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Yearbook of the Independent Performing Arts Scene in Serbia - TkH

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In/Visible Cityphotography: Đorđe Tomićdah teatarJadranka Adjelić and Dijana Milošević formed DAH Theatre <strong>in</strong> 1991 out<strong>of</strong> <strong>the</strong> need for pr<strong>of</strong>ound experimental work. In 1991 actress Maja Mitićjo<strong>in</strong>ed <strong>the</strong> Dah Theatre, and actress Sanja Krsmanović Tasić jo<strong>in</strong>ed <strong>in</strong> 1993.In 1993 Dah Theatre enlarged its activities by form<strong>in</strong>g <strong>the</strong> DAH TheatreResearch Centre with an ongo<strong>in</strong>g program <strong>of</strong> workshops, lectures, sem<strong>in</strong>ars,guest performances and festivals.For members <strong>of</strong> Dah Theatre DAH means to brea<strong>the</strong> <strong>in</strong>, to collect <strong>the</strong>strenght, to persist, to be spiritual, to keep <strong>the</strong> warmth <strong>of</strong> creation,movement.Dah Theatre performed and led workshops all over Europe, USA, Australiaand New Zealand.Dah Theatre with collaboratorsPerformances: Vranje 19, 20, 21. February; Subotica 18, 19, 20. March, Indjija 8, 9,10. April; Novi Sad 23. June; Sien i Porsgrunn (Norway) 2, 3, 4. i 5. September;Belgrade, 10. December.In/Visible City is a series <strong>of</strong> performances that take place <strong>in</strong> Belgrade and <strong>Serbia</strong>buses. Dur<strong>in</strong>g <strong>the</strong> bus ride <strong>the</strong> performers, throught texts, songs, music <strong>of</strong> differentethnical comunities, <strong>in</strong>troduce <strong>the</strong> passengers with different parts <strong>of</strong> <strong>the</strong> city, emphasiz<strong>in</strong>ghow many different nationalities lives/lived <strong>in</strong> <strong>the</strong> city.By plac<strong>in</strong>g <strong>the</strong> <strong>the</strong>atrical actions <strong>in</strong> buses and trams we wanted to make <strong>the</strong> dailysituation <strong>of</strong> public transport unusual, and to po<strong>in</strong>t out <strong>the</strong> richness <strong>of</strong> diversity, alsoto <strong>in</strong>spire and stimulate <strong>the</strong> citizens/passengers to be more tolerant.We have chosen <strong>the</strong> tram or bus as a place <strong>of</strong> concentrated space <strong>in</strong> which our communallife and tolerance towards <strong>the</strong> o<strong>the</strong>rs is be<strong>in</strong>g tested.REVIEW“I felt so much positive energy, and found out a lot about Subotica as well. I camehere from Sarajevo and I was well received, but experience from <strong>the</strong> bus today I'lltell to people for as long as I live. People need actions such as this and it would benice if <strong>the</strong>y were more frequent.”Draga Bulatović, passangeron <strong>the</strong> No. 6 bus, Suboticaworks2007: In Search <strong>of</strong> <strong>the</strong> City, <strong>the</strong> ru<strong>in</strong>s <strong>of</strong> <strong>the</strong> NationalLibrary on Kosančićev Venac; 2006: Story <strong>of</strong> Tea,DAH Theatre; 2005/2006: The Guide Through <strong>the</strong>Alternative History <strong>of</strong> Belgrade, squares and streets<strong>of</strong> Belgrade; 2005: Alice and Kafka are Dead/LongLive <strong>the</strong> Rosenbergs, Atlanta, USA; 2002: CirqueMacabre, Bitef Theatre; Danc<strong>in</strong>g with Darkness,REX, DAH Theatre; Inner Mandala; MTM, Mostar(B&H); 2000: Maps <strong>of</strong> Forbidden Rememberance,Atlanta, USA; 1999: Document <strong>of</strong> Times, Novi Sad;Travellers……1992: The Gifts from Our Ancestors.cONTAcTDAH Teataraddress: Marulićeva 811000 Belgradetelephone: +381 11 244 1680fax: +381 11 244 1680e-mail: dahteatar@sbb.co.yuweb: www.dahteatarcentar.orgr a s [47]t e r

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