13.07.2015 Views

Effects of Audio-Video Asynchrony on Viewer's ... - Pixel Instruments

Effects of Audio-Video Asynchrony on Viewer's ... - Pixel Instruments

Effects of Audio-Video Asynchrony on Viewer's ... - Pixel Instruments

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<str<strong>on</strong>g>Effects</str<strong>on</strong>g> <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Audio</str<strong>on</strong>g>-<str<strong>on</strong>g>Video</str<strong>on</strong>g> <str<strong>on</strong>g>Asynchr<strong>on</strong>y</str<strong>on</strong>g> <strong>on</strong>Viewer’s Memory, Evaluati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> C<strong>on</strong>tent andDetecti<strong>on</strong> AbilityResearch Report Prepared for<strong>Pixel</strong> <strong>Instruments</strong>Byr<strong>on</strong> ReevesDavid VoelkerStanford UniversityOctober 1993


<str<strong>on</strong>g>Effects</str<strong>on</strong>g> <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Audio</str<strong>on</strong>g>-<str<strong>on</strong>g>Video</str<strong>on</strong>g> <str<strong>on</strong>g>Asynchr<strong>on</strong>y</str<strong>on</strong>g> <strong>on</strong> <strong>Viewer's</strong> Memory,Evaluati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> C<strong>on</strong>tent and Detecti<strong>on</strong> AbilityResearch Questi<strong>on</strong>s:1. Does audio-video asynchr<strong>on</strong>y change viewers' evaluati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> televisi<strong>on</strong> c<strong>on</strong>tent, andmemory for televisi<strong>on</strong> c<strong>on</strong>tent?2. Can viewers detect audio-visual asynchr<strong>on</strong>y in televisi<strong>on</strong> programs?Experimental Methods:1. Laboratory experiment: c<strong>on</strong>ducted at Stanford University.2. Procedure: People viewed three different versi<strong>on</strong>s (no asynch, 2.5 fields asynch, 5fields asynch) <str<strong>on</strong>g>of</str<strong>on</strong>g> six televisi<strong>on</strong> segments. After each segment, viewers evaluated thespeakers in the segments. After viewing all segments, viewers were tested for memory <str<strong>on</strong>g>of</str<strong>on</strong>g>the segments, and they were asked if they could detect synchr<strong>on</strong>izati<strong>on</strong> problems in thesegments.3. Subjects: 18 adults between the ages <str<strong>on</strong>g>of</str<strong>on</strong>g> 19 and 45; half men, half women.4. Equipment: All video material was shown to single viewers <strong>on</strong> a rear-projecti<strong>on</strong> screenusing a 3/4 in S<strong>on</strong>y U-Matic with an Eiki video projector. Subjects were seated 7 feetfrom the screen and viewed a 24 inch high picture.5. Manipulati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> audio-video synchr<strong>on</strong>izati<strong>on</strong>:Versi<strong>on</strong> #1 -- Perfect audio-video synchr<strong>on</strong>izati<strong>on</strong>Versi<strong>on</strong> #2 -- <str<strong>on</strong>g>Audio</str<strong>on</strong>g> preceded video by 2.5 video fieldsVersi<strong>on</strong> #3 -- <str<strong>on</strong>g>Audio</str<strong>on</strong>g> preceded video by 5 fields6. Descripti<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> stimuli:Message #1 -- Fitness Center ad (male and female announcers)Message #2 -- Jewelry store ad (male announcer)Message #3 -- News story about computers (female announcer)Message #4 -- Ad for radio stati<strong>on</strong> (female announcer)Message #5 -- News story with woman senator as featured speakerMessage #6 -- News story about federal budget (female newscaster)


7. Measures <str<strong>on</strong>g>of</str<strong>on</strong>g> evaluati<strong>on</strong>:Eight 8-point scales evaluating main speaker (see questi<strong>on</strong>naire):EffectiveUnderstandablePleasantInfluentialBunglingAggravatingIntelligibleAgitatedIneffectiveC<strong>on</strong>fusingUnpleasantUninfluentialSkillfulSoothingUnintelligibleCalmEight 8-point scales evaluating the overall presentati<strong>on</strong>:Well producedUnsuccessfulFastLikableUnpersuasiveRoughCast wellGoodPoorly producedSuccessfulSlowUnlikablePersuasiveSmoothCast poorlyBadAll evaluati<strong>on</strong> scales (with the excepti<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> slow/fast) summed for overall positivenegativeindex.8. Measures <str<strong>on</strong>g>of</str<strong>on</strong>g> memory:Three multiple-choice memory questi<strong>on</strong>s were asked for each <str<strong>on</strong>g>of</str<strong>on</strong>g> the six message segments.All memory questi<strong>on</strong>s (18) were then summed into an overall memory index for allinformati<strong>on</strong>.9. Measures <str<strong>on</strong>g>of</str<strong>on</strong>g> detecti<strong>on</strong> ability:Two different types <str<strong>on</strong>g>of</str<strong>on</strong>g> questi<strong>on</strong>s asked viewers whether they noticed problems with audiovideosynchr<strong>on</strong>izati<strong>on</strong>:Questi<strong>on</strong> 1: "Do you have any comments about the segments that you just viewed?" (Nomenti<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> possible synchr<strong>on</strong>izati<strong>on</strong> problems.)Questi<strong>on</strong> 2: "Please indicate in which <str<strong>on</strong>g>of</str<strong>on</strong>g> the segments you thought that the timing betweenaudio and video may have been <str<strong>on</strong>g>of</str<strong>on</strong>g>f."Viewers who menti<strong>on</strong>ed synchr<strong>on</strong>izati<strong>on</strong> problems voluntarily c<strong>on</strong>stituted a third level <str<strong>on</strong>g>of</str<strong>on</strong>g>detecti<strong>on</strong>.


Summary <str<strong>on</strong>g>of</str<strong>on</strong>g> Results:1. When audio precedes video by 5 video fields, viewers evaluate people <strong>on</strong> televisi<strong>on</strong>more negatively (e.g. less interesting, more unpleasant, less influential, more agitated,less successful). This difference is not large, but it is statistically significant. (Figures 1and 2)2. <str<strong>on</strong>g>Audio</str<strong>on</strong>g>-video asynchr<strong>on</strong>y has no effect <strong>on</strong> viewer's memory for audio informati<strong>on</strong>.(Figure 3)3. Viewers can accurately tell when a televisi<strong>on</strong> segment is in perfect synch, and when itis 5 fields out <str<strong>on</strong>g>of</str<strong>on</strong>g> synch. Viewers cannot accurately tell the same segments are 2.5 fieldsout <str<strong>on</strong>g>of</str<strong>on</strong>g> synch. (Figure 4)4. Even though detecti<strong>on</strong> is low when asynchr<strong>on</strong>y is moderate (2.5 fields), viewerevaluati<strong>on</strong>s are still affected.Implicati<strong>on</strong> results1. <str<strong>on</strong>g>Audio</str<strong>on</strong>g> - visual asynchr<strong>on</strong>y does not inhibit memory for televisi<strong>on</strong> material, its changesevaluati<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g> televisi<strong>on</strong> c<strong>on</strong>tent.There are two competing theories about how audio-visual asynchr<strong>on</strong>y could influence thepsychological processing <str<strong>on</strong>g>of</str<strong>on</strong>g> televisi<strong>on</strong>. One view is that asynchr<strong>on</strong>y is c<strong>on</strong>fusing, andtherefore interferes with thoughtful processing <str<strong>on</strong>g>of</str<strong>on</strong>g> informati<strong>on</strong>. This interference couldthen preclude the mental rehearsal and elaborati<strong>on</strong> necessary to remember material;hence, asynchr<strong>on</strong>y causes poor memory.A sec<strong>on</strong>d view is that asynchr<strong>on</strong>y is unc<strong>on</strong>sciously disturbing. The experience <str<strong>on</strong>g>of</str<strong>on</strong>g> thisdisturbance (which is experienced as bad feelings) is then transferred to the primaryc<strong>on</strong>tent <str<strong>on</strong>g>of</str<strong>on</strong>g> the messages; hence, asynchr<strong>on</strong>y causes negative evaluati<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g> speakers andmaterial with little or no c<strong>on</strong>scious awareness <str<strong>on</strong>g>of</str<strong>on</strong>g> the effect.The data in this experiment support the sec<strong>on</strong>d theory. There were no effects <str<strong>on</strong>g>of</str<strong>on</strong>g>asynchr<strong>on</strong>y <strong>on</strong> memory, and if anything memory was slightly better when the messageswere maximally out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync (perhaps because asynchr<strong>on</strong>y attracts greater attenti<strong>on</strong>). Butsignificant negative effects were found for the influence <str<strong>on</strong>g>of</str<strong>on</strong>g> asynchr<strong>on</strong>y <strong>on</strong> evaluati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g>televisi<strong>on</strong> segments and people in them.Based <strong>on</strong> this experiment, the following could be said about the necessity <str<strong>on</strong>g>of</str<strong>on</strong>g> correctingsynchr<strong>on</strong>izati<strong>on</strong> errors: The presence <str<strong>on</strong>g>of</str<strong>on</strong>g> audio-video asynchr<strong>on</strong>y will cause material to benegatively evaluated and remembered well - perhaps the worst commercial outcome <str<strong>on</strong>g>of</str<strong>on</strong>g> apersuasive message.


2. Awareness <str<strong>on</strong>g>of</str<strong>on</strong>g> audio-video asynchr<strong>on</strong>y is not necessary for synchr<strong>on</strong>izati<strong>on</strong> problemsto have psychological effect.Half <str<strong>on</strong>g>of</str<strong>on</strong>g> the subjects could identify the synch problems and half could not, yet bothgroups were affected by the problem. Therefore, an appropriate criteri<strong>on</strong> for judgingthe need for asynch correcti<strong>on</strong> is not the subjective awareness <str<strong>on</strong>g>of</str<strong>on</strong>g> average viewers oreven technicians. Rather, the correcti<strong>on</strong> is justified because <str<strong>on</strong>g>of</str<strong>on</strong>g> this experiment whichwas able to dem<strong>on</strong>strate effects that viewers were unable to define or discuss.3. The magnitude <str<strong>on</strong>g>of</str<strong>on</strong>g> the effect <str<strong>on</strong>g>of</str<strong>on</strong>g> audio-video asynchr<strong>on</strong>y is statistically small but quitelarge to the cost <str<strong>on</strong>g>of</str<strong>on</strong>g> correcti<strong>on</strong>.The size <str<strong>on</strong>g>of</str<strong>on</strong>g> differences in the experiment were small. Even though differences werenot due to chance, the differences <strong>on</strong>ly accounted for small amount <str<strong>on</strong>g>of</str<strong>on</strong>g> the variati<strong>on</strong> inevaluati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> televisi<strong>on</strong> c<strong>on</strong>tent. So it’s <strong>on</strong>ly fair to say that many othercharacteristics <str<strong>on</strong>g>of</str<strong>on</strong>g> televisi<strong>on</strong> c<strong>on</strong>tent, and methods <str<strong>on</strong>g>of</str<strong>on</strong>g> presenting c<strong>on</strong>tent are moreimportant than the degree <str<strong>on</strong>g>of</str<strong>on</strong>g> synchr<strong>on</strong>izati<strong>on</strong> studied in this experiment.However, the size <str<strong>on</strong>g>of</str<strong>on</strong>g> the synchr<strong>on</strong>izati<strong>on</strong> effect is certainly large to the dollar cost <str<strong>on</strong>g>of</str<strong>on</strong>g>correcting the problem. There are not many points in the post-producti<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g>televisi<strong>on</strong> where significant negative effects can be precluded with an easy andrelatively cheap interventi<strong>on</strong>.


The Effect <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Audio</str<strong>on</strong>g>-<str<strong>on</strong>g>Video</str<strong>on</strong>g> <str<strong>on</strong>g>Asynchr<strong>on</strong>y</str<strong>on</strong>g><strong>on</strong> Evaluati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> SegmentsFigure 1


The Effect <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Audio</str<strong>on</strong>g>-<str<strong>on</strong>g>Video</str<strong>on</strong>g> <str<strong>on</strong>g>Asynchr<strong>on</strong>y</str<strong>on</strong>g><strong>on</strong> Evaluati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> Individual SegmentsFigure 2


The Effect <str<strong>on</strong>g>of</str<strong>on</strong>g> <str<strong>on</strong>g>Audio</str<strong>on</strong>g>-<str<strong>on</strong>g>Video</str<strong>on</strong>g> <str<strong>on</strong>g>Asynchr<strong>on</strong>y</str<strong>on</strong>g> <strong>on</strong> MemoryFigure 3


Number <str<strong>on</strong>g>of</str<strong>on</strong>g> Correct Identificati<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g> A/V <str<strong>on</strong>g>Asynchr<strong>on</strong>y</str<strong>on</strong>g>by Individual SegmentsFigure 4


Number <str<strong>on</strong>g>of</str<strong>on</strong>g> Subjects who Noticed That Some Spots WereOut <str<strong>on</strong>g>of</str<strong>on</strong>g> SyncFigure 5


Televisi<strong>on</strong> StudyThank you for participating in this study. We’re interested in how viewersevaluate people who have seeking roles <strong>on</strong> TV. I’m going to show you severalbrief segments <str<strong>on</strong>g>of</str<strong>on</strong>g> people talking. After each segment, we’ll pause briefly sothat you can answer a few written questi<strong>on</strong>s about the featured speaker.Some <str<strong>on</strong>g>of</str<strong>on</strong>g> the segments have more than <strong>on</strong>e pers<strong>on</strong> talking. We’re mostinterested in the main pers<strong>on</strong> who is speaking each segment, and that’s thepers<strong>on</strong> we’ll ask you to evaluate.We’ll do a practice segment first.


Practice SegmentListed below are pairs <str<strong>on</strong>g>of</str<strong>on</strong>g> words that are opposite in meaning. For each word pair, pleasecircle the number that best corresp<strong>on</strong>ds to your opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the man who is the mainspeaker.I thought the man was…1. Understandable 1 2 3 4 5 6 7 8 C<strong>on</strong>fusing2. Ineffective 1 2 3 4 5 6 7 8 Effective3. Pleasant 1 2 3 4 5 6 7 8 UnpleasantFor each <str<strong>on</strong>g>of</str<strong>on</strong>g> the following word pairs, please circle the number that best corresp<strong>on</strong>ds toyour opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the overall presentati<strong>on</strong>.I thought the overall presentati<strong>on</strong> was…4. Well produced 1 2 3 4 5 6 7 8 Poorly produced5. Unsuccessful 1 2 3 4 5 6 7 8 Successful6. Fast 1 2 3 4 5 6 7 8 Slow


Jewelry store commercialListed below are pairs <str<strong>on</strong>g>of</str<strong>on</strong>g> words that are opposite in meaning. For each word pair, pleasecircle the number that best corresp<strong>on</strong>ds to your opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the man who is the mainspeaker.I thought the man was…1. Understandable 1 2 3 4 5 6 7 8 C<strong>on</strong>fusing2. Ineffective 1 2 3 4 5 6 7 8 Effective3. Pleasant 1 2 3 4 5 6 7 8 Unpleasant4. Influential 1 2 3 4 5 6 7 8 Un-influential5. Bungling 1 2 3 4 5 6 7 8 Skillful6. Aggravating 1 2 3 4 5 6 7 8 Soothing7. Intelligible 1 2 3 4 5 6 7 8 Unintelligible8. Agitated 1 2 3 4 5 6 7 8 CalmFor each <str<strong>on</strong>g>of</str<strong>on</strong>g> the following word pairs, please circle the number that best corresp<strong>on</strong>ds toyour opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the overall presentati<strong>on</strong>.I thought the overall presentati<strong>on</strong> was ...9. Well produced 1 2 3 4 5 6 7 8 Poorly produced10. Unsuccessful 1 2 3 4 5 6 7 8 Successful11. Fast 1 2 3 4 5 6 7 8 Slow12. Likable 1 2 3 4 5 6 7 8 Unlikeable13. Unpersuasive 1 2 3 4 5 6 7 8 Persuasive14. Rough 1 2 3 4 5 6 7 8 Smooth15. Cast Well 1 2 3 4 5 6 7 8 Cast Poorly16. Good 1 2 3 4 5 6 7 8 Bad


Budget news storyListed below are pairs <str<strong>on</strong>g>of</str<strong>on</strong>g> words that are opposite in meaning. For each word pair, pleasecircle the number that best corresp<strong>on</strong>ds to your opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the anchorpers<strong>on</strong>.I thought the anchorpers<strong>on</strong> was…1. Understandable 1 2 3 4 5 6 7 8 C<strong>on</strong>fusing2. Ineffective 1 2 3 4 5 6 7 8 Effective3. Pleasant 1 2 3 4 5 6 7 8 Unpleasant4. Influential 1 2 3 4 5 6 7 8 Uninfluential5. Bungling 1 2 3 4 5 6 7 8 Skillful6. Aggravating 1 2 3 4 5 6 7 8 Soothing7. Intelligible 1 2 3 4 5 6 7 8 Unintelligible8. Agitated 1 2 3 4 5 6 7 8 CalmFor each <str<strong>on</strong>g>of</str<strong>on</strong>g> the following word pairs, please circle the number that best corresp<strong>on</strong>ds toyour opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the overall presentati<strong>on</strong>.I though the overall presentati<strong>on</strong> was…9. Well produced 1 2 3 4 5 6 7 8 Poorly produced10. Unsuccessful 1 2 3 4 5 6 7 8 Successful11. Fast 1 2 3 4 5 6 7 8 Slow12. Likable 1 2 3 4 5 6 7 8 Unlikeable13. Unpersuasive 1 2 3 4 5 6 7 8 Persuasive14. Rough 1 2 3 4 5 6 7 8 Smooth15. Cast Well 1 2 3 4 5 6 7 8 Cast Poorly16. Good 1 2 3 4 5 6 7 8 Bad


Radio stati<strong>on</strong> night outListed below are pairs <str<strong>on</strong>g>of</str<strong>on</strong>g> words that are opposite in meaning. For each word pair, pleasecircle the number that best corresp<strong>on</strong>ds to your opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the woman who is the mainspeaker.I thought the woman was…1. Understandable 1 2 3 4 5 6 7 8 C<strong>on</strong>fusing2. Ineffective 1 2 3 4 5 6 7 8 Effective3. Pleasant 1 2 3 4 5 6 7 8 Unpleasant4. Influential 1 2 3 4 5 6 7 8 Uninfluential5. Bungling 1 2 3 4 5 6 7 8 Skillful6. Aggravating 1 2 3 4 5 6 7 8 Soothing7. Intelligible 1 2 3 4 5 6 7 8 Unintelligible8. Agitated 1 2 3 4 5 6 7 8 CalmFor each <str<strong>on</strong>g>of</str<strong>on</strong>g> the following word pairs, please circle the number that best corresp<strong>on</strong>ds toyour opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the overall presentati<strong>on</strong>.I though the overall presentati<strong>on</strong> was…9. Well produced 1 2 3 4 5 6 7 8 Poorly produced10. Unsuccessful 1 2 3 4 5 6 7 8 Successful11. Fast 1 2 3 4 5 6 7 8 Slow12. Likable 1 2 3 4 5 6 7 8 Unlikeable13. Unpersuasive 1 2 3 4 5 6 7 8 Persuasive14. Rough 1 2 3 4 5 6 7 8 Smooth15. Cast Well 1 2 3 4 5 6 7 8 Cast Poorly16. Good 1 2 3 4 5 6 7 8 Bad


Woman senator speechListed below are pairs <str<strong>on</strong>g>of</str<strong>on</strong>g> words that are opposite in meaning. For each word pair, pleasecircle the number that best corresp<strong>on</strong>ds to your opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the speaker.I thought the speaker was…1. Understandable 1 2 3 4 5 6 7 8 C<strong>on</strong>fusing2. Ineffective 1 2 3 4 5 6 7 8 Effective3. Pleasant 1 2 3 4 5 6 7 8 Unpleasant4. Influential 1 2 3 4 5 6 7 8 Uninfluential5. Bungling 1 2 3 4 5 6 7 8 Skillful6. Aggravating 1 2 3 4 5 6 7 8 Soothing7. Intelligible 1 2 3 4 5 6 7 8 Unintelligible8. Agitated 1 2 3 4 5 6 7 8 CalmFor each <str<strong>on</strong>g>of</str<strong>on</strong>g> the following word pairs, please circle the number that best corresp<strong>on</strong>ds toyour opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the overall presentati<strong>on</strong>.I thought the overall presentati<strong>on</strong> was…9. Well produced 1 2 3 4 5 6 7 8 Poorly produced10. Unsuccessful 1 2 3 4 5 6 7 8 Successful11. Fast 1 2 3 4 5 6 7 8 Slow12. Likable 1 2 3 4 5 6 7 8 Unlikeable13. Unpersuasive 1 2 3 4 5 6 7 8 Persuasive14. Rough 1 2 3 4 5 6 7 8 Smooth15. Cast Well 1 2 3 4 5 6 7 8 Cast Poorly16. Good 1 2 3 4 5 6 7 8 Bad


Fitness club commercialListed below are pairs <str<strong>on</strong>g>of</str<strong>on</strong>g> words that are opposite in meaning. For each word pair, pleasecircle the number that best corresp<strong>on</strong>ds to your opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the woman in the commercial.I thought the woman was…1. Understandable 1 2 3 4 5 6 7 8 C<strong>on</strong>fusing2. Ineffective 1 2 3 4 5 6 7 8 Effective3. Pleasant 1 2 3 4 5 6 7 8 Unpleasant4. Influential 1 2 3 4 5 6 7 8 Uninfluential5. Bungling 1 2 3 4 5 6 7 8 Skillful6. Aggravating 1 2 3 4 5 6 7 8 Soothing7. Intelligible 1 2 3 4 5 6 7 8 Unintelligible8. Agitated 1 2 3 4 5 6 7 8 CalmFor each <str<strong>on</strong>g>of</str<strong>on</strong>g> the following word pairs, please circle the number that best corresp<strong>on</strong>ds toyour opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the overall presentati<strong>on</strong>.I thought the overall presentati<strong>on</strong> was…9. Well produced 1 2 3 4 5 6 7 8 Poorly produced10. Unsuccessful 1 2 3 4 5 6 7 8 Successful11. Fast 1 2 3 4 5 6 7 8 Slow12. Likable 1 2 3 4 5 6 7 8 Unlikeable13. Unpersuasive 1 2 3 4 5 6 7 8 Persuasive14. Rough 1 2 3 4 5 6 7 8 Smooth15. Cast Well 1 2 3 4 5 6 7 8 Cast Poorly16. Good 1 2 3 4 5 6 7 8 Bad


Computer privacy storyListed below are pairs <str<strong>on</strong>g>of</str<strong>on</strong>g> words that are opposite in meaning. For each word pair, pleasecircle the number that best corresp<strong>on</strong>ds to your opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the anchorpers<strong>on</strong>.I thought the anchorpers<strong>on</strong> was…1. Understandable 1 2 3 4 5 6 7 8 C<strong>on</strong>fusing2. Ineffective 1 2 3 4 5 6 7 8 Effective3. Pleasant 1 2 3 4 5 6 7 8 Unpleasant4. Influential 1 2 3 4 5 6 7 8 Uninfluential5. Bungling 1 2 3 4 5 6 7 8 Skillful6. Aggravating 1 2 3 4 5 6 7 8 Soothing7. Intelligible 1 2 3 4 5 6 7 8 Unintelligible8. Agitated 1 2 3 4 5 6 7 8 CalmFor each <str<strong>on</strong>g>of</str<strong>on</strong>g> the following word pairs, please circle the number that best corresp<strong>on</strong>ds toyour opini<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> the overall presentati<strong>on</strong>.I thought the overall presentati<strong>on</strong> was…9. Well produced 1 2 3 4 5 6 7 8 Poorly produced10. Unsuccessful 1 2 3 4 5 6 7 8 Successful11. Fast 1 2 3 4 5 6 7 8 Slow12. Likable 1 2 3 4 5 6 7 8 Unlikeable13. Unpersuasive 1 2 3 4 5 6 7 8 Persuasive14. Rough 1 2 3 4 5 6 7 8 Smooth15. Cast Well 1 2 3 4 5 6 7 8 Cast Poorly16. Good 1 2 3 4 5 6 7 8 Bad


Listed below are some lines <str<strong>on</strong>g>of</str<strong>on</strong>g> dialog from the segments you saw. Each line has fourpossible completing phrases. In each group, <strong>on</strong>ly <strong>on</strong>e <str<strong>on</strong>g>of</str<strong>on</strong>g> the phrases was actually spokenin that positi<strong>on</strong>; the other three were not. Please circle the phrase that you think wasactually spoken. Try to match the exact wording <str<strong>on</strong>g>of</str<strong>on</strong>g> the phrase that was spoken in thesegment. If you can’t remember exactly, please circle your best guess.Fitness club commercial1.”24-Hour Nautilus has a…manager’sOnce-in-a-lifetimeMiraculousHeart-pumping...special happening now.’2. “Now you can start working out… to look your best.”To t<strong>on</strong>e up and slim down.”To get in shape.”For less than you’d expect.”3. “A great“The ideal … workout for the perfect price.”“The perfect“The ultimateJewelry store commercial4. “You could even win a… diam<strong>on</strong>d solitaire.”Thousand-dollar watch.”Hawaiian vacati<strong>on</strong>.”24-carat gold bracelet.”5. “The Diam<strong>on</strong>d Center’s… Easter eggwin-a-prizeAnniversaryHoliday…extravaganza is underway.”6. “We’ve got credit, we’ve got prizes, and we have… four c<strong>on</strong>venient locati<strong>on</strong>s.”Low, low prices.”Beautiful jewelry.”Lots <str<strong>on</strong>g>of</str<strong>on</strong>g> inventory.”


In some <str<strong>on</strong>g>of</str<strong>on</strong>g> the segments you saw, the timing <str<strong>on</strong>g>of</str<strong>on</strong>g> the audio with the video may have been<str<strong>on</strong>g>of</str<strong>on</strong>g>f. Please indicate in which <str<strong>on</strong>g>of</str<strong>on</strong>g> the segments, if any, you think the timing was <str<strong>on</strong>g>of</str<strong>on</strong>g>f (or“out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync”). The segments may be listed in an order different from the order in whichyou saw them.Circle <strong>on</strong>e for eachJewelry store commercial: in sync out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync d<strong>on</strong>’t knowBudget news story: in sync out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync d<strong>on</strong>’t knowRadio stati<strong>on</strong> night out: in sync out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync d<strong>on</strong>’t knowWoman senator speech: in sync out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync d<strong>on</strong>’t knowFitness club commercial: in sync out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync d<strong>on</strong>’t knowComputer privacy story: in sync out <str<strong>on</strong>g>of</str<strong>on</strong>g> sync d<strong>on</strong>’t know

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!