revue de linguistique romane (Strasbourg), vol.60 #239-240 (juillet-décembre 1996), pp. 403-412. %% Groza just cites Queneau twiceon p. 411.Guedj, Denis. L'Empire des nombres. Collection "Découvertes." Paris: Gallimard, 1996. %%In this general work on the history and use of mathematics, Guedj describes Cent MilleMilliards de poèmes on p. 31 and cites passages from Claude Berge's "Pour une analysepotentielle de la littérature combinatoire" on pp. 164-165.Guégan, Gérard. "L'Ecrivain 'pataphysicien Raymond Queneau est mort. Mon cul! Vive Zazie."Libération (Paris), vol. * #867 (26 octobre 1976), pp. 1 and 3. %% Guégan's obituaryis on the humorous side.Guégan, Gérard. "Maître de soi-même." Les Nouvelles littéraires (Paris), an. 60 #2835 (6 mai
1982), p. 39. %% Guégan just refers to the idea of the Exercices de style.Guegnon, Gaspard. "Tu jazzes, tu jazzes, c'est tout ce que tu sais faire...!" Revue nègre (Apt,Vaucluse), vol. * #3 (décembre 1979), pp. 38-39. %% A teaser indicates that this text is"à lire en écoutant Miles Davis"; it is a mishmash of Queneau-style expressions.Guenther, Charles. Cf. Queneau, "Undergrad" and "Little Man."Guepin, J. P. "De Ideale schrijver voor schrijvers." Nieuwe Rotterdamse Courant (Rotterdam),an. 8 #234 (11 août 1978), p. CS4. %% This is a review of the Dutch translation ofExercices de style, Stijloefeningen. The title means "The ideal writer for writers."Guérard, Michel. Cf. Stéphane Mahieu, Le Phalanstère des langages excentriques.Guereschi, Edward. CR of Barbara Wright's translation of The Sunday of Life. Best Sellers(Scranton, Pennsylvania), vol. 37 #5 (august 1977), p. 137. %% Guereschi remains verymuch on the surface of this novel as well as the other Queneau works which he cites.Guérif, François. Cf. Jean-Paul Gratias and François Guérif, "Entretien avec Georges Perec."Guérin, Anne. "Anne Guérin vous raconte." L'Express (Paris), vol. * #493 (24 novembre1960), p. 32. %% This is on the 1960 Prix Goncourt: Queneau laughs...Guérin, Anne. "Le Mouton noir." L'Express (Paris), vol. * #528 (27 juillet 1961), p. 30. %%Guérin discusses the idea of "clubs du livre" and mentions the 1956 "Club des libraires"edition of Les Exercices de style, including two illustrations from that text.Guérin, Anne. "Zazie en Angleterre: Difficultés de traduction." L'Express (Paris), vol. * #473(7 juillet 1960), p. 30. %% Guérin has collected short comments from various British reviewson Barbara Wright's translation of Zazie dans le métro.Guérin, Jean. "A propos du monde physique." Nouvelle Revue française (Paris), an. 5 #52(avril 1957), p. 745. %% This is almost exclusively a major extract from Queneau, "Lorsquel'esprit..." Claude Rameil adds ("Bibliographie," p. 369): "Le même extrait traduit enitalien figure aux pages 40-41 du Catalogue de l'exposition Alfred Jarry à la LibrairieFran-çaise de Milan du 30 novembre au 18 décembre 1960."Guérin, Jean. CR of Le Chiendent. Nouvelle Revue française (Paris), vol. 42 #247 (avril1934), p. 727. %% Guérin finds Le Chiendent 15 years behind the times and very uneven.Guérin, Jean. "Divers." Nouvelle Revue française (Paris), vol. 18 #107 (novembre 1961), p.935. %% Guérin merely recopies a passage from pp. 10-11 of Queneau's "Adresse à laDécade."Guérin, Jean. This is the "pseudonyme de Jean Paulhan ou de Marcel Arland, comme directeursde la N.R.F.": cf. Jean Paulhan, 226 Lettres inédites de Jean Paulhan, p. 469. Cf.also Bernard Frank, "Deux Mauvaises Histoires."Guérin, Jeanyves. Postface. In Chiens écrasés by Jacques Audiberti. Fontfroide-le-Haut(Montpellier): Fata Morgana, 2000, pp. 105-110. %% This book is a collection of humaninterest stories which Audiberti wrote during his early years. In his preface, Guérin establishesa relationship between Queneau, Audiberti, and Léon-Paul Fargue in regard to theconcept of "piéton de Paris" (p. 106). He also mentions the origin of the word "texticule"and cites Audiberti's use of the word in a letter from 1934 (p. 108).Guérin, Jeanyves. "Queneau poète de roman face au Nouveau Roman." Roman 20-50 (Lille),vol. * #4 (décembre 1987), pp. 73-82. %% While touching on the "nouveau roman" andQueneau's relation to it, Guérin concentrates most especially on Les Fleurs bleues.Guérin, Jeanyves. "Texte et théâtralité chez Audiberti." Modern Language Studies (Kingston,Rhode Island), vol. 11 #1 (winter 1980-1981), pp. 64-74. %% Guérin concerns himself
Page 8 and 9: with the similarity of the views of
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Page 12 and 13: This is a sort of recommendation of
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Grange, AndrÃ©. "La CrÃ©ation verbale dans Zazie ... - Fonds Queneau

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