S T U D E N T P R O F I L E SPhoto by Bill WoodYvette Amstelveen12Yvette Amstelveen’s current titleis Visiting Scholar at the<strong>University</strong> <strong>of</strong> <strong>Michigan</strong> <strong>School</strong><strong>of</strong> Art, the first painter ever to holdthat position. But the adjective in thattitle is as meaningful to her as thenoun: she’s going to get around.Like any serious artist, she spendsher prime time in the studio. She hasalready created considerable art in her24 years, and her pieces have beenexhibited at the National Arts Club.Likewise, her academic credentials —a bachelor <strong>of</strong> fine arts from the CooperUnion in New York City and a master<strong>of</strong> fine arts in painting from U-M —are very much in order. A native <strong>of</strong>Suriname, she moved with her familyto Miami when she was eight, speaksthree languages, and was even one <strong>of</strong>Glamour magazine’s top 10 collegewomen in 1996.Photo by Bill Wood
But perhaps her true art, or calling,is beautifying people’s lives byenabling them to do their own art,whether by teaching urban childrenin their schools or immersing herselfin the Lower Cass Corridorproject in Detroit. As one <strong>of</strong> thefew painters working on the project,her plan is to use the abandonedbuildings in the neighborhoodto create temporary art installationsas a window series <strong>of</strong> paintings.By involving residents in thedesign and implementation <strong>of</strong> theinstallations, for example, by usingtheir own patterns <strong>of</strong> clothes andfaces, she wants to help them createa “neighborhood board quilt”that will immediately beautify thearea, uplift spirits, and develop agreater sense <strong>of</strong> ownership andpride in the community.What she calls “a neighborhoodboard quilt” is a variation on hertheme for the summer <strong>of</strong> 1998,when she worked with kids — inNewark, Brooklyn, and Ann Arbor— to create neighborhood canvasquilts <strong>of</strong> their self-portraits. Lastsummer, she taught teens at theAnn Arbor Art Center, free-lancedfor Martha Stewart Living magazineand did missionary work inHungary for the Assemblies <strong>of</strong> Godchurch. For two <strong>of</strong> her years atCooper Union, she commutedevery Saturday to the Bronx to, yes,teach art to children.Her art, her community activities,and her faith are interwovenfor Amstelveen. “There’s this chapterin Isaiah that talks about providingthe wanderer with shelter,clothing the naked, looseningchains and cords when people areunder oppression, and your lightshall rise in the darkness,” she says.“When I go to Newark or ConeyIsland, I could paint beautifulthings on the outside, but if I canaffect that life, allow them to seebeauty through art, then that’s whatI want to do.” ■Photo by Yvette Amstelveen2 Timothy 2:20in the Private Collection <strong>of</strong> John WoodfordPhoto by Yvette Amstelveen13