Chanhassen Dinner Theatre Rulebook 05-07 - Actors

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(2) If the minimum rest period as specified in Paragraph (1) above cannot begiven, one of the following shall apply:(a) If the Actor receives less than 1½ hours’ rest exclusive of half-hour, butmore than one hour’s rest exclusive of half-hour, between performances,the Producer, at the Producer’s expense, shall provide a choice of anutritional vegetarian or non-vegetarian meal or, at the Producer's option,provide the Actor with a payment of no less than $10.00.(b) If the Actor receives less than one hour’s rest exclusive of half-hour, theActor must be provided with a choice of a nutritional vegetarian or nonvegetarianmeal at the Producer's expense.(c) The Producer may ask the Actor to make the meal selection one weekin advance.(3) Matinees are permitted on a day after a Designated Day Off if there are twoDays Off in the week of the performance or if there is no performance on theSunday evening before the Designated Day Off.(4) No performance may be given on a day scheduled as a Designated Day Offin the week except with the consent of Equity and under such terms andconditions as prescribed by it.(G) Service During the Performance.(1) The performance shall not begin until all aisles, ramps, and stairs used asexits, entrances, or playing areas during the show have been cleared. Theyshall be kept clear during the performance.(2) There shall be no clearing of dishes, no scheduled table or bar service offood or drinks, nor any collecting of payments during the performance exceptwhere production techniques so direct as an integral part of the play. Theforegoing does not apply to intermissions.46. PERFORMANCES LOST.(A) If the company as a whole cannot perform because of fire, accident, strikes,riot, Act of God, or the public enemy, which could not be reasonably anticipated orprevented, the Actor shall not be entitled to any salary for the time during which theActor’s services shall not for such reason or reasons be rendered. Should any ofthe foregoing conditions continue for a period of 10 days or more, either party mayterminate the contract, and the Producer will pay the Actor for all services renderedto date and transportation back to the Actor’s place of residence as stated in thecontract.The word "strikes" as used in this Rule shall not include strikes within the theatrearising because of the default of the Producer or which strikes the Producer couldhave reasonably prevented.(B) If the performances are not given because of a claimed application ofParagraph (A) of this Rule, any Actor who remains at or near the theatre locationand away from the Actor’s bona fide place of residence at the direction of the43
Producer, shall receive a per diem payment of 1/7 of minimum salary for each daythat performances are not given, in no event shall the combined per diem andperformance payments exceed the Actor’s weekly contractual salary. If it isdetermined that this Rule does not apply to the particular situation, the per diempayments made to the Actor may be used as a set-off against any salary paymentsfound to be due.(C) Any dispute between the Producer and Equity as to whether section (A) appliesto any given situation may be submitted to arbitration pursuant to Rule 6,ARBITRATION, and such determination shall be final.47. PERSONAL APPEARANCES.(A) An Actor cannot be required to be at the disposal of the Producer except withinthe specified rehearsal and performance hours.(B) During Rehearsal. Any time taken for personal appearances, newspaper, radioand TV interviews (including transportation to and from the interview site) may notinfringe upon the 12-hour rest period, without the Actor’s consent.(C) After the First Paid Public Performance. Equity sets no limit on the number andlength of personal appearances, newspaper, radio and TV interviews, arranged bythe Producer, but they shall be with the Actor's consent, at the Actor’s convenience,and the Actor shall have the right to limit the number and time devoted to suchappearances and interviews.Provided it is specified in the Actor's contract at the time of signing, in productionsrunning more than four weeks, the Producer may require the Actor to make up totwo personal appearances without additional compensation provided they are withinthe permissible weekly rehearsal hours. Such hours shall count toward the week’srehearsal hours. If such appearances occur outside the permissible rehearsalhours, however, the Actor shall be paid no less than double the overtime rate fromthe time the Actor is called for pick up until the Actor is returned to the pick up site.The Producer will give the Actor at least three days’ notice of a scheduledappearance and shall use best efforts to make the time of the appearanceconvenient to the Actor.(D) When an Actor is required by the Producer (or his authorized representative) toperform at a personal appearance and when the personal appearance comes underthe jurisdiction of AFTRA or SAG, the Producer shall notify the nearest office of theunion having jurisdiction and agrees to pay no less than the applicable AFTRA/SAGrate. The Producer and Actor agree to meet all the requirements of said union. Inaddition, whenever an Actor appears in costume on a news, talk or entertainmentprogram, said Actor shall receive not less than the applicable AFTRA/SAG rate. Ifthe Stage Manager or Dance Captain is required to be present during the televisionappearance, said Stage Manager or Dance Captain shall receive not less than therate received by the <strong>Actors</strong>.(E) The Producer shall provide round-trip transportation for all interviews andpersonal appearances arranged by the Producer or reimburse the Actor for suchcosts.44
Page 1: Actors’ Equity AssociationAGREEME
Page 4 and 5: RECOGNITIONChanhassen Dinner Theatr
Page 6 and 7: (A) Time Limit. Should the Producer
Page 8 and 9: less than 1/7 of minimum salary for
Page 10 and 11: (k) At all auditions, the Producer
Page 12 and 13: no less than 8x10 in size with the
Page 14: (F) Notice of scheduled Day of Rest
Page 18 and 19: (2) Chorus. The Producer shall furn
Page 20: een changed, the Actor, at the Acto
Page 23 and 24: (H) Touring Rider. If the Producer
Page 25: (4) In the Week of Tech/ the First
Page 29: (6) To respect the physical propert
Page 32: Actors in relation to any matter ar
Page 36: (a) There is no available public tr
Page 39 and 40: 39. LONG TERM EMPLOYMENT.(A) Every
Page 42 and 43: (1) A Stage Manager or an official
Page 44 and 45: (b) If the regularly scheduled half
Page 48 and 49: (F) The Producer shall reimburse th
Page 50 and 51: eleases, publicity material, and ad
Page 52 and 53: covered by the Actor’s contract o
Page 54 and 55: (10) Rehearsals called for the repl
Page 56 and 57: (a) When the day following the Desi
Page 58 and 59: (C) A replacement Actor who sings o
Page 60 and 61: (1) Showers. In the same building a
Page 62 and 63: foregoing provisions of this Rule.
Page 64 and 65: the overtime rate for any hours wor
Page 66 and 67: all contracts of employment shall p
Page 68 and 69: (3) An ASM who may act or understud
Page 70 and 71: (M) Assistant Stage Managers.(1) If
Page 72 and 73: may be made. Any Actor who does not
Page 74 and 75: (J) Cast Albums. Should a cast albu
Page 76 and 77: may be less than two weeks. Should
Page 78 and 79: (1) Train Transportation.(a) Day co
Page 80 and 81: (G) Consecutive Engagements. Anythi
Page 82 and 83: (E) All Understudies may be called
Page 85 and 86: ADDENDUM #1EQUITY STANDARDS FOR ACT
Page 87 and 88: INDEXAbsence from Performance or Re
Page 89 and 90: DEPUTIES ..........................
Page 91 and 92: Place of Performances..............
Page 93: Run of the Play Rider .............

Chanhassen Dinner Theatre Rulebook 05-07 - Actors

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