VIVEKANANDA KENDRA PATRIKAessentially related to the measurement ofthe central image in the garbhagriha. Forexample, Brihatsamhita lays down that thewidth of the outer wall should be twicethe width of the garbhagriha.A temple usually has four gateways facingthe four cardinal directions. TheIshanashiva Gurudevapaddhati consistentwith its Saiva leanings, calls the doors inthe east, southand north after the namesof kalatattvas, as Shanti-dvara,Vidyadvara, Nivrittidvara and pratishthadvara (3.12.17).Pillars of various number of faces in theirshaft are called differently “rucaka’ withfour, ‘vajra’ with eight, ‘dvigunavajra’ withsixteen, ‘pratinaka’ with thirty-two facesand ‘vritta’ circular. <strong>In</strong> Mayamata, pillarswith 4, 8 and 16 faces are calledBrahmakanta, Vishnukanta andSaumyakanta and the circular one is calledRudrakanta.The garbhagriha with the central image isthe embryo, so to say, of the all-pervadingSupreme Spirit. It is filled with darknessillumined by the flickering lamp. One ifreminded of the Rig-Vedic passage, ‘<strong>In</strong> thebeginning there was darkness’ (CX.129.3).The entire temple with the garbhagriha,ardhamandapa, mahamandapa, snapanamandapa shalas, prakaras, gopuras, etc.represent the world with all the living beingsand inert matter. The images of gods, semidivinebeings, like gandharvas and yakshas,men birds and animals, trees and creepers,all these represent the manifestations ofthe Supreme Spirit, the Satchidananda. Asone turns his face in different directionshe learns sermons from the Stones; thereare puranic legends that unravel themysteries of life of the ages past andTEMPLE INDIAregions afar. <strong>In</strong> short, one is able to visualisein one sweep the vast panorama drawn onthe canvas of space and time.As a man circumambulates the five prakarasstarting from maryada and proceedingalong the bahyahara, madhyahara,antahara and garbhagriha (the last onementally), he is supposed to transcend theannamaya, pranamaya, manomaya andvijnanamaya koshas and merge in theanandamayakosha, the essence of hisbeing. This circumambulatory passage, likethe vertical ascent from the garbhagrihato the stupi already referred to points tothe ultimate goal of human conduct viz;attainment of Supreme Bliss.25
VIVEKANANDA KENDRA PATRIKA<strong>Temples</strong> in‘Divyaprabandham’S. SATYAMURTI AYYANGARThe extraordinary traits of God, namely,sowlabhya (easy accessibility),sowshilya (loving condescension) andVatsalya (tender solicitude) which areinseparable from Him, are, no doubt,displayed by Him in the high heaven also,where He stays in His transcendental(para) manifestation Vasudevosi purnah butin that realm of perfect bliss and perpetualsplendour, these qualities can hardly beperceptible, in such a marked degree asthey are in this land of dark nescience,delusion and despair. There is all thedifference between the two spheres, asbetween a light burning imperceptibly, inbroad daylight and the one shining forth,in a dark room. Like unto the whole cosmos,confined in an atom, the Supreme Lord notonly pervades the ‘Image-form’ through Hisunique power of omnipresence, but byvirtue of His Sowlabhya (easyaccessibility), He makes it His specialabode, according to the worshipper’s wish,so as to be within his/her easy reach. Here,He is the very acme of simplicity, hangingon willy-nilly to the frail mankind and tryingto redeem them, at all costs. Even so, thepilgrim centres, lauded by the Azhvarsaints, in their ecstatic hymns, collectivelyknown as Divya Prabandham, stand on aseparate footing of their own. Soaked inGod-love, the way the Azhvars took tothese centres was marvelous. Unlike theworldly men hurrying through templesTEMPLE INDIAmechanically, like race-horses, the Azhvars,blest with mystic vision, full of radiant joy,admired every little bit, the towers andturrets, the exquisite charm of the deity,the local inhabitants, the grandeur of thedwelling houses, the adjoining fields andorchards, all these acquiring refreshing newdimensions in their songs, bespeaking theirpoetic excellence, well-matched with theirspiritual ardour. No wonder then, the pilgrimcentres, lauded by them are extolled asDivya Deshas-divine territories, parexcellence. These are 108 in all, includingthe high heaven (Tirunadu) and the Milk-Ocean (Tirupparkadal) which arealtogether on different planes outside theken of the sense-buried, earth-boundmortals, but which the saints couldenvision, right from this abode, of theremaining l06 Divya Deshas spread overthis country, eleven are in the North andthe rest are in the South; there is a heavyconcentration in the territory comprised inthe former Chola Kingdom, the pilgrimcentres in that area alone being as manyas 40.Sri Vaishnava tradition has fixed thenumber of the Azhvars, once for all, attwelve, including Madhurakavi and SriAndal, since their peerless devotion isdeemed unapproachable by others,however exalted their illumination or purity.Sri Ranganatha, enshrined in the templeat Srirangam, who, according to thetraditional account (Brahmanda Purana),is the very first, self-emerged (svayamvyakta), iconic manifestation of Narayana,has also the unique distinction of havingbeen sung by all the Azhvars, in their soulstirringpsalms, with the exception ofMadhurakavi, who sang just eleven stanzas26