Grange, André. "La Création verbale dans Zazie ... - Fonds Queneau

with the similarity of the views of Queneau and Jacques Audiberti on language. This isthe magazine of the Northeast Modern Language Association.Guérin, Raymond. "Du poulain au pur sang." La Parisienne (Paris), vol. * #15 (mars 1954),pp. 318-326. %% Guérin discusses the choosing of literary prizes by various "académies."He mentions Queneau (p. 320) as a joker who lightens up their discussions, but he stilldislikes the system and mocks it.Guermantes. "Au temps de la 'Revue Blanche'." Le Figaro (Paris), an. 126 #235 (1 ier avril1952), p. 1. %% Queneau makes a comment comparing the Académie Goncourt membersto the staff of the Revue Blanche: the Goncourts have more fun.Guermantes. "Cette Grande Fille ma voisine." Le Figaro (Paris), an. 139 #6514 (9 août 1965),p. 1. %% This is on the Tour Eiffel and just cites the opening word from Zazie dans lemétro.Guermantes. "Pour Don Carlos..." Le Figaro (Paris), vol. 138 #6048 (18 février 1964), p. 1.%% This is almost completely without interest for Queneau, who is barely mentioned: awoman is called a "Zazie des neiges."Guermantes. "Les Tribulations d'un tableau." Le Figaro (Paris), an. 126 #2297 (28 janvier1952), p. 1. %% Guermantes was in Belgium with the Académie Goncourt and describesa visit to a church in Gand to see a painting. For the explicit Queneau connection, cf.Henri van Nieuwenhuyze, "Queneau à Anvers."Guermantes. This was the pseudonym of Gérard Bauër.Guermès, Sophie. Le Vin et l'encre: La Littérature française et le vin du XIII e au XX e siècle.Bordeaux: Mollat, 1997. %% Guermès includes (p. 365) Queneau's Battre la campagne:"Le Vigneron dans sa vigne" and Fendre les flots: "L'Homme et la bouteille." The coverof the book includes a reproduction of Queneau's painting, "Le Dompteur de tire-bouchons."Guerre, Pierre. CR of the Encyclopédie de la Pléiade: Histoire des littératures, tome I. Cahiersdu Sud (Marseille), an. 43 #335 (* 1956), pp. 131-134. %% Guerre goes to some lengthin outlining the various literatures treated and in pointing out references, but in general heis quite happy with the Encyclopédie de la Pléiade and its thrust.Guerre, Pierre. CR of the Encyclopédie de la Pléiade: Histoire des littératures, tome III.Cahiers du Sud (Marseille), an. 46 #351 (* 1959), pp. 298-300. %% Guerre continues tobe positive, but he is not enthused about the structure of this volume and again has somereserves about what is not included.Guesdon, Christine. "La Logique de la fiction dans les romans de Queneau." Mémoire demaîtrise. Directeur C. Roubaud. Paris: Université de Paris III (Sorbonne nouvelle), 1982.%% This thesis is rather diffuse in the development of its title.Guest, Harry. "The Pierrot Show." PN Review (Manchester, England), vol. 15 #5 (= #67) (*1989), pp. 58-61. %% Guest reviews the Atlas editions of Barbara Wright's translation ofPierrot mon ami and of H. J. Kaplan's translation of The Skin of Dreams, as well as thetranslations of Maurice Blanchot's The Last Man and Michel Tournier's The GoldenDroplet. The expanded title of this magazine is "Poetry Nation Review."Guette, Jean. "Qui protégera l'écrivain?" Combat (Paris), an. 9 #1808 (27 avril 1950), p. 4.%% Guette continues discussion of the Henry Miller controversy and just barely namesQueneau as a member of the defense committee. Cf. Anonymous, "A Messieurs les jugesdu tribunal correctionel de Nancy" and "Pour quatre libraires de Nancy"; J. G., "Une Nou-