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PDF Download - Society of Environmental Journalists

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Environment, staple <strong>of</strong> documentaries, inches<br />

into dramas at Sundance Film Festival<br />

PHOTO © VIVIAN STOCKMAN<br />

Feature<br />

By JoANN M. VALENTI<br />

Maria Gunnoe, featured in “The Last Mountain,” at a mountaintop removal coal mine site in West Virginia.<br />

The submissions pile to Robert Redford’s Sundance Film<br />

Festival, now in its third decade, gets deeper every year. The snow<br />

drifts blanketing Park City, UT remain about the same and half <strong>of</strong><br />

Hollywood continues to crowd onto Main Street to see films from<br />

around the world.<br />

Close to 10,000 wannabe screenings <strong>of</strong> features, shorts and<br />

documentaries poured in for SFF 2011 consideration. Nearly 4,000<br />

fit the feature-length category from which only 118 representing 29<br />

countries and 40 first-time filmmakers were selected. Of those, 95<br />

were world premieres.<br />

Given that Sundance films now regularly make their way to<br />

Academy Award nominations — “The Kids Are All Right,”<br />

“Winter’s Bone” and “Gasland,” a documentary that pushed<br />

fracking onto the nation’s agenda, from SFF 2010 showed up this<br />

year as Oscar nominees — industry reps also swarm the mountains<br />

looking for deals. Pre-fest buys included a few on my to-see list:<br />

HBO grabbed “Project Nim,” adapted from the book reporting the<br />

fate <strong>of</strong> the chimp raised as a human baby then abandoned when<br />

the research funds and interest ran dry; Sony Pictures pre-bought<br />

“Take Shelter,” more a mental-health story than an omen <strong>of</strong><br />

climate change-caused natural disasters, but you never know; and<br />

a deal seemed imminent for “Perfect Sense,” a thriller/love story<br />

16 SEJournal Spring 2011

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