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11.512 Schulich Fall Rev_Layout 1 - The Schulich School of ...

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SCIENCE OFSET DESIGNFor the record, yes, newsets are designed, builtand installed for virtuallyevery play that is produced.Occasionally set pieceslike furniture may bereused but sets aredesigned and built to thespecific requirements <strong>of</strong>the play, the stage and thetech nology at the venue.<strong>The</strong> technology canbe a game changer. Awardwinning set and lightingdesigner Terry Gunvordahlhas created sets for most<strong>of</strong> the theatre companiesin Calgary. “Stage designhas become dependenton the technologyand equipment availableat the various venues,”says Gunvordahl. “Much<strong>of</strong> what designers do todayinvolves taking an <strong>of</strong>f-theshelfsolution to a problemand adapting it.”I have seen lightingand sound create a jailcell, an ascending elevator,a moving train, evena pipeline – all on acompletely bare stage.Shadows and soundschange to suggest time<strong>of</strong> day, locale and season.Imagine you hear palmtrees swaying, or ablizzard howling. That’sthe magic <strong>of</strong> live theatre.Set designers, asGunvordahl attests, areexperts at creating fantasyworlds that change on adime. A bedroom becomesa crowded street. An elevatorbecomes a nightclub.In some venues, sets can‘fly’ in from above. In others,you may need a revolvingstage deck or, <strong>of</strong>ten, simplyclever manipulation <strong>of</strong>multi-purpose set features.Technology has influencedall <strong>of</strong> these designelements in recent years.Advances in hydraulics,digital and touch screentechnology, projectionand sound recording allowaudiences to interact withthe performance in muchmore exciting ways. Cirquedu Soleil is a stunningexample <strong>of</strong> how technologycan create a world whereanything is possible.Occasionally, sciencenot only helps to createthe story, it is the story.One <strong>of</strong> Downstage <strong>The</strong>atre’smost popular productions,In <strong>The</strong> Wake, is a charming,highly physical examination<strong>of</strong> geo-engineering andeco-terrorism. A heavytopic becomes a comic,memorable, thought-provokingplay in the deft hands<strong>of</strong> the Downstage ensemble.<strong>The</strong> entire play takesplace on a bare six-footby three-foot illuminatedplatform and appearsto be deceptively low-tech.However, computertech nology is required tomanage the more than200 lighting cues essentialto the production.Peace Bridge1. 2011Artist’s rendering<strong>of</strong> the Peace Bridge.Image courtesyCity <strong>of</strong> CalgarySCHULICH 12 ENGINEER

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